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blackbirdswillsing · 4 months

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On Gothic

a cute helpful guide on the gothic subculture that no one asked for <3

goth music springing from the late 1970s after the post punk movement was a subculture heavily inspired by the themes found in victorian gothic literature

gothic literature:

frankenstein - mary shelley

dracula - bram stoker

jekyll and hyde - robert stevenson

wuthering heights - emily bronte

rebecca - daphne du maurier

edgar allen poe <3

some keywords that come from gothic literature that can help you spot a goth song:

'dark' 'death' 'black' 'cold' 'heaven' 'hell' 'witches 'bats' 'night' 'roses' 'blood' 'church' 'forest' 'jesus' 'grey' 'horror' 'shadow' 'sacrifice' 'tears' 'ghost' 'spells' 'cry' 'love' 'haunted' 'funeral' 'cathedral'

Some other themes in a song that can help you to decide if it goth or not can be:

heavy bass

synth sounds (the song sounds like it was recorded in an empty church)

mysterious and whimsical vocals

deep vocals

lack of a (electric) guitar

The 1980's and 90's were the peak for the gothic subculture, especially in camden market, london, england

Some bands that were prominent at the time were...

Bauhaus

The Cure

Sisters of Mercy

Siouxsie and the Banshees

Christian Death

Clan of Xymox

The Cramps

Depeche Mode

New Order

Joy Division

Alien Sex Fiend

Fields of the Nephilim

Killing Joke

The Damned

Nick Cave

Softcell

Some other goth band recs:

Boy Harsher

Children on Stun

Earth Calling Angela

Molchat Doma

Forever Grey

Horror Vacui

Lebanon Hanover

London After Midnight

Male Tears

The March Violets

The Merry Thoughts

Paradise Lost

Paralysed Age

Plastique Noir

Rendez Vous

Rosetta Stone

Selofan

She Wants Revenge

Skinny Puppy

Specimen

This Cold Night

Tragic Black

Traitrs

Type O Negative

Twin Tribes

ULTRA SUNN

Xmal Deutschland

Your Funeral

The 69 Eyes

Please let me know which ones i've missed because these are just ones that I have taken from my own playlist!

The music is the number one most important part of goth subculture and you don't have to dress goth to be goth... but it sure is fun to do so! Goth fashion holds its roots in thrifting, upcycling and sustainable fashion (buying 'goth' clothes from shein, dollskill and killstar is a big no no).

Anyone can style their gothic outfits however they like but here are some examples of different styles:

Trad(itional) Goth:

Romantic Goth:

Victorian Goth:

The styles can get very similar so let me know if i’ve mixed any up!

I’ve reached the limit on the number of pictures i can add so here are some more examples of goth styles:

Corporate goth

Gothabilly

Mall Goth

Cyber Goth

J-Goth

Baby Bat

Mopey Goth

Vampire Goth

Steam punk

To end the post i'm circling back to gothic literature by listing some films too (which are often based on the books)

Everyone's beloved: Bela Lugosi in the first adaptation of Bram Stoker's Dracula in 1931

The Crow 1994 which comes with a song from The Cure

Interview with the Vampire 1994

The Rocky Horror Picture Show 1975

Edward Scissor Hands 1990

The Addams family 1991 (if he's not like gomez then i don't want him)

The Craft 1996

That's all I have for now and if you made it this far thank you so much for reading and have a nice day <3

current goth song on repeat:

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stxr-bxy · 7 months

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Getting into the goth subculture

ok just to clarify, nobody asked for this but i’m making it anyway

here are some great influences for the goth music subcultures

i’ve been hyperfixated on pretty much every one except metal and grunge at one point or another so i think i’m pretty qualified to make this statement.

also some of these artists are problematic so please do your research before you promote them! also i don’t support any of their actions, they just have good music that’s very influential to the scene.

anyways…let’s get started

- siouxsie and the banshees are a really great band to start out and they’re one of the most popular goth bands. they have about 12 albums and 2 compilations. they had many members at different times but notable members are siouxsie sioux (lead vocals), jon klein (guitar), steven severin (bass + keyboards), budgie (drums), and martin mccarrick (keyboard + strings)

- another great goth band is bauhaus, they are one of the pioneers of gothic rock and are often credited with making the first goth song. they have five studio albums. members include daniel ash (guitars + saxophone + lead vocals + backing vocals), peter murphy (lead vocals + backing vocals + guitar + keyboards + melodica + congas), kevin haskins (drums + keyboards + piano + backing vocals), and david j (bass + keyboards + percussion + lead vocals + backing vocals).

- another great band to start off with is the cramps (i recommend their album psychedelic jungle). many people think of the cramps as more psychobilly or punk-ish but they are also considered gothabilly and have gothic elements. they have at least 8 (i’m not sure) studio albums, 2 EPs, 2 live albums, and 4 compilations. members include, Lux interior (lead vocals + harmonica + percussion), Poison Ivy (lead guitar + rhythm guitar + bass), Slim Chance (bass), and Nick Knox (drums + percussion)

in order for a band to be goth they must play either gothic rock, post-punk, ethereal wave, cold wave, dark wave, death rock, visual kei, gothic pop, gothic metal, gothic symphonic metal or another gothic subgenre.

some more goth bands include…

- the cure (post-punk)

- sisters of mercy

- christian death (death rock)

- she wants revenge (gothic rock)

- alien sex fiend

- sex gang children

- lebanon hanover

- type o negative (gothic metal)

- o.children

- joy division

- london after midnight

- bat nouveau

- horror vacui

- the danse society

- strawberry switchblade (gothic pop/synth pop)

- depeche mode

- cocteau twins

- switchblade symphony

- fields of the nephilium

- twin tribes

- the march violets

- xmal deutschland

- clan of xymox

- pink turns blue

- rosetta stone

- plastique noir

- mephisto walz

- corpus delicti

- 13th chime

- specimen

- skeletal family

- molchat doma

- drab majesty

- altar de fey

- inkubus sukkubus

- strawberry switchblade

- the birthday massacre

- killing joke

- this cold night

- japan

- the birthday party

- paralysed age

- the scary bitches

- scarlet’s remains

- mareux

- she past away

- bloody dead and sexy

- rose garden funeral party

- mephisto walz

- this cold night

- cold cave

and more!

