#Richard Bernardin

[ornithorynquerouge]

Photographer Richard Bernardin

#richard bernardin #supermodel #sexy chick #hot stuff #beautiful body

[luegootravez]

Katsia Zinga by © Richard Bernardin

#Richard Bernardin #Katsia Zinga #Katsia Zingarevich #Katsia Z

[partial-boner]

Richard Bernardin for Dress To Kill Magazine

#richard bernardin #longer arrows are gaining fashion

[knittinganddrinkingtea]

Flavia Lucini by Richard Bernardin for Nacre Voyage Spring Summer 2017

#Flavia Lucini #Richard Bernardin #Nacre Voyage #fashion #mode #moda #model #models #women's fashion #womenswear #ad #advertising #style #swimsuit #swimwear #spring 2017 #my upload

[lemondedelamode]

Valeria Lipovetsky by Richard Bernardin for Relevant Journal Feb’22

#valeria lipovetsky #supermodel #beauty #richard bernardin #relevant journal #rlvnt #editorial #fashion editorial #fashion #fashion photography #photography #fw22 #fw21 #leopard #leopard print #jumpsuit #overall #wild vibes #wild

[sillypenguinwitch]

isaac's books in heartstopper s2

episode 1:

Tillie Walden: I Love This Part

Faridah Àbíké-Íyímídé: Ace of Spades

episode 2:

Nina LaCour: We Are Okay

Oscar Wilde: The Importance of Being Earnest

episode 3:

Ocean Vuong: Night Sky with Exit Wounds (the one he is carrying under his arm, I'm assuming that's his and not for the display?)

has read: Ritch C. Savin-Williams: Bi: Bisexual, Pansexual, Fluid, and Nonbinary Youth

Emily Henry: Book Lovers

episode 4:

Victor Hugo: Les Misérables

Antoine De Saint-Exupéry: The Little Prince

Kate Chopin: The Awakening

Nina LaCour: We Are Okay (again)

episode 5:

Albert Camus: The Outsider

episode 6:

Martin Handford: Where's Wally? The Great Picture Hunt

Meredith Russo: Birthday

Jules Verne: Around the World in Eighty Days

Sara Pennypacker: Pax Anne Berest, Audrey Diwan, Caroline de Maigret, Sophie Mas: How to Be Parisian Wherever You Are ? ? ? Damian Dibben: The Color Storm Alice Oseman: Loveless Susan Stokes-Chapman: Pandora Katy Hessel: The Story of Art Without Men ? Evelyn Waugh: Rossetti Arthur Conan Doyle: The Hound of the Baskervilles A.O. Scott: Better Living Through Criticism ?: Then We Came to an End (?) Ruth Millington: Muse Dr. Jaqui Lewis: Fierce Love Charlotte Van Den Broek: Bold Ventures - Thirteen Tales of Architectural Tragedy ?

Richard Siken: Crush

episode 7:

Garrard Conley: Boy Erased

George Matthew Johnson: All Boys Aren't Blue

Samra Habib: We Have Always Been Here

episode 8:

Akemi Dawn Bowman: Summer Bird Blue

Angela Chen: Ace

bonus:

Truham school library pride display (seen in ep. 3 and 8):

top to bottom, left to right: Angela Chen: Ace Andrew Holleran: The Kingdom of Sand Mary Jean Chan and Andrew McMillan: 100 Queer Poems Scott Stuart: My Shadow Is Pink Lotte Jeffs: My Magic Family Tucker Shaw: When You Call My Name Ritch C. Savin-Williams: Bi - Pansexual, Fluid, Nonbinary and Fluid Youth Alok Vaid-Menon: Beyond the Gender Binary George M. Johnson: All Boys Aren’t Blue Mason Deaver: I Wish You All the Best Alex Gino: George Melissa

on top of shelves (left to right): Kevin Van Whye: Nate Plus One Xixi Tian: This Place is Still Beautiful Becky Albertalli: Leah on the Offbeat Mya-Rose Craig: Birdgirl Bernardine Evaristo: Girl, Woman, Other Connie Glynn: Princess Ever After Saundra Mitchell: The Prom

Charlie's choice at Shakespeare and Co (ep. 6): Allan Hollinghurst: The Swimming Pool Library

That's it for now.

Sorry about the ones i couldn't identify and sorry if i missed any! Might try and do some of the ones in Isaac's room later but that'll take a minute

#hearstopper #heartstopper s2 #isaac henderson #books #shakespeare and company #lgbt #charlie spring #alice oseman #aspec #aroace #aromantic #asexual #heartstopper season 2

[modelsof-color]

Maria Borges by Richard Bernardin for Dress to Kill Magazine - Sept 2019

#maria borges

[andrasta14]

So the cover of my book journal has me feeling like uncultured swine again, because all the book titles on it are famous couples/duos in literature, tv shows and movies etc and at least half of them have me like: ?????

