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#Mystery's Ramblings
wasabi-gumdrop · 2 days
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local ladies man’s signature move totally useless against autistic monster enthusiast. more on Kabru’s fumble era at 6
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daemones-angeli · 7 months
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Yes, you can wear my hoodie.
Yes, it smells like me.
Yes, I'll fuck you while you wear only that.
Anymore questions?
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devotion not as worship. but as recognition. as "i want to stand with you, and beside you." as learning. as understanding. as "i want to know you." as "i am making the choice to get to know you." as persistence. as care. as "you are knowable." as "you are lovable." devotion not as idolatry. but devotion as mortality. as a reflection. "you and i, together. equals. partners." devotion as accompaniment. devotion as humanity.
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kingsandbastardz · 3 months
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So for basically my whole life I'd grown up with and was resigned to accept that the chinese concept of formal/nice clothing of my and the previous generation has been western clothes. So at any awards ceremonies or performances, entertainers would show up mostly in western suits/dresses and maaaaaybe you'll spot the occasional cheongsam if they're going for a Wong Fei Hong vibe. Which, you know, kinda sucks if you have any concept of western cultural imperialism in asia.
So when the hanfu revivalist movement started, I was waiting to see when it would enter the mainstream -- my hope was for fashion designers to integrate traditional/dynastic elements into their work and make it common place enough that I can buy this shit online for ME. Because I WANT.
Though some of the designs can be a bit hit or miss, I am LOVING what various stars and entertainers are wearing out and about now.
Anyway - here's a collection of Xiao Shunyao's modern hanfu inspired/hybridized stage outfits from the last couple years. For his MLC performances, his stylists seem to be borrowing inspiration from his Di Feisheng and possibly other character costume silhouettes.
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I'd been seeing a few comments about how his outfits play with gender - and some of his outfits do! But I think the interesting thing to discuss is from which standard is he playing with gender? Because from a western perspective, the things he does with his western suit tops, belting on top of the jacket for a tightly cinched waist, and the addition of a trailing skirt = femme. But if you're talking from a hanfu-hybridized pov, that's just a modern take on hanfu and having any of those elements is not inherently femme and would often read masc to me.
So these things aren't necessarily gendered because they exist traditionally in chinese men's clothing or costume designs (ie video games, comics, historical fiction illustrations and film, etc, so therefore in the modern lexicon of masculine/acceptable for men):
presence or lack of a skirt
silky, velvety, gauzy or sparkly material choice, esp in formal or stage clothing
short or long length of skirt
embroidery
flowers/floral/bird designs
folding fans
certain styles of makeup
beading, gold, tassels, jewels
non-chunky jewelry
headbands
widely flowing silhouettes
What XSY's stylists are doing with some western clothing items are interesting. I'm convinced there have been one or two western jacket tops made of thinner material that they're folding over the front, and belting down instead of buttoning (which then matches with his other outfits that are designed specifically to do this). Then they're adding a skirt, cloak or bracer element to it.
The western portions often bring a military minimalist feel which they balance with a more gauzy material in the skirt or cloak portions.
Things I think are playing with gender:
row 1 - image 1: red di feisheng-inspired outfit
The lace-up girdle is there to match the bracers in both material and style. And it's positioned to be similar to the heavy belt that Di Feisheng wears. HOWEVER. That style of girdle/corset-like clothing item can't be divorced from the modern idea of sexy leather corsets. So imo, this waist piece on that outfit was a choice. Especially when paired with his allergic-to-collars-higher-than-his-sternum necklines. And if you take into context how masculine yet female coded his character is in the drama, the whole look evokes that.
row 2, image 1: black western suit with belt on top, hat, cloak, black boots and not-visible but also a black tassel fringe skirt
Hat and cloak moves the intention of the outfit from western toward a more Asian slant, because alone, it looks like a western black suit with western heeled boots, cinched waist with a lady's belt (seated photoshoot) and western style tassel skirt. The suit top consists of a vest and a shrug-like sleeve portion that appears masculine at first glance. But take the shrug and pair it with the tassel skirt (I can't find the red carpet photos but here is a better view of the skirt when seated), and I think you got a look that's both intentionally edging toward the femme in a western sense but also confusing matters by hiding within the parameters of both western and chinese traditional male styling.
