There's a version of the "don't go grocery shopping while hungry" rule specifically for writers where you should never under any circumstances be allowed to touch your draft within 3 hours of reading a really good story. Because sometimes when you read something great your head goes "fuck this is so much better than my stuff I should make that more like THIS instead!" Look at me. That's the devil talking and you should close the document NOW.
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i haven’t finished the show yet but they totally are gay and run away together and live happily ever after right? guys ? right? guys?
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A Sibling Sacrifice
The JL were having a normal, for them at least, meeting when suddenly a portal rips opens and spits out a young teen with snow white hair and glowing green eyes and he's carrying a bundle as he's stumbles out and lands on his knees in the meeting room.
The two main odd things about this kid was floating above the kid's head was a crown made of stars, ice, and the colors shifting like a aurora borealis and the bundle in his arms was strangely made of stars somehow, almost like a blanket of galaxies plucked out of the cosmos.
Before anyone of them could say or do anything, the kid turns around and screams towards the portal as he scrambles for it.
"JAZZ NO DON'T DO THIS! I CAN STILL FIGHT THEM! NONONONO!" but before he could reach the portal it snaps close.
The kid lands again onto the floor when he doesn't reach it in time, pleading for the damn thing to open again, and the bundle in his arms begins to cry from the jolting and noise.
The baby crying was the only thing that stopped the kid from pleading and instead focused his attention on the bundle in his arms.
"I'm sorry, I'm so damn sorry Ellie. I should had gotten us out of there sooner, I should had saved you bef- I'm sorry. I'm sorry for everything..."
Those were the rushed, raw words the kid said down to the bundle. The kid curled inwards a bit, to both shield the baby, who was calming down somewhat into tiny cry hiccups, and for himself.
Those with advanced hearing could tell the kid was still whispering apologizes under his breath as he held the baby close.
"I'm sorry everyone, I'm so sorry. I tried, I tried so hard to save everyone but in the end... I'm sorry- everyone's gone... I'm sorry."
-x-x-
[Pssst, read the tags, they clear everything up]
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The walk home from UA
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whenever i think of how nikki's personality has changed from her first game to her latest i get so emotional.. bring back silly lazy genki girl nik </3
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You are the daughter of an angelic faerie and an elven king. You have grown up inside the only magical safe-haven of an increasingly apocalyptic land outside. You have wanted for nothing, essentially leading the perfect life, suffering and death playing little role beyond the abstract. Your father will never die, and your mother will never leave, but for tradition you are still crown princess and are educated as such. You love to dance and to sing.
You meet some kind of monster inside your mother's borders, a monster not of her or your making. It stumbled across you, dancing in the forest, bloody and travel-worn and weary and wide-eyed as it stares. You are stronger than it, but you run rather than lunge for the kill. You feel pity, more than fear. And something about him makes the part of you that you inherited from your mother sing.
He tries to follow you, for a year and a day. You are stronger, and faster, and stealthier, and you let him see you sometimes anyways. You are not convinced that he is not a monster, but nor are you convinced that he is.
Spring blooms again to the tune of your song, and you let him get closer than before until you run.
But you hear him speak for the first time. He is a speaker, and perhaps to him you are the monster. You do not run, and you do not kill.
He calls you "Tinuviel"
He calls you nightingale- a little songbird, plain and brown, with a lovely voice. They are your mother's creation, but he does not know this.
He calls you daughter of twilight- perhaps for your skin and eyes and hair, but perhaps because that is when he has seen you most.
He calls you singer- creator of the very fabric of the universe, skilled enough to deserve the title.
You are the most beautiful creature the world will ever see, the daughter of an angel and a king. He does not call you beautiful, or angelic, or princess. He calls you a singer, plain and brown, dark and distant as the approaching night.
He is bloody and travel-worn and weary and wide-eyed as you dare to step closer.
He called you nightingale.
You don't know what to call him, but you hope to find out.
