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#Never shutting up about this moment
beaulesbian · 2 months
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Every once in a while I think again about the end of Thriller Bark and feel completely insane and ill about Zoro's sacrifice, FOR LUFFY, specifically (you know, the character Kuma's threat was directed at). It wasn't even that long into traveling together, a few months maybe, yet Zoro was ready to give up everything in that moment - in the chapter with Kuma appearing being titled The End of the Dream ! - to protect his crew and Luffy, so he could continue in his journey.
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Since Luffy and Zoro met, they always understand how words and promises were imporant to them - with Luffy punching Helmeppo in ch. 3 for lying to Zoro. Zoro learnt how serious Luffy was about his dream, and soon he realized he backed up his words with actions as well - untiying Zoro and giving him his swords back - his biggest treasures. It meant that Zoro could be honest and honor-bound in the same way to Luffy, to gain this mutual respect and trust between them since day 1. To wield his swords to protect both Luffy and later their whole crew, and to step in a way between Luffy and danger.
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He was being actually more upset that Sanji got up from the previous Kuma's attack and interrupted their fight - Zoro was trying to keep the whole crew safe by this exchange for Luffy's head - if Sanji was offering his life for Luffy half dead and without much strength left to fight for himself (he started the offering of his own life already believing he woudn't survive, with a "you should find a new cook"), then this very specific sacrifice would be meaningless to the crew (- if this arc was taking place post WCI, then it would turn out very differently, with the strength of Sanji believing in Luffy, but it wasn't his moment during this scene) - it would hurt them more than help them, because as much as Zoro was prepared to die as well, he was prepared to keep fighting until the last breath.
Zoro was thinking he might die - Kuma's words were pretty certain he WOULD die - but he still had the willingness and strength to take on the deal for Luffy, for his captain and his crew. ("if i die here, it just means I wasn't worth much to begin with" this line he says times and times again during the overall story, like in Rogue Town throwing Kitetsu and waiting if it would cut off his arm, up until standing against King in Wano "it's my power that was lacking", and all the other times he was questioning his worth - it's something he tempts the fates he doesn't believe in, to actually harm him, to take his strength away if he doesn't deserve to survive. and it's him saying he knows and accepts his own weaknesses - of not being strong enough (in comparison to Sanji in this example), and always fights through them.)
He threw away his swords, including Wado Ichimonji - literally throwing aside his and Kuina's dream, to compell Kuma into a duel (with the anime playing 'The Very Very Very Strongest' when Zoro bowed down and pleaded Kuma, offering him his head instead of Luffy's) so Kuma wouldn't go after the crew and specifically Luffy later - no matter the outcome if Zoro would surive or not.
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And then, he was actually strong enough to survive taking his captain's fatigue, agony and pain! Possibly being the only one who could survive taking Luffy's pain.
Zoro could have back out when Kuma offered him the 'taste' of the pain, with the realization of the scale of the hurt with the very possibility of dying from it. But that wouldn't be Zoro now, would it? He accepted and took all of Luffy's pain so his captain wouldn't have to suffer or die, and when they found him afterwards, he still kept standing, tense with the fatigue but alive! (again, with anime adding the music of 'Luffy's Fierce Attack' to underline the importance between these two).
He was training for this since the beginning - to become stronger to shoulder the pain of his crew if necessary. (And not only that - he was preparing for that so another Kuina incident didn't have to happen). He was the first one to fight one of the Warlords before anything really began: his fight with Mihawk at Baratie really set the tone and his own goals to overcome - a glimpse to see on how much different levels the Warlords actually were in comparison to Zoro, Luffy and the others, and if they were supposed to beat them so Luffy could become the Pirate King, that always meant to be ready and to get even stronger than them.
(small spoiler for egghead, ch. 1102: seeing Kuma (a Warlord at that time) remembering this Thriller Bark event later, during Egghead arc, and thinking that even he might have passed out from the pain, makes it all the more meaningful that it was Zoro who took the pain and withstood it - establishing how high was the strength of his willpower, already before timeskip.)
