#Mustarinda

[emeilitta]

Residensperiod i Mustarinda, 2022, Hyrynsalmi

Residenssikuukausi Mustarindassa, 2022, Hyrynsalmi

Artist in recidence at Mustarinda, 2022, Hyrynsalmi

[mu-th-ur]

Crops Johanna Blank, Sara Blosseville Curated by Light-harvesting Complex At Mustarinda’s greenhouse in Hyrynsalmi, Finland 🔗in stories @johannablank @gueule2raie @lightharvestingcomplex #LightharvestingComplex #JohannaBlank #SaraBlosseville #Mustarinda #Hyrynsalmi #Finland #filandexhibitions #duoexhibition #duoshow #offsite #nonwhitecube #painting #scuplture #installation #art #contemporaryart #ofluxo #ofluxoplatform @ofluxoplatform (em Hyrynsalmi) https://www.instagram.com/p/CQQo3-sFqXC/?utm_medium=tumblr

#lightharvestingcomplex #johannablank #sarablosseville #mustarinda #hyrynsalmi #finland #filandexhibitions #duoexhibition #duoshow #offsite #nonwhitecube #painting #scuplture #installation #art #contemporaryart #ofluxo #ofluxoplatform

[ilaielias]

Mustarinda eli Mittumaarin hattu

2020 Villahuovutus | Felted wool

Kollektiivi Hukkaperin Kolin Ryynäsen residenssijaksolla toteutettuja tekstiiliveistoksia. Malli: Leena Reittu

#kollektiivi #kollektiivi hukkaperi #leena reittu #mustarinda #koli #koliwoolworks #kolin ryynänen #villahuovutus #huovutusvilla #huovutus #villa #villaveistos #hattu #villahattu #huopahattu #felting #wool #felting wool #wool felting #feltingwool #woolfelting #felt hat #wool hat #hat #woolsculpture

[meanwhile-na-fare]

#mustarinda

[viviennerickman]

Hyvää huomenta / Good Morning... ~ #mustarinda (at MUSTARINDA)

#mustarinda

[fatehbaz]

Turning off the highway, we descended into the petro-industrial gray zone that sprawls from Houston to the sea. A Port of Houston security guard checked our IDs and we drove past hundred-foot-long turbine blades, massive shafts, and what looked like pieces of giant disassembled robots. I asked Tim how he liked living in Houston.

“This is the dirty coast,” he said. “Dirty in the sense that something’s wrong. We’re holding this horrible, necessary energy substance - [fossil fuel] - and it’s like working in an emergency room or a graveyard or a charnel ground. You’re basically working with corpses, with fossils from millions of years ago, you’re working with deadly toxic stuff all the time, stuff that has very intense emotion connected to it. If I was going to find a word that described Texan-ness, I’d use the word ‘wild’—phenomenologically, emotionally, experientially wild.” [...] 

From Houston, the ship channel goes south through Galveston Bay, cutting a trench approximately 530 feet wide and 45 feet deep through the estuary bottom to where it passes into the Gulf of Mexico. As you follow the channel south along I-45, strip clubs and fast food franchises give way to bayou resorts and refineries, until the highway finally leaps into the air, soaring over the water with the pelicans. It comes down again in downtown Galveston, once known as “Wall Street of the South”: a mix of historic homes, drydocked oil rigs, beach bars, and the University of Texas Medical Branch. The gulf spreads sullen and muddy to the south, its placid skin broken by distant blisters of flaming steel.

Galveston Bay is a Texas paradox. One of the most productive estuaries in the United States, it offers up huge catches of shrimp, blue crab, oysters, croaker, flounder and catfish, and supports dozens of other kinds of fish, turtles, dolphins, salamanders, sharks and snakes, as well as hundreds of species of birds. Yet the bay is heavily polluted, so full of P.C.B.s, pesticides, dioxin and petrochemicals that fishing is widely restricted. The bay is Houston’s shield, protecting it from the worst of the Gulf Coast’s weather by absorbing storm surges and soaking up rainfall, but hydrologists at Rice University are worried it might also be Houston’s doom: The wide, shallow basin could, under the right conditions, supercharge a storm surge right up the ship channel. [...]

“Obviously,” he said, “it’s not just that unequal distribution is connected to ecological stuff. It is ecological. It’s not like we need to condescend to include fighting racism and these other issues under the banner of ecological thinking. It’s the other way around. These problems were already ecological because the class system [is so entwined with industrial resource extraction].”

-

Roy Scranton interviews Timothy Morton. “Anthropocene City: Houston as Hyperobject.” Mustarinda 5: Post-Fossil Fuel Culture. February 2018. [Photo 1 is Gulfo de Mexico shore at Galveston. Photos 2 and 3 are Houston Ship Channel. Photos by Roy Scranton.]

[eathdk]

Photo: John Grzinich Styling, props, light setup and text: Kristin Bergman

The last few weeks I have been collecting coffee and tea waste and been dyeing textile with it. As you can see in the photo I've caught some quite brown and beige tones from the coffee on the pieces of fabric. As I am spending a month in an artist residency at Mustarinda in northern Finland, I am using the coffee and tea waste from the house where me and the other artists are living together. Yesterday I wanted to try out if my work could function as a conversation piece, so I invited my fellow artists in residence for a coffee break. We spent an hour talking about coffee culture, waste, and the history of colonial goods as we were drinking coffee and enjoying cinnamon biscuits.

#tea #thisishdk #eathdk

[taideonarte-blog]

CURSO: ESCULTURA EN MADERA, MUSTARINDA

2. 6.8. Curso de escultura de madera en Mustarinda, Hyrynsalmi. El curso comprende todos los días 10: 00-17: 00.  

