Tumgik
#Neil Haskell
tripleaaze · 1 year
Text
Tumblr media
Neil Haskell
310 notes · View notes
retropopcult · 7 months
Text
youtube
"Lotta Love" is a song written by Neil Young and was covered by Nicolette Larson in 1978.
Neil Young and his backing band Crazy Horse recorded "Lotta Love" first (in 1976), with Larson and Linda Ronstadt providing background vocals. After a year went by with Young indicating he might not use or release the song, Ronstadt suggested to Larson that she should record her own version, indicating she didn't care for the sparse, melancholy tone of Young's song. So Larson went into the recording studio, determined to create a more upbeat rendition: it featured a string arrangement by Jimmie Haskell, a classic soft rock horn riff and a flute solo - all of which made the tone of the song more optimistic. Larson would recall: "It was a very positive song and people don't want to hear how bad the world is all the time. It had a nice sound rhythm and groove. And a great visual video."
Listeners seemed to agree. Larson's version reached No. 8 on the Billboard Hot 100 chart and No. 6 on the Cash Box Top 40 in early 1979. It also hit No. 1 on Billboard's Easy Listening chart and was also a Top 10 hit in Canada, Australia and New Zealand.
42 notes · View notes
sleepythug · 1 year
Note
hey brian, I was wondering if you had any recommendations on film criticism/theory/reviews. are there any critics/thinkers you deeply admire that write well and have challenged your ways of seeing/thinking that you believe would help in better appreciating the medium?
i probably could have gone much longer on this five years ago but my brain did some sort of system reboot and lost all the memories ive had consuming film reviews, criticism, etc this ask makes me want to dust off that book i have of pauline kael capsules on my shelf lol anyways here's list of some fav critics/people to seek out if ur eager to dig deeper into cinephilia:
my most favs
ignatiy vishnevetsky (my fav)
jonathan rosenbaum
filipe furtado
dave kehr
david bordwell
j. hoberman
dennis lim
kim morgan
neil bahadur
nick pinkerton
xxx
james agee
miriam bale
richard brody
k. austin collins
fernando f. croce
manhola dargis
bilge ebri
manny farber
sean gilman
molly haskel
kent jones
pauline kael
peter labuza
matt lynch
adrian martin
calum marsh
adam nayman
nick newman
tony rayns
vadim rizov
jonathan romney
dan salitt
andrew sarris
scout tafoya
armond white
robin wood
ppl on letterboxd who's musings i enjoy
jake cole
max coombes
ryland walker knight
john lehtonen
willow maclay
luke mccarthy
matt mccracken
diogo serafim
arthur tuoto
ethan vestby
kurt walker
*also, i do like ebert but as i get older i realize i enjoy other lesser known critics a bit more+his taste in the latter years (21st century) is kinda wack tbh. 2007, one of the consensus last great years of american cinema, his best of the year was juno (i know, i know, it's an opinion but still lol) . cannot say he wasn't a formative figure, him being the most well known, most accessible film critic, and did the thing the best critics do in elevating, shedding light on artists they believe feel deserved of recognition/putting more eyes on their work.
**i think there's more people i could name-drop but i havent read enough, or been exposed to them as frequently, to go all-in on an endorsement of them/their work
25 notes · View notes
scorchedthesnake · 23 days
Text
December 7, 2011
This is when Chapter 2 begins. Gossip Girl had aired; the Halloween parties and the Vanity Fair shoot had let the world know this was a scene. Neil Patrick Harris had raved on Regis and Kelly. The run was no longer extending in short fits and spurts. And original cast began to move on and new residents arrived. Some had trickled in: William Popp and Tony Bordonaro had come in in the late summer and fall. But tonight, I would learn, was the debut of many, many new faces.
As it happened, I was celebrating my 32nd birthday (my original blog said 31st, but come on, do the math). Friends gathered at Manderley with elaborate and themed gifts; a bottle of absinthe I wouldn’t finish until 2022; a journal crafted from my show notes. Banquo had been my first infatuation in the show, but I had pretty quickly moved on the Malcolm, and the journal told the tale of that new fascination.