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There could be so many other nuances and details from these last few chapters of this arc, and even what this deal meant for the following arcs! Zoro was still in pain on Sabaody, and because of that the crew wasn't as strong as it could have been (not to say they would have a chance anyway, knowing what all was in the motion).
The next is the tragedy and beauty of LUFFY never finding out about this. Half of the crew knew: Sanji, Brook and Robin knew the details, but would never tell Luffy - and that shows their loyalty to both Luffy and Zoro (and Zoro's decision). Luffy woke up and first thing he did was to jump up and down, excited not to be weighted down by his injuries, and only seeing his swordsman being down with injuries so severe he was out more days afterwards, knowing that something else attacked them (him = Zoro), after he was passed out from the fight against Moria, brought down his mood (even if it's not much noticable, but the change into subtle worry is there in the few next chapters).
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"I can't explain it either!" - meaning he was thinking about it too, possibly how weird it was for him to move normally after such long fight. We don't really ever hear/see Luffy thinking about something, except when it's mentioned how he came up with a solution or idea, telling us there's more to Luffy than just being straightforward in his goals and speech. With Luffy being sometimes very emotionally intelligent when he wants to be, he could have figured it out from all these other people in the room asking similar questions and deducing. Even Usopp was putting two and two togehter. We might never find out if Luffy actuallly knows or not. Luffy probably wouldn't ask Zoro directly, especially if Zoro wouldn't tell first and didn't want to talk about it
- because for Zoro, nothing happened! Nothing, that would compromise his and Luffy's first promise. For Zoro to become the Strongest he couldn't back down from the duel with Kuma (just like before with his duel with Mihawk at Baratie. When he's faced with something he swore to overcome, he can't back down or evade. Even back then Luffy understood that as he held back Johnny and Yosaku, but Sanji was perplexed how far Zoro (and Luffy) would go to reach their dreams). When Sanji was asking him in front of Kuma "What about your dream?" Zoro was still thinking about his dream- it was just that the context has changed, it changed into a journey. His dream is the most important thing, but it wouldn't mean much, if, when on his way to accomplish that, he would betray his other words and promises.
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tragedy-for-sale · 2 months
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The Point of no Return
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Because I will never shut up about the Hardeen arc- I really need to emphasize the importance of this moment right here. When we think of the Hardeen arc, we only ever think about the aftermath, after the lie and after the pain. But I have never thought about the before. The moments right before.
Obi-Wan takes a deep breath, he brings his lightsaber to his chest and he gathers himself. He has to take a moment to think about what he's about to do.
This is a complete turn of feelings from when we see him wittingly ask how his funeral was, it's that simple and easy commentary that makes them all think this was easy for him to do. He shoves down what he's feeling right here and instead he jokes and laughs. He's fun and easy, he's funny, he's great, but he's not, he's not, he's in a lot of pain and he hurt everyone close to him in the worst way. Obi-Wan would never hurt them, but he has, and he'll never be forgiven.
He made this choice for the greater good, but the greater good is seldom so. It's in this moment we understand his full awareness of the deception he is about to undergo, how there is no forgiveness for the action he is about to commit, how after all this is over, Obi-Wan cannot expect forgiveness and understanding because this is for the greater good, this is for the Jedi and all they protect.
This isn't a choice for Obi-Wan. It is an assignment to a Jedi Master. Attachment is forbidden, become a part of the cosmic force, and the galaxy will benefit from your sacrifice. But the undercurrent of remorse is there, and all the people he left behind will never forgive Obi-Wan for dying.
So, Obi-Wan holds his lightsaber to his chest because it is his life, it's a silent goodbye to who he is because of what he is. He chooses the Jedi and that choice kills him. It's in that moment that he says goodbye to Anakin and Ahsoka, to Cody and himself. His identity, his lightsaber, are about to no longer exist. Obi-Wan would willingly sacrifice who he is for the sake of the Jedi but that doesn't mean it is easy for him to do. So he holds his lightsaber close because he's not becoming a part of the cosmic force, he's becoming something much worse.