edit: just a note. you do not need to dress goth to be goth. goth fashion is optional. if you choose to dress goth but don’t listen to goth music you are just alt. the only way to be goth is to agree with the beliefs behind it and listen to the music (you can also listen to other genres in addition to goth).

some beliefs of the gothic/alt community are:

- there is beauty in darkness, pain/sadness, and the macabre

- rejection of conservatism

- rejection of conformity

- anti-war

- anti-racist

- anti-fascist

- anti-authoritarian

- pro-LGBTQ

- pro-choice

- anti-capitalism

- and other leftist or anarchistic beliefs

also…

if you agree with the beliefs but nothing else you are just a leftist/anarchist

if you listen to the music or dress goth but don’t agree with the beliefs you’re not alt and/or you are considered a “poser”. right-wingers cannot be alt because they contradict eachother.

if you listen to goth music you are goth

if you agree with everything you are goth

#gothgoth #goth girl #gothic #alternative goth #goth aesthetic #goth music #baby goth #siouxsie and the banshees #siouxsie sioux #type o negative #bauhaus #the cramps #goo goo muck #sisters of mercy #the cure #alien sex fiend #sex gang children #joy division #strawberry switchblade

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thewertsearch · 8 months

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AG: Tavros, you give confidence a 8ad name. I gave you all the chances in the world to earn it, to earn REAL confidence, and you failed.

Pictured: Vriska giving Tavros 'a chance to earn real confidence'.

AG: You couldn't even do the one little thing I asked you to! The one thing that would have made you man up once and for all.

'Man up' is a funny idiom for a troll to use. We've occasionally seen trolls fall into human gender stereotypes, but it's quite rare, and always sticks out like a sore thumb.

There's an interesting conversation to be had about troll genders. With a reproductive cycle so different to ours, their gender framework will inevitably be different as well. Yes, there are male and female trolls - but what do male and female actually mean to a troll?

On Earth, your assigned gender carries cultural baggage which simply wouldn't exist on Alternia. Assigned gender plays no role in reproduction, nor does it influence household division of labor, since trolls don't have households.

Gender aside, do trolls have a concept of masculine and feminine? Beyond a few stray idioms, the only evidence I can find is their clothing styles. We haven't seen any male trolls rocking a skirt - not yet, at least.

tl;dr: 'Man up' is a cultural can of worms. I think that was probably unintentional, though, and I think we're supposed to interpret that line as if a human spoke it. Vriska's calling Tavros a wimp, which is business as usual.

AG: So instead you flew away and cried, and decided to sleep away your sorrow for the rest of the adventure.

Tavros already alluded to this incident during his conversation with Jade. I guessed that Vriska would be involved, but that was a bit of a no-brainer.

Vriska's trying to frame Tavros as pathetic, but it sounds like he actually put his foot down, flat-out refusing to participate in whatever she had planned. Much like the FLARP incident, this sounds like a victory for Tavros, even if she's convinced him otherwise.

AG: Do you have any idea how sick that made me? Everything a8out you makes me sick.

He rejects your advice. He rejects your advances. His lusus cared for him. He was allowed to be kind, and accepts kindness from others. He doesn't care about winning, but he never lets you win. No matter how much you torment him, he refuses to get any stronger, which means your mindset might be wrong.

'Sick' would be an understatement.

AG: Your plan to control her lusus really wasn't a 8ad idea! AG: And using your a8ility to "save her life" (lol) was a pretty good way to test how effective your powers are across sessions. [...] AG: Practicing your a8ilities is important, so when it comes down to using them for something that really matters, you know you're ready for prime time. AG: I know this first hand. AG: I got lots and lots and LOTS of practice with your little guinea pig friend. ::::D

So that's why Jade was constantly napping? That can't have been good for her brain.

AG: The catch is it's not going to work! [...] AG: You couldn't sic the guardian on Noir even if you were inclined. Not even if I were to MAKE you inclined! :::;)

Like I said before, it's really Vriska who can control First Guardians.

AG: 8ecause you are dealing with a pro here. I already thought of that. AG: I thought of everything! AG: The guardian is not going to attack the agents who engineered him in the first place. AG: Or who I should say were "encouraged" (lol) to engineer him.

Why the fuck would you do this?

When Vriska prototyped Bec, she explained that the event was mandated by the Alpha Timeline, so she didn't make anything worse by causing it. I don't agree with her argument, but I do understand her logic.

This is different. Up until now, there has been no evidence that Bec can't harm Agents. Vriska had no prophecy to fulfil, and no reason to believe that this was required to preserve the timeline. Yes, now we know it's baked into the timeline, but only because Vriska wanted it.

Having Bec help with Jack was a really good idea, and removing the option to do so helps no one. Where's the benefit?

AT: wHY WOULD YOU DO THAT, AG: Tavros, at this point it should 8e o8vious. AG: I am the unseen hand 8ehind every major event in their session, and to some extent, their whole lives. AG: At least those events not happening 8y the volition of their own natural incompetence! AG: Don't you think this is how it should 8e? Shouldn't the greatest player leave her fingerprints on every step of the rise to power of her ultim8 nemesis?

I know Vriska likes to feel in control, but this is ridiculous.

Inserting yourself into Alpha loops is one thing, but nerfing Bec when you don't have to is straight-up sabotage. Couldn't she just stick to micromanaging John's outfits?

AG: I have every angle covered already. The human session is on full Serket lockdown. Any effort you make to disrupt my plans will 8e laugha8le, just like everything you have ever done in your life. AG: The only thing left to do now is prepare to kill Jack myself, and save everyone's ungrateful asses.

