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if-you-fan-a-fire · 2 years

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“Three 16-Year-Old Thieves Must Go To Work on Farm,” Toronto Star. July 24, 1942. Page 30. --- Wrong to Think They Can Live by Stealing, Magistrate Tells Them ---- PUT ON PROBATION --- A Police Court, City Hall - Magistrate McNish ‘If you have the idea that you can live by stealing and not work, you are wrong,’ said Magistrate McNish in ‘A’ court to Reginald Irwin, 16; Roy Cook, 16, and William Powell, 16, up for sentence on charges of theft. ‘There is a crying need for farm work, and instead of staying around the city stealing, I am going to se that you three go to work on a farm. If you do not stay on the farm you will be brought back here and sentenced on these charges,’ concluded his worship, placing the three on suspended sentence and probation for two years.

Irwin was convicted a week ago on six charges of theft, which included a microphone, spray gun, a watch, gasoline rationing book and war savings certificates. Detective James Ledic stated Irwin visited various offices looking for work and stole the articles.

Cook was convicted on two charges of stealing tricycles and Powell on one charge of stealing a bicycle.

Abraham Gold, alias John John Krichakovski, charged with robbing Louis Carman of $205 with violence, was remanded to July 27.

In sentencing Melville Cherpeau [TOP image] to two years in Kingston penitentiary on a charge of robbing William Cole of $35 with violence, Magistrate McNish said: ‘I hope that others in the Jarvis and Dundas St. districts will note that persons convicted of rimes like this will go to the penitentiary.’

At a previous hearing Cole said he was in a hotel at Jarvis St and Dundas St. and saw the accused. ‘We left and went to a house with another man and woman. Later going home through a lane near Sherbourne, I was hit, kicked and robbed of $35,’ he testified.

‘I have no hesitation in registering a conviction,’ said the magistrate. ‘We continually have men before the courts for various crimes from that district, some of a similar nature. I don’t hold you responsible for all of them. At the same time you must pay for the crime you committed. It was a brutal thing to do and the complainant’s hard-earned money was taken.’

Convicted of attempting to break into an apartment on Harvis St., Edward J. Quigley, 19, was sentenced to three months.

J. S. Mines, caretaker, stated that he saw the youth with a knife tampering with the lock of an apartment door. ‘I grabbed him and called the police,’ he said.

‘I went there to see a fellow who owed me 25 cents,’ declared accused.

Whitney Stewart, Gravenhurst, admitted driving carelessly on Yonge St. and was fined the maximum penalty of $50 and costs or 15 days.

Seven days, his car impounded for three months and his license suspended for six months was the penalty given Joseph Raets, who pleaded guilty of drunken driving.

‘The accused came south on Ossington Ave., and drove east on Bloor St.,’ related P.S. Watson. ‘He was drunk. It was a very warm day. All the windows in the car were up and the sweat was just pouring out of him.’

“Gets 2 Years in ‘Pen’,” Toronto Star. July 24, 1942. Page 30. ---- County Police Court, County Buildings Magistrate McIlveen Stanley Moore [BOTTOM picture[ was sent to Kingston penitentiary for two years on each of nine charges of defrauding Bertha L. Rae of $826.60, when he appeared before Magistrate McIlveen today. He had previously pleaded guilty. The sentences will run concurrently.

Accused admitted he had spent 15 months in jail before on similar charges. According to the crown, he had told the police he intended to give the money back.

‘That is the least you can do,’ commented his worship.

According to evidence presented at a previous hearing, Moore led Miss Rae to believe he was renting a farm at Smithville and agreed to engage her as a housekeeper. On several occasions, it was stated in evidence he had borrowed money from her with which to purchase livestock and pay general farm expenses and rent. Later it was found, evidence disclosed, that no such farm existed.

“Had Cheap Jewelry” Toronto Star. July 24, 1942. Page 30. ---- B Police Court, at the City Hall - Magistrate Gullen After being held for some days in custody, Michael Pohulk was this morning charged with vagrancy. He appeared before Magistrate Gullen in ‘B’ police court.

The only evidence against the 19-year-old youth given by Constable Wheeldon, who arrested him at 3.30 a.m. on July 18, was that he fund him sitting in a Queen St. restaurant with a cheap piece of costume jewelry in his hand. The lad, on holiday from his mother’s farm, had a meal ticket and a room in a Richmond St. house, also owned by his mother.

‘Dismissed,’ said the court, ‘the evidence does not support the charge.’

The same officer charged Kosty Karrandzos, 17, with vagrancy. He followed accused along the street and into the same restaurant where he had some of the same costume jewelry. More was found shoved down behind the rear seat of the police car at arrival at the station. Accused had no money, the officer said. He lived wit his parents. ‘I had 50 cents,’ said the youth.

‘Do you want to give evidence or call witnesses?’ asked the court. ‘No,’ replied accused.

‘Then there will be a conviction.’