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kaltacore · 3 months
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no but essek's abnormal behaviours in the last arc and especially in episode 140 are my roman empire. which is ironic because aeor is something of a roman empire itself. but in all seriousness, it was the episode that made me realise i love essek and his development so much and it kinda summarised it even before caleb's epilogue.
and i mean the "it's not fair" scene specifically. it's like, an epitome of his whole character progression from a person who put An Objectively Important Goal above all else without hesitation to someone who can't help but care for people around even more than his goal, no matter how big and relevant it is.
the mighty nein - and he alongside them - pretty much saved the world and freed an ancient city from thousand-year-long suffering. they defeated nine extremely powerful menacing entities who managed to stay out of everyone's sight for years and were so close to achieving their goal and dooming exandria in the process. they did the impossible and became heroes and somehow, they survived, even though they had bidden farewells a couple of hours ago because they had already understood what they had been facing. and nevertheless. they made it.
and none of them was celebrating.
mighty nein are basically essek's only friends. he knew them to be very unusual people, to put it lightly, loud and stubborn and completely inescapable once they consider you to be one of their own. and they showed him so much kindness and put so much faith in him, they were here playing the most atrocious music ever and digging clay in his backyard for a spell they invented just to help one of theirs and asking him if he could bring them pastries the day after they found out he was lying to them and had started a war. they were chaotic and weird and sometimes unbearable but most importantly they were carrying so much hope with them all this time - a hope they could end the war, a hope they could stop the angel of irons cult, a hope they could get better, a hope he could get better, and now, finally, that they could save their lost friend.
and that hope shattered, just like that, the moments after they'd already made the impossible. they saved so many souls - and then could not get back just that one.
for essek "my intentions were never good they were important" thelyss it just. shouldn't have mattered. they won. it could have been worse. people die and when they die they rarely come back. they should've been happy everyone else barely made it alive.
but for some reason, mighty nein being so defeated after they saved the world exposed him to that overwhelming feeling of injustice and unfairness. and i mean, there were many things essek considered to be unfair, but when i watched his first appearance and his interactions with mighty nein later on til their reunion in aeor arc, i wouldn't dare to guess that one of the things on that list would be something that personal. and personal not even to him.
the thing is, essek didn't even know who that guy was. why mighty nein cared about him so much. he had an idea, i guess, that he was their friend once, or someone in that body was. it was also a person who wanted to unleash a terrifying horrific aberration onto the material plane. it was a person very dedicated to killing essek and his friends - and they still didn't take any pleasure in fighting him. essek didn't feel strongly about lucien or molly, because he never knew them.
i don't think he mourned his death and failed resurrection. he mourned mighty nein's hope, the one they put in him when they had no reason to, the one they offered yasha in the cathedral and the one they kept after the spell for veth failed and the one they carried til the very end because they wanted it to reach molly. they had saved people with this hope. they had saved nations. they had saved the world. but they ended up feeling like it hadn't even been worth anything.
how desperate would it feel, witnessing people who for some reason always saw good in you when they absolutely shouldn't, who made literal miracles out of nothing, who ended wars and fought gods and tricked the hags and freed cities from horrors beyond anyone's comprehension purely because they thought it was the right thing to do and also loved their friends this much, silently crying over a dead body they couldn't bring back to life? how desperate would it feel to realise that with all your knowledge about time you dedicated your life to and threw away any principles for, you can't undo this? no one can. some things are left to fate alone and this time it wasn't kind to them. no matter how much good they did, they still got slapped in the face.
and it was, i think, such a genuine moment of empathy. like, essek is the character who prefers to put up a facade and act distant and self-composed but this time he just. walked away unable to watch this. the could only say to fjord that it wasn't fair. even when he was caught off guard in nicodranas he was able to explain himself and his motives to an extent even though he was a nervous wreck whose extra important plan went to hell the second the only people he cared about appeared. this time he had nothing to elaborate on. it just wasn't fair. it wasn't fair his friends didn't get what they wanted the most. it wasn't fair he couldn't do anything to make it right.