Oh my god, I think I've cracked it.

Vriska thinks she's the only one with the right to kill Jack.

She describes him as her ultimate nemesis, which reeks of main character syndrome. Bec isn't important enough to kill Jack, so she eliminated him as an option. It has to be her, the most powerful Player, who's gained all the levels, because that is how these things are done.

It's not just ego, either - there's a deeper motivation at play. If Vriska doesn't beat Jack, she doesn't win - and if she doesn't win, then what was all that abuse were all those challenges for? What was the point?

In Vriska's head, Jack needs to be her nemesis. She needs to be destined to kill him - because if she is, then everything she went through was justified. She'll have secured her position as the most powerful Player of all, and she'll never have to be jealous of anyone again - least of all that wimp with his sweet little fairy lusus. They're all weak, and she's strong.

If she doesn't kill Jack, she's a loser.

And losers may as well be dead.

#homestuck liveblog #full liveblog #act 5.2 #3059 #s96

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sgiandubh · 3 months

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What about Grandma then? In recent days, that Barbour issue has been discussed in several corners of this fandon, as you said. Well, the day before yesterday Garance was posting stories showing off his Barbour coats...Obviously those two also follow the topics discussed on Tumblr. 🤷‍♀️

Dear Garance Anon,

You will have to forgive me for the very, very late answer. I wanted to give it my full, undivided attention, because I believe we never spoke seriously about Mrs. Mariline Fiori, aka Garance Doré.

The short answer to your comment is 'oh, but we know they do, as we know they are not the only ones'. Unlike S&C, though, the McGrandmas might see us as a free, useful toolbox of sorts, where readily available ideas congregate. Remember they have deliberately calibrated their public couple personas on exactly what SC are unable and/or unwilling to give/show this fandom. To some extent, it works and, as any good Frenchwoman, Garance understood she was savvy to play the atout charme joker card. Which is exactly what she does - also, being French, she knows exactly what type of European public is instantly attracted to the Barbour reference: a public whose wallets she needs.

But as I just said, your post made me think about Mrs. Doré. Who is she, really? So, sorry, Anon, if I use you as a springboard for my musings.

She was, as I said, born Mariline Fiori, on May 1st (same day as JAMMF, LOL) 1977, in Ajaccio, Corsica's main town and birthplace of Napoleon Bonaparte. Not a Corsican, though (same as Napoleon, LOL): Italian father, French/Algerian mom. People who left Algeria when it became independent, after the Evian Peace Accords, and whom the metropolitan French still call, to these day, 'pieds-noirs' (literally and quite derogatorily, 'black feet'). Her family's social status is, however, a bit unclear, as Mrs. Fiori successively played with her personal story in interviews, in what the French also sarcastically call 'des petits arrangements avec la vérité'/ a bit of tinkering with the truth.

In this 2019 interview to Elle UK, for example, her parents are described as owning a restaurant in Corsica (https://www.elle.com/uk/life-and-culture/a29758314/garance-dore-original-influencer/):

But in another 2013 interview to The Talks, her mother was a shrink (https://the-talks.com/interview/garance-dore/):

Also, for the sake of clarity:

Oh, well: different country, different crowd/market, different agenda and perhaps older and wiser when talking to Elle UK, you would think?

Not necessarily and still a divisive figure for the international press/blogosphere. People did not appreciate her frequent flying and luxury travels during COVID, for example, along with her 'white, bourgeois woman entitlement'. Both in New Zealand...

(Source: https://www.ensemblemagazine.co.nz/articles/garance-dore-new-zealand - I think you should read the entire article, as it is absolutely enlightening, also something I wouldn't go polemic about, you make up your own mind, really).

...and in France, where they apparently are not very fond of her 'cult of personality' approach to social media, to say the least:

(Source: https://www.madmoizelle.com/a-t-on-vraiment-besoin-de-preter-attention-aux-conseils-antivax-des-influenceuses-1145916 Non Francophones could use Google Translate, but considerably lose in doing so the ferocity of the writing - but then, again, the French press is particularly sarcastic & ferocious, when set against someone or something. I love them to bits.)

The translation is clear, and I deliberately did not insist on the political stance of the article, whose title gives a straightforward idea: 'Do we really have to pay attention to the influencers' antivax advice?':

'This influencer cannot singlehandedly convert a part of her fans to antivaxing, via Instagram, but this comforts those who already thought so and keeps them even more hooked. This is because Instagram is a social media whose model heavily relies on shared affinities, meaning that it congregates likeminded people and creates bubble phenomena, of which GD is a good example.

GD, who built an empire around her handle which she turned into a brand and transformed her own lifestyle into her best product might very well turn her cult of personality into an economic model. Many celebrities already do so and are perfectly entitled to. But in her case, we are not talking about sending a birthday personalized cameo, we are talking about dispensing health advice during a pandemic.'

Truly, Ha-wa-wee 2.0 sounds like kindergarten compared to the above and never made it so far and wide in the international press. But hey, don't we know, double standard is the law of this land.

But to cut the story short, because it's 5 AM in here and we'd be talking about Mrs. McGrandma until tomorrow evening, do we really imagine someone so well versed in the ways and means of social media not following Tumblr?

Yeah, thought so, too.

#anon #fandom #shitshow #BoozeWars

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toxinoire · 5 months

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MLB au idea.

An adult au in which Marinette is the owner of her own company which is Dupain-Cheng; which is a hybrid organization. Hybrid organizations have both a for-profit and non-profit divisions. Her MAIN main building (the for-profit part of her business) is in Paris, but she's rarely ever there. Marinette is normally at her non-profit building which is near her for-profit one.

The non-profit building is how she met Alya, who's a business reporter. Basically, Alya was tasked to follow Marinette around in an event and write down newsworthy stuff (bonus points if Marinette lets an interview happen), but it honestly just ended with them talking and becoming besties.

