New here. Just discovering and exploring #RWRB fandom on Tumblr and, random thoughts about the film (haven't had time to read the book yet) keep popping up in my head.
In the museum scene and at the airport afterward, has Henry borrowed the blue hoodie that Alex wears several times earlier in the movie (beginning when Alex talks to Nora about Henry kissing him)? Or do they both happen to own the same blue hoodie?
Why do you think Henry decides to bring Alex to the V&A? Did Henry just want to show Alex the gilded cage he feels trapped in as part of letting Alex go? Or is Henry deliberately moving another step closer by revealing a little more about himself? I've been struck that at the airport, Henry asks Alex to "be patient," but he doesn't say "I love you" back to Alex and walks away with a pained expression on his face.
Loving your blog, and the others I've discovered here...
Welcome! Sorry for the late response, I'm a senior in college with ADHD and autism so sometimes asks get put in the background of my mind for a while lol
1) At first, a lot of people thought they were sharing the blue hoodie you're referring to, but when you look closer, it's two different hoodies. They're practically the same shade of blue (most GIFs are edited with different color effects & filters), but you can tell because of the pull strings! Alex's pull strings have folded tips whereas Henry's has aglets, or plastic, at the ends.
2) In the books, Henry takes Alex to the museum the day after their fight, after they've agreed that they're both committed to their relationship. It's just a piece of Henry's life that he's enthusiastic about and wants to share with him before he goes home.
In the movie, there's lots of explanations and theories as to why Henry takes him during their fight. I can share you my thought process, but you can definitely find other interpretations! I think it's a sort of combination of the things you said!
In the museum, Henry can be himself without the influence of the outside world. It allows him to make a decision with a clear head, as "Henry Fox" rather than "Prince Henry of Wales". He also intends to say goodbye, but he wants Alex to know that it has nothing to do with whether or not he loves him.
The museum is his safe space, his sanctuary, and a sacred memory of his father. He loves Alex more than anything, and proves it by showing how much he trusts him by sharing the V&A with him. He says that he has dreamed of bringing someone he loved there, indirectly telling him that he is that someone he loves.
However, he follows that up by calling it a "daft pubescent fantasy". Henry does not believe that a future with Alex is possible, and he is preparing himself to let him go, but then Alex surprises him.
Henry essentially says that he cannot have love, and he was foolish to even imagine it. Alex says that he can, and that there is nothing foolish about him to wanting it.
It's because of this that Henry changes his mind, but it doesn't automatically make everything easy. They still can't be public. That's why Henry doesn't say he loves Alex back, or allow him to kiss him. He wants to, but it's risky to kiss in the open, even on a private airstrip, and Alex is about to leave, so it hurts too much. Henry does not want Alex to go, especially after such an emotionally exhausting night.
At least, that's how I interpret the scene! I hope that gives you some answers or info to think about!
54 notes
·
View notes
Paintings from Buckingham Palace: part I
A retexture by La Comtesse Zouboff — Original Mesh by @thejim07
100 followers gift!
First of all, I would like to thank you all for this amazing year! It's been a pleasure meeting you all and I'm beyond thankful for your support.
Spread among 13 occupied and historic royal residences in the United Kingdom, the collection is owned by King Charles III and overseen by the Royal Collection Trust. The British monarch owns some of the collection in right of the Crown and some as a private individual. It is made up of over one million objects, including 7,000 paintings, over 150,000 works on paper, this including 30,000 watercolours and drawings, and about 450,000 photographs, as well as around 700,000 works of art, including tapestries, furniture, ceramics, textiles, carriages, weapons, armour, jewellery, clocks, musical instruments, tableware, plants, manuscripts, books, and sculptures.
Some of the buildings which house the collection, such as Hampton Court Palace, are open to the public and not lived in by the Royal Family, whilst others, such as Windsor Castle, Kensington Palace and the most remarkable of them, Buckingham Palace are both residences and open to the public.
About 3,000 objects are on loan to museums throughout the world, and many others are lent on a temporary basis to exhibitions.
