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#Paris Exposition 1900
taishou-kun · 1 year
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Sada Yacco 川上 貞奴 Kawakami Sadayakko (1871-1946) in a poster for the 1900 Paris Exposition by Alfredo Müller - France
Kyoto Institute of Technology
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itsr0bin · 1 year
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Le Pavillion Bleu ~
“Le pavillion bleu” was an ephemeral luxury restaurant designed by René Dulong and Gustave Serrurier-Bovy for the universal exhibition of 1900 in Paris and located at the foot of the Eiffel tower.
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walzerjahrhundert · 2 years
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Le Château d'Eau et le Palais de l'Électricité, effet de nuit, Exposition Universelle de Paris
1900
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debrink · 1 year
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Exposition Universelle de Paris
Chemins de Fer de l’Ouest
~ Gustave Fraipont (French, 1849-1923), circa 1900
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citronsdor · 2 years
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Lumières de Paris x Lumières de Finlande L’été, l’hiver x Albert Edelfeldt #albertedelfelt #exposition #jardinduluxembourg #parc #park #belleepoque #1900 #lumieresdefinlande #details #painting #tableau #art #picture #style #elegance #instaart #artstagram #artlovers #paris #expoparis #finlande #finlandais #petitpalais #musee #iloveparis #paris1900 #snow #paysageenneigé #city #finland (at Petit Palais, musée des Beaux-arts de la Ville de Paris) https://www.instagram.com/p/CfpD7IgLOak/?igshid=NGJjMDIxMWI=
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PARIS / France - exposition 1900 - Cambodia.
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kosmik-signals · 1 year
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(via Understanding Society: W.E.B. Du Bois' stunning modernist data graphics)
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darlingillustrations · 3 months
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PRIDE is timeless
New images for 2024. See previous years here.
sources for photographs:
Axolotls - Photograph from Trent Kelley’s Flickr stream “Hidden in the Open: Photographic Essay of Afro American Male Affections.” Source for image.
Bears - Bearded men together. Source for image.
Chipmunks - Unknown photographer, Wikimedia commons. Source for image.
Dogs - Aunty Mary and her “friend” Ruth (1910) by imgur user izgs. Source for Image.
Ducks - Photograph by David Deitcher, from his book “Dear Friends, American Photographs of Men, 1840–1918.” Source for image.
Mice - Lily Elise and Adrienne Augarde (1907). Source for image.
Snails - Nana & Jacky, Métro Blanche (1961), by Swedish photographer Christer Strömholm. Source for image.
Unicorns - Two African American women, three-quarter length portrait, seated, facing each other (1900). From the African American Photographs Assembled for 1900 Paris Exposition. Source for image.
The Affectionate Animal series is a project I have worked on for years, illustrating vintage photographs as queer couples. All paintings are by me, Erin Darling. Here is a link to the series on my site.
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Planche aquarellée représentant le pavillon de la France et la Hollande lors de l'exposition universelle de 1900. Carton, aquarelle, 50 x 36,5 cm © Archives nationales, France
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blackfolksintime · 5 months
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Part of Du Bois, W. E. B. (William Edward Burghardt), 1868-1963. Du Bois albums of photographs of African Americans in Georgia exhibited at the Paris Exposition Universelle in 1900
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dear-mrs-otome · 3 months
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So Galileo's route confirms that, at least at the time of his route, it is the year 1900 - and probably the summer of 1900.
The world's fair of 1900 in Paris, the Exposition Universelle, is referenced by some townsfolk...and more specifically, the Great Paris Exhibition Telescope of 1900. Which was an astonishingly large, astonishingly ineffective telescope created more for show than for any serious scientific pursuit. (Much to Galileo's disdain, of course 😂)
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asnowfern · 8 months
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Crimson Starlight
Summary: His fingers twitch before clenching into a fist at the side of his body. He wears a nostalgic smile as amethyst eyes take in every detail, lost in every smudge and swipe of water colours. A secret conversation between him and the long gone artist. 
