Peter Steinmetz. Copenhagen. November, 2019
Evan Perkins. From the series «Grab Your Bibles There’s a Storm Comin’». 2019
Ivan Pavlukhin. Norway. August, 2016
© Niilas Nordenswan Photography – Citizens Below Zero
Anonymous. Osoaviakhim mobile pigeon-house. C. 1930s
The lettering reads: Take care of the pigeon. At some moments it will be the only means of communication on the battlefield.Philippe Gabel
This week in Montréal: n°242 | Sédiments, by Yvan Hydar ↦ FRA
More → www.yvan-hydar.fr
More → www.oripeau.com
Submit → oripeau.com/submit
This project is supported by www.sbsanishop.com
This week in Montréal: n°242 | Sédiments, by Yvan Hydar ↦ FRA
More → www.yvan-hydar.fr
More → www.oripeau.com
Submit → oripeau.com/submit
This project is supported by www.sbsanishop.com
Louis Faurer. George Barrows in Robert Frank’s Loft. New York. 1947-1949
On May 10th, 2008 I visited Auschwitz-Birkenau, not as a photographer but as an unwilling tourist. When I left two hours later, I had been inspired to create the 15 images that became “The Ghosts of Auschwitz-Birkenau.”
On International Holocaust Remembrance Day, please join me for a live conversation about this very unusual experience and these 15 images.
By Ignaty @ Flickr. 2012
Emmanuel Sougez. Hand. 1930s
Antonio Palmerini. Last shot on the roll. 2020
Louis Stettner. Odd man in. Penn Station. 1958