#Paul Pape

[sidonius5]

ℐ𝓃 𝒶 𝓃𝑒𝒾𝑔𝒽𝒷𝑜𝓇𝒽𝑜𝑜𝒹 𝓈𝑜𝓂𝑒𝓌𝒽𝑒𝓇𝑒 𝒾𝓃 ℬ𝓇𝑜𝑜𝓀𝓁𝓎𝓃 𝒩𝒴, 𝗧𝗼𝗻𝘆 𝗠𝗮𝗻𝗲𝗿𝗼 𝒶𝓃𝒹 𝓉𝒽𝑒 𝓇𝑒𝓈𝓉 𝑜𝒻 𝒽𝒾𝓈 𝒻𝒶𝓂𝒾𝓁𝓎 𝓈𝒽𝑜𝓌𝒾𝓃𝑔 𝒸𝑜𝓂𝓅𝓁𝑒𝓉𝑒 𝒻𝓇𝓊𝓈𝓉𝓇𝒶𝓉𝒾𝑜𝓃𝓈 𝓌𝒾𝓉𝒽 𝑜𝓃𝑒 𝒶𝓃𝑜𝓉𝒽𝑒𝓇 𝒶𝓉 𝓉𝒽𝑒 𝒷𝑒𝑔𝒾𝓃𝓃𝒾𝓃𝑔 𝑜𝒻 𝓉𝒽𝑒 𝒻𝒾𝓁𝓂 𝒷𝓊𝓉 𝓉𝒽𝑒𝓃 𝓉𝓊𝓇𝓃𝓈 𝓉𝑜 𝓇𝑒𝓁𝒾𝑒𝒻 𝑜𝓃𝒸𝑒 𝒽𝑒 𝓁𝑒𝒶𝓋𝑒𝓈 𝓉𝒽𝑒 𝒽𝑜𝓊𝓈𝑒 𝓉𝑜 𝓂𝑒𝑒𝓉 𝓊𝓅 𝓌𝒾𝓉𝒽 𝒽𝒾𝓈 𝒻𝓇𝒾𝑒𝓃𝒹𝓈. 𝒪𝓃𝒸𝑒 𝒽𝑒 𝑔𝑒𝓉𝓈 𝓉𝑜 𝓉𝒽𝑒 𝒸𝓁𝓊𝒷, 𝒶𝓁𝓁 𝒽𝒾𝓈 𝓈𝓉𝓇𝑒𝓈𝓈𝑒𝓈 𝓂𝑒𝓁𝓉 𝒶𝓌𝒶𝓎 𝒷𝑒𝒸𝒶𝓊𝓈𝑒 𝓉𝒽𝒶𝓉'𝓈 𝓉𝒽𝑒 𝑜𝓃𝑒 𝓅𝓁𝒶𝒸𝑒 𝓌𝒽𝑒𝓇𝑒 𝒽𝑒 𝒸𝒶𝓃 𝑒𝓍𝓅𝓇𝑒𝓈𝓈 𝒽𝒾𝓂𝓈𝑒𝓁𝒻 𝑜𝒻 𝒽𝒾𝓈 𝓉𝓇𝓊𝑒 𝓅𝒶𝓈𝓈𝒾𝑜𝓃. 𝒯𝒽𝑒𝓇𝑒'𝓈 𝓂𝑜𝓇𝑒 𝑔𝑜𝒾𝓃𝑔 𝑜𝓃 𝓌𝒾𝓉𝒽 𝒸𝑒𝓇𝓉𝒶𝒾𝓃 𝒸𝒽𝒶𝓇𝒶𝒸𝓉𝑒𝓇𝓈 𝓌𝒾𝓉𝒽 𝓉𝒽𝑒 𝓈𝓉𝓇𝓊𝑔𝑔𝓁𝑒𝓈 𝑜𝒻 𝓉𝒽𝑒𝒾𝓇 𝑒𝓋𝑒𝓇𝓎𝒹𝒶𝓎 𝓁𝒾𝒻𝑒, 𝒷𝓊𝓉 𝓉𝒽𝑒 𝒹𝒾𝓈𝒸𝑜 𝒾𝓈 𝓌𝒽𝑒𝓇𝑒 𝓉𝒽𝑒𝓎 𝒸𝒶𝓃 𝓁𝑒𝒶𝓋𝑒 𝓉𝒽𝑜𝓈𝑒 𝓅𝓇𝑜𝒷𝓁𝑒𝓂𝓈 𝒷𝑒𝒽𝒾𝓃𝒹 𝒶𝓃𝒹 𝒿𝓊𝓈𝓉 𝓁𝑒𝓉 𝑔𝑜. 𝒯𝒽𝒶𝓃𝓀𝓈 𝓉𝑜 𝓉𝒽𝑒 𝓉𝓇𝓊𝑒 𝑒𝓍𝓅𝑜𝓃𝑒𝓃𝓉𝒾𝒶𝓁 𝓌𝑜𝓇𝓀 𝑜𝒻 𝒸𝒽𝑜𝓇𝑒𝑜𝑔𝓇𝒶𝓅𝒽𝑒𝓇 𝒶𝓃𝒹 𝒹𝒶𝓃𝒸𝑒𝓇 𝐃𝐞𝐧𝐞𝐲 𝐓𝐞𝐫𝐫𝐢𝐨, 𝐉𝐨𝐡𝐧 𝐓𝐫𝐚𝐯𝐨𝐥𝐭𝐚 𝓇𝑒𝒶𝓁𝓁𝓎 𝓂𝒶𝒹𝑒 𝓉𝒽𝑒 𝒸𝒽𝒶𝓇𝒶𝒸𝓉𝑒𝓇 𝑜𝒻 𝗧𝗼𝗻𝘆 𝗠𝗮𝗻𝗲𝗿𝗼 𝒸𝑜𝓂𝑒 𝓉𝑜 𝓁𝒾𝒻𝑒. 𝒯𝒽𝒾𝓈 𝓌𝒶𝓈 𝒸𝓁𝑜𝓈𝑒 𝓉𝑜 𝓉𝒽𝑒 𝑒𝓃𝒹 𝑜𝒻 𝒹𝒾𝓈𝒸𝑜 𝒷𝓊𝓉 𝓢𝓪𝓽𝓾𝓻𝓭𝓪𝔂 𝓝𝓲𝓰𝓱𝓽 𝓕𝓮𝓿𝓮𝓻 𝓌𝒾𝓁𝓁 𝒶𝓁𝓌𝒶𝓎𝓈 𝓇𝑒𝓂𝒶𝒾𝓃 𝒶𝓈 𝒶 𝓇𝑒𝓂𝑒𝓂𝒷𝓇𝒶𝓃𝒸𝑒 𝒻𝒾𝓁𝓂 𝑜𝒻 𝓉𝒽𝑒 𝒹𝒾𝓈𝒸𝑜 𝓈𝑒𝓋𝑒𝓃𝓉𝒾𝑒𝓈 𝑒𝓇𝒶.