Adrien on the other hand, is still a model for his father's company, which we know by now is the Gabriel Brand. The Gabriel Brand and the Dupain-Cheng Brand are rival companies, so Adrien and Marinette didn't really get along st first but we'll get to that later. Adrien's story is the same as we know it, except he never got a taste of freedom as a kid.

Adrien already knew Nino, met him at an event where he was part of the sound system workers and they became friends due to that.

Adrien and Marinette met at this week long event because they lost Alya and Nino in the crowd. Adrien found Nino talking to one of the newest business reporters Alya Cesaire, and Marinette found Alya talking to well known local dj but also part of a sound company Nino Lahiffe.

And tension arises.

They end up becoming Ladybug and Chat Noir during that very week, and it escalates from there.

They decided to try to not let the rivalry of the companies they work at get in the way of the fact that their friends are getting along, they couldn't tell them to not be friends all because of that.

Then Adrien gives Marinette her umbrella, then she starts to slowly fall (deadass tried to ignore, supress and deny at one point until she couldn't).

Aaaaand Chat Noir falls and fast for Ladybug.

#miraculous tales of ladybug and chat noir #miraculous au #marinette dupain cheng #adrien agreste #ladybug #chat noir #adrienette #ladynoir #marichat #ladrien #alya cesaire #nino lahiffe #djwifi #CEO MARINETTE #And Adrien is the son of her rival company but they end up being friends #CEO MARINETTE COME O N

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strawbebe-dk · 1 month

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The reports as written by the research division

Part2:

Part 1:

#undertale #undertale fanart #undertale au #undertale art #glitchtale #glitchtale betty #betty noire #bete noire #my art #see ya soon!

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noir-division · 7 months

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Zeromit.

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nitrateglow · 4 months

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Favorite films discovered in 2023

2023 kind of sucked, but it was a fruitful year for me as a movie geek. I finally got around to seeing films that have been on my TBW pile for years now. I also gave myself a challenge that I actually completed: watch at least one film from every year between 1900 and 2023.

Anyway, I'll stop beating around the bush. Here are my top 20 favorite film discoveries in 2023. (The order is very, very loose from 5 on down. I genuinely had a hard time narrowing the list down to 20, let alone ranking everything.)

When a Woman Ascends the Stairs (dir. Mikio Naruse, 1960)

This well-regarded drama follows Keiko, a bar hostess who's just turned 30 years old. She has limited options as an unmarried woman in postwar Japan. Considered "old," she has to marry soon or scrape enough money to buy her own bar. With its jazzy score and first-person narration, When a Woman Ascends the Stairs has a noirish vibe but it certainly isn't noir at all. Though the film is tragic, what moved me so much was Keiko's character. She has a tough lot and her story is ultimately tragic, yet she is determined to keep going, even if life won't give her a break.

The Boy and the Heron (dir. Hayao Miyazaki, 2023)

Miyazaki's current "last film" is certainly his most abstract and puzzling. I imagine it'll be one of his more divisive titles in the years to come, but count me among its fans. While being "in the know" regarding the current state of Studio Ghibli and Miyazaki's 60+ year-long career in animation allows one to better appreciate the many allusions and themes within the film, it stands just fine on its own as a surrealistic adventure about grief and the power of art. Also, damn, I LOVE hand-drawn animation so much.

Black Cat (dir. Kaneto Shindo, 1968)

Kaneto Shindo's Black Cat is yet another confirmation of my feeling that horror pairs best with humor or heartbreak. While there are some morbidly funny moments, Black Cat is largely a devastating supernatural horror story about a young samurai who encounters two mysterious women in the woods, not realizing they are the ghosts of his murdered wife and mother. Even worse, they've sworn to kill any and all samurai they encounter, since their deaths were the result of raping, pillaging samurai-- but they remain human enough to desire an exception. I was creeped out thoroughly by the chilly atmosphere and imagery of this film. I liked it even better than Shindo's Onibaba and that was one of my favorites from 2022!

Malcolm X (dir. Spike Lee, 1992)

I usually dislike big movie biopics for being stuffy and formulaic. Malcolm X avoids both of these issues. Directed to the hilt by Spike Lee, this film is passionate and compelling, about as far from a stuffy Oscarbait biopic as you could imagine. Also, Denzel Washington is AMAZING in the titular role. Like, we're talking one of the best performances I have ever seen because not only is Washington convincing as Malcolm X, he also perfectly portrays his arc from zoot-suited young criminal to uncompromising activist leader. I was absolutely mesmerized the entire time-- it's a long movie that never feels its length and I'll definitely be revisiting it in the future.

The Kiss Before the Mirror (dir. James Whale, 1933)

James Whale’s horror movies are listed among the finest 1930s cinema had to offer, but his other works remain woefully overlooked. The Kiss Before the Mirror is a strange marital drama set in a dreamlike interwar Vienna. A lawyer defending a murderer who shot down his cheating wife comes to discover his own wife in the midst of a casual affair. Will this discovery lead to another killing? Despite the lurid plot elements, Kiss is closer to Kubrick’s introspective Eyes Wide Shut than a typical 1930s melodrama. Both husband and wife are complex characters struggling with destroyed illusions, making the story a hell of a lot more complex than you'd expect.

Five Miles to Midnight (dir. Anatole Litvak, 1962)

I am so glad I ignored the meh reviews on this one because I would have missed out on one of the best thrillers I've seen in years. Sophia Loren is a woman desperate to shake off her narcissistic, abusive husband played by Tony Perkins. When Perkins is wrongly believed dead in a plane crash, he hides out in Loren's apartment so they can collect the life insurance money, split the funds, then part amicably. This being a Hitchcock-style thriller, it doesn't work out that way. What sells the film is the psychological cat-and-mouse game between Loren and Perkins's miserable, mismatched married couple, and a noirish sense of doom lends a great deal of atmosphere.