A lost history of the world's most iconic female impressionist artist and her first ever sale of an art piece. 
~~~
OR Vampire Rhys and human Feyre falling in love in 1880s Paris.
Rating: M, some blood and violence
WC: 4.2k
Read on AO3
A/N: Happy Feysand Week everybody!
Written for day 2 of @officialfeysandweek2023 prompt: Hobbies Because she likes to paint🎨 and he likes blood🩸 (The link is tenuous I know)
Thank you so much to @octobers-veryown for helping me check on the art history stuff! Love you💜
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THE FEYRE ARCHERON EXHIBIT
Defying English societal norms and her middle class background, Feyre Archeron propelled to notoriety at a private art gallery in 1889, rendering critics of the community speechless with her stunning use of colours and bold impressionistic still life paintings. Eventually, paving the way for the self-taught artist to win the gold medal at the 1900 Exposition Universelle in Paris. 
Come celebrate with us one of the most prolific and trailblazing female artists in history.
***
She watches from her corner in the cool exhibition as the man enters the room. His tailored jacket clings to his broad frame, the first two opened buttons of crisp white shirt reveal whorling black ink and tantalisingly teases lean muscles underneath. His presence is commanding even  as his steps hitched in the middle of the exhibit, sharp violet eyes zeroing in on a portrait hung at the opposite end of the room, almost hidden from view from the general public. As if, it's a portrait which only he knows the existence of.
The lights of the museum seemingly follows him as he strides towards the painting, an aureate glow reflecting off dark skin with every step. He looks up at the smeared bright colours tracing three distinct lifeforms, the brush strokes in a distinctly different style. 
His fingers twitch before clenching into a fist at the side of his body. He wears a nostalgic smile as amethyst eyes take in every detail, lost in every smudge and swipe of water colours. A secret conversation between him and the long gone artist. 
A lost history of the world's most iconic female impressionist artist and her first ever sale of an art piece. 
===
A deafening crack of thunder over Hyde Park snaps Feyre out of focus, her hand twitches and sends dark shades of brown splashing over delicate painted hands. Ruining what was supposed to be portraits of her sisters. Matching storm in crystal blue eyes narrows as she swears, her mind races on how she could correct the misstep and salvage the painting.
Another clap of Zeus's lightning bolt sends rain down on the garden. It quickly soaks the canvas sitting and accumulates water on her precious paint. Dismayed, Feyre closes the easel and gathers her materials. Within the next minute, she ducks into a small stand and relies on the small red brick structure above her for shelter. 
Assessing eyes surveys her now damp canvas and sculpted lips curl inwards in dismay. Canvas are expensive, paint all the more so. For them to be wasted and ruined by the rain. The number of meals she may have to skip out on to recuperate the losses. 
She stares idly at the splotchy colours as her mind overlays new images of how the painting could look like. Her hand pauses in mid-air as she reaches for a new brush. It is something different, something new. 
Leaving no further room for doubt, she lowers her brush to the canvas in a smooth decisive stroke. With a slight curve to the lips, her brushes levels swipe after swipe, adding more colours, more shapes, more shadows. More. 
Suddenly, her hand stills. Feyre inhales sharply.
A chill runs down her spine and raises the hair at the back of her neck. Feyre shivers as she looks up, surprised that night has fallen in what had to be hours since she escaped to the shelter. 
As fast as it came, the pressing fear lifts from her chest and returns her breath back to her. Her fingers tremble as she dumps the brushes into her cup, quickly rinsing out the paint. 
"That's a beautiful painting," a low, silky voice says from behind her. 
Despite instincts screaming at her to run, Feyre turns towards the source of the voice and her mouth goes dry. 
The man is impossibly beautiful. 
