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#Original fiction
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There are massive warships. Things that are the size of stations but that can move more swiftly through hyperspace and real space than any other object created by humans or gods. They're not like the warships you imagine, they're like entire divisions of the military, some of them have the populations of small planets, the largest of them have populations higher then earth had before industry came to it.
It only takes one of these ships to comquor a system. Though they often have smaller ships swarming them, like the microorganisms on your skin. And when they fight eachother, holes are torn in hyperspace, and heavily bodies become asteroid belts. Even the weapons that can destroy planets can't take ships like this down in one hit.
Inside the ships are entire societies, of humans, cyborgs, robots, and strange organisms generated by human science. Many of them soldiers who exist to serve as the ships troops, especially since a boarding action is the fastest way to take them down, but many are there for other reasons. You need an entire society to support a ship like that and all the troops it can carry, from workers who maintain the ship, to traders who bring new recourses on, to artists and teachers and lawyers and all the other things that end up as needed when there's that many people.
Some of these ships are so large and so deep that there are people on there who've never seen the world outside their machines of war. And some isolated parts of those ships, who've been within the depths of the endless machinery for so long, that they've lost contact with the more outwards facing parts of the ship society. Tribes and towns within the dark mechanical labyrinth who don't know they're on a warship, who don't even know planets exist.
And they say, that as the loyalty of a ship fades from the empire that built it, that the ship may come to be controlled by many nations, vying for control of the ship's flight. They say that within the depths of some war ships, wars are fought.
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mustangs-flames · 1 day
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Hail, True Body (masterpost)
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Artworks by @corvidaeconundrum
'Hail, True Body' is a religious horror series that focuses on what it means to be human in a world that God has abandoned. For Mark Owens, 1993 is shaping up to be the worst year of his young life - and that's saying a lot all things considered. When his best friend Cesar Hernández calls him one night in October, Mark ignores the broadcast warnings to help him out. But Cesar is acting... strange.
Though perhaps that's understandable. His mother did just die, after all.
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Please be aware of each story's tags before you read. All Parts are in the order that you should read them.
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Overview/Summary of the Series (a quick guide)
PART 1: Mimicry (complete, 6 chapters)
PART 2: Where Is Your God Now? (complete, oneshot)
PART 3: Old Rugged Cross (complete, 5 chapters)
PART 4: What's In A Name? (coming soon, oneshot)
PART 5: The Good Samaritan (upcoming, 0/13 chapters)
PART 6: An Eye For An Eye (TBA)
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Character Designs:
Mark Owens & Cesar Hernández (1993)
My Boundaries
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This masterpost will be updated as and when new Parts are posted, designs are released, etc. If you have any questions please ask!
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sister-lucifer · 2 days
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HEY, YOU
Yes, you!
Do YOU like the idea of a gay polyamorous romance taking place in a fantastical medieval setting?
then you might like my upcoming original written series, Royal Courting!
Featuring the following cast of characters:
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Lucian Hensley
A fair skinned, pudgy baker standing at about 5’4 with hazel-green eyes and a thatch of dirty blond hair that falls in thick curls around his freckled face. He’s usually wearing his beloved handmade crocheted sweater, the same color as his eyes, despite the wear and tear it’s received over the years. Nothing he wears is particularly fancy, but it’s all very well loved and cared for.
Though he’s not ashamed of the weight he’s gained from the years of sampling his own baked goods, he’s easily flustered by any sort of comments on his physical appearance, regardless of how mild, possibly related to his gender identity as a transgender man. He’s humble and incredibly kind, sometimes to a fault. 
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King Ambrose Verlice of Divestia
A dark skinned, slim man standing at about 5’7 with sharp brown eyes and a slightly effeminate nature about him. His dark hair is done together in thick locs so impossibly long they nearly brush the floor, decorated with gold cuffs and never less than perfectly maintained. He’s always wrapped in white and gold with jewelry to match. Any one of his outfits is worth more than every house Lucian has ever lived in combined.
He commands respect from all who lay eyes upon him, but knows how to use a gentle hand. It’s easy to get caught up in his flowery language, but beneath the purple prose and irresistible urge to flirt is a genuine heart of gold. 
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Tobias Silva
A toned man of Colombian descent with tan skin standing at about 5’9, with brown eyes and curly brown hair that’s cut short and shaved underneath, but left longer on top, still allowing a few curly strands to fall over his face. He’s got a foxy way about him and always has a smug, closed-lipped grin on his face that makes his eyes crinkle at the corners and dimples form in his warm cheeks.