Shoes (dir. Lois Weber, 1916)

Shoes is the best Lois Weber film I have yet seen and it still packs a wallop a century-plus since its initial release. Mary MacLaren plays a young woman single-handedly supporting her family on a five dollar a week salary. She wears shoes that are falling apart but can never seem to save enough for a new pair-- that is, until an unsavory way of getting the cash presents itself, much to her horror and temptation. This is a heartbreaking little film that showcases a lot of what I love about 1910s American cinema. There's less glamor in the settings and nothing at all genteel or cleaned up about the poverty on display. MacLaren is wonderful in the lead too, her performance a quietly compelling portrait of quiet desperation.

Jeopardy (dir. John Sturges, 1953)

Barbara Stanwyck was in such a wealth of films that I can forgive myself for not realizing this one even existed. After seeing it, it's easily in my top five favorite films of hers. On the surface, the plot sounds like fodder for sleazy sex fantasy: a housewife on vacation is kidnapped by a hot escaped convict. She's racing against time to save her husband from drowning after the tide comes in at the beach where he's trapped; the convict has a very specific price for any aid he's willing to offer. Stanwyck's characterization complicates the situation and the direction amps the tension to a breaking point. Great, great stuff!

Girlfriends (dir. Claudia Weill, 1978)

This film came across my path in a weirdly personal way. One of my sisters got engaged this year. We've been close all of our lives and shared an apartment for years, so this is going to be a big change for both of us. Girlfriends is about a young woman whose best friend is getting married, meaning she'll be on her own for the first time. In addition to making this adjustment, she's a photographer currently hired for weddings and bar mitzvahs, but dreaming of entering the larger world of art galleries. I guess you could say it's a 70s version of a quarter-life crisis film (Noah Baumbach's Frances Ha takes A LOT from it). The performances and direction are exceptional, having that unglamorous, lived-in vibe I love about the films of this period. It also just happened to come into my life at the most resonant time, so there's that.

Ivan the Terrible, Parts One and Two (dir. Sergei Eisenstein, 1945 and 1958)

As a person who hates the idea that realism is the only valid form for cinematic drama, Eisenstein's hyper-stylized Ivan the Terrible movies are a joy. The compositions are like something out of a painting, the acting is operatic, the writing mythic and sweeping. The dance number in Part II is one of my favorite scenes in any movie ever. Best of all, the films rise above their propagandist origins, becoming a fascinating study of institutional power set against individual charisma.

The Red Queen Kills Seven Times (dir. Emilio Miraglia, 1972)

I've been getting more into giallo lately and The Red Queen Kills Seven Times is among the more memorable titles. You have the fashion world setting, a disguised murderer running around in a red cloak, over the top kills, a villainous junkie who looks like Bucky Barnes, a spooky castle with death traps, the works. It's a movie where I don't really care too much about the plot. It's the off-kilter, sinister atmosphere that draws me in, as with most giallo movies.

Little Miss Sunshine (dir. Jonathan Dayton and Valerie Faris, 2006)

It took Alan Arkin dying for me to finally get around to seeing this much beloved 2000s gem. I expected to only be interested in Arkin as the drug-addled, foul-mouthed grandpa, but the entire movie is so warm-hearted and hilarious that I fell in love with it whole hog. The characters are all quirky without being Quriky (tm), if you know what I mean. And I love the final message about just living your life and not worrying about whether or not you're "successful" in the eyes of society. An old theme to be sure, but done so, so well here. (Also, the mercilessly satirical jab at child beauty pageants is pure gold.)

Pom Poko (dir. Isao Takahata, 1994)

I feel like a lot of western anime fans only see Pom Poko as "lol that movie where the tanuki have comically oversized testicles." And yeah, that is indeed something in this movie but there's so much more. It's one of the boldest films I've ever seen, an "animated documentary" (to use Takahata's words) about a village of tanuki waging war against humankind's encroachment upon the natural world. It's such a genre grab-bag, critic Daniel Thomas' description fits it best: "The story weaves through slapstick comedy, social commentary, satire, surrealism, and tragedy. It changes moods much the way the tanuki change form, bending and molding into a new shape, and relentlessly moving forward." I still think Only Yesterday is Takahata's best film, but Pom Poko is strong competition and yet another film I can see myself rewatching many times to come.

Bullet Train (dir. David Leitch, 2022)

I still kick myself for not seeing this in the theater when it came out. Bullet Train is a wonderful lark of an action film. On first watch, I recall thinking it was like a live-action anime shot in a very Tarantino-esque style. I've seen it a few times now and I enjoy the hell out of it every time. And if you don't like it, well, you just might be a Diesel.

That Cold Day in the Park (dir. Robert Altman, 1969)

Another film with a so-so reputation that I really enjoyed. Sandy Dennis (who's gradually becoming one of my favorites with every performance I see from her) plays a virginal rich woman who takes in a handsome young guy one cold day. Her initial kindness quickly curdles into erotic obsession and her house guest has his own secrets. It's an early Robert Altman film and not his most polished work, but that makes it all the more fascinating to me. It's a creepy psychological thriller with a haunting ending, as well as an interesting time capsule of the late 1960s.

Faster, Pussycat! Kill! Kill! (dir. Russ Meyer, 1965)

Where has this movie been all my life?? It's a bizarre campfest about three criminally minded go-go dancers who romp across the California desert, strewing all kinds of havoc in their wake. It's such a strange movie that I don't know how to describe it properly: it's got a New Wave sensibility to it all the while indulging in exploitation B-movie nonsense. Definitely a fun film to watch with a group.

Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (dir. Chantal Akermann, 1975)

I finally bit the bullet to watch this one after it topped the 2022 Sight & Sound list. Do I think it's the greatest film of all time? No, but I don't like singling out any work of art for such a designation. Putting aside all the drama that ensued when this was granted GOAT status, Jeanne Dielman is a striking film. It's definitely not something you just throw on casually-- you need to set aside the time to watch it and be in the right headspace. My initial mild interest morphed into a sense of anxious dread as the film ground along its three hour runtime, its protagonist struggling to retain her total sense of self-possession and control as she's thrown off her groove by unexpected events.