Sharp sensual lines trace his facial features, his mouth pulls into a smirk with a hint of white gleaming through. He draws himself closer, wrapping her in a sea of salt and citrus. She feels her back practically arching towards him in response - closer, closer. 
He leans, not into her but towards the canvas, pausing for a stretched second. When he finally turns his gaze on her, the world quietens. For there are no colours that Feyre could mix to emulate the violet in his eyes. No, not just violet but the varying shades of blue and purple. It is like a galaxy, drawing you in until nothing else matters. 
"Hello, darling," he purrs. 
The words break the enchantment and Feyre steps away, her back colliding into a pillar. The stone cold surface spurs her into action, hands flying to keep her belongings. 
Rough calloused fingers gently close around her wrist. He asks lightly, "What's the hurry?" 
Feyre fights to keep her eyes open, fights to not lose herself in the smooth silk of his voice. She breathes out shakily, "I don't want any trouble. Just let me go and you'll never have to see me again." 
"Why would I ever want that?" He returns sharply, her hand remains rigid in the air even as he releases it.
A tension locks in her jaw as she pushes down the primal fear. She lifts her chin slightly, "Well, then what do you want?" 
"I want," he pauses as if to collect his thoughts, his eyes drifting back to the coarse board sitting on the easel, "I want to see the finished work." 
"Why?"
"Because I might like to buy it." 
The words sound genuine and takes her by surprise. She swallows the lump, her heartbeat kicking up a notch, "You're lying."
The man studies her for a moment, she resists the urge to squirm under the intensity of his stare. Finally, he asks, "Can you afford to let me go on the possibility that I might be telling the truth?"
Hot wells of embarrassment burn her cheeks as he touches on a sore subject. She has never sold a painting. Without the easy privilege that comes with wealth and titles, a female artist with no formal training or connections can never sell or exhibit.
Forever an amateur. 
She straightens her back to raise steely blue eyes to vibrant violet, saying carefully, "I'd consider it if you're telling the truth."
The edges of his mouth flick upwards, "Let's set up a meet when you've completed," he hands her a card with a name and address in Grosvenor Square, "We can discuss over dinner." 
He lifts her hand to brush his lips, spreading warmth over her frigid knuckles. Feyre swallows thickly, "This time, a week from now" 
He glances up, his lips lingering a touch longer than what is probably appropriate before drawing himself back to full height, "Very well, bring the completed piece and a couple more of your favourite ones. I will send a carriage to you at seven pm next Tuesday." 
She nods and gives her address down in Bayswater, her mouth set in a grim line. The man steps a respectful distance backward, giving her slight how, "I'll be counting down the minutes before I am able to see you again…"
"Feyre"
His eyes twinkled like stars in the night sky, "till then, Feyre darling." 
Feyre looks up at the blanket of clouds as she walks home, her hands clutching tightly onto the easel. She hopes that she did not just invite a murderer into the home of her and her sisters.
===
Feyre stares at the intricate designs etched into the wooden door. She shifts slightly and readjusts her grip on the numerous covered paintings sandwiched between her arm and body. Taking a deep breath, she raises her hand to grab the knocker. Only for the door to swing open to reveal her mysterious buyer - Rhysand, from the card, her brain reminds her.
Her eyes unwittingly drags up and down the male. He, Rhysand, has shed his jacket today. The sheer white shirt hangs loosely on his body but does little to hide his muscular physique. With a teasing smirk and another caress of his lips against the back of her palm, he leads her down a tastefully decorated corridor. 
The tight trousers, Feyre thinks, was definitely a conscious choice on his part. 
"Is there no one else here?" She asks as they enter a dining room, her head swivelling around, noting the lack of people around.
"Why, Feyre," Rhysand teases, smiling widely to reveal sharp pearly white canines, "are you enquiring after my marital status?" Feyre is about to scoff when he croons, his eyes slightly darkened, "Fortunately, I remain a bachelor." 
