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#Nanni
hop-a-lot · 1 year
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Could you draw NANNI meeting Trouble looking for “her Mum” (Holly) maybe? Because the laugh I had when I first realised the mixup the People would have over that (given they wouldn’t know she’s an A.I. at first, and she couldn’t mention that due to the People’s anti-A.I. rules) on first seeing someone mention that here, was a belly-aching laugh — I was giggling over the second-hand awkwardness of it all for days.
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NANNI's trolling session
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Italian vintage postcard, illustrated by Nanni, mailed in 1921
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irunaki · 1 year
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Thar little Holo-NANNI looking up on a table between Holly and Artemis talking, drinking tea; NANNI looks at Holly, then over to Artemis, then back at Holly: “Are you my mum?” — Artemis sputters his tea, Juliet bursts out laughing.
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I really enjoied doing this xDD
idk how NANNI looks like, I'm so sorry
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erikahammerschmidt · 1 year
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why did i do this
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valhelos · 9 months
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Okay, wild pull — NANNI in 🐸, and Holly, Foaly or Artemis reacting to it.
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I have no idea what NANNI would look like so a little hologram it is. It is just downloading minecraft skins for itself and Artemis doesn't know how or why.
Feel free to send more outfit&character combos!
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apocalyp-tech-a · 11 months
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Tech-ology: Vol. II, Chapter 4 - Cu Next Taungsday  Tech and Wrecker find themselves at the mercy of a shady copper part merchant.
I’m a little behind on Tech-ology entries, but I finally got inspired by the world's oldest customer complaint, a cuneiform tablet from Ancient Mesopotamia circa 1750 BCE over some low grade copper sold by one shady merchant, Ea-Nasir, to a very disgruntled Nanni.  Well, I think it’s hilarious and I love ancient history so thought it was a good story, but no one else did, lol.  *shrug* :D
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af-answers · 2 years
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How do you all feel about the twins recent adventures?! (To anyone who wants to answer)
Holly: As the only one from the OG crew who's actually been involved, it's been very stressful. Of course, Fowls getting into foul business falls under my purview, even if they aren't my jurisdiction. I put my best fairy on it, and of course that results in a mess because it always does, but they're safe and she's safe so I can't be too upset.
Juliet: I can! The hell?! I only left Villa Eco because I was told the boys wouldn't be leaving, and the villa is "so advanced" it didn't need a human element to the defense system. Artemis, I blame you for this.
Artemis: Me? I'm a planet away!
Juliet: Exactly! And who's the only one who can maintain the Villa EcoSystem? You! And what malfunctioned as soon as the twins needed it?
NANNI: To be fair, I didn't malfunction. I always performed true to my programming.
Holly: OK, I feel like it's taboo for me and her--it-- to be in the same place at the same time.
NANNI: Hello Mother!
Artemis and Holly: NO.
Foaly: I resent Holly saying I wasn't involved. Sure, I didn't talk to the brats, but I was supporting them in spirit! Well, support is a strong word. I didn't want the mudboys to die.
Minerva: They should've come to me if they needed help. Myles reached out for me a while back for help on a paper, so he has my contact info.
Artemis: Why didn't he contact me about a paper? Which one?
Minerva: The one about anti-aging effects of seaweed.
Artemis: Ah. Nevermind.
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eyes-of-the-fox · 5 months
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I have an idea for a fic, or a screenplay whichever I don't care, I don't want to write it but I thought I would throw it out into the void and if someone wants it and it hasn't been already done, go for it, no credit needed.
Nanni spends various lifetimes, incarnations, trying to track down Ea-nāṣir, the situation escalating until finally it goes so far you think Nanni is going to kill Ea-nāṣir in the end only for the whole thing to boil down to "Where's my money, bitch?"
Alternatively, enemies to lovers, thousands of years burn. Take your pick.
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lawrichai · 9 months
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Oldest Customer Complaint: Akkadian Tablet to Ea-Nasir (1750 BC) Nanni wants to speak to the manager. The English translation is from A. Leo Oppenheim's Letters from Mesopotamia.
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the-supreme-g0ddess · 2 years
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What if when Artemis stops laughing after explains things to Butler and complimenting the Father’s Day message that he suddenly jolts up and realises that NANNI may have also sent a certain someone a Mother’s Day message earlier that year which he didn’t hear about (being in space), and his face is all ‘Oh no.’
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Anon,
You have probably stumbled upon the best headcanon of the Artemis Fowldom. This is all pure gold and I cannot tell you how much I laughed reading all this. You are entirely on point!! (And sorry for replying a month late 🙁🙁) I can see all this happening with such precision and clarity…honestly, just…fantastic
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hop-a-lot · 1 year
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Did you ever draw hologram NANNI again, or was it just the one time?
I haven't drew hologram NANNI since that last post lol, though here is a small drawing of her
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Italian vintage postcard, illustrated by Nanni
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irunaki · 1 year
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NANNI (to Holly): Hi Mum! *Artemis slaps his own forehead*
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I really didn't know how to do NanNi x''D I haven't read the Fowl Twins yet so I screach on the internet and well, it's a voice right? Created by Artemis and that :P
Sry if thats bad ;w;
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ea-nasir-1750 · 11 months
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I am tired of all these Karens.
All this " this isnt the copper i bought" and " I haven't received my copper yet"
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jasonball34 · 2 years
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I wrote a Hartemis fic inspired by the fact that NANNI is listed as Artemis and Holly’s child on Wikipedia, and also inspired by an anon post I saw here one time that was related to that.
https://archiveofourown.org/works/40600407/chapters/101721750
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gattogrigiobjd · 1 year
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The Close
flickr
The Close by Nadine Via Flickr: Haru Casting Nanni The Close is conceived as a journey traversing the past and future of the camera, bringing together a reconstruction of amateur footage made in about 1920 and a digital 3D rendering of that footage. The silent scene, which shows barefoot children in a brick-walled, one-way alley (a “close”), transitions from grainy footage of a child into a highly detailed, quasi-technical portrait, objectifying face, eyes, and body. As the video freezes and holds the small child enraptured, singing voices set in. A recording of 24 spatially distinct singers performing Arvo Pärt’s 2004 vocal composition Da Pacem Domine surrounds the isolated child, who has become the focus of the work, with an architecture of voices. —David Claerbout
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