He tends to keep his armor rather minimal to maximize his speed, but he’s got daggers hidden just about everywhere one can hide daggers on their person. If he’s being quiet, he’s probably busy scheming with his colleague and friendly rival, Rex. 
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Rex Theroux 
Rex is a tall, pale, transgender man standing at about 6’1 with downturned blue eyes and shoulder length, golden-blond hair that curls a bit at the ends and is usually drawn into a loose, low ponytail that often leaves strands hanging around the sides of his head. Contrary to Tobias, he keeps his muscular form clad in armor at all times.
He’s the stoic tank of the duo, and proud of it. He’s completely mute and has never spoken a word to Tobias nor his king, but communicates with both Divestian sign language and his own unique methods. The only time anyone even sees his mouth is when he eats, as it’s usually covered with a neck gaiter. The scars that litter his limbs and body show his impossible resilience, but no one has ever heard the stories behind them.
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When Tobias and Rex stop in at Lucian’s humble bakery, they’re completely amazed both by what they taste, and the man they see behind the counter. When a batch of these baked goods reaches king Ambrose, he demands to see the wonderful artisan who created them, and Lucian’s simple life is thrown into a whirlwind when he receives an official summon from his majesty himself.
Are you interested? Stick around! Chapter one of Royal Courting: Summoned By The King is in progress now! You can find the Royal Courting masterlist (among others) in my pinned post!
If you like this idea, please reblog! It’s free, takes two seconds, and helps spread my ideas to more people!
You can find me on AO3 as Sister_Lucifer; everything here is cross posted there!
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dividers by @cafekitsune
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johannestevans · 7 hours
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child frequently dismissed as having an imaginary friend, a small beast of fire and smoke, until the forest fires hit in the high summer, and the child is lost in the smoke
parents horrified until she comes laughing from the smoke, smutty and messy with ash, but not even singed
laughing when they grab her, terrified, clutch at her hair, touch her cheeks, her clothes - seemingly incognizant of the fact that she's just run, giggling, out of the midst of an inferno, miles of woods behind her reduced to smoke and razed ground
"but we always play in the fire," she says, "he said this one would be bigger, and even more fun than before, and he was right!"
looking to the flames on the horizon up the hill, so hot they hurt to look at, and seeing a blurry figure amidst the flames
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Summary: With his country fallen to the unstoppable tide of the Dread Warlord, a terrified king sends a peace offering of his own flesh and blood in the hopes of buying leniency. When Prince Damian of Miska is accepted as the symbol of his country's surrender and immediately wedded to the Warlord, he expects his fate to be both painful and humiliating, and his death inevitable. To his confusion, the Warlord and his terrible Warlock seem to have no interest in abusing that which they have claimed as their own. As Damian finds his feet and gains friends in a new land, he begins to question everything he once thought was true. But some jewels were never meant to be sold, and the consequences of Damian's sacrifice are more far-reaching than anyone expected.
Author: @formlessvoidbeast
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beedokwrites · 2 days
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The first chapter of my new fantasy novella is up on patreon:
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dice-wizard · 2 days
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What if I put out a setting supplement for my book (to learn about my book about growing up in your late 30s, being the product of a monkey's paw wish, and crazy wizard duels follow @gaywizardemporium) and then called it "System agnostic" but it's clearly meant to be run using Exalted
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a-kind-of-merry-war · 1 month
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A guy doing marine research into phytoplankton is far out to sea and waiting for the samples to be ready when he spots a fast-moving ripple in the water up ahead.
Fully aware that this spot is home to a migratory orca pod, he assumes he's stumbled across an orca hunting a seal and settles against the railing to watch, because it's not every day you get to see that.
The ripples get closer, the shadows in the water more defined, the water choppier, and suddenly the orca and its unfortunate prey are zooming directly towards the boat and he's waiting, breath held, for them to duck right underneath--
When the water breaks, the ocean sprays, and he's suddenly smacked fully in the face by a very wet, very confused, and very pretty merman, throwing them both down onto the deck while the boat rocks as a confused and now quite hungry orca dives beneath it.