The Wicked Lady (dir. Leslie Arliss, 1945)

This is not high art by any means. It's melodrama with a capital M, laying the cheese on thick. Margaret Lockwood plays a devious, scheming femme fatale in 18th century England who's a gold-digging noblewoman by day and a highwaywoman cavorting with bad boy James Mason by night. This is easily the most entertaining of the Gainsborough melodramas I've yet seen, dripping with soap opera antics, sumptuous costumes, and camp-a-plenty.

War and Peace (dir. Sergei Bondarchuk, 1966-1967)

There is no substitute for reading Tolstoy's massive novel, but this 1966 Soviet version is definitely a fine work in its own right. Filmed in three parts, it's about nine hours long and it does a good job capturing the interior lives of the characters in the source material. Everything about it is just breathtaking: the costumes, the sets, the massive numbers of extras during those battle scenes. It's the kind of intellectually and emotionally stirring epic that makes all those hours fly by.

The Sweet Smell of Success (dir. Alexander Mackendrick, 1957)

I often chafe when people act as though all 1950s American cinema were Leave it to Beaver wholesomeness and buttoned up repression. Some of the nastiest Hollywood movies I've ever seen came out of the 1950s and The Sweet Smell of Success is prime among them. Among the best of the late classic noir period, it follows Burt Lancaster as a popular but monstrous newspaper columnist who uses his power to control the lives of everyone around him, particularly his sister, to whom he has a borderline perverse attachment. The dialogue is as sharp ("You're dead, son. Get yourself buried." "I'd hate to take a bite out of you. You're a cookie full of arsenic.") and the cynicism as thick as the best of Billy Wilder. If you love noir, you can't miss out on this one.

What were your favorite film discoveries of 2023?

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girlfriendsofthegalaxy · 4 months

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tuesdaypost year in review

this year brought to you by viewers like you. thank you! i still do not know how to thank everyone for their incredible generosity during the Late July/Early August Moving Catastrophe Badtimes and im still feelin some kinda way about it. thank you.

took eight weeks completely off, more than any other year so far

overnight traveled for work for the first time

moved cross country with Mack to face dangers untold and hardships unnumbered

bought an actual for-real couch and not a futon

got Phil

(unrelated to Phil) i got spayed after almost ten years of begging and pleading various medical professionals, (also unrelated) got covid and RSV back to back

listening

fallow weeks: 8. i almost always have a tuesdaysong bc i am almost always listening to something. all of the tuesdaysongs are here:

particular favorites were Peel Me A Grape (Anita O’Day), top spotify song of the year Yeah Yeah Yeah (Blood Orchid), Yeah Yeah Yeah’s Wolf remixed by Sextile, Father Finlee (Spence Hood), A Minha Menina (Os Mutantes).

the very last tuesdaysong of the year is Sugar Rum Cherry by Duke Ellington, one of the few christmas songs i tolerate.

special shoutout to the austin underscore walker universe of podcasts, bc i mainlined A More Civilized Age (clone wars/star wars rewatch) while packing, and devoured P/alisade (the newest scifi season of F/riends at the Table) this month.

reading

fallow weeks: 11. pleased that i am killing the invisible rules in my head and including more articles instead of feeling guilty about Not Reading A Real Book!!! every week when i sit down to write the tuesdaypost. read a fuckton earlier this year bc i was procrastinating moving prep, have not read much since i moved.

article sources:

inoreader (the best free RSS feed/app imo)

The Markup (gold standard usage of data to show how various technologies are being used to harm the public good: you may have heard of the recent American bills to equalize internet service and fix organ donation grift. that was them)

Web 3 Is Going Just Great (crypto disasters)

404 Media (technology reporting, internet culture, also break a lot of data/legal/privacy scandals)

Remap (formerly Vice's video games division Waypoint, more active on podcasts and twitch but do have great personal essays about gaming longreads)

Retraction Watch (an important academic service but platformed a particularly virulent transphobe and let the comments devolve into a free for all. yes im still mad about this)

Krebs on Security (~once a month extremely long and thoughtful infosec writeups)

Data Colada (cover academic data whoopsies, currently being sued for their journalism)

the two authors i spent the most time with this year were Alexis Hall (romance novels and novellas) and Raymond Chandler's noir detective novels. i read 90% of Raymond Chandler's work in march and went insane about yet another sad bisexual man. Philip Marlowe the cat is named after his pet detective, the human Philip Marlowe.

march was kind of a banger for this category bc in one of what i consider the best tuesdayposts this year, i tried to break down why i fucking hated Frank Miller's Sin City comics so much.

other comics, but ones i loved: Spy X Family, Berserk, weird noir DC miniseries The Human Target.

watching

fallow weeks: 10

notable stuff i watched for the first time (according to letterboxd) that will stick in my head for a bit. some (The Night of the Hunter) i am so glad i watched once but do not feel the need to revist. some (Slipstream) fascinate me with how good they could have been. some (Twilight. all of them) were fun bc of the people i watched them with. the two i went particularly deranged over are The Big Sleep and Day of Anger. still feel very normal about them.

very heavy on crime and courtroom films this year!

television: very excited for s2 of Blue Eye Samurai, Interview With The Vampire, Spy X Family.

youtube

i should loop back and finish Black Lagoon, Adventure Time (completely forgot i rewatched most of that this spring), and The Big O. that last one is throwing me a little bc (since i last checked) there is no freely available version with subtitles (i cannot find subtitles Period) and i'll be damned if i have to import a dvd. i can find the dub with subtitles but! i want to hear spike spiegel as mecha-batman :(

sort of lukewarm eh-i'll-get-around-to-it about s/tar wars shows. i have not watched a/hsoka At All or wrapped up the animated Resistance show. i'll pay attention when ando/r is airing again.

playing

fallow weeks: 10. way fewer than i would have guessed!

