The Wolf and The Witch
Part 1/?
Steve knows better than to enter the Witchwood. He’d been warned from the time he was a child, back before the wolf, that it was home to its namesake. And not just any witch, a dangerous one. One that had killed an entire hunting party, unprompted, with the flick of a finger. None who have entered those woods since have ever returned.
Steve knows better than to enter the Witchwood, but he doesn’t have a choice. Robin is slumped over his back, hands clenched tightly in his fur, clinging desperately to consciousness. He can feel her blood, warm and sticky, matting the fur of his back. His own gait is slowed, every step jolting the silver teeth digging into his right hind leg and sending sharp pain shooting through him. He’s not sure how much longer he can run, and he can hear them - the bloodthirsty cries of the townsfolk dead set on his murder.
They had been found out. So many cycles of living in this town, living among its residents as a friend and neighbour, and still they’ve all turned on him. Of all the times for it to happen, too. It was the moon he had agreed to make Robin a wolf. She had already been weakened from the wolf taking hold when they had been attacked, the silver already a weakness but her body not yet given over to the strength of the wolf.
Steve wishes he could take her to Nancy, knows Nancy would help despite everything, but the townspeople have blocked them off, funneled him in his blind panic. His only hope is to lose them is the wood, but even then he might lose Robin to his own fumbling medical knowledge.
But first, he has to get away from their pursuers. Steeling himself with a deep breath, Steve enters the Witchwood.
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Eddie is no stranger to people trying to do him harm. It’s been a constant in his life from the time he was a child, long before his gifts had awakened. And one that had- well. It’s been a constant of his life, sure as the cycle of the moon and sun. So he notices the prickle of someone entering the woods, but he gives it no regard. It happens a few times a year, that someone gets it into their heads that they will be the one to kill “The Witch of the Woods”. None ever even make it to him, losing themselves in the enchanted trees.
These trees are older than him, and their magic is their own. They like him and welcome him among them, but otherwise are hostile to outsiders. In the beginning, he had tried to help those who became lost in the woods, but those days have long since passed. Despite what his uncle says about his soft heart, Eddie’s become bitter and jaded and he no longer pays any mind to those who venture into the woods.
But this time, something is different. Eddie feels the disturbance of someone crossing into the forest, feels the shift of magic as the forest warps around them, and it’s… different. The ways and paths of the trees are second nature to him, he can tell by the shimmer of magic against his skin which paths have been revealed and which hidden away and this…
The forest is being lenient, gentle. The interlopers are shown the ways to peaceful places, soft and danger-free. Eddie can recall only a few times that the forest has been kind to intruders, and it has almost exclusively been to children.
So he’s more than curious already when he feels the buzz of more people crossing the boundary into the woods. A lot more. And Eddie realizes that this hunt is not for him.
The trees are not so kind this time, opening its twists and turns like a maze, a trap for anyone foolish enough not to turn back immediately. They don’t, of course. They never do. Eddie pays them no mind, drawn instead by curiosity to the two that are being pursued.
He steps between the trees, slipping into a space that’s folded away between reality, picking his way with ease through paths that are there and paths that are not until he emerges at the edge of a small clearing, moonlit and mossy. Theres a tiny spring-fed pond and there, limping toward it, is a wolf. It’s huge, the size of a small bear, with a strong frame and thick russet fur.
It notices him at the same time as he notices it, and it’s massive head swings to face him, teeth already bared in a snarl. It’s hackles raise, and it turns fully, squaring up, a threatening growl rumbling across the little clearing to him.
Eddie steps back, already gathering his power until it glows around him with dark energy, because this is no normal wolf. Even without the size and the silver trap clamped around its leg giving it away, he can see it in its eyes, feel in its presence that this is something more.
He recalls his childhood, the warning tales at his mother’s knee. He remebers later, freshly chased out of town and taken in by his uncle, watching as the old man leafed through his ancient book and warned Eddie that he wasn’t the only dangerous thing in the wilds. Eddie has no doubt that he’s come across one of those dangerous things now. He looks at the wolf and knows exactly what he’s seeing.
A werewolf.
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how do you feel about the eyes being a window to the soul and Zhongli's eyes not being shown in flashback?
oh now we are getting into videogame analysis.
The first it could represent his "unchanging expression" during the Archon War. It is was rumored that during the war, Morax did not show emotion and was rather "cold and unfeeling" and his judgements were "rational and dispassionate". He wore an emotionless mask and his stone-cold expression did not change until the war ended and not seeing his eyes is a simple representation of Morax's behavior. There are no eyes, because there is no emotion, there is barely a face (he is blank as stone) so its just very clever visual symbolism.