it is such a sad and beautiful and even cathartic scene because it is about person who started a war that destroyed so many lives - and then met this ragtag group of weirdos who saw a lonely stand-offish guy and said "hey, let's be friends!" and didn't even wait for him to answer. he saw them being serious and calculated and he saw them being ridiculous and extremely stupid, he saw their mistrust to outsiders and their loyalty to each other, he made spells with them and paid a visit to their hot tub, he ate their stale pastries and drank their hot chocolate mixed with whiskey, he was welcomed amongst them and in their wonderful home, both in xhorhas before they even found out what he had done and in the tower when they already knew - and then, he saw them mourning their loss, defeated and helpless, and he, a person who believed there were things more important than whole nations, let alone just one life, couldn't help but share the pain they felt. a pure display of compassion from someone who detached himself from it, who didn't believe he could grow into a better person capable of it again, but became one nonetheless without even realising it
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egophiliac · 8 months
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Okay now i gotta know... As someone who only plays on English server but craves every bit of info on chapter 7....
What's the spoon scene? You mentiond it in the Sebek UM poster post.
no pressure tho, I'm just curious
oh, it's a little flashback scene to Silver and Sebek's first magic lesson (moving a spoon) -- it's one of the missable ones, so there's nothing plot-important in it, I just thought that one was really extra cute! 💚 Lilia does such a bad job of explaining how to use magic ("you go, like, SHWOO") that Malleus steps in and teaches them instead. so it's basically just Silver and Sebek staring intently (and audibly) at a spoon while Lilia flails around making noises and Malleus reminisces about how Lilia's teaching style has always been fascinatingly incomprehensible! pure sugary domestic fluff! just rubbing it in how absolutely terrible things have gotten :)
there are a bunch of cute flashbacks like that in the 7-81 and 7-83 maps; it's definitely worth getting them all if you are also fond of the diafam! I swear, this update has somehow managed to make me even more obsessed with this idiot dad and his three adopted dingbats and that should not have been possible.
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moonchild-in-blue · 4 months
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Espera - Wembley 16. dec. 23
Source: @/scarlet_ultraviolet
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votre-reveuse · 6 months
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the way mc & aerin finally kiss again at the same lake where they had their first kiss…i’m not okay
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andiisdead · 22 days
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Dude my fucking tma fanart got 3rd place in a state art show, my fucking tma fanart got pick out of a bunch of kids at my school, MY TMA FANART GOT PICKED BY A WOMAN WHO HAS WON ALMOST EVER ART AWARD KNOW TO MAN. Dude fuck art school my new goal is to get on the same level as the kid who got there Hannibal fanart displayed at the us captiol that's my goal. (Here's the fanart i made btw)
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cowboytarlos · 1 year
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The face of pure groggy confusion to “oh you’re getting married, how sweet. She must love you so much,”
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PLEASE. He’s like “whose she?”.
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skylessnights · 6 months
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They're like us...they satisfy each other's interest.
EVILIVE 악인전기 ▸Episode 7
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mokutone · 1 year
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wooooooow naruto thanked him :) maybe naruto doesn't hate him. maybe.
maybe theyre even.