This time, Feyre does scoff, settling her paintings down with a huff, "It doesn't concern me if a potential art dealer is a married man or a bachelor. Although," she nods her head in gesture of her surroundings even as he bends at the waist to carefully study the pieces, "you don't seem like a very discerning collector."
Rhysand draws to his full height as he smiles wanely, "There hasn't been art that made me want to collect as much as yours."
She withholds a frown to mark his sincerity, announcing, "I have not yet decided if you're conman or a predator." 
He lets out a barking laugh, "Darling, I am sincere in my offer, but," his voice drops into dark velvet and awakens a dangerous heat in her, "make no mistake about it. I am most definitely a predator." 
With her hackles raised, she meets the darkened stare with her own, "And what makes you think that I'm a prey?" 
"No, you're not," Amethyst eyes glint as he dips his chin in agreement. Then as fast as a switch, he drops the heat and speaks formally, "Fifty pounds for the painting from the park and a thirty percent commission on all future sales."
Though she is sure her eyes are round with disbelief, she forces the breathlessness out of her voice, "Let's talk terms over dinner."
Dinner goes smoothly, a simple yet elegant affair. Servants slip in and out only to bring in food. Gentle clanks of chinaware bounce around the room as they eat. 
"Paris?" Feyre asks incredulously, her dessert fork hitting the plate loudly, "You want me to move to Paris? With you?"
He shrugs, the very picture of nonchalance, "Is there anywhere else better to be?" 
Her jaw clamps down on the delicate pastry. He is right, of course. The city of light is the epicenter of Europe's art scene - the birthplace of the often condescended upon impressionism. A place she could flourish much better than stuffy London. The marginal freedom she could attain as a female artist. 
Her sisters are comfortable with the small inheritance they've received with their mother's death. She could modestly live off the money Rhysand is offering for the painting for a couple of months. She could entrench herself in the landscape, learning and absorbing. She could actually be an artist. She could, she could, she could. 
Her heart lifts ever so slightly in hope and excitement.
She could.
===
Feyre wrestles her hands behind her back as she observes the casual art dealers surrounding her. It's been a few weeks since her move to Paris and things have progressed well enough that when she heard about Helion Spell-cleaver's private art exhibition, she paid the small fee and signed up for entry. 
"Look, Dagdan. It's the same distinctive wild brushstrokes as before. This must be Rhysand Night's artist then," a low voice sneers from a distance, "the new star."
Feyre releases the iron grip on her hands and forces them open and relaxed. Her back straightens with every stretched beat as she turns to the pair, schooling her expression into one of impassion.
Dagdan and Brannagh. 
Hailing from the upper echelons of French government and strong familial ties to the leadership of the society of French artists, the sibling duo made their debut at the last Salon with a piece Feyre found to be derivative. A pale attempt to pander to the recent commercial success of mixing impressionism elements into classical art styles the Salon prefers. A view that is sometimes whispered clandestinely around the community but never to their faces.
"Yes," the brother tuts, his elbow tight around his sister's, "and the same obscene mix of colours. But the price that it fetched? They say it's avante garde but I don't get it. Perhaps the perception of the common," his eyes flick disdainfully at the slightly frayed material of her plain cotton dress and distinct lack of a corset and bustle, "just isn't something that we can understand." 
Resisting the urge to roll her eyes, Feyre forces on a polite barely passable smile, interjecting, "Perhaps, the perception of the common is more suited for the masses. I couldn't possibly begin to understand the, er, beauty from a trained eye." 
"No," Brannagh curls a perfectly shaped lip in haughty contempt, "you really wouldn't." Her voice drops a decibel, "Mark my words, your name will be forgotten the day you stop offering extra services to your sponsor."
Her fists clenched into tight balls as they stalk away, the low rumble of their sniggers fuelling the burn in Feyre's cheeks. 
The words still haunt Feyre days later. She growls in frustration as she lifts a charcoal to paper for the umpteenth time that day. Her mind draws a blank. 