Se inspira en los árboles de edad variable del bosque  y en su diversidad. La madera es esculpida por herramientas manuales como cinceles, cuchillos y sierras. 

El curso está abierto para todos, habilidades anteriores con trabajo en madera no son necesarias. Los profesores serán los escultores Pasi Karjula y Jonna Salonen y la organizadora Hanna Kaisa Vainio. 

Precio: 100e. Incluye enseñanza, materiales, herramientas; Almuerzo + café. Alojamiento en tiendas de campaña en el patio (instalaciones dentro de la casa). Alojamiento en el interior es posible por precio por separado. 

Registro por 1.7. Vía email: [email protected] Más información: [email protected] / p. 040-7058150 Hanna. El curso es apoyado por el Centro de Promoción de Arte de Finlandia.

#mustarinda #wood sculpture #courses

[alicja-rose]

One poem i wrote in English in the depths of Finnish forests at MUSTARINDA (kiitos!) has found its way to the Lighthouse Literary Journal new issue - winter in spring - which is so true about March. Enjoy! // Jeden wiersz, który napisałam po angielsku właśnie znalazł dom w angielskich progach; czułam się trochę niepewnie, ale wędrówki w obcy język dają ciekawy rodzaj wolności ; )

#poem #poetry #wiersz #poezja #finlandia #finland #forest #lake #lighthouse journal #mustarinda #Löytöjärvi

[linnheidi]

Mustarinda Dreams

#linn heidi stokkedal #photography #photographer #analog #snapshot #analog photography #colorfilm #staybrokeshootfilm #35mm #Mustarinda #snow #snowbathing #friends #personal #filmisnotdead

[b-galleria]

Liina Aalto-Setälä: Olen maa johon tahdot B-galleria 11.-28.11.2021

Hallamittari matkaa jo pohjoiseen

minä metsästän riisihäröjä keittiössä

ja illalla nukahdan hyttysten lauluun.

Ruumiini uneksii muinaisia unia

tulevan vaaran kuvia

kuin tuuli, joka on varoittavia kuiskeita täynnä

tai tie synkistä aavistuksista pimeä.

Jossain kaukana palaa taas metsä.

Puutarhassa isä taistelee kotiloita vastaan

kuiskailee hiljaisia anteeksipyyntöjään

ja minä löysin kaarnasta kirjanpainajan salaisen viestin 

jota yritin tulkita.

Kun kuljet muurahaisen polkua

Kun jokin kutittelee housunlahkeesi alla

ja tunnet hellän hipaisun reidelläsi

teet matkaa puutiaisen kanssa

mukanasi muisto kaikesta meitä ennen eläneestä

että jonakin päivänä maaksi käymme.

Olen maa johon tahdot on oodi lahottajille, pölyttäjille ja tuholaisille; elonkehämme pienille tukipilareille. Näyttely on kuvitelma monilajisesta tulevaisuudesta ja toisenlaisesta luontosuhteesta. Videota, valokuvaa, keramiikkaa ja ääntä yhdistelevässä kokonaisuudessa on esillä hyönteisten salakirjoitusta, kirjanpainajien gallerioita, kompostin väkeä sekä toukka tulevaisuudesta.

Liina Aalto-Setälä (s.1990) on taiteen maisteriksi Aalto-yliopistosta 2019 valmistunut kuvataiteilija. Hän on osallistunut ryhmänäyttelyihin useissa eri kaupungeissa sekä tehnyt taidejulkaisuja yksin ja osana Kosminen-kollektiivia. Aalto-Setälä on yksi Helsingissä toimivan Kosminen-taidetilaa ylläpitävän kollektiivin perustajajäsenistä. Olen maa johon tahdot on Aalto-Setälän ensimmäinen yksityisnäyttely.

Näyttelyä on tukenut Taiteen Edistämiskeskus.

Kiitokset TUO TUO sekä Mustarinda -residensseille.

Tekstin on editoinut Juho Hoikka.

Näyttelytekstiin upotetut kursivoidut säkeet on lainattu mukaillen Edith Södergranin runosta ‘’Metsän hämärä’’. Södergran, Edith 1929: Levottomia unia: runoja. Suomentanut Uuno Kailas. Tulenkantajain osakeyhtiö, Helsinki.

Näyttelyn nimi on poimittu Timo K. Mukan teoksesta Maa on syntinen laulu (1964). Gummerus, Helsinki.

[meetingswithtrees]

A birch behind Mustarinda house

[kcaipainting]

Visiting Artist: Allison Wade

10/26-10/27

The KCAI Painting Department had the opportunity of hosting artist Allison Wade for a Current Perspective lecture and a department wide critique.

-

“Allison Wade is a visual artist working in sculpture and drawing. She received her MFA from the Fiber and Material Studies Department at the School of the Art Institute of Chicago and holds a BA in English literature from Stanford University. Recent solo exhibitions include Know Better at devening projects + editions (Chicago) and you and you and you at Trinity Christian College (Palos Heights, IL). Wade has been awarded residencies at Ox-Bow, ACRE, Mustarinda (Finland), and the Vermont Studio Center and has been a visiting artist at Miami University, Rhodes College, the Cranbrook Academy of Art’s Ceramics Department, and the School of the Art Institute of Chicago’s Interlink program. Born and raised in Texas, she lives and works in Chicago, where she is a Lecturer in the Department of Art Theory & Practice at Northwestern University.”

#visiting artist

[meanwhile-na-fare]

sock for scale

#mustarinda

[viviennerickman]

Late night studio time... where's the kahvi this morning? ~ #exploretocreate #wilderness (at MUSTARINDA)

#wilderness #exploretocreate

[karskitar]

At Mustarinda at Hyrynsalmi

#nature mustarinda hyrynsalmi forest photography