I'm enough of a nerd to want to know where they're all from, and it's been bugging me for years. But Googling them feels somehow unsporting to me. lol (Plus I think some of the spellings are French?)

So...see a pair you recognize? Let me know. 🙏

~ Couples Listed ~

Fanfan & Alexandre = ???

Lana & Clark = Superman

Paul & Joanne = ???

Andromacue & Hector = The Iliad/Greek Mythology

Leonard & Salaì = ???

Orpheus and Eurydice = Greek Mythology

Lisbeth & Miriam = ???

Mathilde & Manech = ???

Chimène & Rodrigue = ???

Emma & Dexter = ???

Yves & Pierre = Yves Saint-Laurent and Pierre Bergé

Arlequin & Columbine = ???

Julien & Mme de Rênal = The Scarlet and the Black

Edward & Vivian = ???

Edith and Marcel = ???

Marty & Jennifer = Back to the Future

Franck & Ava = ???

Jack & Rose = Titantic

Elisabeth & Richard = ???

Chouchou & Loulou = ??? (The hell kind of names are those? lol)

Roger & Jessica = ??? (Idk the first thing that jumped to mind was Roger & Jessica Rabbit lol)

Figaro & Rosine = The Marriage of Figaro

Christian & Anastasia = 50 Shades of Grey

Leeloo & Korhen = ???

Abelard & Héloïse = medieval historical romance, unsure of details

Valmont & Cecile = Dangerous Liaisons

Sam & Molly = ???

Gaston & Melle Jeanne = ???

Drazic & Anita = ???

Don Juan & Charlotte = Don Juan/Don Giovanni

Mike & Susan = Desperate Housewives

Helen & Paris = The Iliad/Greek Mythology

Quasimodo & Esmeralda = The Hunchback of Notre-Dame

Rachel & Ross = Friends

Marilyn & John = Marilyn Munroe and John F. Kennedy?

Satine & Christian = Moulin Rouge

Dorian & Henri = The Portrait of Dorian Gray

Tarzan & Jane = Tarzan

Edward & Bella = Twilight

Nino & Amélie = Amélie

Mulder & Scully = The X-Files

Arthur & Paul = Arthur Rimbaud and Paul Verlaine

Harry & Sally = When Harry Met Sally

Sandy & Danny = Grease

Benny & Joon = Benny & Joon

Toi & Moi = ???

Maverick & Charlie = Top Gun

Candy & Anthony = ???

Odysseus & Penelope = The Odyssey/The Iliad/Greek Mythology

Thelma & Louise = Thelma & Louise

Titus & Berenice = Titus and Berenice is a 1676 tragedy by Thomas Otway.

Ariane & Solal = ???

Paul & Virginie = Paul and Virginie by Jacques-Henri Bernardin de Saint-Pierre (1788).

Johnny & BB = ???

Cyrano & Roxane = Cyrano de Bergerac

Marius & Fanny = ???

Chloe & Colin = ???

Adam & Eve = The Bible

Tristan & Iseult = Tristan and Isolde

Bonnie & Clyde = the historical Bonnie & Clyde

Popeye & Olive = Popeye the Sailor Man

Simone & Yves = ???

Buffy & Angel = Buffy the Vampire Slayer

Lauren & Humphrey = Lauren Bacall and Humphrey Bogart?

Carrie and Mr Big = Sex in the City

Harry & Ginny = Harry Potter series

Clarence & Alabama = ???

Alceste & Célimène = ???

Lancelot & Guinevere = Arthurian legend

~*~

Edit:

From @theduchessofboredom

#arthur & paul could be art (arthur) garfunkel and paul simon #paul & virginie is the title of a famous 18th century novel #nino and amélie is definitely Amélie :) #yves & pierre are yves saint-laurent and pierre bergé

From @that-laj

Marty & Jennifer are from Back to the Future, if they’re the Marty and Jennifer I think they are.

@didoscity

Mike and susan are from desperate housewives (embarassed to know this). Also arthur and paul are definitely, to me, arthur rimbaud and paul verlaine. sorry for simon and garfunkel 😂

oh and titus and berenice is the name of a tragedy by corneille!