Obscene mix of colours. 
The charcoal breaks into pieces as it collides against the hard floor. Feyre bends her knees to pick up the pieces and inadvertently collapses to the ground. The cool sting of marble permeates through the fabric to reach her skin. 
She twists her body slightly to rest against the leg of the chair, her eyes falling shut. It's just to rest her eyes, she tells herself. The next time she opens them, she will be ready to face her canvas. She thinks as Brannagh and Dagdan's voices melt into a pot of derisive laughter.
==
"Feyre, wake up!" 
Large hands envelope her, pressing her against a stiff jacket while gently shaking her awake. Feyre whines at the intrusion, "Five more minutes." 
The pressure of fingertips on her lessens and a low chuckle reverberates pleasantly down her spine. "Wake up, darling."
Her lids flutter open and Rhys swims into vision, lines of concern carved into his face. The lines lessen as he takes in her waking form, gradually giving into tender amusement. 
"Rhys?"
"You had me worried for a moment there"
She groans, sitting up. A warm palm lingers on her back, lending her support, "What time is it?" 
"Nine," he answers, his brows pinched together. 
Feyre rubs the bridge of her nose. She is more than two hours late for their appointment, no wonder he showed up. She gives a woeful look, "I'm really sorry about this. I was just really tired." 
He doesn't say anything. Instead the arms which are still wrapped around her tighten and there is suddenly nothing else in her world but a salty sea of citrus. 
"I was so afraid that something had happened to you." The confession comes out in the slightest of whispers. 
"It's just an ill-timed nap," she murmurs into his chest, his confession prompting one of her own, "I've been having a block the past few days. Ever since the gallery." 
They lock gazes, Rhys searching her expression. But for what, Feyre cannot say. Finally, a familiar smirk returns, "I think I have a solution for that." 
Refusing to let her change out of her paint speckled dress, he ushers her into a carriage and sets them off with haste. The infuriating man refuses to let her sneak a peek out of the carriage window, even after they have arrived at their destination.
"Is this really necessary?" She huffs as he ties a scarf around her eyes. 
"Yes, now hush." 
With a last good natured hush, Feyre loops a shaky arm around her mysterious broker's elbow and follows. She relaxes after a couple of minutes.
"Hold tight, darling." 
"What, why?"
Feyre stifles a gasp as the ground beneath her moves upwards, leaving her stomach behind. With reflexes faster than what the other probably expected, she whips the blindfold off her head. 
Dark metallic structures whirl past her at impossible speed, bringing them higher and higher. She lurches forward as the contraception comes to a halt, only strong arms which are still circled around her shoulders keep her upright. 
She gingerly steps forward to move towards the viewing balcony. Every inch of her body thinks of nothing but to lean against that edge, "How? This isn't open to the public yet " 
He gives a mysterious smile of his, "I have my ways." 
She sniffs at the non-answer. But it doesn't matter, she peers downwards at the small dots that littered the streets of Paris, the shimmering glow of the street lamps glinting at her like stars. It is suddenly obvious why Paris is known as the City of Light. 
But to speak of stars.
She shifts her gaze upwards and reaches out a hand. She's so close to the stars, closer than she's ever been before. 
Colours burst in her mind, a cacophony of swirls and lines. Her lips relax and pull upwards at the image. She turns back to Rhys, "Thank you"
The male remains silent, his eyes are shaped like the moon and reflected wonder, "Do that again" 
"Do what?" 
His lips trembled, "Smile"
Her face splits open as a warmth fills her chest.
"Welcome to Paris, Feyre darling."
===
Feyre races down the street, swerving through Parisians, earning herself disapproving glances and tuts. She ignores them in favour of the paper scrunched up in her palm and the bursting excitement in her chest. 
Exposition Universelle, Exposition Universelle. They are actually going to showcase her art at the Exposition Universelle - the world's fair to show the progress and success of the French and they wanted to display her art. The art of a no-name, English female impressionist. Her entire being vibrates with excitement.