#Saturday Night Fever (1977) #Dance/Musical #John Travolta #Karen Lynn Gorney #Donna Pescow #Fran Drescher #Barry Miller #Joseph Cali #Denny Dillon #Bruce Ornstein #Paul Pape #Martin Shakar #Lisa Peluso #Julie Bovasso #Nina Hansen ✝︎ #Val Bisoglio ✝︎

[swdefcult]

la pape formose et etienne (or that time they exhumed a former pope n put him on trial) by jean paul laurens

#jean paul laurens #la pape formose et etienne #cadaver synod #french art

[tastingforall]

Clos des Papes Châteauneuf-du-Pape Tinto 2020

View On WordPress

#Châteauneuf-du-Pape #Clos des Papes #Clos des Papes Châteauneuf-du-Pape Tinto 2020 #FB 95 #Paul Avril #Rhône #Vinhos de França #Vinhos Provados

[2t2r]

La vieille vigne de Maribor, la plus vieille vigne du monde

Nouvel article publié sur https://www.2tout2rien.fr/la-vieille-vigne-de-maribor-la-plus-vieille-vigne-du-monde/

La vieille vigne de Maribor, la plus vieille vigne du monde

#16eme siecle #âge #Bill Clinton #Brad Pitt #Dalai Lama #festival #Jean-Paul II #longévité #Maribor #musee #Oskar Kogoj #pape #raisin #rempart #Slovenie #vidéo #vieillissement #vigne #vin #imxok #nature #voyage

[pauldelancey]

We’re French and You’re Not – Chapter One – Chardonnay Man – Part 3

We’re French and You’re Not – Chapter One – Chardonnay Man – Part 3

1:55 p.m.: Mon Dieu! We arrive at our balloon minutes before the start of the race. Jean and I tumble into the basket. Pow! The starting gun fires. Jean starts the flame, so that our balloon will rise. But we are not going anywhere! We have neglected to untie our balloon. Neither Jean nor I are sober enough to get out of the basket and untie the rope. What are we to do? Jean solves things by…

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#Alps #apocalyptic #balloon #champagne #Chateauneuf du Pape #Chef Paul #Comic Chef #constellations #cookbook #croissants #De Lancey #Doubs #French #good food #Gruyere #hamburgers #Jean #Kronenbourg #Lutheran #Lyon #murders #omelette #Orion #Paul De Lancey #Paul R. De Lancey #Perrier #Pont d&039;Avignon #recipes #Robert #thriller

[chateau-aemkei]

Trad and Trendy.