The merman, it turns out, thought that the boat was an ice float and didn't realise his mistake until it was too late. But he's very thankful for the impromptu rescue, and wow don't you have nice arms, and holy shit you've got legs, can I touch them? Is that weird? Can I touch them anyway? And your hair--
So of course they get to talking because they're both utterly fascinated with the other, and soon the sun has set and the samples are long-since ready and the moonlight is making the ocean look black and they part with the knowledge that they'll never meet again, and a kiss, and a lingering look over the shoulder for all the things that can't be...
And the researcher gets back to land, moors his boat, readies his samples. He packs up his things, shoves them into his bags, and prepares to go home. He steps onto the jetty boards and thinks of the merman and the solid wood beneath his feet seems to sway for more than one reason.
There's a splash. He turns, pulled as if by the tide, and there's a ripple in the water. A face. A pair of eyes made black by the moonlight.
And this is how the researcher acquires a merman boyfriend who helps him find samples and the merman acquires a human boyfriend who rescues him from whales.
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biscuitsandspices · 2 years
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Encouragment for writers that I know seems discouraging at first but I promise it’s motivational-
• Those emotional scenes you’ve planned will never be as good on page as they are in your head. To YOU. Your audience, however, is eating it up. Just because you can’t articulate the emotion of a scene to your satisfaction doesn’t mean it’s not impacting the reader. 
• Sometimes a sentence, a paragraph, or even a whole scene will not be salvagable. Either it wasn’t necessary to the story to begin with, or you can put it to the side and re-write it later, but for now it’s gotta go. It doesn’t make you a bad writer to have to trim, it makes you a good writer to know to trim.
• There are several stories just like yours. And that’s okay, there’s no story in existence of completely original concepts. What makes your story “original” is that it’s yours. No one else can write your story the way you can.
• You have writing weaknesses. Everyone does. But don’t accept your writing weaknesses as unchanging facts about yourself. Don’t be content with being crap at description, dialogue, world building, etc. Writers that are comfortable being crap at things won’t improve, and that’s not you. It’s going to burn, but work that muscle. I promise you’ll like the outcome.
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jonahmagnus · 1 year
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In world where there are two types of tower-dwellers, a Princess is locked in a tower.
There are two types of tower-people: A Princess, put there to remain pure until marriage or until rescued, and a Wizard, put there by choice to study and learn in isolation. Princesses are defined by their beautiful long hair, and Wizards are defined by their beards and impressive 'stache.
There is a Princess, and she lives in a tower. She was put there recently by her mother and father, to keep her pure and untouched until they can secure the marriage to another kingdom and a prince shes doesn't love. She has long, almost brown sandy-blonde hair, pale green eyes and a slim, tender build. She is not the fairest in the land, but she is tall and pretty. If compared to a rose, she would be the humble yet graceful willow tree, slender and long. She has wanted to be a wizard since a young age, but there is no way for a princess to become a wizard. Princesses are delicate girls to be protected and sold off until their either dead or Queens or have found True Love, unsuited to the life of experimentation and study of a wizard. That is what her mother tells her, in a quiet scolding that is far more forceful and cruel then it has any right to be. And the princess, terrified, believes her.
She used to run the castle halls, stick in hand, robe fashioned out of a delicate silk bedsheet, shouting fake spells at birds while her servants chased her. But as she grew older, her restraints became tighter, and more and more often, she was confined in her room to embroider in solitude with barely the comfort of a window or a maid. The life she is forced into makes her hang her head low, makes her hands be paper-soft, and demands her hair be long and beautiful and perfect like all other princesses. The world she longed to be a part of was a world of study and experimentation, and as the kingdoms princess and tool, she could not even dare to hint at her desires into adulthood. She could become a witch, she knew, flee the castle barefoot and sink into the loving embrace of the swamp. But witches don’t live in towers, and they make potions instead of spells, and they don’t grow the flowing whimsical beards that wizards do.
But that does not mean she has to be bored in her tower. Fascinated by magic as she always has been, she arranges with a long string of bribes for books on spells and forbidden potions to be smuggled along with her meals. She studies them while the clock ticks down for either a prince to arrive or her marriage to be finalized. Either one will doom her, and she wants to enjoy herself as much as possible until her marriage. She pours over the books long into the night by candlelight, and all day, she rests her pale, tired eyes. She experiments, and she reads, and she studies non-stop, barely stopping for meals and littering her books with an assortment of food stains. She cuts off her hair to use in bubbling gold potions, her skin becomes scarred with a rainbow of the consequences of failed experiments, and her dresses turn into makeshift cheesecloths and fire-fuel. She washes late into the night after she is done with her work for the day in the darkness, not glancing into the mirror that has become cracked and dusty. When her eyesight starts to fail from strain and working in darkness, she fashions for herself bottle-round glasses, blown by herself in the depths of her tower. Engrossed as she is in her studies, she does not notice the tower warp, and the meals stop rotting, and how she started out in one circular room but now has a loft and a second floor and the fact that the tower seems much much taller then it was originally.