She barges through Rhys's door, her chest heaving as she tries to regain her breath. The brunette darts around before dashing up the stairs and into Rhys's study.
Never mind that she did not have an appointment. For what is an appointment in the face of such fantastic news?
Apparently, very important. She thinks as her eyes numbly take in the sight before her.
Her throat fills with pennies, her tongue becoming numb in her mouth. Blood roars in her ears.
Rhys is locked in a lover's embrace with another woman. Her head lolls back and her eyes are glazed. She sighs in pleasure as familiar large hands hold the back of her head in an iron grip, his full lips pressed to her neck. 
She should be mortified. Maybe even betrayed. Yet, a tight, blooming heat erupts in her stomach. Feyre's back hits the shelf behind her with a thud. Rhysand snaps his head dangerously towards her. His hand loosens on the woman, who slides to the floor.
Twin streaks of blood flow from his mouth and dribble down his chin. 
With her heart still pounding jungle beats, Feyre turns around and bolts. She barely makes it to the stairs before a flash of black snarls and sweeps her off the ground, launching them into the air. 
They land roughly at the base of the steps, hard arms absorbing the crucial impact from the ground. His heavy body pins her down. A guttural growl vibrates the narrow space between them. 
She should be terrified, horrified, petrified. And she is all of those things. Yet, her brain is still caught up in the way Rhys had embraced the woman, her moans and sighs of limp pleasure, the trail of blood running down his chin as he fixed her a feral, hungry glare. 
Teeth, no, fangs scrape up the surface of her cotton dress and rips the high collar. His hot breath tickles the length of her exposed throat and raises goosebumps. Another low snarl escapes his throat.
His pupils are blown wide open, a black hole consumes the vibrant galaxy she is used to seeing. No, this is not the Rhys she knows. A paralysing fear seizes her body.
He lowers his head once more, sharp fangs join the soft wet tongue, poised at her jugular. Feyre squeezes her eyes shut, a choked sob escapes her as pain erupts, "Rhys"
Immediately, the hard pressure lifts and is replaced by a pliable heat. The pain lessens. 
"I am so sorry, Feyre," she relaxes her eyes open to see sorrowful violet eyes staring back at her, "Sleep" 
There is nothing left to do but to let the darkness pull her under. 
===
Dear Feyre darling, There are no pretty words I can use to defend what happened, nor will I ply you with lies. The truth is I am an unholy creature, an undead monster of the night. I prey on humans and leech off them. So as much as it pains me, I understand if you never want to see me again. If it is agreeable to you, Helion Spell-cleaver has agreed to be your agent and will be awaiting your correspondence. My dear heart, in the short weeks that we have known each other, you have become everything. You brought beauty into the humdrum of my centuries of existence. A shining star in the endless dark sky. A brightness that I sully with my very presence. A fact I grew comfortable ignoring. But alas, reality has caught up and I can't pretend to be what I am not any longer.  Instead, I wish you the very best - at the upcoming Exposition Universelle and all future endeavours. I know you will shine, as you always have, and always will. Yours eternally, Rhysand
The paper remains crumbled in Feyre's hand as she reads it for the umpteenth time. Her heart grows heavier with every read, her heart that has no business weighing her down. 
An undead creature, an undead monster of the night. 
Nothing about that statement is wrong. The image Rhysand drew in his letter is one that matches her memory. Yet, it is also completely different from the image of Rhys in her head.
That Rhys is teasing quips and arrogant smirks. That Rhys is encouraging words and a confidante. That Rhys is soft smiles against the backdrop of the Eiffel Tower. 
She can't quite reconcile the two but she knows without a doubt that she isn't changing agents, not yet. She gives the River Seine a last glance, appreciating the glitters of setting sun, and stands up. Her body twists towards the main street when she collides head first in a hard chest, gasping.