‘I did tell the officer where I got the jewelry and answered what I was asked,’ said the accused.

‘He has been in trouble before,’ said the crown.

‘You will be fined $25 and costs or 30 days,’ said his worship.

James Herbert, 19, also charged by P.C. Wheeldon with vagrancy, had some cheap jewelry on him and wasn’t eating. He had been with Karrandzos prior to entering the restaurant. He had 50 cents, the officer stated.

‘I had $2,’ said accused, ‘and had been eating. I have a home and was working for four months up to two weeks ago.’

‘You had means of support, but were found wandering abroad and did not give a satisfactory account of yourself. There will be a conviction and you will be fined $10 or 10 days,’ said the court.

Peter Senuch, also charged with vagrancy by P.C. Wheeldon, had been followed into the restaurant. He had a registration card which the officer said was not his own.

‘I just finished work at the General Electric Co. at 1 a.m., and walked up to the restaurant with these other boys whom I had known for a short time. I had something to eat, bought cigarettes and had five cents left.’

‘That charge will be dismissed,’ said the court.

Rog Notman, remanded until today in the care of the Salvation Army on a charge of vagrancy, failed to appear when called. ‘He disappeared last night,’ said the crown. A bench warrant was ordered to issue.

Kenneth Green and Sidney Bert faced charges of theft of auto markers, auto theft having burglars’ tools and unlawful possession of offensive weapon. Green also faced a charge of careless driving.

Harold Chaplin, defence counsel, pleaded not guilty to all charges and elected trial by jury. Counsel asked for an adjournment on the careless driving charge to July 29 at 2 p.m.

‘We will proceed with the auto theft charge first,’ said Crown Counsel Charles Hamm, whereupon defence counsel asked for exclusion of all witnesses.

The crown called B. A. Pennock, Dovercourt Rd. On July 11, witness testified, he left his car in his car in his side drive at midnight. It was completely locked up, he stated. A fifth tire was in the trunk, also locked. At 9 a.m., the car was gone.

Detective Harold Hodgson of the auto theft squad stated that on July 17 at 11.40 p.m. in company with Det.-Sergt. Max Richardson, he saw a maroon parked on a lot bearing license 66L79, which plates had not yet been reported as stolen from Inglewood, Ont. Investigation showed two other sets of holes on the license plates, and looking into the car, two C.N.R. lining bars could be seen as well as pick and axe and sledge hammer, also stamped C.N.R., he said. The car was not fully locked and the ignition wire were found crossed and the radiator ot.

‘Believing whoever had the car would return. I got into an old car, six feet away,’ said Detective Hodgson. ‘Richardson went to take the police car out of sight and call for help. Then I saw three men approach. One of those men was Kenneth Green, whom I had known for two years. When he reached the driver’s side he wasn’t eight feet away. Sidney Bert went to the other side. I didn’t know him by name, but had seen him with Green before. The third man I didn’t know.

‘Green got into the driver’s seat, but couldn’t start the car. I jumped out and they ran up a lane to Paton Rd. I fired a warning shot but they escaped into a T.T.C. yard, and I put a call over the radio to pick up Kenneth Green.

‘A police car with Detective Scott and other officers arrived then and in the car was Sidney Bert. Later at No. 7 station I saw Green who had also been picked up. Green was cautioned and charged with auto theft, having burglars’ tools and having an offensive weapon.’

‘When we searched the stolen car we found two revolvers wrapped in a handkerchief on the front seat.’

[AL: Cherpeau was 36, married, from Toronto, a construction worker, with a long criminal record of 6 previous convictions in jail and a term in the reformatory. He appealed his sentence, and the appeal was dismissed August 29, 1942. He was convict #7035 at Kingston Penitentiary, and mostly worked in the tailor shop. He was reported three times for breaking the prison rules. He was released April 1944.

Moore was 42, single, an English immigrant who came in 1925 via Quebec, and claimed he was a cattle dealer. He had previously been in the reformatory. He was convict #7005 at Kingston Penitentiary and mostly worked on the prison farm. He was released March 1944, and headed back to Maple, Ontario, his hometown.]

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craigtowens · 4 years

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“True freedom is found when it is God who is in control...” —Dr. Rob Carman

#Rob Carman #Gospel of Matthew #quote #commentary #YouVersion #Bible study #scripture #attitude #circumstances #freedom

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theplaguedogs · 3 years

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House of 1000 Corpses director Rob Zombie and actress Jeanne Carman. Carman played a character called Miss Bunny, who re-enacted famous movie scenes using dead animals as puppets. Unfortunately, her scenes were cut from the film along with many others that were deemed too graphic for an R rating.

#found #rob zombie #house of 1000 corpses #deleted scenes #jeanne carmen #lost media

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goodgirlsfanficawards · 3 years

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We started the week with some angsty new authors and we’re ending it by spotlighting five angsty one shots that’ll hurt but make you say more please.