row 2 - image 2 : white asymetrical western jacket styled in a front fold-over style, gauze skirt, trailing pearl embellishments
The more traditional leaning version of this is the white outfit in row 3 that he wears to the Hi6 Hello Saturday variety show -- the skirt portion on that outfit is one I'd consider non-gendered. Row 1, images 2 and 3 are examples of masculine/neutral uses of gauze that plays with flow of form but isn't inherently femme. This stage outfit is very western-appearing masculine suiting, until you hit the skirt which is giving me long ballerina tie-on skirt with the additional swan/mermaid pearl strings. Imo, another example of deliberately using traditional masculine styling but switching it up with the combination of material choice and make that is feminine.
row 2, image 3: black space military boots, black suiting, black -silver ombre sequin trailing skirt and white gauzy shawl with black floral design
The over all design is going for a masculine military-feel. (think this outfit for shen langhun) But instead of a thicker military cloak, it's replaced with a woman's gauze shawl and a skirt that trails behind him very much like the back of a woman's formal fish-tail gown when he moves around. If you take into context Wang Herun's outfit is a white-silver sequined dress cut in a way to also give a space-military-queen vibe, imo they both coordinated their outfits to balance out with both femme and masc qualities.
Thoughts? I'm curious what others think about this.
While I wait for the CNY photoshoot for XSY's red and black look, here's him with his stage collaborators with a nice range of skirt lengths, period influences and material choices. The woman in the center is the one with the most military-fighter design out of the bunch. The dudes are all in variations of formal-wear-with-good-kicking-boots (and lots of crotch space).
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kingnd · 1 year
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With the end of TOH not only capping off Disney's "loose Trilogy" with Gravity Falls, & Amphibia, it pretty much marks the end of this Golden Age of Original Children's Cartoons with Heavy syndicated storylines that started back with Adventure Time. While I don't discredit show that aren't syndicated stories or even the "brand cartoons" Like Star Wars, Transformers, or TMNT there was something magical about seeing people come up with original tales from stuff they were big fans & grew up on to create a whole era that made it cool for adults to have these theories, Excellent fanart, & to be something more then what we were used to in our youths.
I can only hope I'm wrong & one day we'll see another TOH or Steven Universe or Kipo, or Centaurworld, or Adventure Time, or Regular Show, or etc. But with recent events it leaves me less enthused. But I'll still cherish that the 2010's to the early 2020's was this marvelous & revolutionary age for TV animation.
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Out of context reimagined parts from my new #HHStargazersAU!
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⚠️ TW: Nerdy word vomit about my coloring choices ahead:
My take on human Chaggie & Radioapple's color scheme! Yes. I headcanon the Magnes as beautiful blondes with just as beautiful brown eyes. Because there's no WAY warm red & yellows translate to cool baby blues! If anything, Vaggie's eyes would be the lighter shade. (At least in my AU.) Because her canon eyes are white and I think the dark skin contrast nicely with blue. As for Alastor's green... Look. Give me a chance! I swear I can later explain it through lore!
As for their clothes, I just chose hell's red for Charline, heavenly hues for Vaggie, earthy colors for Alastor to balance the green (with some white rather than black to show his employment under the Magnes), and pastels for Lucius (though out of everyone in my story, he may undergo the most palette switches. Just saying).
Spoiler for my recent comic update: As you can see, Vaggie & Alastor's human disguises aren't perfect. Thus some parts of their hair remain unchanged. Vaggie's ineffable white bangs and Alastor's brown-passing too-vibrant red hair (which mind you, was a difficult balance to achieve. Specially to match the greens-) still ever so distinct. People think they dyed it, but I assure you, it's all natural~! Along with their near supernatural ability to charm. Lol. -Bubbly💙
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aimer-arts · 5 months
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(hands you some pmd2 doodles from the past few days)
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itachanta · 1 year
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Vash's glasses going glint
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aimless-aimz · 4 months
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the hyperfixation. it’s happening.