But the new cast that night included a triumvirate of extraordinary women: Lily Ockwell (Sexy Witch), Haylee Nichele (Lady Macduff), and Chelsea Bonosky (Agnes). 
As I wrote at the time… Chelsea immediately took my breath away. And somehow I didn’t put together that when she picked me for the 1:1, it was her first one ever. We would revisit this moment numerous times over the years. Once, she pulled me in and said: people are being awful tonight, can we just sit for a minute? And most poignantly on her final night as a regular resident, when she would insist on an elliptical structure for our journey together in the building. 
Other highlights of the night: Haylee’s Lady Macduff, whose 1:1 I saw on her final pick. I had been with her at the start of the show and watched as her very first pick *declined her hand,* and she later told me the audience member she picked after that had to be ejected. I can’t imagine how hard it must be to learn these scenes, harbor the confidence to pick someone, and have two mishaps like that one after the other. 
Ben Thys as Malcolm. It was a golden age of handsome Malcolms with Ben and Will sharing the role. Many years later I’d have the good fortune to see Ben’s final Malcolm loop and be part of an audience that all choked up when he chose Will for his last 1:1. 
Tony Bordonaro as Banquo! It was not his premiere night, but it was my first time seeing him. In the very small universe we inhabit, I’d been told to look forward to this performance. Matt, in his final acting gig ever, had managed to land a small role on One Life to Live as a high schooler going to the prom (he was 30 already I think?) - and the other two boys in the posse were So You Think You Can Dance’s Neil Haskell (a fellow Western New Yorker)… and Tony.
Later, in Manderley, came John’s component of my birthday gift: an introduction to Maxine Doyle. He indicated I’d seen the show a fair few times, and she said, so what do you think of the new cast? I replied they were all wonderful and brilliant! And then she said, don’t patronize me, tell me what you really thought. So I tried my best to give some even notes on things that had felt off (but truly, the people I had followed closely, were in fact wonderful and brilliant!). I was moderately terrified but also in awe of her seriousness.
This was the final normal show of 2011 for me. The New Year’s Eve that followed was a massive, massive party and full of dramatic hijinks to kick off 2012, the year we all lost our minds. (sorry, work blew up and I am behind, I had hoped to reach Remixed 1 by today in honor of Remixed 2 but it will not happen. Enjoy Remixed 2!)
4 notes · View notes
lesterplatt · 27 days
Video
Mullen "Drive The Impossible" from Emile Rafael on Vimeo.
For Mullen: VP Marketing: Jason Putnam Marketing Specialist: Cody Mahaffey
Agency: The ID Agency @theidagency VP Client Services: Josh Bulrice Creative Executive Producer: Alison Howlett @birdiefrombrooklyn
Directed by: Emile Rafael @helloemile Production Company: Arts and Sciences @artsandsciences_ Executive Producers: Mal Ward @malward, Marc Marrie, Christa Skotland @christacarrie Head of Production: Milena Milicevic @uniqueism9 Directors Rep West Coast: Depot of Sales Jonathan Logan, Dexter Dexter Randazzo
Produced by: Patric Harris @Patharris71
Written by: Atila Martins @atilamartinsl Emile Rafael @helloemile Cinematography: Gus Bendinelli @gbendinelli First Assistant Director: Ryan Lippert @lippy90265 - DGA Second Assistant Director: Sarah Craveiro @craveiro_sarah - DGA Production Supervisor: Chris Valdez @c.h.r.i.s.v.a.l.d.e.z Assistant Production Supervisor: Raymond Steege
Edit by: Patric Ryan @patricryan7 Assistant Editor: Hannah Yerbury @hannahyerbury Edit House: Marshall Street Editors @mse.tv Voice Over: Johnny Neal
VFX by: UPP @upp_advertising Senior VFX Supervisor: Mario Dubec @maxtorag Producer: Kristýna Řádková @tyna.radkova Grade: Ondrej Stibingr @ondrej.stibingr
Music Composition: @finnmcnicholas Music Company: @feltmusic Music Supervisors: Max Beattie, Jonny Joel Beck @jonnyjoelbeck, Steve Spiro @steve_spiro_
Sound by: Rascal Post @rascal.post/ Sound Design: Neil Johnson @neilkjohnson, Izaak Buffin @izaak.buffin Producer: Maddy Lebel @maddylebel
First AC: Ryan Sax @ryansax Second AC: Joe Ashi @joe_ashi DIT: Pete Aguirre @_pete_aguirre Pilot - Inspire: Tony Thompson PILOT - FPV: Tommy Tibajia @ummagawd Drone Cam OP: Zack Haskell @zackhaskell Drone 1st AC: Ben Stefanides @_benstef VTR: Calvin Evans @calvinleeevans Ukrainian Arm: Car Driver: Chris Barrett @cl_barrett Head Tech: Ross Wilson Crane Tech: Jason Tubbs Electric: CLT: Nick Durr @dicknurr ACLT: Justin Roxbrough @justin.roxbrough Key Grip: Jon Coyne @witgrip Grip: Luke Poole @lukeatmenow
0 notes
Text
Tumblr media
Mary Elizabeth Mastrontonio in Limbo (1999), photographed by Haskell Wexler. Haskell has eight entries among my best 1001 including John Sayles' Matewan, for which he was Oscar nominated.