#I don't know what to tag this 😅 #my random ramblings #books #literature

[psalm22-6]

Source: the San Bernardine Sun, 25 December 1978 Wild to learn about the reach of the March/Laughton film from ‘35. Also this article is so funny to me because they can no longer just say Cosette, Fantine,  or Marius and assume that the reader knows who they mean so they end up saying Valjean’s ward, Valjean’s ward’s mother, and Valjean’s ward’s lover and other round about things.  Also I read in a later article that the program “drew 38 percent of the national audience, according to the Neilsen ratings, and was the week's highest-rated special.” But overall it was ninth in the week for ratings, tied with a rerun of MASH.

HOLLYWOOD  — If Victor Hugo was alive today he'd be one of the most sought-after writers by television network presidents. His stories contain all the elements deemed necessary to make a film or series successful. Most notable example is Hugo's "Les Miserables," written in 1862. Inspired by the French people seeking freedom from oppression, he wrote the now-classic tale of an impoverished man, Jean Valjean, who steals a loaf of bread to feed his starving family, and that act of survival sets off a chain reaction that includes drama, adventure, jeopardy, love, hatred and, above all, the action of the chase. CBS has picked the middle of what is usually considered an "off-week," the period between Christmas and New Year's Day when people are too preoccupied with holiday festivities to watch TV, to show the latest version of "Les Miserables," the Norman Rosemont Production in association with ITC Entertainment which occupies all three hours of CBS' prime-time programming Wednesday. It's CBS' gift-wrapped treat amid the rubble of reruns. The family that takes time out to relax from Yuletide activities will thoroughly enjoy a class production filmed in France and England in authentic surroundings that look as though no stone has been dislodged from its place since Hugo described its locale in his drama. Richard Jordan portrays Valjean, whose life is to be dogged by his obsessed pursuer, Inspector Javert, played by Anthony Perkins. As with his other revivals of the classics, "The Count of Monte Cristo," "The Man in the Iron Mask" and "The Four Feathers," all produced for both TV and theatrical release, Norman Rosemont has populated the cast with distinguished veteran actors. In his last performance, Claude Dauphin, who died recently, is seen as the kindly bishop who befriends Valjean. Sir John Gielgud is an elderly aristocrat. Celia Johnson is Valjean's housekeeper. Flora Robson is the head of a convent. Cyril Cusak is the convent's groundskeeper who provides brief refuge for the prison-escaping Valjean. Ian Holm is a greedy innkeeper. Joyce Redman is the bishop's housekeeper. 

Two young British newcomers, Caroline Langrishe and Christopher Guard, were chosen to play Valjean's pretty ward and the grandson of Gielgud. And Angela Pleasance is the beggar woman who further impedes Valjean's escape by entrusting her daughter (Langrishe) to his care. 

Of the many films on Hugo's classic (Jean Gavin as Valjean in the 1952 French movie; Gino Cervi in a 1943 Italian feature; Michael Rennie in a 1952 TV kinescope), the 1952 Warner Bros, movie with Frederic March and Charles Laughton is best remembered. 

Who can forget Laughton's Javert, having finally cornered Valjean (March) in a Paris sewer after his three-decade pursuit, shouting "The law is the law!" although, he, like Valjean, is aged and weary of this senseless pursuit. Did the specter of Laughton's dominating performance lurk in the background of this 1978 version? "No, not really," replied Glenn Jordan, who directed the $3 million production. "I saw the Laughton version twice and found very little I could use. One of the few things I thought interesting and useful was that Laughton played an eccentric. So I had Tony play it eccentrically, but in an entirely different way.

"Laughton was always Laughton in the end, not the characters he portrayed. I felt it was important to be the character Hugo intended because, after all, a lot of people have never seen those other versions or ever read the book." 

[Glenn] Jordan, who won an Emmy for the Ben Franklin specials on TV, among other citations for notable TV and stage productions, says that [Richard] Jordan, who first gained attention in TV's "The Captains and the Kings," and Perkins are much closer to the characters Hugo described in his lengthy novel. "I remember March and Laughton as being too old for their roles. They didn't really age as much as people would in real life, especially people who went through what they did. We assume Hugo's characters were about the same age in the beginning. The imprisonment period is 20 years, then a jump of five years passes, then it's 10 years more. [Really? March is such a young Jean Valjean]  "That's why it was important to cast young men who could age (via make-up and character change), rather than start out with older actors in those roles." Redoing the classics has bothered some purists who prefer to let the original versions stand on their merits. But Glenn Jordan has valid reasons for remaking a classic such as this. "The social problems of poverty and justice vs. justice, these are things, I think that are self-explanatory," he said. "But the human problems, the relations between the people are the most interesting because, it seems to me, that when you redo a classic you have to make it vivid for today's audience. "When you see older versions of such stories they are very much versions of their time and reflect the thinking of their time, including the style in which they were done." By PAUL HENMGER Gannett News Service