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volatilemask · 7 months
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so much to see
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bonus doodle that didnt fit with the rest but i still thought was cute
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trinkerichi · 1 year
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SO yesterday I decided to download a PMD SKY randomizer to make the game more interesting on a replay.
and I did the personality quiz.
and it gave me.
WAILORD.
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HES SO BIG THE OTHER SPRITES CLIP INTO HIM WHILE THEY TALK
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Also none of his face sprites show any different emotions. The mod added full face sprites for every pokemon I’ve encountered EXCEPT FOR WAILORD.
Oh also I need to point out that the opening cutscene where the partner finds you washed up on the beach is hilarious now. He’s literally a beached whale and you took him FARTHER FROM THE SEA. but THE WHALE is ok.
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thatonegeekygirl · 7 months
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thrilled that nerds ryan bergara and shane madej make a living being extremely nerdy. absolutely phenomenal
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ferretwhomst · 10 months
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i really hate when people treat mabel as The Dumb Twin compared to dipper. the creators have literally said MULTIPLE TIMES that dipper and mabel are of equal intelligence!!! yes she acts silly but she's also 12 years old!!!! the only reason dipper seems "more mature" is bc he has unfathomable levels of anxiety and overthinks everything!!!! and even then he makes some really stupid choices. he's not inherently more rational or smarter he's as much of a little kid as mabel is AGGHHGHH part of me feels like it's also at least partly bc dipper is more of a stem guy while mabel's more artsy and creative. and guess which one of those fields is considered more valuable!
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finndiseicla · 2 months
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🖕
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drawnfamiliarfaces · 1 month
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i... wrote a smol fic (っ´▽`*)っ
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also!!!!! If you haven't seen it - shoutout to first ever published fic in Ninja Showdown/My Immortal Soul tags - Lustrous Red by @missadmyre !!!
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it could be that I’m just missing the subsection of the fandom that likes to play around with this concept, but I’m a little surprised I haven’t seen more people pulling at Vash’s fear and confusion at his own body and its transformations for angst material
it’s really unique to me, in the way that usually body angst and physical changing is accompanied by self-hatred of the body itself - but Vash doesn’t actually hate his body. He doesn’t hate that he’s a Plant. His self-hatred comes from the actions he is forced or stressed into performing when he no longer has any control over himself; when control is wrest away from him, often violently - and this is all signified by physical changes in his body; literally being shaped into a gun to be fired
and here’s the thing. Wolfwood is so special to me because he has to learn who Vash is and remind himself several times of his character in the face of his fear and of being in the presence of a being incomprehensibly more powerful than him. but Vash is scared too.
he didn’t understand what was happening to him in July. his own plantness is just as much a mystery to him as it is to most humans. he had no guide. he has no mother.
vash and wolfwood spend much of their journey in mutual fear - wolfwood for having no control, and vash for having already seen the consequences of losing it. because it really is about control in the end - and the way that Vash constantly has his stripped from him, the way that his scars (which he doesn’t hate either btw!) are the only proof he had for the longest time that his choices were his own, the way Vash cannot confront his brother for as long as his own body is the linchpin of Knives’ control over him.
and that’s why it’s significant that Vash’s triumph over his body was not an overcoming of self-hatred for being a plant (this was never an issue), but actually his ability to take control over his own transformation - to assert himself with a goal much stronger than resisting another’s influence, or preserving the memory of the dead - that Vash and Wolfwood overcome their mutual fear in volume 8 in order to save each other is the pinnacle of their shared development before the end, and there is so much more I could say to elaborate on this godDAMN
But yeah. The way Vash’s body transformations are a mystery to himself and symbolic of his lack of control is absolutely one of my favourite things about this manga
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