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#Pls this is so accurate
king-buckley · 1 year
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Buddie as Eurovision 2023 songs -
Buck:
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Eddie:
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orangemoustache · 5 months
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if they'd met earlier in their careers. (inspired by that one edit of will in a patrol officer's uniform)
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filurig · 5 months
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instructional booklet for basal and listless ceteceans feeling like looking for porpoise
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helyeahmangocheese · 4 months
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another thing that gets me really emotional about annabeth's adhd in the show is how she so often gets sucked into her own brain, thinking 6 steps ahead, or trying to follow her plan which she has yet to voice out loud, and then unintentionally is a little bit mean on the outside. like, she put percy under the impression that they couldn't be friends because of how she was treating him. she was literally just so in her own head that she didn't notice. she was cold on the bus and snappy on the satyr path because she was working with a lot more context and understanding of the mythical world than percy... which was probably too overwhelming in her own head to sort out and express out loud, too. she was snappy at grover at the arch because they were still trying to find sanctuary from echidna and she was their navigator to the temple. she became conscious of her attitude only after she could somewhat get out of the headspace of navigating. you can SEE on her face that she doesn't even fully understand these moments and that she doesn't mean any harm. you can tell that she was really hurt when percy made that comment about never being friends. if she could control it, things wouldn't be this way, and that's exactly how disorders work.
it's not just some superpower that she can think so quickly and critically--she also pays the price in other ways because this thinking is constant. the reality she experiences is then different from what's going on outside, and that can be so confusing and exhausting to manage. it's a toll on her, and so many of leah's little facial expressions make it easy to believe that annabeth's had her moments of "my brain is broken" too.
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hershey-the-person · 16 days
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what does pinterest think of you?
search up -
aura
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animal
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@butterfliesareamyth @treasure-goblin @potato-salad-uk @kale-of-the-forbidden-cities @feeling-kinda-sad-ngl @nicknelsonblog @writingandwritten @loulooser @amenacingsloth @fingerfuck-the-function @periwinkle-the-11th @rorythinks @kip-davis @imactuallyagiraffe @panic-like-the-disaster-you-are @willows-woes @joeylivesinspace @lyssified @shortgaything @the-literally-anything-blog @literallyspiderman @toast-jpg @crow-flower @and anyone who wants in!!!!
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codgod-moved · 10 months
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gay and happy :]
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schneiderenjoyer · 3 months
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The reason the whole age discourse is confusing is that bluepoch keeps pulling shit like THIS.
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he swept the red cloak around inej’s shoulders in a rain of petals and blossoms as she continued to strap on her knives. she looked almost as startled as the flower seller.
“what?” he asked as he tossed her a mister crimson mask that matched his own.
“those were my mother’s favourite flower.”
tag list under cut <3
@thewafflemaker @spritesaavy @raelovesbooks @whereismyhairbrush @duolingo-is-a-bitch-2 @babe-get-some-help @thewindandthewolves @simplecurses @get-me-therapy-asap @duncan-taylors-version13 @lily-chen-supremacy @nayastory @peachtreewitch
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leverage-ot3 · 17 days
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okay I’ve seen a lot of posts about sterling just being crowley and. guys. the implications just hear me out 😭😭😭
bending lore slightly here BUT let’s say crowley’s body was once inhabited by a human and crowley is possessing the body (maybe he kills the initial inhabitant bc he doesn’t care)
but he still has the guy’s memories. he doesn’t bother keeping up appearances with his ‘ex wife’ because he is too busy building up his hell empire. BUT for some reason he can’t quite identify, he still feels something towards his ‘daughter’. he lets the divorce happen and doesn’t feel the need (or desire) to fight for custody, but he can never quite forget her, to cast her out of his mind for good
some hijinks ensue with the leverage team. it’s mostly because even a grind culture demon wants some off time every once in a while, and for him the insurance investigator stuff is more of a hobby. interacting with the leverage crew is very low stakes for him, and honestly, quite amusing. they aren’t on his level power-wise, but that ford character gives him the mental exercise he hasn’t experienced in, well, he can’t even remember