-------------------------------------------------------
This first part includes the paintings displayed in the White Drawing Room, the Green Drawing Room, the Silk Tapestry Room, the Guard Chamber, the Grand Staircase, the State Dining Room, the Queen's Audience Room and the Blue Drawing Room,
This set contains 37 paintings and tapestries with the original frame swatches, fully recolourable. They are:
White Drawing Room (WDR):
Portrait of François Salignan de la Mothe-Fénelon, Archbishop of Cambrai (Joseph Vivien)
Portrait of a Lady (Sir Peter Lely)
Portrait of a Man in Armour with a red scarf (Anthony van Dyck)
Portrait of Alexandra of Denmark, Queen Consort of the United Kingdom and Empress of India (François Flameng)
Green Drawing Room (GDR):
Portrait of Prince James Stuart, Duke of Cambridge (John Michael Wright)
Portrait of Frederick Henry, Charles Louis and Elizabeth: Children of Frederick V and Elizabeth of Bohemia (unknown)
Portrait of Infanta Isabel Clara Eugenia of Autria and her Sister, Infanta Catalina Micaela of Austria (Alonso Sanchez Coello)
Portrait of Princess Louisa and Princess Caroline of the United Kingdom (Francis Cotes)
Portrait of Queen Charlotte with her Two Eldest Sons, Frederick, Later Duke of York and Prince George of Wales (Allan Ramsay)
Portrait of Richard Colley Wellesley, Marquess of Wellesley (Martin Archer Shee)
Portrait of the Three Youngest Daughters of George III, Princesses Mary, Amelia and Sophia (John Singleton Copley)
Silk Tapestry Room (STR):
Portrait of Caroline of Brunswick, Princess of Wales, Playing the Harp with Princess Charlotte (Sir Thomas Lawrence)
Portrait of Augusta, Duchess of Brunswick With her Son, Charles George Augustus (Angelica Kauffmann)
Guard Chamber (GC):
Les Portières des Dieux: Bacchus (Manufacture Royale des Gobelins)
Les Portières des Dieux: Venus (Manufacture Royale des Gobelins)
Les Portières des Dieux (Manufacture Royale des Gobelins)
Grand Staircarse (GS):
Portrait of Adelaide of Saxe-Meiningen, Queen Consort of Great Britain (Martin Archer Shee)
Portrait of Augustus, Duke of Sussex (Sir David Wilkie)
Portrait of Edward, Duke of Kent (George Dawe)
Portrait of King George III of Great Britain (Sir William Beechey)
Portrait of King William IV of Great Britain when Duke of Clarence (Sir Thomas Lawrence)
Portrait of Leopold I, King of the Belgians (William Corden the Younger)
Portrait of Prince George of Cumberland, Later King George V of Hanover When a Boy (Sir Thomas Lawrence)
Portrait of Princess Charlotte Augusta of Wales (George Dawe)
Portrait of Queen Charlotte at Frogmore House (Sir William Beechey)
Portrait of Victoria of Saxe-Coburg-Saafeld, Duchess of Kent (Sir George Hayter)
State Dining Room (SDR):
Portrait of Charlotte of Mecklenburg-Strelitz, Queen Consort of the United Kingdom in Coronation Robes (Allan Ramsay)
Portrait of King George III of the United Kingdom in Coronation Robes (Allan Ramsay)
Portrait of Augusta of Saxe-Gotha, Princess of Wales (Jean-Baptiste Van Loo)
Portrait of Caroline of Ansbach when Princess of Wales (Sir Godfrey Kneller)
Portrait of Frederick, Princes of Wales (Jean-Baptiste Van Loo)
Portrait of King George II of Great Britain (John Shackleton)
Portrait of King George IV of the United Kingdom in Garther Robes (Sir Thomas Lawrence)
Queen's Audience Room (QAR):
Portrait of Anne, Duchess of Cumberland and Strathearn (née Anne Luttrel) in Peeress Robes (Sir Thomas Gainsborough)
Portrait of Prince Henry, Duke of Cumberland and Strathearn in Peer Robes (Sir Thomas Gainsborough)
London: The Thames from Somerset House Terrace towards the City (Giovanni Antonio Canal "Canaletto")
View of Piazza San Marco Looking East Towards the Basilica and the Campanile (Giovanni Antonio Canal "Canaletto")
Blue Drawing Room (BDR)
Portrait of King George V in Coronation Robes (Sir Samuel Luke Fildes)
Portrait of Queen Mary of Teck in Coronation Robes (Sir William Samuel Henry Llewellyn)
-------------------------------------------------------
Found under decor > paintings for:
500§ (WDR: 1,2 & 3)
1850§ (GDR: 1)
1960§ (GDR: 2 & 3 |QAR 3 & 4)
3040§ (STR, 1 |GC: 1 & 2|SDR: 1 & 2)
3050§ (GC:1 |GS: all 10|WDR: 4 |SDR: 3,4,5 & 6)
3560§ (QAR: 1 & 2|STR: 2)
3900§ (SDR: 7| BDR: 1 & 2|GDR: 4,5,6 & 7)
Retextured from:
"Saint Mary Magdalene" (WDR: 1,2 & 3) found here .
"The virgin of the Rosary" (GDR: 1) found here .
"The Four Cardinal Virtues" (GDR: 2&3|QAR 3 & 4) found here.
"Mariana of Austria in Prayer" (STR, 1, GC: 1 & 2|SDR: 1 & 2) found here.
"Portrait of Philip IV with a lion at his feet" (GC:1 |GS: all 10|WDR: 4 |SDR: 3,4,5 & 6) found here
"Length Portrait of Mrs.D" (QAR: 1 & 2|STR: 2) found here
"Portrait of Maria Theresa of Austria and her Son, le Grand Dauphin" (SDR: 7| BDR: 1 & 2|GDR: 4,5,6 & 7) found here
(you can just search for "Buckingham Palace" using the catalog search mod to find the entire set much easier!)
Drive
(Sims3pack | Package)
(Useful tags below)
@joojconverts @ts3history @ts3historicalccfinds @deniisu-sims @katsujiiccfinds @gifappels-stuff
-------------------------------------------------------
95 notes
·
View notes