😳 friends
#my art#naruto#sai#sai yamanaka#naruto uzumaki#hbd sai#this is abt shippuden ep 197 or 198#this moment means a lot to me as a fan of sai bc its kind of the first time that naruto extends sai an olive branch or like.#even implies he likes having sai around#and it happens right after sai stopped the cloud nin from beating naruto 2 death 4 real#and then got really frustrated at naruto for continuing 2 protect sasuke despite how much sasuke was hurting naruto and sakura#and naruto told sai to shut up LMFAO#but like immediately after that despite sai insisting that sakura would be better at managing the wounds naruto has sai do it#and thanks him#and maybe naruto was just thinking about how mad sakura would get or something else#but u can tell it really meant a lot to sai...and the episodes after this he gets a little obsessed w/ making sure naruto is okay#u can tell the whole time hes thinking ''sasuke is a Fucking idiot. if naruto and sakura cared abt me half as much as they care about him-'#''-i would never betray them. i would never hurt them like that.'' hes like so jealous of sasuke#to be fair to sasuke. sai would have no way to comprehend the loss of the uchiha clan massacre or itachis torments but like#ough. these episodes r great for sai fans. hes trying his best and he Does Not Know What Hes Doing#this isnt intended as shippy (very little of my stuff is. as always) but just sai being Intense abt his first real friendship#i think he's obsessed with naruto because naruto is so...up front. he doesn't often give fake smiles#and when he does hes not doing it to be polite but to avoid hurting other people. i think sai is drawn to him like a moth to a flame
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girlhelpicf · 10 months
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why are nicos powers always associated with negative emotion. leo gets over excited and sets himself on fire i think nico should smile really really big and then all the lights go out and its okay
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eddiediaaz · 5 days
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i feel very unworthy holy shit, thank you????
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m1d-45 · 7 months
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You know, that would be ANGSTY COMICAL if we mixed that in the aftermath of the reveal of who is the real creator, since it could be taken as the creator REPLACING characters who hurt them.
-🥘Stew
that was the intent!
i think diluc would have it easiest. red is from a hateful part of his past, and he knows that he’s grown beyond that stage. if it weren’t for red’s temperament, he’d want to try and connect, if only to gain his trust. it still hurts, knowing that even after all this time he still failed to be what you needed, but it burns him the least.
fischl would be worse. night is everything she tried so badly to be, down to her own oz. to make it worse, night couldn’t care less about fischl, ignoring her monologues about who’s the real princess. the only one she needs the approval of is you, and she’d gotten that the second she was first summoned. she does fischl the mercy of letting her keep her name, but even that is mostly at your discretion. ‘fischl,’ ‘night,’ whatever. she just needs to protect you where amy failed.
and kaeya… my poor beloved. if night is what fischl wanted to be, shade is what kaeya has to be. night is a persona that fischl copied, shade is the very mask kaeya had put on for all his life. he’d entirely remade himself, down to the name he used and the way he treated his fellow knights, and it still wasn’t enough. all of his effort was poured into making himself something that could be accepted, that could be good enough. he’d thought he’d done a good job when he was first marked as a vessel, but now in the hunt it’s clear that his palatability only ran skin deep. shade is what you need, shade is what you want, and he’s genuine about it. shade’s entire life is yours, and he was rewarded for that devotion with your affection, earning a place at your side. and kaeya had devoted himself to the hunt instead, was so blinded by his own desires that he’d ignored the resistance of his vision. diluc may hate his past and fischl may hate night, but kaeya can only really hate himself.
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daddy-long-legssss · 3 months
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The Story Behind The Song: Arctic Monkeys’ early ambitions on ‘A Certain Romance’
Lucy Harbron – Far Out Magazine | January 17, 2024
It was 2006. Mortgages were crashing, and businesses were going bust. Tony Blair was on his last legs in office as the longest-serving prime minister since Margaret Thatcher, and the hangover of ‘Cool Brittania’ was beginning to set in with an unexpected ferocity. Things were bleak when a young Alex Turner sang, “There ain’t no romance around there” through the public’s speakers. Arctic Monkeys were about to write themselves into musical history as the voice of a new generation.
The final song on their debut album, there has always been something special about ‘A Certain Romance’. In 2022, after the release of their seventh album, The Car, Turner seemed to find himself reflecting back on that 2006 track. To the musician, that early cut holds a clue to everything that was to come as he said the piece “showed that we did actually have these ambitions beyond what we once thought we were capable of”.