the trouble with this category is that it is exceptionally hard to find new good games (either ones i already own or ones that are free). it is almost completely prohibitively exhausting to trawl through the free category on steam. there's simply a lot of cruft out there. a very good thing (but also incredibly timeconsuming thing) i started this year was throwing games into various folders so the eight bajillion libraries i have are less overwhelming. i can safely ignore 80% of my epic games library, for example. the itch.io library is a whole separate weekend project i think.

got back into genshin for good or for ill, which took up most of the back half of the year.

youtube

go play ABZU. i am no longer asking.

i would like to go back and finish the RPG Gamedec, un-softblock myself in the RPG Weird West, and finish the visual novel Dead Man's Rest. i think i stalled out in Call of Juarez: Gunslinger bc there was a mexican standoff that my reflexes are simply not fast enough for/too much to pay attention to. i am excited to pick up that spooky fishing simulator DREDGE when i have fun money again.

completely forgot i spent most of jan/feb/march being annoyed at fallou/t 4 but having some fun in Far Harbor, also forgot i spent an entire month playing through Wolfenstein: The New Order but i am not compelled to play through it again. it was fun! but like many games after one playthrough my time with it is done!

making

fallow weeks: 17 (unsurprising, pretty low energy year as a whole as i recovered from covid rounds 1 and 2 and the frankly insane stress of moving).

wrote exactly one fic: some matters at the heart of cowboy western snap shirts: why they are so and some of the implications of their being so, i would like to write more next year but i don't really have the brainpower. i hope this changes soon.

the baby blanket i started last year is still not done but the baby is still under a year so i have a very narrow window of time.

dyed some couch covers im still very pleased with

wrote an extremely long but very well received gallery wall guide

recipes: 12. sort of shocked by this? i am becoming an incrementally better cook and slowly finding recipes i both like and can successfully execute. found the fortitude to caramelize onions, for example. quick pickled red onions, for another thing. big year for protein or greens on top of beans and rice. faves included: cuban-style pork shoulder, hellofresh peruvian chicken, red lentil soup, white bean/kale/rice bowls

i would like to be less terrified about cooking fish. i would like to eat more fish.

and of course, the biggest project of all, acquired Phil. here is my very favorite photo ive ever taken of a cat

#tuesday again #tuesday again no problem

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ilmi0-labirint0 · 2 months

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noir-division . Intangible

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lara-prism-light · 9 months

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Redesign of Adrien and Chat Noir for the deed, Miraculous Heroes.

I changed Adrian's outfit because it was, honestly, generic. He now follows a more formal style that fits both his father's personality and his career as a model. If you look closely, the collar of the jacket has the symbol of an "A", being the brand of the clothing line Agreste.

This Adrian is more reserved and quiet at the beginning of the rewrite, he didn't know how to interact with other teenagers his age, much less how to act like one. His style would change throughout the story with the positive influence of his friends, encouraging him to choose his own style. As much as he hates being a model, he loves his father too much to ask him to stop, and he also always has an interest in free styles and different from his father's.

He is never the one who chooses what he wears, always being just Gabriel or Natalie, Chloe and Felix are the only people his age he spends time with, and for that, he prefers to keep to himself, not knowing how to act since Chloe acts as if she were superior and Felix is too closed to interact with other people.

He would not be able to attend the first day of school, but he would be present during the first appearance of an akumatized who he would try to help some people close to him, disobeying Natalie's orders and attracting the interest of Plagg who would immediately spot him and choose him as his holder.

As Chat Noir, I gave him a hood with cat ears, long, full sleeves, a vest with a green line and two holes in the sides, and a long belt that serves as a tail. Underneath the vest is a dark green skintight outfit with green triangles on the shoulders and green flourishing claw marks on the corner of the waist. His baggy pants go down to his cat paw-shaped boots (which contain green lines) the pants contain a similar division as the sleeves that go from black to dark green with details of green rays.

Chat Noir still has cataclysm, but he also has night vision, great hearing, agility, balance, and an ability called seven lives. Nine lives is one of his weaknesses, he cannot be seriously injured, that's because, even if the heroes receive a certain amount of resistance when they transform, they can still feel the pain of battles and even hurt themselves. And, while Ladybug has a lucky effect, Chat Noir has an unlucky effect, that is to say that he has much more chance of getting hurt or getting something wrong.

And Isis includes him being easily injured during battles. Therefore, the nine lives serves as a way to give him resistance, and just as Ladybug can give some of her luck to others, she can give some of her extra lives to others as well. And no, he doesn't die if he runs out of nine lives, he just becomes unconscious and he destransforms.

So that would be his version of the countdown for him to untransform (all heroes would have after a long time using their powers). He still has his staff, and the baton would serve as a communicator and shapeshifter like in canon, but he uses the staff to perform various tricks with it during battles.

Another thing I forgot to mention, the bells on his wrists are retractable, he can pull the bells off and throw them at enemies like smoke bomb grenades, but the bells are not destroyed, The smoke comes out of the little bell holes and it's kind of black smoke, it's more used as a form of distraction.

Anyway, I hope you enjoyed this redesign of Adrian and Chat Noir! Next one I'm between Gabriel and Alya, maybe I'll take a poll.

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art-of-love-and-war · 9 months

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hi! Can I request for an ikepri hc with babyyy? Where they bring their baby to work with them! like Sariel bring his baby to work with him like perhaps to a teaching or the princes meeting with him, and his baby was just babbling there (awe ><) . For Nokto where he bring his baby to his meeting with some higher up, and while he was working, he's also playing with the baby ( I imagine between he or licht will get a twin or triplets, depends on you which one of them). Licht/Leon bring their babies to combat practice. For Jin I can't think of anything yet, so if you got one, pleas do it hehe ( I really cant stop thinking that he will really get a twin born) . You can do a pt 2 for other princes too if you want :))

Characters: Leon Dompteur, Licht Klein, Nokto Klein and Sariel Noir and how they are as parents. Rating: General. Word count: 1,394 words Author note: I’m sorry in advance for any ooc parts on Sariel’s, he is the shortest bit I bit since I haven’t read his route, I probably will re-write it on another hc’s for funsies as well as do the other princes. But so far I’m pretty satisfied. Also this is more of them as fathers more than just with baby kids.