On the other hand, it could suggest there is more to Zhongli than meets the eye. As you said eyes are windows to the soul, and from a narrative point eye symbolism is powerful tool in literature. The most common usage for eye symbolism is to represent wisdom, knowledge, truth, perception or control.
Not seeing Zhongli's eyes means there is something the writer's are deliberately hiding. It could mean his true nature, has not been revealed to us. It doesn't necessarily means his physical eyes have changed but rather the Morax of the past presented himself differently than the Morax of today.
Zhongli's true origins are unknown we have no idea where he came from, what he truly is and the truth of many of his contracts (the tsaritsa, celestia, khaenriah just to name a few). We have known Zhongli for so long, but do we actually know anything about him? Not seeing Zhongli's eyes means there is even more to his identity that has not been revealed to the traveler. His true soul, identity, or purpose have not been revealed, we have not seen him for all that he is.
I have my own theories about Zhongli's true origin (why is the third act of liyue archon quest a new star approaches hmmmm) but if you look through some of the Liyue books or character stories you will notice there is a lot of mention about Zhongli's eyes.
In Rex Incognito, Rex Lapis' disguises as a woman with "eyes shone a brilliant amber" or a rugged worker with "eyes shone like amber from the mountain mines in the light of the setting sun" and a noble young man with "his golden eyes smiling."
In Moonlit Bamboo Forest, the main character meets a woman that "didn't appear to be an adeptus, apart from the piercing gaze of her golden eyes."
Even Tubby, you know the teapot adeptus that takes care of your teapot? In the story quest for the teapot she mentions a "golden-eyed adeptus" explained the limits of adeptal power in teapot to her. First of all Ping mentions in part I of the same quest that Rex Lapis blessed the adepti with "illumination" that allows them perform sub-space creation and form teapots. So the adeptus is clearly him.
In the description for the Euphonium Unbound: Winding, the teapot furnishing that allows you to play music "According to Tubby, a certain adepti with black hair and golden eyes wanted to temporarily change the melody echoing in the Realm Within to match the aesthetic of the tea on the table when he was having a small gathering with his friends in the Realm Within."
These are just the descriptions I can remember off the top of my head. Like many characters have gold eyes but Zhongli alone has so many many references to his eyes. Whenever genshin wants to describe Zhongli without saying his name they just say a person with "golden/amber eyes". Hell there was literally some Millelith soldier that knew Rex Lapis wasn't dead because he saw some guy with golden eyes walk past him.
Like really long story short. Eye symbolism is super important to Zhongli and a key part of his characterization. It is clear that no matter what form he takes it seems his eyes stay the same. Which is super interesting for shapeshifter characters. Shapeshifters usually change everything about themselves unless it very important to them so for Zhongli to hold onto a part of himself could suggest so many things. It could also just be a limitation of his transformation.
ANYWAY to hide Zhongli's eyes in his flashbacks even though we have seen the eyes of all the other archons and then to make his signature description his "golden eyes" is so interesting. Why make his signature feature his eyes then not show us his eyes!! What is the reason!
And again the first answer isn't exclusive at the same time, because his eyes are so important Zhongli not showing his eyes in flashbacks could mean that back then he was hiding a part of himself. Now that he is free from the title of Rex Lapis he can show his eyes freely without care, he is free from the contract of protecting humanity he doesn't have to wear an emotionless mask anymore so his beautiful eyes are on display.
Though interestingly in his museum collaboration we got to see Morax's eyes and in his archon outfit and all. However that could've taken place after the war and is also a fun little collab so like *shrugs shoulder* who knows!
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the problem with jason’s writing post resurrection is that like. you spend all this time while he was gone building up these batfam characters and their views and morals and way of interacting with each other and their world. and then you bring back this one character who’s been dead for however long, but an insanely long period of however long, and you’ve made it so his worldview has become drastically different than what he was being taught. then you dump the antagonist route completely and start trying to figure out how to bring him back into the fold.
but once again, you’ve spent around 15yrs expanding these characters separately from jason todd. so what do you do? you mold and reform what jason is meant to be post resurrection until he fits into those standards. its what makes sense to do. how can you justify the batfam characters doing an almost complete 180. maybe a 90. on their views purely because of one character? purely because of jason todd when nothing has set ever been able to set that change in motion beforehand? so now jason has to be the one to change. except the change completely contradicts all the beliefs he’s formed in his post resurrection plot-line.
and now jason todd as a character becomes bland. he becomes a victim to bad writing and character assassinations. he’s wishy washy. nobody knows what to do with him so his character and the characters he interacts with only continue to suffer as a result. everybody begins to stop taking him and his stances seriously. all because you’ll never remove him from the sources that led to the origin of jason todd.
a batfam character away from batfam? well now why would the writers ever think to do that!
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