he can feel their frustration and anger when they learn he has become employed by interpol and feeds off it. it’s great, and relaxing in a way he is never able to achieve while conducting hell-related business
one year he gets wind that olivia is in a really bad situation associated with his ‘ex wife’s’ new husband. he’s selling vital hardware to terrorists, and while that might actually be the kind of chaos he would normally support or be entertained by as the king of hell, something feels wrong about letting olivia stay anywhere near that man
he calls upon the body’s adversaries. he wouldn’t admit it, even under duress, BUT he feels slightly fond of them. nate for the three dimensional chess they play, sophie for her ability to charm and disguise, parker for her chaos and slightly unsettling nature (it’s the autism swag and being bad with human interaction but he doesn’t know that lol), hardison for his unapologetic intelligence and eliot for his hardened violent past and take-no-shit persona (he’s fun to tease)
they perform exactly as he expected, right into his carefully crafted plan. and then olivia is under his care and things get more complicated. he keeps her FAR, FAR away from anything related to the supernatural (heh). no one can find out about her, ESPECIALLY not those imbecile hunter brothers (if for nothing else than the embarrassment in revealing he has a weak spot)
not sure how to work it into this post but I also want to add that somewhere along the way he develops feelings for nate and sophie. the frame up job is near and dear to my heart and you can’t convince me that isn’t fighting as flirting behavior. his interpol persona is more of a side hustle so to speak, but he finds it fun (relaxing, even) to fill that role. there aren’t any obligations of other demons, bothersome hunters, or anything like that. nate and sophie are low stakes, except, they aren’t, really. they make him feel things he can’t ever really remember feeling. his heart beats fast when sophie sat in his lap and cradled his face, his hands sweat when nate gives him that certain smug look. he’s exasperated by the way they can run circles around him like no one else has ever before. they annoy him and get under his skin in a way no one else can and it’s infuriating. but also not, at the same time. maybe he likes it
and then the long goodbye job happens
hear me out and suspend your belief here for a second, because I can’t remember if crowley supernaturally knows when ppl die/are dead or not.
so nate is in interpol custody and the interviewer is obviously out of her depth. (most people are, when it comes to nathan ford.) he walks in and pours the man a drink, but he’s fuming. somewhere along the way he came to care about the team. hell and suffering is literally in his (official) job description, but he can admit (only to himself) that he admires what they do. it’s not for him, not anything close to where his passions and interests lie, but he respects their drive and purpose. he is also aware enough to acknowledge that they are a family, a group of misfits that never belonged quite anywhere except to each other.
and nate fucking blew it up, ruined it, because his vice is being so obsessed with the end game that he is apparently willing to let his team, his family, the people that anchor him to reality, die because the ends supposedly justify the means.
not this time. not to sterling crowley
he is enraged. he can admit within the confines of his mind that he cares for nate, for sophie, even for the other three (though nate and sophie have somehow made it a hierarchy where they are more important to him. which he will dissect later in private. maybe.)
nate let them die, he let sophie die, and for what? the black book? hell below, crowley would have made things easier somehow, if he knew that this was where nate’s sights had lied. he would have prevented this somehow. he wants to have prevented this. he doesn’t want any of them dead and is too afraid to check and verify because that would make it real. the idea of sophie (or any of them) somehow making it to hell instead of heaven would probably break something in him he might not be able to repare fully.
he yells at nate- he’s angry. hellfire burning in his heart because everything is ruined. the deaths aside (however hard it is to set them aside in his mind), nate will not recover from this, not ever. this will be the start of the end, he is sure. a miserable, guilt-ridden existence where he drinks himself to death and nothing will save him. it plays out in crowley’s mind in a thousand different ways that are beyond painful to conceptualize, even in theory.
the story starts to unravel and there is a game afoot. a solemn, miserable, infuriating game because the con is still in session because parker is alive and in the building- which sets another fire alight in his chest. ‘parker even know you got hardison killed?’ he rages for her grief when she finds out. he knows it will double when she finds out eliot has perished, too, because he isn’t fucking blind.
but nate is a brilliant man, lest he forget too quickly. they are all alive, and somehow still the entire crew slips through his fingers. he’s not even angry (he never would have been- he doesn’t actually try too hard to catch them. it’s about the game, not the consequences). he lets them keep the black book because he’s fucking exhausted and honestly, they more than earned it.