Wanting More by morrishwelcrrll

02 Dec 2020, T, 5.5K, 1/1, 29 kudos

Goodbye Elizabeth. – there’s something different in his voice, and when she just exits the car and look at him with the help of the street lights she sees something in his eyes that just make the felling in her stomach awake, and she knows what’s he’s doing, he’s pushing her away.

We gonna meet tomorrow? – she asks just to make sure her voice is still there, and that he isn’t going anywhere again, because she made peace with herself, she knows what they are now, knows he will come to collect, and she’s okay with it.

Uhm... yeah. – he hums, but doesn’t look at her, and when she can think of something to say other then the pain in her side and the look he was giving her he is already gone.

All The Ways by justcallmered

05 May 2020, M, 12K, 1/1, 93 kudos

“Where’s your brood, Elizabeth?” Rio countered.

“Well if you’re asking you must already know. Dean took them to his mother’s where they’re not in danger. Says I have to choose,” Beth intoned, no emotion bleeding through her words as they usually did.

Rio scoffed and shook his head. “Ain’t nowhere safer for those babies than in this house. Carman’s an idiot.”

Beth turned to look at him then, narrowing her eyes, “Is it? Because I’ve had a gun held to my head on more than one occasion in this house. So you tell me, how safe is that for my children, Rio?” She spat out, lips pressing together in a firm line.

Rio didn’t turn to look at her, just smirked that half-smirk that infuriated her. “You still sittin’ here alive, ain’t you? I ever show up here wit’ a gun to your face while your kids around?” He shook his head then, “Nah, I ain’t ever do that and I never would, either. Damn, you still don’t get it, do you, ma?”

Cute without an E by Niham87 / @niham87

04 Oct, 2020, E, 4.7K, 1/1, 194 kudos

"Name," he husks, mouth parched. “I need her name.”

"Beth. Elizabeth Boland.”

There it is. Three little words. Three taut burns.

“We call her ‘The Chef' but she could be a fuckin’ witch. She cooks that shiz out the back of a store, with an apron and a Vitamix."

Rio palms the man’s shoulder, smile slicing, sharper than a Japanese blade, “What store?”

“I… It’s some weird-ass name. I-I don’t remember.”

“No?” he asks sweetly, eyebrows raised up to his hairline. “That’s okay,” he chuckles, seizing the man’s sweaty nape. The dampness there makes the contact clap like the forecast for thunder. “I can help you with that.”

it's good when it's not right by prettylittlementirosa / @hypermania

11 Apr 2020, E, 4.7K, 1/1, 199 kudos

"Find my friend," she blurts out and he raises his brows, waiting for an explanation.

"The find my friend app. It'll show where Beth is."

She reaches for her phone but he steps back, closing out of the messages, to pull up the app. Of course these housewives would be dumb enough to leave their location on. He's gonna have to have a talk with Elizabeth. About a lot of things.

And there she is, her smiling icon placing her right in the middle of...

"A cemetery? Y'all bitches get into grave robbing when I wasn't looking?"

Annie doesn't answer right away; it takes a minute for the confused furrow of her brow to smooth out into something resembling understanding, and that's all the confirmation he needs to know the location is right. He tosses the phone back at her, lets her scramble to catch it.

"Wait–" she tries but he's already got the door open.

waiting for someone who needs me by s_t_c_s / @sothischickshe

10 Jun 2020, E, 9.9K, 1/1, 425 kudos

When she rounds back into the living room, the empty hamper sinks from her arms, smacking loud against the floor.

Cos there is a – a distinct and unexpected male presence in the room. Someone decked in head-to-toe black, almost literally. From the glossy jet shoes to the maybe charcoal-grey hat – which looks objectionably warm, if soft. Late spring is cresting entirely into summer and, particularly with the exertion of repeated stair-trotting, even in her relatively light dress, Beth doesn’t exactly feel cooled. And his buttoned up style ought to be seasonally inappropriate, not make her doubt her exposed skin, especially since he’s interrupted the privacy of her own home which–

“Aargh,” she says, exceedingly deliberate – if belated. It doesn’t seem a great effort in truth, Beth experiences that flop in the moment; the amused glimmer he gains highlights quite unnecessarily.

It reminds her a little of the way Annie tends to scoff at her insistent ow in response to Annie poking or prodding at her, as she quests for attention. Sure, that stuff doesn’t really hurt, but Beth’s adamant her disapproval over such things should be made very clear.

If you know of anyone’s tumblr/twitter and we haven’t found it or tagged incorrectly, please send us an ask to let us know.

#good girls nbc #nbc good girls #good girls fanfiction #brio fanfiction #beth x rio #good girls fanfic #brio fanfic #spotlight saturday

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rndyounghowze · 3 years

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And The Nominees Are… (Part 2/2)

#younghowzetheatreawards

By Ricky and Dana Young-Howze

Mays Landing, NJ

Venmo: @rndyounghowze

The nominations for the first ever Young-Howze Theatre Awards are finally here! We have been working hard since March of 2020 reviewing over a hundred and forty digital productions. We have been poring over them all since January to bring you these categories and the shows vying for them.

