#Rudolph Maté

[davidhudson]

Rudolph Maté, January 21, 1898 – October 27, 1964.

#rudolph maté #cinema #film #movies #movie posters #movie poster

[gatutor]

Ralph Sanford-Nancy Olson "Estación Unión" (Union Station) 1950, de Rudolph Maté.

#Nancy Olson #Ralph Sanford #Rudolph Maté

[boydswan]

William Holden in The Dark Past (1948) dir. Rudolph Maté

#william holden #the dark past #classicfilmsource #mine #rudolph maté #smoke tw

[filmy420]

#rita hayworth #gilda #charles vidor #rudolph maté #1940s

[erstwhile-punk-guerito]

#D.O.A. #Edmond O'Brien #Pamela Britton #Luther Adler #Beverly Campbell #Neville Brand #Lynn Baggett #William Ching #Henry Hart #Laurette Luez #Rudolph Maté #1949

[crumbargento]

D.O.A. - Rudolph Maté - 1950 - USA

#D.O.A. #D.O.A #rudolph maté #film noir #factory #industrial

[mariocki]

The Dark Past (1948)

"What's eating you?"

"Nothing."

"That's what I mean, you haven't got the jitters like everyone else."

"I'm taking you at your word, Walker."

"My word?"

"You said you were waiting for someone. If we behaved ourselves, nothing would happen to us. I'm behaving myself."

#the dark past #film noir #american cinema #1948 #rudolph maté #james warwick #play adaptation #oscar saul #malvin wald #philip macdonald #michael blankfort #albert duffy #lee j. cobb #william holden #nina foch #adele jergens #stephen dunne #lois maxwell #berry kroeger #steven geray #wilton graff #robert osterloh #kathryn card #fun home invasion thriller stuffed with cod psychiatry. a wraparound story and a (very well executed) nightmare sequence can't disguise the #stage origins of this mostly one room pot boiler‚ but Cobb and Holden both give it everything in very different performances. Cobb in #particular shines in a surprisingly lowkey role as the quiet and controlled psychiatrist who tries to cure the gun wielding killer #who's broken into his house. there's a poorly realised subplot about the marital strife of Cobb's weekend guests that would have been #better excised from the film‚ but the leads are strong and the plot tight enough. less well developed are the women's roles; Foch‚ a firm #favourite of my noir viewings‚ has an unrewarding role as Holden's concerned girlfriend and Lois Maxwell (whom I've never actually seen in #anything made before her move to the UK and Bond and tv work galore) is wasted in a thankless part as Cobb's mostly offscreen wife

[genevieveetguy]

I'm in love with a girl, and I'm going to help hang her father.

Foreign Correspondent, Alfred Hitchcock (1940)

#Alfred Hitchcock #Charles Bennett #Joan Harrison #Joel McCrea #Laraine Day #Herbert Marshall #George Sanders #Albert Bassermann #Robert Benchley #Edmund Gwenn #Eduardo Ciannelli #Harry Davenport #Rudolph Maté #Alfred Newman #Dorothy Spencer #1940

[of-fear-and-love]

Upturned bottle of whiskey used as a duel countdown timer from Three Violent People (1956)

#(this is used as a duel timer. one of very few good ideas in the movie) #rudolph maté #three violent people #1956 #50s movies #1950s film #props #whiskey #bottle #glass #western #wild west #duel

[thebrownees]

“Dodsworth”: William Wyler's masterpiece, the best movie ever made about the fear of growing old. It was Wyler's first Oscar nomination.

#william wyler #samuel goldwyn #sinclair lewis #ruth chatterton #mary astor #walter huston #maria ouspenskaya #david niven #rudolph maté #sidney howard

[byneddiedingo]

Richard Derr and Barbara Rush in When Worlds Collide (Rudolph Maté, 1951) Cast: Richard Derr, Barbara Rush, Peter Hansen, John Hoyt, Larry Keating, Rachel Ames, Stephen Chase, Frank Cady, Hayden Rorke, Sandro Giglio. Screenplay: Sidney Boehm, based on a novel by Edwin Balmer and Philip Wylie. Cinematography: W. Howard Greene, John F. Seitz. Art direction: Albert Nozaki, Hal Pereira. Film editing: Arthur P. Schmidt. Music: Leith Stevens. This is the way the world ends: not with a bang but with a bunch of white folks rocketing off to another planet that looks like it was painted by Chesley Bonestell. Well, that's the way it ended in 1951. Today, one hopes that the survivors would be a good deal more diverse and the preparations for their flight a good deal better organized. (Actually, today it looks like it will end with a lot of coughing and political posturing.) When Worlds Collide is very much of its era, sacrificing plausibility for sentiment (small boys and puppies) and romance (tinged with much self-sacrifice). It's a movie that can't be taken seriously for a minute, which is part of its enduring charm for many people. I find that, after many years of serious science fiction, the charm has worn thin. I hunger for some serious treatment of science and for some semblance of actual human behavior. Even though I was 11 years old in 1951, I can't believe that we were dumb enough to swallow what the movie gives us.

#When Worlds Collide #Rudolph Maté #Richard Derr #Barbara Rush

[davidhudson]

Rudolph Maté, January 21, 1898 – October 27, 1964.

#rudolph maté #cinema #film #movies #movie posters #movie poster

[gatutor]

Cornel Wilde-Ginger Rogers "Tenías que ser tú" (It had to be you) 1947, de Rudolph Maté, Don Hartman.

#Ginger Rogers #Cornel Wilde #Rudolph Maté #Don Hartman

[movie-titlecards]

The Green Glove (1952)

My rating: 4/10

Basically a more macguffin-based remake of the 39 Steps, except duller.

#Rudolph Maté #Charles Bennett #Glenn Ford #Geraldine Brooks #Cedric Hardwicke #Youtube

[filmy420]

#rita hayworth #gilda #charles vidor #rudolph maté #1940s

[citizenscreen]

Tyrone Power in Rudolph Maté’s THE MISSISSIPPI GAMBLER (1953)

#tyrone power #old hollywood #classic movies