‘now we’re even. tell sophie to drive carefully’. they will never be even, not really. crowley would never admit or agree that being human is the superior state of being, but that have made him feel human in a way he doesn’t actually mind. they keep him on his toes and match him in a way unique to them, they remind him that there are other things than the realm of hell. not necessarily bigger than hell, but maybe just as important in a different sense.
watching the van drive away, something inside him settles. when he walked into the interrogation room that day he thought this was the beginning of the end. it’s not the end at all, not an end to anything. it’s a continuation of their story. maybe, he thinks, a beginning to a new era in it
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harukapologist · 4 months
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T2 fuuta sketch. he angy
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+ an unfinished haruka (where did they go, all those bubble drawing tutorials i saved...)
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crazy-fangirl2524 · 3 days
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Andrew Minyard puts on his black combat boots and black armbands. He wears his black hoodie because Andrew is not like other boys. His newest teammate Neil Josten has an aura of danger that Andrew knows he is better off not getting close. But Andrew cannot help it. He is like a moth drawn to a flame. Neil’s untamed auburn hair that is never styled yet it is messy in an effortless way and his big blue orbs that must have a lot of hidden secrets. Andrew knows he should not play with fire but with that toned body Andrew minyard can not stay away.
Whatever, not like Neil josten would notice him anyways. He is the outcast in his teams and no one likes him. Neil josten would not care about him.
Imagine Andrew’s surprise when Neil josten joins him on the roof and shares his secrets. Andrew is right, Neil has a very dark past that is even darker than Andrew’s. Neil is involved in the mafia! But because Andrew is not like other boys he does not care and promise to protect Neil even though Andrew probably cannot do anything if anything happens. Neil probably has to be the one to save Andrew.
Neil also turns out to be loaded and he buys Andrew a car when his was destroyed and Andrew cannot say no to a Maserati.
Everyone else on the team is so shock when super attractive good looking Neil josten will choose to be with someone like Andrew minyard but Neil does not care and growls at anyone that says anything bad about Andrew.
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r0bita · 1 month
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When I see Pav's design I see a guy who really does not care about his rank or appearances (other than the boots rant towards Levi, but I personally like to think that's him showing some amount of concern towards a younger soldier, or to annoy him like the other character exclusive interactions in an attempt to distance himself from your party). Pav's shirt and coat are unbottoned down to the point where they don't even look like they fit him, his chest and and his bullet scars are exposed, he has unkempt hair, and seemingly has a very casual/sloppy posture which implies a lack of respect for the army he's supposedly been indoctrinated in. This contrasts with the image of how most soldiers are expected to be disciplined - to be orderly, clean cut, and tidy, especially higher ranking ones when displaying rank/status. Overall, Pav comes off as messy and possibly not even in his right mind from the beginning. When considering his true purpose for being in Prehevil is to kill the Kaiser, He's practically on a suicide mission.
And this can be further backed up by his attitude towards failing to kill the Kaiser, being saved, and taken to the train. What was the point of joining the same army that killed your village, rising up the ranks through whatever horrible means you had to go through and very possibly willing to do onto others what was done to you in order to get close enough to the man that you deam responsible for everything that has gone wrong in the world, only to find out that he was a indestructible monster beyond your powers? After that, it's either start from square one again, wait to die, or live your life on the run from everyone. Pav had kept a facade for possibly most of his life up until that moment, but as soon as he's cut down the mask breaks apart and he breaks down in train mad at you for giving him a few more moments of life.
To summarize, I'm intrigued by Pav's portrait because it gives us that hint on what kind for person he really is underneath the Bremen "disguise". He can't wait tear the damn thing off himself.
Is he a Bremen pig? Probably not. Is he still a pig? Yes. Or... rather something more feral hiding in the styes that he's trapped himself in, waiting to start a rampage in until he's put down himself. (Hmm. I wonder if that's would actually be a good Moonscorched idea?)