#wine #lover #clos des papes #paul avril #chateauneuf du pape #rhone

[nobrashfestivity]

Paul Gauguin Women at the River (Auti te Pape), 1893-1894

#paul gauguin #post impressionism #woodcut

[hartenlust]

Jean-Paul Laurens, Le Pape Formose et Étienne VI; depiction of Stephen VI's Cadaver Synod, where he brought his predecessor's corpse to trial

#op #cunty! #simply enjoy this painting

[enibas22]

You Tube https://www.youtube.com/watch?v=PzLtaF6dYMI&t=101s

14th March 2024

DIE ERMITTLUNG - Plakat und Trailer

Regisseur RP Kahl hat das Theaterstück "Die Ermittlung" von Peter Weiss mit 60 Schauspieler:innen für die Kinoleinwand inszeniert. Der heute veröffentlichte Trailer gibt einen ersten Einblick in das künstlerisch radikale Projekt, das Kino, Theater und neueste Broadcast-Techniken verbindet, um einen eindringlichen und zeitgemäßen Beitrag zur Erinnerungskultur zu leisten.

Im Zentrum des Films stehen ein Richter, ein Verteidiger und ein Ankläger, die im Rahmen der Verhandlung auf 28 Zeug:innen treffen, die von ihren Erlebnissen und Beobachtungen in Auschwitz berichten. Weitere 11 Zeug:innen der ehemaligen Lagerverwaltung sagen vor Gericht aus. Die 18 Angeklagten werden im Prozess mit Beschreibungen der Zeug:innen konfrontiert und sollen Stellung beziehen.

Das Theaterstück wurde 1965 uraufgeführt und hat bis heute nichts von seinem Schrecken verloren: Es basiert auf persönlichen Aufzeichnungen, Zeitungsartikeln und Protokollen des ersten Frankfurter Auschwitz-Prozesses (1963 bis 1965). In unmissverständlich klarer Sprache von Peter Weiss zu einem lyrischen Klagegesang verdichtet und montiert, konfrontiert das Stück Täter und Opfer und lässt das Grauen in Auschwitz spürbar werden.

Nach einer intensiven, vierwöchigen Probenzeit haben 60 Schauspieler:innen den Text von Peter Weiss für die Kinoleinwand zum Leben erweckt. An insgesamt fünf Drehtagen wurden die einzelnen Gesänge im Studio Berlin Adlershof mit einem ausgefeilten visuellen Konzept in nur einer Einstellung gedreht - eingefangen von insgesamt acht Kameras.

In den Hauptrollen sind Rainer Bock als Richter, Clemens Schick als Ankläger und Bernhard Schütz als Verteidiger zu sehen. Hochkarätig besetzt sind auch alle anderen Rollen, so werden die Zeug:innen von Andreas Anke, Filipp Avdeev, Elisabeth Duda, Marc Fischer, Arno Frisch, Attila Georg Borlan, Dorka Gryllus, Marek Harloff, André Hennicke, Marcel Hensema, Rony Herman, Marco Hofschneider, Robert Hunger-Bühler, Rene Ifrah, Eva Maria Jost, Christian Kaiser, Klaudiusz Kaufmann, Nicolette Krebitz, Andreas Lechner, Peter Lohmeyer, Jiri Madl, Karl Markovics, Thomas Meinhardt, Robert Mika, Axel Moustache, Dirk Ossig, Axel Pape, Christiane Paul, Barbara Philipp, Andreas Pietschmann, Ralph Schicha, Peter Schneider, Andreas Schröders, Axel Sichrovsky, André Szymanski, Sabine Timoteo, Tom Wlaschiha, Mark Zak und Matthias Zera verkörpert. In der Rolle der Angeklagten standen Thomas Dehler, Nico Ehrenteit, Wilfried Hochholdinger, Christian Hockenbrink, Timo Jacobs, Ronald Kukulies, Lasse Myhr, Christian Pfeil, Torsten Ranft, Michael Rotschopf, Frank Röth, Matthias Salamon, Niels Bruno Schmidt, Tristan Seith, Michael Schenk, Arndt Schwering-Sohnrey, Adam Venhaus, Till Wonka vor den Kameras.