Coming in at over the five-minute mark, ‘A Certain Romance’ almost feels like the Arctic Monkeys’ version of a rock opera, summarising all the themes, feelings and energy that came before it on their seminal album Whatever People Say I Am, That’s What I’m Not. It has the cheekiness of ‘Fake Tales Of San Francisco’ and the catchy instrumentals of hits like ‘Dancing Shoes’ or ‘I Bet That You Look Good On The Dancefloor’. Utilising the northern charm of ‘Mardy Bum’, it stands as a final, neatly summarising point on the social commentary found in their early tracks like ‘From The Ritz To The Rubble’ or ‘Riot Van’. Really, it could be argued that ‘A Certain Romance’ is the ultimate example of Arctic Monkeys’ original sound, perfectly encapsulating all the things that made the world listen up and pay attention.
It’s like they seemed to know that, too, always allowing the song a special place. In fact, it was really the band’s opening remark. Years before the offer of a debut album came around, the group were a well-oiled machine with their own local hits. They had the northern live music scene in their hands as their homemade demo CD was passed around like everyone’s worst-kept secret. Beneath the Boardwalk features eight out of the 13 songs that would be on Whatever People Say I Am, That’s What I’m Not, albeit in a slightly different, lower-quality version. But the opening number, ‘A Certain Romance’, sounds just the same.
It’s all there, from the rolling opening drums to that final guitar solo. Recorded and produced in a rented studio at only age 17, the existence of ‘A Certain Romance’, one of the band’s most explorative and energetic numbers, in this form this early in their career feels like a diamond sitting in a mine. It proves that they were always onto something special.
They never needed any help. In fact, their producer, Jim Abbiss, noted that they even seemed nervous about the help. “I think they were probably a bit weary, like ‘who’s this guy? And is he gonna make our sound this or that.’”
They didn’t want anything to change too much, as the group already had the songs figured out. Turner certainly did, as the track’s meandering narrative about hometown lads, fights, and local boredom is already there. Talking on a podcast, original member Andy Nicholson revealed the story behind the song. “We had a practice room with a pool table in, and we had a party in there, and we invited another band who were friends of ours, and we all had some drinks,” he said. “Then something happened, someone throws a pool cue, someone throws a pool ball, and everyone ends up fighting,” he added, explaining the lyrics, “there’s boys in bands / And kids who like to scrap with pool cues in their hands.”
But the magic of Arctic Monkeys lies in their nuance. What begins as a snooty analysis of his local landscape is a genuinely affectionate take. “Well, over there, there’s friends of mine / What can I say? I’ve known ’em for a long long time / And, yeah, they might overstep the line / But you just cannot get angry in the same way,” Turner sings, looking around at his bandmates and lifelong friends. ‘A Certain Romance’ is not only a time capsule for the group’s beginnings but is an ode to all the people who were there with them. It’s an ode to the hometown that made them and all its various characters.
But as the last guitar solo roars to life, there is an unspoken statement that they’re going to be bigger than what they came from. “I remember when we were recording ‘A Certain Romance’ and having a conversation with the producer about the final guitar solo,” Turner told NME, recalling the moment these songs were reworked for their debut. But they wouldn’t let anyone mess with ‘A Certain Romance’, knowing exactly what they were doing and trying to say with that one. In the 2003 demo version, all the feeling is already there, and Turner wouldn’t risk it.
“There’s something that happens at the end of that track where we break some rules in a single moment,” he continued. What happens at the end of the piece feels even more special, considering how the album was recorded. “These are the songs we wanna do, and I think this is the order we wanna do them in,” Alex Turner told their producer, recounting the conversation in 2007 to RadioX, “And he goes, ‘alright, we’ll try to record them in that order as well.’” As the final song, that last guitar solo is the last thing recorded for the album, standing as a cathartic outlet and a chance for the band to prove themselves.
“We focused on the [emotional] effect of the instrumentals over the words,” Turner reflected on the track, concluding, “and I feel like we’ve been trying to do that again and again since then.”
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i-mode · 15 hours
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when i.v drops i will make a vellory google doc and ill have my own pepe silvia moment. Everyone will see the truth eventually
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citrlet · 6 days
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very sad this morning seeing Ryan and Shane leaving youtube to start yet another exclusive subscription service :/
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