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#Pat: thank you
crabsnpersimmons · 3 months
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This one goes out to all the slow burn enjoyers, the dense Y/Ns, and the soft robo jesters that suffer in silence!
Inspired by @bamsara's “Solar Lunacy” fic.
If you feel like reading my ramblings and want to experience more heartbreak for fictional jester blorbos, check under the cut where I detail all the planning behind the frames!
so i heard this song for the first time in a while and the opening lyrics immediately made me think of moon, so i was daydreaming some scenes and then i decided to thumbnail some ideas:
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and it all went downhill from there as everything became a metaphor and a parallel to each other, which i will now go into detail on!
you thought the animatic itself was sad?
*writing muse laughs maniacally* IT'S ALL A METAPHOR
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Frame 1. "turn down the lights" We start with a back view on Moon. The lights are out, the Moon is out, but we do not see his face. The music and the greyscale atmosphere are enough to establish the weight of the moment and the weight on Moon’s mind.
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Frame 2. "turn down the bed" We cut to a shot of Moon's body, kneeling on the ground of the daycare, like a padded cell. Moon’s hands are twitching with the effects of the glitch, with purple sparks coming from his hands. We still do not see his face.
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Frame 3. "turn down these voices inside my head" Cut to an extreme close up on the dark half of Moon’s face. Now we see his face, but only a portion of it. His left eye is wide open, red and glitching out. The voices in his head can refer to the glitch but also his repressed feelings. Or maybe it could be Sun's voice in their shared headspace.
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Frame 4. "lay down with me" Y/N's hand enters the frame from the upper right corner, lowering down to meet Moon where he kneels on the ground. Only a corner of Moon's face appears on the bottom left corner of the frame, his starry nightcap beginning to cover his glitched left eye.
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Frame 5. "tell me no lies" An full shot of Moon on the floor and Y/N standing in front of him with their hand stretched towards him. A light spills out from behind Y/N, creating a boundary between them.
Now we see more of Moon. It is only when Y/N enters the frame—enters his world—that Moon’s body is shown in its entirely. When Y/N is here, he is no longer fragmented. He is whole.
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Frame 6. "just hold me close" pspspspsps Playfully, Moon extends his own hand, beckoning Y/N to come closer, to join him. His right hand crossed over his body as he uses the playful gesture to hide his true feelings—to put distance between him and Y/N. His hat continues to cover his glitching left eye. He doesn’t want to worry Y/N.
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Frame 7. "don't patronize" In response, Y/N’s hand pats Moon on the head, returning his playfulness. Moon looks surprised by the action. Moon, notably, does not lower his hand—perhaps he has forgotten it or perhaps his invitation is still open.
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Frames 8-9. "don't patronize me" Moon rotates his faceplate so Y/N��s hand is touching the side of his faceplate, a more intimate gesture than a head pat. However, his hat is in the way. At this angle, his starry nightcap fully covers his glitchy eye and the dark side of his face, hiding his defect and acting as a veil between him and Y/N. A self-imposed boundary. So close, yet thinly separated. It's better this way. It's safer this way.
The lyrics are broken up by Y/N's arm, both to illustrate how the song is sung ("patronize" is drawn out and "me" is briefly added in before the chorus starts) but also to show how Y/N interrupts Moon's resolve, highlighting the irony between the visuals and the lyrics. Demanding not to be patronized, yet Moon happily accepts this play at intimacy. Don't patronize me, I am weak for it.
This is also the only instance where the red light of Moon's eyes glow and tint the surfaces around it. Visually, it makes it look like Moon is blushing (heavily inspired by @restinsodaroni's art). But also, in this moment of honesty, Moon's intrinsic light spills out, colouring the greyscale world. In this brief moment of honesty, Moon touches the world with his own colours, his own light.
(and this is also where i forgot to clean up the shading on Y/N's arm, but it's okay it doesn't need to be perfect it simply needs to be. And Moon will still love Y/N even if they are a continuity error.)
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Frame 10. "'cause I can't make you love me if you don't" A parallel to a frame 4, Y/N retrieves their hand away and immediately Moon is reduced to the corner of his faceplate in the frame. Only now his glitched eye is fully covered by his hat.
The lyrics here (and in the next frame) in particular grow lighter to emphasize Moon's diminishing resolve and agency.