Let’s remind everyone what our criteria were: Because of the pandemic this year every show that we have reviewed was nominated for at least one category. We picked winners by a very specific set of criteria: What was this show attempting to do? Was it successful? Was it the most successful of all the shows that tried to do this? We apologize to anyone who thought that we would be announcing winners today. We decided that we wanted to save all of the spoilers for the live show on February 21st at 8PM EST. Please remember that even if you only get one nomination it is because we wanted to honor everyone who worked hard this year (every theatre artist who did a show this year deserves a medal). However we understand that specific nominations are useful for theatre creators in their resumes, grant applications etc.

All Nominees should receive a nomination email from us. If you haven’t gotten an email by Monday 11:59pm PST email is at [email protected]

Congratulations everyone! We are so proud of your accomplishments and amazing work. We’ve already seen shows this year that are award worthy. You all exceeded our expectations. Without further ado...

Solo Performance

“Chewie Award” For Team Behind A Solo Performance

“Blood/Sugar” by Diana Wyenn in Los Angeles, CA

“Kristina Wong For Public Office” by Kristina Wong in Los Angeles, CA

“Disenchanted: A Cabaret of Twisted Fairy Tales” by Eliane Morel at Melbourne Fringe

“All By Myself Award” For Solo Performance Of The Year

“The Bassoonist” by Sean P. Mette and Autumn Kaleidoscope at Cincinnati Fringe Cincinnati, OH

“Kristina Wong For Public Office” by Kristina Wong in Los Angeles, CA

“Sarah Palin: Rogue None” by Amanda Nicastro in NYC, NY

“What Would John Hughes Do?” by Telia Nevile at Melbourne Fringe

“Campfire Award” For Storyteller Of The Year

“Right Now” By Martin Dockery at Minnesota Fringe Minneapolis, Minnesota

“Life Underground” by Brad Lawrence at FRIGID NY in NYC, NY

“Pumpkin Pie Show” by Pumpkin Pie Show at FRIGID NY in NYC, NY

“UnterClub” by Juan Sebastian Peralta in Uruguay

“Full of Woe” by Genevieve Yosco and Sour Grapes Productions at FRIGID NY in NYC, NY

Seasons, Series and Festivals

“BIPOC HERO” For The BIPOC Creative Team Of The Year

TBA

“Worldwide Award” For Collaborative Work Of The Year

“The Art of Facing Fear Brazil” By Os Satyros in São Paulo, Brazil “The Art of Facing Fear US” Os Satyros and Company of Angels and Rob Lecrone, in co-production with Os Satyros and Darling Desperados. “The Art of Facing Fear Africa/Europe” Os Satyros and Cie Kaddu, Crown Troupe of Africa, Darling Desperados, Oddmanout Theatre Company, Portuguese Cultural Center of Mindelo, Tell-a-Tale, The Kwasha! Theatre Company, The Market Theatre Laboratory, Village Gossip Productions

“Macbeth #6” Os Satyros São Paulo, Brazil and the Center for Interdisciplinary Performance Art - Royal Birmingham Conservatoire

Enough Plays to End Gun Violence at Mile Square Theatre in Hoboken, NJ

“Down the Stream” For Digital Season of The Year

Frigid NY in NYC, NY

Combined Artform in Los Angeles, CA

“There’s No I in Theatre” For Non-Profit Theatre of The Year

Elm Street Cultural Arts Village in Woodstock, GA

Sour Grapes Productions in NYC, NY

Opal Theatre in Boise, Idaho

Know Theatre of Cincinnati in Cincinnati, OH

Mill Mountain Theatre in Roanoke, VA

“Deja Vu Award” Recurring Streaming Series Of The Year

“Tilted Frame” by Combined Artform in Los Angeles, CA

“Bingewatch and Friends” by Diana Brown and Dan Wilson in San Francisco, CA

“Reparations Show” by Kevin R Free at Frigid NY in NYC, NY

“Monologues For Us By Us” By Cincinnati Black Theatre Artists Collective in Cincinnati, Ohio

“Bard Brunch” by Sour Grapes Productions in NYC, NY

“On The Fringes” Fringe of the Year

Minnesota Fringe

Halifax Fringe

Melbourne Fringe

Montreal Fringe

Cincinnati Fringe

“The Shortie“ Short Form Festival Of The Year

“48 Hours in Harlem” By Harlem 9 in Harlem, NY

“Overnight Sensations” by Hollins Playwrights Lab in Roanoke, VA

Estrogenius Festival by FRIGID NY in NYC, NY

Fire This Time Festival at FRIGID NY in NYC, NY

Single Shows

“Weird and Worth It” For Experimental Production Of The Year

“Paul And Erika’s House Show” By Theatre Mobile at Cincinnati Fringe

“Hivemind” by Solasta Theatre at Cincinnati Fringe

“#TXT Show” by Brian Feldman at Minnesota Fringe and Melbourne Fringe

“Butterfly Effect” by Unnatural Disasters at Halifax Fringe

“New Normal” by Os Satyros in São Paulo, Brazil

“One Man Nutcracker” by Chris Davis in Philadelphia, PA

“Cabaret De Profundis” By Buntport Theatre in Denver, CO

“So Nice We Saw It Twice” Touring Show Of The Year

“Desperately Seeking The Exit” by Peter Michael Marino and PM2 at Cincinnati Fringe And Queerly Festival and Show Up, Kids! In NYC!