What she DOES notice though, is when brushing crumbs from her face she feels facial hair on her upper lip.
She rushes to the bathroom and thrusts a candle into the holder as she looks at herself. In the dusty mirror, she sees the beginnings of a bushy mustache sit on her upper lip, much further along in growth then be logically possible without her noticing. It’s a pale blonde, like her hair, and she notices faintly that there are streaks of grey in it, a very familiar shade of classic wizard grey. She brings a trembling hand to her upper lip.
Much, much later, a prince rides up to the tower. It is tall, and warped, and very clearly belonging to a wizard, despite the royal family claiming their daughter lives here.
He shouts up, a bit nervous because of the thorny vines wrapping the beautiful stonework.
“Hey! Does a Princess live here?”
A young man with large bottle glasses and a rather impressive mustache leans out of the tower, his short, sandy-blonde hair spilling lightly in the wind. He starts to say something, then glances back into his house. A smile breaks out on his face as he seems to realize something.
“No!” He shouts back, after a moments hesitation. “But a wizard does!”
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mustangs-flames · 1 day
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'Hail, True Body': A Series Summary
Here is an overview of my now original religious horror series, 'Hail, True Body'.
'Hail, True Body' is a religious horror series that focuses on what it means to be human in a world that God has abandoned. For Mark Owens, 1993 is shaping up to be the worst year of his young life - and that's saying a lot all things considered. When his best friend Cesar Hernández calls him one night in October, Mark ignores the broadcast warnings to help him out. But Cesar is acting... strange.
Though perhaps that's understandable. His mother did just die, after all.
Being human is a terrible weight, but sometimes you find others to share the burden with.
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The Series:
All Parts of Hail, True Body are posted in the order they should be read in. Some Parts are multi-chapter stories, whereas others are just oneshots. Here are links to the Parts posted so far. A new Part begins only when the previous one comes to an end. Alongside the following links, I've included the length of the part and an overview without too many spoilers.
PART 1: Mimicry Length: 6/6 chapters (39,487 words) completed Overview: When an unfathomable being awakens from a void to complete its one and only task, it finds itself enamoured with the very thing it's supposed to destroy. (An eldritch beast tries a little too hard to be human. It goes about as well as you'd expect.)
PART 2: Where Is Your God Now? Length: Oneshot (2,272 words) completed Overview: Following the immediate aftermath of Part 1, Mark Owens spirals into a crisis of faith unlike any he's experienced so far. Cesar is dead, and in what kind of a world is that fair? Unsure of what to do or where to turn with the blood on his hands, he picks up the phone and asks for help from the one person who's been there since everything in his life started to go wrong.
PART 3: Old Rugged Cross Length: 5/5 chapters (22,580 words) complete Overview: Mark Owens has always been dogged by despair, ever since he was a child. October 1993 isn't the first time he's dealt with a monster. For him it begins in 1979. It begins with an imaginary friend.
PART 4: What's In A Name? (COMING SOON) Length: Oneshot (wordcount tbc) Overview: Sometime following the events of Part 1, a mimic formerly known as Cesar Hernández wakes up in the nothingness it originally came from. Confused and lost in a jumble of memories that are both its own and not at all, it clings to the one thing it can remember: a boy with sad brown eyes and a crucifix.
PART 5: The Good Samaritan (UPCOMING) Length: 0/13 chapters (wordcount tbc) Overview: Amidst the loss and confusion of recent events, Mark Owens falls into a crisis of faith like never before. It certainly doesn't help that God is silent despite his cries, pushing him ever further onto a path of revenge. Cian Daniels is trying his best to keep Patmos County as safe as he can whilst meeting Mark halfway, before that kid can get himself killed.
PART 6: An Eye For An Eye (TBA) Length: (tbc) Overview: (tbc)
Please be sure to read the content warnings in the author's notes!