[୨୧] — Leon Dompteur

He is a fun dad, and he adores being a father.

There’s just something about having innocence in the palm of his hand, to be able to protect it, raise it, shape it. A memory of all things he could never have and a silent prayer to the sky above.

He applies the “be the adult you never had as a child”

He won’t ever mind tending to the baby’s needs, sure, people keep saying that wetnurses and nannies are there for a reason since he is the King, but it brings him joy to be able to help his child.

I don’t think Leon would bring the baby to combat practice, maybe during lunch breaks, but he tries to keep the little prince/princess away until they are older so they start to understand the art of war and combat.

But all of his men have sworn complete loyalty over the little one, most are eager for when the child grows up and has their division in the army to join their ranks.

He is super caring of both you and the baby, he always makes sure to thank you profusely for giving him a child (a first of many or so he plans *Wink wink*)

He takes pride in every achievement of the baby, “Yes, that’s my child!” big cheerleader dad.

Did the baby learn how to sit, crawl, and roll? He’d be over the moon. He tells everyone.

His brothers are so done with the conversation. They can’t help but love their little niece/nephew though.

He is a bit weak and wants to spoil the child rotten, but at the same time, he holds himself back. Wants to build character for his child but doesn’t neglect them.

He would never neglect them.

Instead, he wants to instruct the child that while they are part of the royalty, there’s an immense gap between social classes, but everyone is equal and their lives are as valuable as any other. They are in a privileged position and it's their job to make everyone’s quality of life better with the power they hold.

[୨୧] — Nokto Klein

While he looks like he doesn’t want to be a dad, he’d be the happiest man on earth to have a mini copy of him and you around.

Warning, this baby/babies(?) are completely spoiled rotten, he won’t care. Your kid(s) deserve the entire world.

You smack him in the back of the head from time to time because your baby takes longer to walk since Nokto is always carrying them around.

Just like Leon, he is also one to brag about anything and everything his child does, even as a baby.

It also serves two very useful purposes: to get more information or to escape meetings he doesn’t want to attend (but ends up attending anyways).

In the first place, he already likes bringing his child everywhere with him and bringing him to parties or social gatherings is a huge plus.

Everyone fawns about him and the baby, about how a great father he is and how cute the baby is.

“Oh, I know.”

Having a baby in his arms gets him a chance to start gossiping with other nobles and get more information after a good talk about parenthood.

His face would get so dark if anyone ever dismissed the feelings of a child, he thinks it's so important that his child or children in the near future (hopefully, if you wish) would feel loved and have all of their needs met.

As for the latter aspect, it seems that he has a telepathic bond with the baby.

Does he have to walk into a meeting? Thankfully the nanny comes running to him because the baby won’t stop crying unless he holds them.

He excuses himself for a moment or tries to call the meeting off, but since he can’t squeeze himself out of his duties most of the time he ends up attending and brings the baby with him.

[୨୧] — Licht Klein

He is absolutely scared and anxious about every action and decision he takes as a parent.

Don’t get it wrong, he adores you and your baby(s) and would be even more scared if you happened to have twins, knowing his story with his brother and he doesn’t want the story to repeat itself before his eyes.

He believes any child should be free of the burdens from their parents and he lives off by that since having children with you.

Those dark thoughts? Those past shadows and intrusive nightmares that present themselves before his eyes? He shakes them all off with the light that shines so pure from holding his kid(s).

Despite being a bit reluctant, knowing the tensions between him and his brother, the child seems to like Nokto a lot, and Licht relies on his brother from time to time, it's not what he would do often but he appreciates another figure the baby can start to trust.

A thing that brings him so much joy is being able to spend time together. With you leaning against his side and the child nestled between you in bed while he hums a beautiful lullaby he knows will soothe you both, or when you read out loud to them, while the child rests flat against his chest. It's such a calming scene, even when picturing it in his mind.

I also picture Licht as the type to not bring the baby to combat practice until they are much much older; and even if having a skill in combat is important as part of royalty, he relies on his brothers, maybe Yves or even Leon to start the child on their way of learning how to properly use a sword.

When the child grows he won’t even spar with them, he fears his style of combat is too beastly and ruthless, he doesn’t want to harm them by accident or to be violent toward them, even in practice.

He is such a loving father too, he wants to be present in every aspect of their life with you and he gladly takes on any tasks that require him.

Are you too busy one day or just want to spend a day by yourself? No troubles, he and the baby will go with Uncle Yves and have tea and sweets. Well, the baby will have milk and maybe Licht will have the entire tray of sweets since the baby is still too young to eat those.

[୨୧] — Sariel Noir

This man is a master at multitasking, so handling the baby any day won’t be of any trouble, after all, he almost raised the youngest of the princes so it's a piece of cake for him.

But he’d rather that you handle the baby at most times since his line of work can encounter some awful people that might stay on his bad book.

If he knows it will be a calm day with him staying at the office doing paperwork he’d certainly want the child to be with him.

He can be a busy man and wants to at least keep an eye on his child.

I can also picture him having a play-pen in his office, he can keep an eye out on the baby; if he happens to have moments where he needs to take a break, he’ll sit with the baby, watch them sleep, and play with them if they are awake.

His favorite times though, are at night, especially if hours passed without both of you seeing each other, he wants the domestic part of having a family of being a husband and a father.

Oh, but the clouds of not-so-nice thoughts are always clouding the back of his mind, telling him how he should not get attached as all of what you had built together could disappear at any moment by the desire of anyone that considers him a danger.

But seeing his face, you know how to scare those awful thoughts away, smiling, handing the baby to him, and watching his lips curl into a gentle smile.

As the child grows I can picture him being a stern dad, he makes sure his child knows that they are loved and he shows it with actions and quality time you spend together as a family.

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