“Paul and Erika’s House Show” by Theatre Mobile at Cincinnati Fringe and Minnesota Fringe

“Love and Other Lures” by Dr. Dour and Peach at Cincinnati Fringe and Minnesota Fringe

“Killjoy, Ohio” by Queen City Flash at Cincinnati Fringe and Minnesota Fringe

“TXT Show By Brian Feldman at Minnesota Fringe and Melbourne Fringe

“Kristina Wong For Public Office” by Kristina Wong in Koreatown and Kirk Douglas Theatre in Los Angeles, CA

“Before Times” For Pre-Pandemic Recording Of The Year

“Petunia and Chicken” by Animal Engine at Cincinnati Fringe Cincinnati, OH

“Unrepentant Necrophile” by The ColdHarts at Cincinnati Fringe Cincinnati, OH

“Knife Slingin’” By Motz at Cincinnati Fringe Cincinnati, OH

“Occupy This!” By Rev Nuge at Cincinnati Fringe Cincinnati, OH

“Stow You Baggage” By Alexx Rouse at Cincinnati Fringe Cincinnati, OH

“Butcher Holler” by Ad Hoc Economy at Cincinnati Fringe Cincinnati, OH

“Lady Macbeth and Her Pal Megan” by Megan Gogerty at Cincinnati Fringe Festival Cincinnati, OH

“Dammit, Jim!” by Polly Esther in Toronto, CA

“A Night With The Dead” by Martha Preve and Something From Abroad at Hartford Fringe in FRIGID NY in NYC, NY

“A Christmas Carol In Harlem” by Classical Theatre of Harlem in NYC, NY

“Forbidden City” by Martin Dockery at Cincinnati Fringe Cincinnati, OH

“Practical Game Changer” For Practical Effects Of The Year

“Killjoy, Ohio” by Queen City Flash at Cincinnati Fringe Cincinnati, OH

“Zoo Motel” By Thaddeus Phillips in Columbia, South America

“A Light Touch” by Mind of a Snail at Minnesota Fringe Minneapolis, Minnesota

“Digital Game Changer” For Digital Effects Of The Year

“M-O-U-S-E” by Rory Sheridan at the Cincinnati Fringe Cincinnati, OH

“King Lear” by SF Shakes in San Francisco, CA

“War Of The Worlds” by Ben Hernandez at Cal State in Los Angeles, CA

“Claws Out! A Holiday Drag Musical” by City Theatre in Pittsburgh, PA

“18+ Allowed” For Adult Variety Of The Year

“Disenchanted: A Cabaret of Twisted Fairy Tales” by Eliane Morel at Melbourne Fringe

“Creepy Boys” by Scantily Glad at Melbourne Fringe

Red Mill Revue at Melbourne Fringe

Queers On The Fringe at Melbourne Fringe

“Reach Out“ For Immersive Production Of The Year

“Feast” by Megan Gogerty at Know Theatre of Cincinnati in Cincinnati, OH

“In Lak’Ech” by No Peeking Theatre in Jersey City, NJ

“Twelfth Night”” by Food of Love Productions in NYC, NY

“Grace Notes” For Musical Production Of The Year

“Dream &” By Sarah Willis and The Queer Feminists Next Door at Cincinnati Fringe Cincinnati, OH

“Colony” by Psophonia and Aura at Cincinnati Fringe Cincinnati, OH

“TV Tunes” by Leslie Vincent at Minnesota Fringe Minneapolis, Minnesota

“The In-Between Years” By The Champagne Drops in Minneapolis, Minnesota

“Love and Other Lures” By Dr. Dour and Peach at Cincinnati Fringe Cincinnati, OH

“Hollow” by David Kent at Edinburgh Fringe

“One Vote Won” by Nashville Opera in Nashville, TN

“Meet Me In St. Louis” By Irish Rep in NYC, NY

“Power” For Fifth-Wall Breaking Show Of The Year

“Matriarch” by Sandy Greenwood at Melbourne Fringe

Chanukahmunication by the Feldman Dynamic in Washington, DC

“Proof Of Love” By Chisa Hutchinson and BLBW in Chicago, IL

Individuals

“Magician” For Press Contact Of The Year

Emily Godfrey For FRIGID NY in NYC, NY

Liz Carman For Know Theatre of Cincinnati in Cincinnati, OH

“Tech Witch” For Tech Person Of The Year

David Svengalis for “Tilted Frame” by Combined Artform in Los Angeles, CA

Henry Bateman for Know Theatre of Cincinnati in Cincinnati, OH

“Extensions“ For Movement Artist Of The Year

“Proximity” by Pones at Cincinnati Fringe Cincinnati, OH

“Definition of Man” by DConstruction Arts at Halifax Fringe

Marina Calendar For Tree She at Estrogenius Festival NYC, NY

Nick Daniels For “Folk Dances of A Nucleic Village” at Pittsburgh Fringe Pittsburgh, PA