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Maybe I'll make a post on this at some point but like, something deeply fucked up about TNP and Po3 that people have totally forgotten about is how badly they try to whine that "Tigerstar Had Good Traits :("
Firestar does it, Brambleclaw does it, and they keep doing this after it becomes this GRAND irony that Firestar almost gets Tiger'd to death in a fox trap because he was too trusting. Bramble gets his pity award of keeping deputyship and then cries to his son about how No One Saw The Good In Tigerstar :(
And it's wiiiiild that no one else in this fandom has done anything with the fact that Leopardstar broke the Warrior Code to appoint Hawkfrost, who had no apprentice, an extremely aggressive and warmongering Tigerclone who says things like "Tigerstar wasn't the worst cat to look up to." ONLY qualifying trait was being kinda like Tigerstar.
And she practically did that the SECOND Mistyfoot went missing. And then Leopardstar continued to be one of the most violent and xenophobic leaders through Po3, joining with WindClan to attack ThunderClan.
What I'm getting at is that like, a few years ago, with books like "Blackfoot's Reckoning" and "Shadow in RiverClan" it's like they suddenly decided to retcon in a bunch of "redemption arcs" in hindsight. They just pretended like there was this grand high reckoning with TigerClan, when there literally wasn't, and if anything that caused SERIOUS problems for the cast that the authors didn't fully acknowledge as such.
And now ppl haven't actually read the main series and are just working with their recent memory of all these retcon books.
But TNP and PO3 are still there, and you can go and see the ACTUAL timeline where Leopardstar is really not apologetic at all, and Blackstar is a useful stooge for the very next wannabe dictator that strolls in, in spite of the new side content that COMPLETELY mischaracterized them for their plots to work.
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fans: omg our innocent little meow meow! she's such a baby 🥺🥺 poor traumatized kitten protect her at all costs!! 😭😭
the character in question:
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"Sansa = Ned 2.0 and Arya = Catelyn 2.0" is one of those takes where you can just tell people are more attached to the aesthetic than anything. "The Stark girls are most like the parent they look least like" sounds good on paper and people run with the idea, regardless of how it actually fits into the story. A majority of the justification relies on misinterpreting all of their characters + a healthy dose of fanon. What gets me is that this is the same fandom that insists that Lyanna, only compared to Arya in the text, is equal parts Arya and Sansa but Ned and Catelyn, two fully fleshed-out and complex characters, have to be more like one girl or the other? There's just nothing in the story to justify being so adamant about these comparisons. Arya and Sansa have parallels with both of their parents but at the end of the day, they are unique characters with their own stories. I'll never understand why people want to flatten these complex characters down to their most basic tropes and fit them into restrictive boxes just for a "poetical~" comparison.
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We only see each other at funerals
(On Jason, Thalia, Nico, Bianca, and their parallels/connections)
The Titan's Curse (Rick Riordan), @/anxiousmaya_, Right Now (Gracie Abrams), The Battle of the Labyrinth (Rick Riordan), Joan of Arc (Mary Gordon), The Lost Hero (Rick Riordan), Episodes Toward and Elegy for Halley's Comet (Lindsey Drager), Jason Grace (Riordan Wiki), The Gods Show Up (Michael Kinnucan), The House of Hades (Rick Riordan), What the Living Do (Marie Howe), The House of Hades (Rick Riordan), Planet of Love (Richard Siken), The Blood of Olympus (Rick Riordan), Tangerine (Nolune), The Blood of Olympus (Rick Riordan), The Blood of Olympus (Rick Riordan), I Bet On Losing Dogs (Mitski), The Burning Maze (Rick Riordan), @/abhorarchive (Twitter), The Burning Maze (Rick Riordan), Seventeen (MARINA), The Burning Maze (Rick Riordan), @/rollercoasterwords, The Tyrant's Tomb (Rick Riordan), @/the-overanalyst, Where Things Come Back (John Corey Whaley), Grit (Silas Denver Martin), Softcore (The Neighbourhood), The Tower of Nero (Rick Riordan), Frost (Mitski), @/moonbends, I'm Your Man (Mitski), Sun Bleached Flies (Ethel Cain), The Tower of Nero (Rick Riordan), Three (Sleeping At Last), My Art
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goodmorning
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So we know Alastor and Lilith disappeared at the same time 7 years ago. And we know that Lucifer had a meeting with Heaven which began the exterminations. We don't know when that happened though. Either they're not mentioning when the exterminations started because they've always happened or because revealing when they started would give too much away and make it too easy to guess things. All Charlie knows is that Lucifer went to the meeting and she assumes he gave the go ahead for exterminations. But the exterminations haven't always happened. They only started after the angels, or specifically Sera I think considering no other angels knew about it, became afraid of the power and influence Lilith had over the demons.