From here on out, the lyrics here are broken up, carrying on this theme of fragmentation. Y/N is pulling away, Moon is breaking up, the words are breaking up. Everything is coming apart.
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Frame 11. "you can't make your heart feel something it won't" Y/N turns to leave. The lyrics, broken up as before, highlight the irony of the situation. Y/N, a human, can’t feel something they simply don’t feel. Whereas, Moon, the machine, feels something his code never intended him to feel.
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Frame 12. "here in the dark in these final hours" Another full shot that parallels frame 5, as Y/N steps towards the light and Moon leans forward into the space Y/N once occupied. Y/N is leaving—that which makes him whole is leaving. And he is only capable of making it to the boundary where the light cuts into the darkness. The "final hours" suggest it might be the end of Y/N’s shift, or perhaps this scene takes place right before the glitch takes over—the final hours that Y/N has with the true Moon. Either way, time is running out—and only Moon knows it.
There is a contrasting display of body language here. Moon is on the floor leaning towards Y/N with his hand still left out. Whereas Y/N is turned away, walking away, and has already slipped their hand away and into their pocket. Y/N is closed off while Moon is limply open. Y/N is actively moving while Moon is on the floor, waiting, hoping, for that which he lacks the agency to reach for himself.
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Frame 13. "I will lay down my heart" A close up on Moon’s hand, rising up again, perhaps to beckon Y/N back once more. This is a slight parallel to Y/N's hand reaching out to Moon. While Y/N can freely reach out and touch Moon, Moon cannot. He can't enter the light and more importantly he can't risk potentially harming his relationship with Y/N—be it through the glitch or by his feelings. He can only lay down his heart—put aside his feelings or hope that someone will pick up his pieces and make him whole.
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Frame 14. "and I'll feel the power" Still on a close up on Moon’s hand, now clenched in slightly. This initially was going to have the glitch effects. However, I felt it more meaningful for it to be left without. Leave it up for interpretation why Moon pauses his hand. What is the power that he alone feels and stays his hand?
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Frame 15. "but you won't, no, you won't" A parallel to frame 1, a view of on Moon's back with his hand stretched out towards the light, and Y/N walking into the light spilling through the open daycare door.
The placement of the lyrics suggest two different “you won’t”—Y/N who won’t realize Moon’s feelings, and Moon who won’t dare speak them into reality.
Another note on the parallel to frame 1, this time we also see Y/N's back, but it is notably different from our view of Moon's back. With Moon, we literally see inside him through the hole for his loop. However, Y/N is shrouded in shadow, just a solid, obscure silhouette against the bright light of a world Moon—and Sun for that matter—are closed off from. We don’t see into Y/N, just as the Daycare Attendant doesn't have any vantage point of Y/N's life beyond their time at the PizzaPlex. (The unfortunate reality of a being a character made for the purpose of being a vessel for the reader.)
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Frame 16. "'cause I can't make you love me" We finally cut to face Moon head-on, frozen in place with his hand stretched out, unable to cross the boundary into the light. His eyes have gone dark. Where we began by seeing bits and parts of Moon, and never seeing his full face—now we, the viewer, see the full Moon, open and vulnerable—unbeknownst to Y/N.
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Frame 17. "if you don't" But in the dark, behind closed doors, there is no one to perceive him—no one to receive him. The light dwindles as the daycare doors are closed. Moon stays frozen where he kneels. It is no longer the glitch that plagues him, but a far deeper dread.
But a lone streak of light peaks through the gap in the daycare doors. Perhaps that is just enough. A silver lining. A frail hope. A single, ethereal thread out of darkness and into light.
Thanks for reading and watching!
We'll be back to our regularly scheduled fun and games shortly!
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i'll melt your heart into two @jkvjimin ♡
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todayisyourturntolose · 7 months
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idk what possessed jim to be extra chaotic and odd as pat during this season, but i'm all here for it.
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newtafterdark · 4 months
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As a magical holiday gift from me to you:
Enjoy the now fully translated unofficial parental guide "The Book of FinFin" for the virtual pet "Fin Fin on Teo the Magic Planet"! 🐬🎄✨
It was originally made by a now defunct German manual publisher exclusively for the German-speaking market, running on Windows 3.1 & Windows 95.
However, you can also run it in your current browser of choice by opening the START.HTM file and adjusting the size of your browser window by slimming it down slightly, so the background image doesn't repeat. That way you get the intended experience without running an old version of Windows!