“You Oughta Be In Pictures” For Film Of The Year

“Proximity” by Pones at Cincinnati Fringe

“Opinions Of Men” by Ben Dudley at Cincinnati Fringe Cincinnati, OH

“Macbeth” by Gorilla Repertory Theatre in NYC, NY

“Black Emperor of Broadway” by Vision Films Inc and Egeli Productions in Provincetown, MA

“Concord Floral” by Jordan Tamanelli at Colorado State University in Fort Collins, Colorado

Zoom

“Pioneer” For Innovative Achievement Of The Year

Waiting for the Host” by Mark Palmieri in NYC, NY

“Desperately Seeking the Exit” by Peter Michael Marino in NYC, NY

“Long Zoomie” For Long-Form Zoom Play Of The Year

“3 Way Lovve” by Marcus Ma’at Atkins at Minnesota Fringe Minneapolis, Minnesota

“Im Ur Hamlet” By Genevieve Yosco and Sour Grapes Productions in NYC, NY

“Rideshare” by Reginald Edmund and BLBW in Chicago, Illinois

“Disrobed” by Steven Vlasak and Troy Peterson at Hollywood Fringe Hollywood, CA

“Sons of Liberty” by Cris Eli Blak in Louisville, KY

“Call For The Wailing Women” by Katrina D. RiChard and BLBW in Chicago, IL

“Jump!” By Charly Evon Simpson at TSU in Nashville, TN

“Short Zoomie” For Short-Form Zoom Play Of The Year

“Soup” by Rachel Carnez at Project Y Theatre in NYC, NY

“Missing Ingredient” by Colleen O’Doherty at Project Y Theatre in NYC, NY

“Pas De Deux” by Kevin Ferguson at Missouri S&T in St. Louis, Missouri

“Scaramouche and Pinochle” by Mike Moran Missouri S&T in St. Louis, Missouri

Screen Manager Of The Year

TBA

Stream Yard

“Duck“ For Streamyard Production Of The Year

“Infemous” by Infemous at the Queerly Festival and Montreal Fringe Festival

“Romeo and Juliet Virtually” By Miles Beyond Entertainment in Los Angeles, CA

“Day of the Dead Variety Show” by Something From Abroad at FRIGID NY in NYC, NY

“Latina Christmas Special Special” by Latina Christmas Special in Los Angeles, CA

Staged Production

“The Globe“ For Staged Production of The Year

“Quit While You’re Ahead” By Alexx Rouse and A-Z Productions at Cincinnati Fringe Cincinnati, OH

“Dreary Dearie” By Caitlyn Waltermire at Cincinnati Fringe Cincinnati, OH

“Hellish Reunion” by The Feral Theatre Company at Minnesota Fringe Minneapolis, Minnesota

“Polka Dots: The Cool Kids Musical” by Melvin Tunstall III at Mill Mountain Theatre in Roanoke, VA

“Titus Andronicus” by Shakespeare by the Sea in San Pedro, CA

“She Kills Monsters” by Qui Nguyen at Elm Street Arts Cultural Village in Woodstock, GA

Please Be Sure To Tune In To The Live Show on either our YouTube Channel, FRIGID NY’s YouTube, or you can go to Combined Artform’s Channel. Also follow their Facebook pages for live updates. Our social media will be taken over before and during the show by Saturday Lawson of Punchline Loading and Genevieve Yosco of Sour Grapes Productions! We can’t wait to see you there!

*****A Word From Our Sponsors*****

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#theatre #nj #theatrelives #nj travels #theatreawards #award show #nominees #part 2 #young howzd theatre awards

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therisinggear · 3 years

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Carman Jones AKA Neo Killer Croc

After Terry McGinnis washed up in the sewer system in Bludhaven, he was rescued but a mysterious reptilian woman with a high tech collar around her neck. She says her name is Carmen and that she lives in a abandoned part of the subways system. When the injured Terry has no idea who he is she lets him stay with her. For a few months the two become closer, with the amnesiac Terry (Or Blues as she calls him) often flirting with her. The relationship gets challenged when "Blues" discovers she has been supporting themselves by being a criminal. Carman pointing out because she is a "Freak" robbing Stores or Working as a hired thug are the only jobs available to her. "I hate it just as much as you do Blues but Freaks like me have no other options! If there was something better I'd have taken it by now!" DNA scanners on the Batmobile Link her parentage to somehow be Killer Croc despite the fact he has been dead for 50 year with his body on display in a museum. And her at least a young woman. Unlike the original Killer Croc she looks more human but rather transforms into a larger Beastlike form on command thanks to her Control Collar. Without it or if it's damaged she could not only loss control of her powers. Ultimately become a Feral killing machine that eats people.