If you have any questions about the series, please feel free to ask! Thanks <3
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sister-lucifer · 2 days
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also if you guys wanna ask some questions about my original fiction series royal courting in my inbox that would be nice 🥺 /nf
really excited to be doing original stuff !!
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the-modern-typewriter · 5 months
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I love love all your writing and jealous villains / possessive villains always make me kick my feet!! Can I request a hero that’s been under appreciated by the city and getting hurt / almost killed by civilians they were meant to protect? And the villain finds the aftermath? ╰(*´︶`*)╯♡
"My god." The voice was strained. Familiar. Them.
It really wasn't the hero's day, was it? They released a slow, pained breath, pushing themselves gingerly off the grimy, rain-puddled street. "Enjoy the show?"
"What show? You could have taken them. You should have taken them."
The hero grunted. They straightened. They wobbled.
The villain appeared out of the shadows, at their side, in an instant. It took the hero a moment to realise that the villain had placed a steadying hand on their arm.
The villain's face was harsher in the streetlight; all firelit edges, beautifully demonic, orange pinpricks glinting almost red in their furious eyes. Rain spat down, soaking into the villain's hair and clothes. They didn't seem to care.
The hero did a double-take. The flippant comment they'd been about to make died in their mouth.
"How much did you see?" the hero asked.
The villain's jaw clenched. "I just got here."
It was an unexpected confession. On closer inspection, the rapid rise an fall of the villain's chest suggested they'd been running.
"Huh," the hero said.
The villain's gaze raked over them, taking in every bruise and scrape and bit of blood. "You didn't fight back. Why didn't you fight back? You could have pulverised them. Made them fear ever hurting someone again. That's what you do if I attacked you."
The hero shrugged, awkwardly. They eased their arm free of the villain's grip.
"That's not an answer," the villain snapped.
"I would have killed them. Normal people can't deal with my powers."
"So better to let them nearly kill you?"
The hero shrugged again. Everything ached; they weren't especially in the mood for hearing about how wrongly they'd handled getting the flying spit kicked out of them, they weren't in the mood to explain how the villain was different. Even at war, it was easier with them.
"You're in uniform," the villain said. "They knew who they attacked."
"Oh." The hero hadn't realised. The truth of it struck them like a low blow and their shoulders slumped, as if it wasn't already far too late to brace and curl into a foetal position to guard the heart of them. "Right. Yeah. Well, bold move on their part!"
They tried for chipper. They failed completely.
The whole time, they'd been so preoccupied, they'd thought the strangers had no idea. A wave of stupidity, prickling with humiliation, washed over them. Their eyes felt hot.
The hero swore under their threat.
"I'm going to kill them." Possessiveness threaded low and heated through the villain's voice.
"I don't need you to do that."
"I know. It will be my absolute pleasure." The villain grabbed the hero's arm again as the took a step and stumbled. "They shouldn't-"
The hero could feel themselves beginning to shake, a myriad emotions welling up inside them, threatening to explode, as they listened to the villain's insistence that really no one else should be allowed to touch what was theirs.
"I said, I don't fucking need you to do that."
The villain went quiet. Still.
The hero closed their eyes again, already regretting their sharpness. A treacherous tear rolled down their cheek. Christ. That was all they needed, wasn't it? Cherry, meet the top of the garbage pile. They swiped furiously at their face and didn't say sorry. They couldn't say sorry. They'd never stop, they were sure of it.
"What do you need?" the villain asked.
The hero glanced up at them, startled.
It wasn't that the possessiveness was gone from the villain's face, only that the burning of it had finally cleared enough for the hero to see what lay beneath it.
The care, the sincerity, in the villain's question felt like a knockout blow. They didn't know what to do with it. They had no armour for it, no shield.
"What do you need?" the villain asked again, softer, when the hero said nothing. Their other hand rose, cupping the hero's cheek. "You want me to get you home? Your leg's screwed. You can't walk."
"I can walk." The hero looked down at their leg. They could...well, it wouldn't be fun walking. They eyed the villain. "Seriously?"
"Well, I'd prefer to hunt the bastards down and kill them, but I also do an incredible taxi service, yeah."
"Thank you."
The villain looked almost as uncomfortable as the hero felt. They shrugged. Their jaw worked, eyes narrowing when they caught sight of the hero's injuries again. The hero could feel the villain's fingers flexing against their skin with barely leashed violence - and, yet. It was leashed.
