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#Robert Rossen
stannisbaratheon · 1 year
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PAUL NEWMAN in THE HUSTLER (1961), dir. Robert Rossen
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davidhudson · 2 months
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John Garfield, March 4, 1913 – May 21, 1952.
With Robert Rossen on the set of Body and Soul (1947).
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gatutor · 3 months
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Shelley Winters-Silvano Mangano "Mambo" 1954, de Robert Rossen.
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sesiondemadrugada · 2 months
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The Hustler (Robert Rossen, 1961).
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hollywoodlady · 5 months
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Richard Burton with director Robert Rossen clowns about on the set of the film 'Alexander the Great', in which he plays the titular conqueror, 15th June 1955.
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izimbracreenshots · 4 months
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The Hustler by Robert Rossen, 1961
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citizenscreen · 2 months
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Robert Rossen (March 16, 1908 – February 18, 1966) 🎥
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mydarkmaterials · 4 months
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Hazel Brooks in "BODY AND SOUL" (1947). Directed by Robert Rossen
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nine-frames · 5 months
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All the King's Men, 1949.
Dir. & Writ. Robert Rossen | DOP Burnett Guffey
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lisamarie-vee · 1 year
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johngarfieldtribute · 10 months
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Julie doing “stuff” with famous people (17th post)
Behind the scenes of BODY AND SOUL, director Robert Rossen rushes behind Julie. Rossen was a screenwriter for three of Julie’s earlier films: DUST BE MY DESTINY, THE SEA WOLF, and OUT OF THE FOG.
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Before a scene is filmed for HE RAN ALL THE WAY, a camera crew member test tones on Julie and Shelly Winters with a light meter.
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Julie, Jennifer Jones and director, John Huston get a kick out of a visitor to the set of WE WERE STRANGERS.
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Richard Conte and Ruth Hussey take in an event with Julie as spectators. Not sure what the event was but they seem to be enjoying their conversation.
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Julie with Ramon Novarro on the set of WE WERE STRANGERS.
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In the first Hollywood Players radio program, Rex Harrison, Julie and Gregory Peck present flowers to Bette Davis after her performance of a one-act play based on Charles Dickens' "The Old Curiosity Shop” in 1946.
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Julie and Gregory Peck in a still from GENTLEMAN’S AGREEMENT.
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AND…Julie and Oscar Levant in a still from HUMORESQUE.
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A publicity shot featuring Julie and Cary Grant makes use of a DESTINATION TOKYO still to tout war bonds, the movie and the stars.
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David Niven visits Julie and Lily Palmer on the set of BODY AND SOUL.
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missholson · 1 year
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John Ireland and Joanne Dru on the set of All the King’s Men (1949) directed by Robert Rossen. [X]
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gatutor · 1 year
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Dick Powell-Ellen Drew "Johnny O' Clock" 1947, de Robert Rossen.
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mariocki · 1 year
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Johnny O'Clock (1947)
"You heard him tell about how many years we've been together, what we've been through."
"Ah, Johnny, baby, he'd be the first one to stick a knife in your back."
"It's there already. I can feel the blood sticking to my shirt."
#johnny o'clock#film noir#1947#american cinema#robert rossen#milton holmes#dick powell#evelyn keyes#lee j. cobb#ellen drew#nina foch#thomas gomez#john kellogg#jim bannon#mabel paige#phil brown#fred aldrich#jeff chandler#matty fain#george duning#disappointing that nobody asks what time it is in this film‚ only for the title character to yell IT'S JOHNNY O'CLOCK and start blasting#otherwise this is a very solid noir‚ propped up by having one of the most interesting protagonists you could find in this kind of film#Johnny is fascinating because he's neither hero nor villain; he's the epitome of shades of grey‚ his whole existence a tightrope walk#between good and bad‚ legal and illegal‚ right and wrong. it's an increasingly desperate position‚ as he desperately tries to keep#himself on the fence he's constructed and not get drawn into the machinations of the gangsters he's aligned with or the cop that's out#to break them (Cobb in a typically assured performance). he's like a crook's Hamlet‚ inextricably pulled into a conflict he isn't certain#he wants to be in. also of note is some very interesting (and surprisingly direct) queer coding between Johnny and his 'man' Charlie#a hoodlum who Johnny looked after and now lives with him as a kind of valet and chef‚ but whose responses to the events of the film are#closer to those of a jealous lover. at one point Keyes asks Johnny who he's trying to convince as a womaniser‚ her or himself‚ and it feels#like a significant dig at the lifestyle Johnny's constructed for himself. and lovely Nina Foch turns up which is always a delight
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Silvana Mangano fotografata da Federico Patellani durante le riprese del film "Mambo", diretto da Robert Rossen.
Nel film la Mangano interpretava il ruolo di una ballerina e per l'occasione prese lezioni di danza da Katherine Dunham, coreografa del film. Il film, prodotto da Dino De Laurentiis, venne lanciato con lo slogan "Una donna spinta da una grande passione, la danza, e morbosamente contesa da due uomini"
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