#tom wlaschiha #clemens schick #die ermittlung #german trailer #coming to the cinemas in july 2024 #germany #video trailer

[random-brushstrokes]

Jean Paul Laurens - Le Pape Formose et Etienne (1870)

#Jean Paul Laurens #french art #historical painting #1870s

[raisongardee]

"Les droits de l’homme sont un concept selon lequel tout être humain possède des droits universels et inaliénables, quelle que soit sa nationalité, son ethnie ou sa religion. Ces droits, qui visent à protéger la dignité de l’individu, sont opposables en toutes circonstances à la société et à l’Etat. Mais l’origine, la validité et le contenu des droits de l’homme sont un sujet permanent de débats. Les personnalités et les auteurs les plus divers, Bentham, Burke, Marx, ou les papes qui précédèrent Jean XXIII et Paul VI, pour ne citer qu’eux, ont souligné leur caractère spécieux, irréalisable, contradictoire, ethnocentrique et utopique. Des légions d’historiens, de théologiens et de philosophes du droit ont critiqué leur prétendue universalité et leur caractère idéologique. Ils ont montré que, sous couvert d’accorder à tous des satisfactions infinies, le système joue exclusivement pour l’avantage de quelques-uns."

Arnaud Imatz, Résister au dénialisme en histoire. Jalons pour un savoir non contaminé par l’idéologie mondialiste, 2022.

#arnaud imatz #droits de l'homme #modernite #ideologie

[citationsdumonde]

Le pape Paul VI a un coeur qui saigne souvent pour les blessés de Tall el-Zaatar, mais qui n'a jamais saigné pour les Libanais qui tombent chaque jour.

Camille Chamoun (1976)

#pape Paul VI #pape #Camille Chamoun #Tall el-Zaatar #libanais #1976

[sexymonstersupercreep]

Nightmare Fuel Art Master-post, Vol. II

Early 20th Century

Bryan Charnley Daniel Sabater Y Salabert Felix Nussbaum Ferdinand Staeger Francisco Goitia Frank C. Pape Frida Kahlo Giorgio de Chirico Gustaw Gwozdecki Harvey Dunn Otto Dix Remedios Varo Rene Magritte Robert Lenkiewicz Stefan Eggeler Sveva Caetani

20th Century

Amos Nattini Andre Masson Andrew Wyeth A. Paul Weber Bill Stoneham David Olere Ernst Fuchs Francis Bacon Fritz Silberbauer George Tooker Gustav-Adolf Mossa Ivan Albright Jane Graverol Johfra Bosschart Leonor Fini Luis Caballero Natalia Smirnova Nikolai Getman Oswaldo Guayasamin Paul Cadmus Paul Delvaux Raymond Douillet Salvador Dali Stefan Zechowski Tom Lea Virgil Finlay Zdzislaw Beksinski Zoran Music

Late 20th Century

Beth Moore-Love Bryan Lewis Saunders Leonora Carrington Otto Rapp Suehiro Maruo Tetsuya Ishida Vann Nath Wiktor Sadowski Wojtek Siudmak

“Turn of the Millennium”

Davide de Agostini David van Gough Denis Forkas Dorian Vallejo Dragan Bibin Eric Lacombe Esao Andrews Esther Sarto Francesco Balsamo Fuyuko Matsui Hans Kanters H.R. Giger Ilyas Phaizulline Ivan Seal Kim Noble Marc Fishman Mariusz Lewandowski Matt Duffin Michael Hussar Michael Hutter Michael Whelan Naoki Sasayama Odd Nerdrum Paul Rumsey Xue Jiye

#mega post #nightmare fuel #horror #dark art #scary art

[lionofchaeronea]

Haere Pape (Morning Toilet), Paul Gauguin, 1892

#art #art history #Gauguin #Paul Gauguin #genre painting #Tahiti #French Polynesia #Primitivism #Post-Impressionism #French art #19th century art #Barnes Foundation

[paulpapedesigns]

I created these custom caricatures of my favorite band, the Crash Test Dummies, and was able to hand them off to them on Wednesday at their Omaha show. They are were gracious. Such a great show, great music and down to earth group. Sculpted in @cosclayusa by me, painted with acrylics with graphics created in Illustrator and printed on vinyl. . . #paulpapedesigns #cosclay #cosclayusa #caricature #polymerclay #handsculpted #handmade #custom #uniquegifts #crashtestdummies @crashtestdummiesofficial (at Paul Pape Designs) https://www.instagram.com/p/CpnDq1xOw7x/?igshid=NGJjMDIxMWI=

#paulpapedesigns #cosclay #cosclayusa #caricature #polymerclay #handsculpted #handmade #custom #uniquegifts #crashtestdummies

[ill-say-anything-i-hafta]

Eyoooooo it's my first fic ever on tumblr! This is sort of inspired by this answer from @riding-palomionos-every-day and my ongoing frustration with Jack acting like an asshole in Santa Fe (Prologue).