Download both the English Translation and the original German manual in one .ZIP file by clicking here!
EDIT: huge shoutout to EMGE (the person who runs finfin.de, the fan-run FinFin homepage) who has now archived my translation of "The Book of FinFin" and put it up for viewing on the site!
Now you can read the manual in your browser without needing to download the files onto your harddrive!
View it here under Gallery > Other Products!
Special thanks to everyone the "Fin Fin Fans!" Discord for being excited and patient with me, as I worked on this project single-handedly for the past few weeks.
And of course, also a big Thank You to @wayneradiotv, for introducing me to this silly little critter in the first place through his streams of the game, which lead to me searching for old FinFin media and finding this old CD manual by pure chance.
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itty-bitty-sunshine · 8 months
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Although there's a very specific reason for them to be working at the Pizzaplex, that doesn't stop them from infodumping every once in a while!
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Knowing a bunch of random info turns out to be pretty useful when working with curious kids and a 8 foot tall robot who's always more than happy to listen to anything. Besides it makes for great stories to tell
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seanwhites · 4 months
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okay. it's my turn. what's my name? pat.
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sollucets · 11 days
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— evening sun, jane kenyon
as long as he lives one day, I'll live that day with him.
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ohno-wallace · 3 months
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Hiiii!! I love your art, it's so pleasing like summer. I read you're taking requests for s&c and was wondering if you could draw them hugging? From the Thor bridge case 🩷 thank you so much!!
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Oh you can’t tell me this wasn’t awkward. thank you for this ask !! I loved drawing this one! My inbox is open for s&c requests if you have any ! Please please please send em over !! :)
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shepscapades · 1 year
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I have to ask. 69.
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69. Destruction - Joywave
So. Erm… happy Etho Tuesday? (Looking Away) Yeah so this song is supposed to represent the point in the timeline after Etho shuts down at the end of s8, at the beginnings of s9 when doc and xisuma are trying to get him to come back online, which they finally manage! But… Etho is. Not Right. There’s some missing lore I haven’t talked about yet, but… because of what he was thinking about when he shut down, his programming is hyperfixated when he reboots, hellbent on anger and revenge and grief and… he’s mega broken. Doc and X end up having to shut him down/wipe him because he’s too dangerous. And thusly, he is reset when he finally comes back to s9.
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creepyscritches · 5 months
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I get told often at my job that I'm very calming and reassuring and I feel like a white collar therapy horse
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zu-is-here · 10 months
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Kross!
Cross x Killer please? \(°^°)/
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<– • –>
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ex0rin · 6 months
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The Boys S01E05: Good for the Soul
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dribs-and-drabbles · 6 months
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Having seen @bengiyo's dream cast for Only Friends, I started thinking about what an alternative female cast might look like. I'm not entirely sold on some of these but here's where I am at the moment...
Mew = Mook Worranit / Top = Milk Pansa
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Ray = Film Rachanun / Sand = View Benyapa
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Nick = Mild Lapassalan / Boston = Namtan Tipnaree
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Atom = Neen Suwanamas / Boeing = Pat Chayanit
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And then the inverse of our lesbians:
Cheum = Sing Harit / April = Fluke Pusit
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darlingsart · 2 months
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Concept: Achilles wearing this
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They’ve only been married for like. 5 minutes lmao
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poorly-drawn-mdzs · 1 year
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Hehe I really enjoy your comantary and captions you're so funny, I can't wait until we see Wen Ning again since we left his brief cameo
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I miss him everyday.
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Lmao Frank would absolutely keep a list of everything they tried to do to fix this situation. He has his work cut out for him with poor wally as well. Does he know what happened to Sally?
Frank does know what happened to Sally! ofc he caught his first glimpse of her when he sorta woke up, then after he Actually woke up, Wally made sure to sit him down and be like "she will kill you if you go near her <3"
still, Frank didn't really believe Wally. so Wally showed him proof:
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and Frank quickly changed his tune.
and honestly, it's more like Wally has his work cut out for him with Frank lmao. cause by the time Frank fully wakes, Wally's pretty much given up. and rightfully so, there's... not really anything he can do except protect his sleeping friends.
so Frank's initial attempts to make a plan kinda went like:
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Wally is very earnest about saying "that's nice". it is nice. it's refreshing to have someone around that still believes something can be done, however futile that hope is. Frank will catch on eventually.
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