Haskell also had 20 director credits from a 1953 short to a 2015 Neil Young video, including my best 1001 movies entry Medium Cool. His other notable credits include a 1978 John Wayne tv commercial and No Nukes.
0 notes
nealspaper · 2 years
Text
Hamilton -- National Tour, Academy of Music
Hamilton — National Tour, Academy of Music
  Sweep on several levels accounts for the achievement and excitement of “Hamilton.” It’s no wonder it’s earned both critical acclaim and popular support since the Lin-Manuel Miranda burst of the theatrical scene in 2015.        Miranda manages to ace a feat that has daunted and defeated many. He has taken a person from history, to my mind the second most important figure in all of American…
Tumblr media
View On WordPress
1 note · View note
dancebook · 3 years
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Neil Haskell and Sabra Johnson
16 notes · View notes
danceoftheday · 4 years
Video
youtube
Performed by: Kameron Bink, Cedric Gardner, Jaimie Goodwin, Lauren Gottlieb, Neil Haskell, Sabra Johnson, Hokuto Konishi, Pasha Kovalev, Shauna Noland, Lacey Schwimmer, Danny Tidwell, and Sara Von Gillern
Number: “You Can’t Stop the Beat”
Choreographer: Adam Shankman
Style: Broadway
From: So You Think You Can Dance, Season 3 (2007)
14 notes · View notes
Photo
Tumblr media
20-schuy-teen
156 notes · View notes
Text
HAMILTON PHILLIP COMPANY CAST UPDATE
Nyla Sostre is now an Eliza u/s
Tommar Wilson has joined the company as standby for Burr, Washington and Lafayette/Jefferson
Aaron J. Albano is now a King George III u/s
Marcus John has joined the company as a swing and u/s for Lafayette/Jefferson and Mulligan/Madison
August 6th
Warren Egypt Franklin joins the company as Lafayette/Jefferson
Desmond Sean Ellington will be promoted to principle Mulligan/Madison
Neil Haskell joins the company as principle King George III
4 notes · View notes
onstagesport · 6 years
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Legally Blonde Dreamcast #3 - Deaf West Legally Blonde
Elle Woods: Amelia Hensley Voice of Elle: Ali Stroker Emmett Forrest: Joshua Castille Voice of Emmett: Demarius Copes Vivienne Kensington: Ana Villafañe Warner Huntington III: Alex Boniello Paulette: Lauren Ridloff Voice of Paulette: Mandy Gonzalez Kyle B. O’Boyle: Nyle DiMarco Grandmaster Chad/Dewey/Voice of Kyle: Neil Haskell
19 notes · View notes
oneblueberryatatime · 6 years
Text
Tumblr media
Correct me if I'm wrong, but so don't think that's Neil Haskell...
36 notes · View notes
sytycdinternational · 6 years
Photo
Tumblr media
Neil Haskell
5 notes · View notes
Photo
Tumblr media
Neil Haskell answers questions at an #EduHam matinee
4 notes · View notes
fadingzephyr · 3 years
Text
Tumblr media Tumblr media
1 note · View note