Run

Crutchie has never been in the Refuge.

He is Jack’s second and he takes that job seriously. He burnishes Jack’s legend whenever he gets the chance, and keeps all of his secrets – the ones Jack chooses to confide, at least.

But when the Refuge comes up, Jack don’t act like himself. He says stuff that don’t make sense. Crutchie knows better than to ask for details about his time there.

Still, there is some facts he needs to know. To be prepared.

There used to be a boy called Walter the Crip who hung around St. Paul’s Chapel on Fulton Street where Crutchie would sell the afternoon edition. Walter was a bum, not a newsie; both of his legs was stiff and he used two crutches to get around. But he was nice enough to talk to. Then one day, Crutchie didn’t see him no more.

Folks said the bulls got him for begging. Crutchie knows where they must’ve sent him. Now, he might as well be a ghost.

Racetrack was in the Refuge for the first time last year, a three-month sentence for loitering and smoking on a public thoroughfare. When he got out, Crutchie asked him what it was like. “They takes away your shoes,” Racer said darkly. “So’s you can’t run.” He wouldn’t say much more.

When Crutchie was little, he used to have two crutches, like Walter. That made it easier to get around, for sure, and he don’t remember his back hurting him back then. But you can’t hold up a pape with the headline showing if you ain’t got no free hand. You can’t count back change. You can’t pop a fella hard in the mouth if he tries to roll you.

Crutchie takes pride in being a good seller. He’s gotta eat, and he’d gotta be able to defend himself, too. He’s got a rep of his own to maintain. And it’s hard to explain, but to him, two crutches just looks worse. Makes him look like a fella he don’t wanna be.

But there ain’t no denying in – he is not as steady with just one.

Specs has done several stints in the Refuge – more than anyone else Crutchie knows. He’s been picked up for skipping out on trolley fare. For fighting, when bigger kids jumped him. For other minor crimes he didn’t even do. “It ain’t so bad in there,” Specs said, when Crutchie asked him. “The boys is rough, but they’se OK. You just gotta make friends with the right ones, and it’s fine there. So long as you ain’t on the Spider’s bad side.”

Specs is tall for his age, with straight, strong limbs and a handsome mug. People usually take to him, ‘cept for the folks who hate him on sight for who he is and what he can’t change. He’s a good scrapper, a good seller, an all-around good fella. He sticks out, but he’s used to getting along, like Crutchie is.

“You knowed any crips in there?” Crutchie asked him.

“A few.”

“How’d they treat 'em?”

Specs takes off his glasses and rubs his nose. He never likes to say things people don’t want to hear. “Just fine,” he says. Crutchie is embarrassed that he even asked such a stupid question.

They have all slept in shared rooms for years. Jack don’t flinch when he catches sight of Crutchie’s leg, like some of the other fellas do. He understands that it never growed right. He’s sketched the muscles that ain’t there and the way the foot twists inward, considering the leg like it is something interesting and not a tragedy. Jack don’t even mind touching it, on days when the pain is so rotten that Crutchie needs a little extra help.

He knows perfectly well that it ain’t gonna get no better. When he says that, he don’t mean it to hurt. It’s another stupid yarn, a pretty story that makes Jack feel safe.

There are boys’ names carved into the walls of the Refuge dormitories. Ractrack told Crutchie that one day, out of the blue. “I spotted Jack’s name there,” Ractrack said. “From a long time back.”

Is Walter the Crip’s name somewhere? Maybe. Racer don’t remember seeing it. And Crutchie ain’t gonna ask Specs nothing else.

It’s all a waste of time to think on it too much, and for a newsie, there’s already too few selling hours in a day. Crutchie ain’t a dreamer, and he don’t need to run nowhere. His real life is here. It’s better for him to concentrate on the here and now, on being out, on staying out. On watching for Mr. Snyder and taking care of the littler bkids. On which headline is better today, the World's or the Journ's. On what Kloppman’s missus is gonna make for dinner.

FIN.

He can make it on his own just fine. He’s been doing it for years. And he’s got friends. No need to be fast when you’ve got friends.

MORE NOTES: I feel like I should also point to this fantastic post from @newsiesquare, which very much informed my thinking about what the hell Jack and Crutchie are even talking about on the roof.

#newsies fanfiction #crutchie morris #jack kelly #specs #specs is Black #ableism #racism #precannon #newsies #livesies #racetrack higgins #trauma #fans have though about the rooftop scene way more than the creators ever did