#batman beyond #killer croc #batman #dcau #dccomic

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hunajei · 3 years

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“Happiness is not in our future—one day when the bills are paid, when we have everything we need. Happiness is in our present. It is right now. We can be happy now. It is a mental habit, a mental attitude. If it is not practiced in the present, it can never be experienced.”

Dr. Rob Carman

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odk-2 · 2 years

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The Chantays - Pipeline (1962) Brian Carman / Bob Spickard from: "Pipeline" / "Move It"

Instrumental | Surf | Reverb

Tumblr (left click = play | right click = "save as") (320kbps)

Personnel: Bob Spickard: Lead Guitar Brian Carman: Slide Guitar Rob Marshall: Electric Piano Warren Waters: Bass Bob Welch: Drums

Produced by Art Wenzel

Recorded: @ The Wenzel’s Music Town Record Store Studio in Downey, California USA during July of 1962

Released: in December of 1962 (Downey Records) in January of 1963 (Dot Records)

The Chantays: (L-R) Bob Spickard / Bob Welch / Brian Carmen / Rob Marshall / Warren Waters

#Instrumental #Surf #Reverb #Instrumental Rock #Downey Records #Downey California #Dot Records #1960's #Pipeline #The Chantays #Bob Spickard #Brian Carman #Art Wenzel #Bob Welch #Warren Waters #Rob Marshall #Chantays

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ducktracy · 4 years

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16. one more time (1931)

release date: october 3rd, 1931

series: merrie melodies

director: rudolf ising

starring: rudolf ising (foxy), carman maxwell (foxy)

one more time gives us foxy one more time. he’s credited as both rudolf ising AND carman maxwell... i’m not certain about the validity of that, but again—88 year old cartoon. this is the end of foxy’s very short lived career. predictably, walt disney asked if harman and ising could discontinue the use of foxy for obvious reasons. it’s a shame, as much as a blatant rip-off as he is, i really like his design! i don’t know if it’s the freshness of “finally, a new character” or just the relief of “finally, not a caricature”, but he seems to have slightly more personality than bosko. still barebones and transparent, but he’s fun to watch. in this short foxy assumes the role of a police officer, but maintaining order proves to be difficult when reckless driving and kidnapping gangsters interfere with his duties.

we open with our favorite copyright infringement merrily patrolling the streets. all is well, until a handful of cars speed past foxy, nearly flattening him across the road. justifiably his mood turns sour as he launches into “one more time”, a very catchy, rhythmic patter song. he dodges various cars, cursing “just one more time!” and shaking his fist.

he turns a corner for safety, when a gangster unprecedentedly rises from a trashcan and shoots foxy’s hat to smithereens. in retaliation, foxy pulls a gun on him, and a mouse extends out to give a hearty whack to the gangster’s head. these gags are predictable, but how i love them! they’re just so cheesy and fun. not to mention, this entire sequence (and cartoon) is paced really well. it’s snappy and quick, but not too breakneck, either. it fits just right with the brisk tempo of the song.

focus shifts to the hippo from smile, darn ya, smile! driving a fancy car. a mouse in a tiny car behind honks at her to get out of the way, and both of them battle for dominance. in the midst of their wacky races-esque battle, foxy gets run over by the hippo. rightfully so, he tweets on his whistle and goes to right her a fine.

the song portion picks up again as the two patter song in argument. what a great sequence! the timing is just right. the beat is catchy and tactile, and the voice acting is relatively good compared to what we’ve seen. foxy writes her a fine as the hippo tries to negotiate with him before bursting into crocodile tears, occasionally checking to see if foxy buys it. to get her to shut up, foxy slaps a trash can on her head and walks away.

conveniently, foxy stumbles upon roxy and her dog (who i bet was not at all influenced by pluto in any way, shape, or form). the dog is ecstatic to see foxy and pins him against a wall, showering him in licks. foxy protests and roxy giggles, borrowing bosko’s catchphrase of “ain’t that cute?”

she skips away to position herself at a player piano that just happens to be handy and bangs out “one more time” on the keys. foxy’s protests and the dog’s licks are executed in time to the beat. foxy briefly ties the dog’s tongue around its snout as a muzzle, but both become overpowered by the magic of music and join in dancing.

another predictable gag that warms my heart regardless—mickey foxy uses pluto the dog as a player piano, playing the music with his teeth.

however, they’re interrupted by the sound of gunshots. a bird robs another hippo of a pocketwatch and speeds away, with the police going after the criminal (complete with a cat siren).

