Robert Rauschenberg, Ringer, 1974, offset lithograph and screenprint transferred to collage of paper bag, cheesecloth, China silk, silk, and satin, 177.8 x 91.4 cm (70 x 36 in.)
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Robert Rauschenberg
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Robert Rauschenberg
Compass, 1978
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Noman’s Place, Photo by Robert Rauschenberg, 1955
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John Cage, Merce Cunningham, and Robert Rauschenberg, New York City, May 2, 1960.
photo: Richard Avedon. © The Richard Avedon Foundation
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Henri Cartier-Bresson. Robert Rauschenberg. 1968
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Robert Rauschenberg
Rebus
1955
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Robert Rauschenberg (American, 1925-2008), Sundog, 1962. Oil and silkscreen ink on canvas, 60 x 60 in.
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Robert Rauschenberg
Sulphur Bank (Hoarfrost)
1975
Solvent transfer, fabric, cardboard, and paper bags on fabric
35.5 x 65.875 x 2.75 in. (90.1 x 167.4 x 7 cm)
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Fugue 1950
Robert Rauschenberg
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Robert Rauschenberg, Fuse (Stoned Moon), (lithograph on paper, from a suite of thirty-four lithographs), Gemini G.E.L., Los Angeles, CA, 1969 [SFMOMA, San Francisco, CA. © Robert Rauschenberg Foundation and Gemini G.E.L.]
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Robert Rauschenberg
Copperhead-Bite VI / ROCI CHILE, 1985
Silkscreen ink, acrylic and tarnish on copper
96 3/4 x 48 3/4 in
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40" x 30" x 1 1/2"
acrylic on canvas
2017
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Robert Rauschenberg
Dance (Tribute 21)
print
1994
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Josef Albers’ Color Class, Summer 1944, Gelatin silver photograph by Josef Breitenbach
Josef Albers joined the Weimar Bauhaus as a student and later became a faculty member in 1922. When the Bauhaus moved to Dessau in 1925, he was promoted to professor. After the closure of the Bauhaus under Nazi pressure in 1933, Albers emigrated to the United States. He was appointed head of the painting program at the experimental liberal arts institution Black Mountain College in North Carolina, where he taught students such as Ruth Asawa and Robert Rauschenberg.
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