#les miserables #lm 1978 #lm 1935 #les mis

[gepetordi1]

Le Charme Discret - Dress to Kill Magazine

Ph: Richard Bernardin | Styl: Cary Tauben

[luegootravez]

Anais Pouliot by © Richard Bernardin

#Richard Bernardin #Anais Pouliot

[harleystuff]

📷 Sara Waisglass by Richard Bernardin

#sara waisglass #sara waisglass avatars #avatars #400*640

[knittinganddrinkingtea]

Flavia Lucini by Richard Bernardin for Nacre Voyage Spring Summer 2017

#Flavia Lucini #Richard Bernardin #Nacre Voyage #ad #advertising #fashion #mode #moda #model #models #womenswear #women's fashion #style #spring 2017 #my upload

[lemondedelamode]

Valeria Lipovetsky by Richard Bernardin for Relevant Journal Feb’22

#valeria lipovetsky #supermodel #beauty #richard bernardin #relevant journal #editorial #fashion editorial #fashion photography #fashion #photography #high fashion #haute couture #fw22 #fw21

[unes23]

Ola Rudnicka by Richard Bernardin for Grazia

#ola rudnicka #grazia #fashion #editorial #model #unes23

[noprivatemeanings]

Books I've read in 2023

'Crying in H Mart' by Michelle Zauner

'The Tea Dragon Society' by K. O'Neill

'A Certain Hunger' by Chelsea G. Summers

'How to Break Up with Your Phone' by Catherine Price

'The Metamorphosis' by Franz Kafka

'Animals Eat Each Other' by Elle Nash

'Coming Out Autistic' edited by Steven Fraser

'The Very Secret Society of Irregular Witches' by Sangu Mandanna

'We Swim to the Shark' by Georgie Codd

'Passing' by Nella Larsen

'The Service' by Frankie Miren

'What I Want to Talk About: How Autistic Special Interests Shape a Life' by Pete Wharmby

'The Inland Sea' by Madeleine Watts

'Mating in Captivity: Reconciling the Erotic and the Domestic' by Esther Perel

'Let Them Eat Chaos' by Kae Tempest

'Introducing Existentialism' by Richard Appiganesi

'The Silence Project' by Carole Hailey

'Cursed Bunny' by Bora Chung

'Sunshine' by Melissa Lee-Houghton

'The Delicacy' by James Albon

'Are Prisons Obselete?' by Angela Y. Davis

'The Beginning of the World in the Middle of the Night' by Jen Campbell

'Square Eyes' by Luke Jones and Anna Mills

'Chess Queens: The True Story of a Chess Champion and the Greatest Female Players of All Time' by Jennifer Shahade

'Making Cocoa for Kingsley Amis' by Wendy Cope

'The Housekeeper and the Professor' by Yōko Ogawa

'The Artificial Silk Girl' by Irmgard Keun

'Because Internet: Understanding the New Rules of Language' by Gretchen McCulloch

'Esc & Ctrl' by Steve Hollyman

'The Doors of Perception' by Aldous Huxley

'Sedating Elaine' by Dawn Winter

'Different, Not Less: A Neurodivergent's Guide to Embracing Your True Self and Finding Your Happily Ever After' by Chloé Hayden

'The Appendix' by Liam Konemann

'Food Isn't Medicine: Challenge Nutrib*llocks & Escape the Diet Trap' by Dr Joshua Wolrich

'Didn't Nobody Give a Shit What Happened to Carlotta' by James Hannaham

'Lies We Sing to the Sea' by Sarah Underwood

'Julia and the Shark' by Kiran Millwood Hargrave with Tom de Freston

'Who Will Run the Frog Hospital?' by Lorrie Moore

'Disability Visibility: First-Person Stories from the Twenty-First Century' edited by Alice Wong

'This Is How You Lose the Time War' by Amal El-Mohtar and Max Gladstone

'Small Bodies of Water' by Nina Mingya Powles

'The Cassandra Complex' by Holly Smale

'French Exit' by Patrick deWitt

'Sundial' by Catriona Ward

'Don't Hold My Head Down: In Search of Some Brilliant Fucking' by Lucy-Anne Holmes

'Girl, Woman, Other' by Bernardine Evaristo

'The Love Factor' (So Little Time #8) by Rosalind Noonan

'Paris: The Memoir' by Paris Hilton

'All Systems Red' (The Murderbot Diaries #1) by Martha Wells

'Intimations' by Zadie Smith

'Cultish: The Language of Fanaticism' by Amanda Montell

'Motherthing' by Ainslie Hogarth

#reading #books #will update this regularly #my target is 70 books