foxy chases after the bird (who is driving a tiny excuse of a car). the bird drives through a pipe, and at the other end pops out a much bigger buggy and a gang of criminals who join in the chorus of “one more time”. we have some shots of the police and then the gangsters singing the song call and response style. once again, very catchy, with some lush barbershop harmonies.

the gangsters throw a grenade at the police, stopping them in their tracks, leaving foxy with the responsibility of stopping the crime.

no crime is complete without a little kidnapping! the gangsters kidnap roxy and drive off, and foxy chases behind on the same mechanical horse used by bosko in ups ‘n downs. this entire sequence happens like a breeze, it’s so fast! but not entirely in a bad way. the music is fast and it’s the climax, so the fast pace is relatively charming.

foxy races behind the gangsters, and by pulling the horse’s tail, the horse extends its mechanical head to bite roxy’s skirt and bring her to safety. the tables turn as the gangster are the ones pursuing the chase instead of initiating it.

god, i love this! foxy and roxy ride into a local jail cell with the gangsters hot on their trail, and pop right out from a manhole cover, locking the criminals in the slammer. it might be a trite gag (as all of these are), but it’s nevertheless amusing.

everything’s peachy keen as the criminals give a last bar of “one more time”, and foxy bows.

that is until the bird also rises from the manhole and SHOOTS FOXY IN THE BACK. iris out!

so our loveable copyright infringement was killed off! that scene is set up to be funny and not to be taken seriously, but considering this is the last time we see foxy, it wouldn’t be stretching the truth to say he was killed off.

what a short! in my opinion, this is the most polished of the foxy cartoons. the pacing is perfect! there are only some repetitive scenes towards the beginning with foxy walking down the street. the jazzy score of the music picks up the pace and allows the cartoon to be bouncy, swingy, and chipper. compared to other cartoons, the voice acting isn’t half bad! very entertaining and a good way to bid goodbye to foxy. i’d definitely recommend a watch! i might watch it again, just one more time!

youtube

#lt #one more time #long post #reviews

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ko-chan-the-blueberry-donut · 5 years

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Archaeologist/Indiana Jones AU with Carmen Sandiego and Red Crackle/Rebellious Birds 2

More of the Indiana Jones AU!

I’ve decided to name Archaeologist Dad Adhit meaning “ Scholarly; Intelligent; Wise; Bestowed with Knowledge; Noble” and his last name would be Sharmila meaning “protection, comfort, joy”

Carman takes Adhit’s last name when she’s officially adopted but still calls herself Carmen Sandiego.

V.I.L.E. eventually catches wind of Carmen’s feats as a badass archaeologist and send their own team to intercept her to get their hands on the artifacts.

No surprise, it’s Gray, Tigress, El Topo, and Le Cherve

Needless to say, their team is shocked to see Black Sheep alive. Everyone assumed she ended up dead on the streets in Morocco.

Gray’s ecstatic to see her--all this time he was depressed because he thought Black Sheep was dead. He always blamed himself for messing up and letting her get away with the archaeologist. Ever since, he can’t help but hesitate with leaving no witnesses. Tigress is less than thrilled while El Topo and Le Chevre are both kinda happy and neutral.

However, Carmen is pissed--they almost killed her dad years ago if she didn’t save him in the nick of time. She’s also pissed V.I.L.E. has the balls to try and steal from her expeditions.

“It belongs in a museum!”

Yes, she does shoot her grappling hook at Gray and tries to throw him off a cliff.

Gray doesn’t know whether to fall in love or be pissed.

He’s a bit of both tbh. His best friend should come home if she was alive for all this time--why is wasting her life away on digging up old artifacts just to give them to a museum?

Carmen’s usually the one who gets around the temples and tombs unscathed due to knowledge of history and Player’s translations of the texts but Gray’s not far behind her.

Carmen reluctantly ends up saving her former friends’ asses if they almost die from booby traps due to their impatience.

Adhit hates Gray and his team--they’re trying to rob the world of knowledge for money. That’s unforgivable in his eyes.

Ivy and Zack don’t know V.I.L.E but they back Carmen.

“Who are these guys?”

“Don’t know, but if Carmen hates ‘em, they probably suck.”

Eventually because V.I.L.E keeps getting involved, A.C.M.E. gets involved. Chase and Julia join Carmen’s team.

Yes, Chase does try to outshowoff Carmen and usually ends with him almost dying. Julia is stuck between sighing and laughing her ass off.

Every time Gray’s team and Carmen meets, he tries to get closer to her. He was a criminal but he love--er--MISSED his best friend and he was determined to get them on the same side again.

Maybe flirting a little wouldn’t hurt either.

#carmen sandiego #carmen sandiego au #carmen sandiego neflix #carmen sandiego 2019 #red crackle #rebellious birds #gray crackle #graham crackle #tigress #el topo #le chevre #carmen x gray #carmen x graham #black sheep x crackle

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