The villain dropped their hand.
"My car is this way. Can you - can I - I can help you get there. If I'm allowed."
"You're asking permission to touch me?"
The villain glared at them.
Despite everything, the hero managed a weak smile back. "Yeah," they said. "You're allowed."
The villain nodded, wrapping an arm around the hero, before pulling them up into an unexpected bridal carry. They were strong. All lean muscle and warmth against the hero's frozen body.
"I'm going to get blood on you," the hero said.
"Because nobody has ever bled on me before ever."
The hero huffed.
They let the villain walk them out of the alleyway, brain still sluggishly working its way through all of the implications of the villain's sudden appearance.
They'd come running when - what? When they learned the hero was in trouble? When they learned that the hero wasn't fighting back to the full extent they were capable of?
Thoughts were hard and the villain's car was warm, the heating soon on full blast.
Thank you. It welled in their throat again. The hero choked on it.
They didn't think they'd ever been as well looked after as they were that week.
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cipheramnesia · 3 months
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Sorry everyone I was thinking about the lonely werewolf tgirl and her friend the sentient intergalactic magic warship again. 🥺
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whereserpentswalk · 9 months
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Your new roommate is an android. You could tell when you saw them, their skin is pretty obviously artificial material, their eyes glow a little, and they have that voice and those mannerisms that a lot of them have. They're warm to the touch, warmer than any human, most androids are warmer than humans despite the serotypes. This isn't surprising, you've met a lot of androids before, and you know a lot go to this school.
What is surprising is that they don't admit it. They call themself a human, act dismissive towards the idea of androids as part of human society, try to avoid anything that's part of android culture. You adapt pretty quickly to referring to them as a human, but you'll always know they aren't. You assume it's because of bigotry, you know androids still face a lot of social issues, but bigots can still tell they're an android as much as you can. And it's not like things are like they were back in the 21st century, especially in a college in a large city, bigots can't just openly say they hate nonhumans, they're subtle in ways that make pretending to be a human hurt even more. But you are human, so you think it's best not to say anything.
You see how much your roommate sacrifices just to look human. They never show any skin other than their face and hands, which makes overheating even worse. They waste hours trying to fake sleep, when everyone knows they can't sleep, they always make excuses as to why they can't eat any given meal. And you can't even mention nonhumans around them without them being dismissive of anyone openly nonhuman. They don't have solidarity with any other androids, can't participate in any of the things on campus specifically designed for people like them. You want them to be happy, and you know they'd just be happier if they admitted being what everyone knew they were.
There's a lot of nonhumans in your friend group, a lot of clones and cyborgs, and one or two androids. Most of the time you don't think about how they aren't human. But not your roommate, you always think about how they're an android because you have to in order to pretend you think they're human.
And they become so proud of their humanity. Humanity they don't even have. Like they're loving the fact that they can say that they're human, that they can say they're part of the most privileged group in the solar system. It's almost like they're larping as a character, they've mentioned family on Mars at this point, family that you know they physically can't have. It's best to just pretend.
Your roommate knows a lot about certain places, about how certain practices work, places and practices that are horrifying to think even still exist. Places where android suffer in ways that make you feel guilty just to be a human. Places only someone whose been there could know about. It's a miracle this person is in college at all. They don't want to be an android, don't want to be able to be hurt the way only their kind is hurt.
Eventually they cut their face. Cut it deeply enough so that you can see they don't bleed, so that you can see the metal under their plastic skin. They have to walk around like that for a while, they can barely go to class, barely talk to anyone, knowing they can't pass for human. By the time they get the cut fixed everyone knows, well everyone always knew, some people are confused because they didn't even know your roommate wanted to be a human.
When you talk to them again you realize they expected you to want nothing to do with them. They're still uncomfortable around other nonhumans, they don't want to be one of them, but they can still talk to you. They're not even wearing clothing, they don't need it, their only skin is on their head and hands, everything else is raw steel, but they still look themself despite everything. They expected you to see them differently, if anything you see them as an android less now.
When you hug them, it's warmer than any human hug could be.
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halfbit · 8 months
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ok the last post was infodump friendly. this one is NOT.
i expect you to explain your/something about your magic system as badly as possible. i want to be confused. i want to lack context.
i'll start:
big wyrm gives off radiation that is also magic. ohhh no gas.
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