Obsidian hair and pitiless dark eyes. 
"Congratulations on the exhibition, peasant." 
Sharp pain explodes in her abdomen. Feyre opens her mouth to scream but it is covered by a cloth. The cruel glint in Dagdan's eyes stands out in an otherwise nonchalant face. White hot agony spreads along her body as he twists the blade. Metallic tang fills her mouth.
No, she's actually going to die here. 
The exhibition. She's going to die before she succeeds. Her sisters. She is going to be abandoned in a foreign land without ever getting to see them again.
Rhys. She is going to die before she ever figures out how things could be resolved. A scream of pure terror and a primal growl tear her away from her thoughts. Air floods her nostrils. 
Inky blue-black hair, bright violet eyes. 
Rhys's face is dark with rage, his lips folded into a thin line. Blood splatters his cheeks and immaculate velvet jacket. Next to him, Dagdan sobs, clutching on to his severed arm. Brannagh kneels over her brother, her neck tilted up at the male, her face locked in fear. 
He turns a fearsome glare on them, his deep baritone blends with a beast-like growl, "Jump into the river and remember, we were never here." 
There might have been a splash but darkness edges her vision and her world is muffled, nothing but a rain of salt and citrus. It feels like she's falling deep into the vast ocean.
"Feyre," a devastated voice reaches out for her, shining a beacon of light, "I can't save you. Not without condemning you."
Warm liquid gurgles her mouth as she forces out the words, "I'm not ready to die."
She continues, sending the gentlest look she can muster into conflicted anguished shades of violet, "Do it."
===
She watches as the nostalgic smile wraps around the man like a fitted glove. Then the moment vanishes. Giving the dark frame and vibrant colours one last look, he straightens his jacket, flicking off a lint and leaves. 
She emerges from her corner, her mouth widens into a predatory smile. It is time to move. She smoothly navigates her way through the quiet crowd, memorising every guard location, every exit and every camera. 
Not that it matters much, so long as she does it right. 
She carefully looks around her surroundings before fixing her attention on the painting. She remembers the shaky hands and skittish strokes. Her first time blending colours in that manner, the first of many to come. Well, they do say you never forget your first. 
With a broad, catlike grin, Feyre grips tightly onto the painting and walks out of the doors and the museum goers' minds. Later, as the painting hangs proudly in their doorway, Feyre raises a crimson glass to Rhys, the galaxy eyes that she can never tire of sparkle at her. The glasses clink together lightly. 
'Happy 120th anniversary, my love." 
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gacougnol · 10 months
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Exposition universelle de 1900. La Tour Eiffel, le pavillon Service des Eaux - Worthington et le Globe Céleste. Paris (VIIème arr), 1900. © Neurdein frères / Roger-Viollet
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random-brushstrokes · 8 months
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Paul Renouard - View of the 1900 Paris Exposition Universelle in a sudden thunderstorm (1900)
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fashionsfromhistory · 2 years
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Vase
Tiffany & Co.
1900
Inspired by the distinctive beauty of Native American art, Tiffany & Co.’s gifted designer G. Paulding Farnham created three highly unusual silver vessels for the firm’s grand prize-winning display at the 1900 Paris Exposition Universelle. The present vase is based on the design of Navajo pottery, its hand-raised silver body ornamented with semi-precious stones sourced in America: turquoise-colored amazonite and bluish opals, as well as hundreds of freshwater pearls embedded in the "corn-cob" handles. The vase was also exhibited the following year at the Buffalo Pan-American Exposition. Paulding Farnham was one of Tiffany & Co.’s most talented designers of both jewelry and silver. Having been apprenticed to Tiffany’s artistic director Edward C. Moore around 1878, Farnham became the firm’s head jewelry designer in 1891 and continued to win gold medals at international fairs until departing the firm in 1904.
The MET (Accession Number: 2017.162)
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PARIS - EXPOSITIN 1900 / FRANCE
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