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there are literally so many reasons why we don't need a third Narnia adaptation
first of all, while they might not be the most accurate, the Disney movies are actually so good and, in my opinion, still manage to capture the heart and soul of the series and what it's truly about. The characters are each perfectly portrayed; the Pevensies act like actual siblings and yet love each other dearly and would die for each other even through all the petty arguments; the music creates perfect atmosphere and emotion and never fails to make me tear up or get shivers down my spine; and the CGI is honestly just absolutely stunning.
I really do not feel like we need another adaptation by Netflix.
Especially not through Netflix.
Netflix has already been known to mess up so many shows and movies by completely changing the source material or adding in unnecessary things that completely take away from the purpose of the story. I can already see them warping Narnia into something that barely even resembles the books, that strips it of its purpose and simply makes it about a fantasy world, nothing more. I've already seen posts saying that the new movies just can't end the way the books end, that heaven must be explained away, that Susan never forgets and falls down a dark path, that the faith aspect must be taken out so as not to offend new viewers.
Here's the thing.
If you take faith out of Narnia, you remove the very heart of the series. you remove the entire purpose. Because Narnia is entirely about faith, and trust, and Someone greater than yourself who sacrifices everything to save your own traitorous soul. the Disney movies did not shy away from portraying this faith as openly as possible. if anyone was offended, I've never seen proof. I have seen many nonbelievers talk about how much they were affected by Aslan's death, which goes to show that you simply don't have to be Christian to understand what Narnia is about, and to love and enjoy it.
So if these new remakes remove the faith aspect, then what is the point? four siblings go to a magical land and save it from a witch and befriend a talking lion with nothing special about him and live there as kings and queens and return home and live happily ever after? there is no sacrifice, there is no "he's not tame, but he is good," there is no creation, there is no redemption, there is no last battle, there is no "in your world, I have another name", there is no sister straying down a dark path because she has forgotten how to hope, and then returning because her story is unfinished and the road to heaven is paved with flowers that symbolize her name.
so then, what are you left with? Aslan is just a talking lion, nothing more. the stone table never cracks, the sun never rises. "That by knowing me here for a little, you may know me better there" is forgotten entirely, because why would Aslan exist in our world if he is merely a talking lion in Narnia? Aslan's country is changed to be something else, and there is nothing about how Aslan suddenly no longer looks like a lion, and how the things that happened after are more great and beautiful than can be described. Edmund's life is never threatened because of his traitorous deeds; Aslan never offers his own life in place of a guilty boy, is never killed, is never resurrected.
the very core of Narnia is removed, and what you are left with is emptiness.
sure, it might make for a good fantasy story nonetheless. you might still have sweeping views and epic music and an intriguing plotline, but something will always feel like it is missing. like there is an empty hole, desperately needing to be filled.
of course, I don't know that all of that will happen; it's just speculation at this point. But I am fairly sure that it is safe to predict these upcoming movies as such. I highly doubt the producers will want to include the faith that shapes Narnia, because according to them, having a faith aspect means less viewers since too many people would be offended.
but if only they would look at the already wonderful existing adaptations, they would know that is simply not the case.
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mikashisus · 15 days
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whenever artists draw venti with multiple pairs of wings, i EAT THAT SHIT UP
LIKE, PLS CONTINUE DRAWING HIM AS A SERAPHIM I BEG 🙏🙏
i have a hc that he’s akin to a seraphim or an archangel, so when artists draw him as such, i eat it up and lose my mind a little /pos
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cosmobrain00 · 10 months
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GUYS !!! GUYS !!! when I tell you I literally JUMPED out of my bed when I saw this I MEAN IT !!!! the wonderful n talented @motherthroat decided to draw my mike from my little fic series "I know the end" n my particular vision of him in the beginning of the second part "It's Still Raining" and I !!!!! literally acting unhinged abt this I love his art soso much + many other things as well, n if ur a fan of the series I hope ur abt as insane over this as I am🫶
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tarteggs · 2 years
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self-indulgent chinese botw designs just for fun ٩( ᐛ )و
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