My current theory is that that meeting was called between Sera, Adam, and Lucifer because Alastor and Lilith were planning on working together with him broadcasting her voice on his radio station to inspire the other demons to rise to war against the angels. I think Sera demanded that Lilith and Alastor be separated with Lilith making a deal with Adam to stay in heaven where she can't empower any other demons with her voice or even contact anyone in hell and that Sera demanded the exterminations happen as well in order to not only lessen the demons' power but also instill fear in them in an attempt to prevent future uprisings. I think Alastor was given the options of either be killed or sign a contract limiting his power and requiring him to stay away for a while so that their little idea of rebellion is forgotten amongst the masses. I especially think that because of Zestial's comment about folks thinking Alastor had fallen to holy arms. Maybe Sera is his contract holder. That or they tried to straight up kill him and he somehow escaped barely alive and it's taken this long for him to heal and regain enough power for him to feel comfortable revealing himself to society. But trying to kill him wouldn't explain the contact or his need to 'unclip his wings'.
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hello hi here to force strange thoughts into your brain once again, this time about jrwi (wow who could’ve guessed)
been thinking about this for a little but it’s basically what i think some campaigns would be if not podcasts, i haven’t listened to some of the older ones so i’m sorry they’re not on here :(( if you have any ideas feel free to add them btw :DD
RIPTIDE!!!!! - really long animated series
not an anime though, no matter how much grizzly wants it, it would be an animation style where the characters could have very clearly different nose, face and body shapes, really pushing my riptide nose agenda here sorry, each episode would be like 20-40 minutes long and instead of coming out in seasons there would be massive gaps in between episodes, from 2-6 months long, to leave time for writers and animators to get stuff done (massive team of animators btw, i feel like it would be pretty successful)
PRIME DEFENDERS!! - comics
literally nothing else they could be, just really well made, well performing comics (i’ve already talked about this before you can stalk my talk tag if you really want to find it lmao), the comic company making them would be keeping well away from movies n shit btw
APOTHEOSIS!!! - i wasn’t really sure about this one to be honest
i had to ask my friend and she said anime which i don’t agree with but i can see it, i think maybe a short book series where each book is 150 - 300 pages and is about a different god they have to kill/a different episode, i think that works but if anyone has any better ideas please tell me :D!!
BLOOD IN THE BAYOU!!! - i hate to say it, i really do…
bitb would be a really long really good 80s horror book with strong homoerotic undertones, a satisfied fanbase and lots of active members in the community making fan comics, films, writing, theories and art ect… until well after the book came out……….. and then it would be made into the most egregious and awful live action movie you have ever seen, the most awful casting (like chris pratt as officer dudes….. throws up) and even worse sfx, oh yeah and the characters would be ruined and the story would become so butchered it wouldn’t make sense, they would do some shit like cut out becky so kian just kisses some random lady (removing both a really good and well written character and a layer of kian’s character that i think is super important) and make rolan really be an evil bug spy the whole time so rand has to kill him to save the town also add in a whole new sub plot that never existed like the rand family is secretly a long line of bug alien hunters or something fucking stupid like that and the entire fanbase would murder whoever thought re-writing the story was a good idea (ahaha can you tell ive been through something like this before ahahaha, character morals and motives being removed and whatnot ahahahhahahaha.)
anyways………
THE SUCKENING!!! - live action series
it would be well made though, unlike the bitb movie it would be its own original thing, have great makeup and effects also be well casted and well shot, well written, ect ect, it would bloody and gory and not suitable for people who can’t handle showing bones and organs all over everywhere, lots of shitty rip off merch would be made though and the fandom would be 99% gay little freaks (normal suckening enjoyers) and 1% homophobic straight white men who get mad whenever they see soda and emizel having gay sex on screen or whatever fag shit that biting thing was
again feel free to add your thoughts and ideas and shit in the reblogs it would be nice to read them :DD!!
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kai winn’s relationship to religion really is just so interesting to me in a way I come back to sometimes like. she’s the leader of a faith and her gods will not speak to her. they will speak to other people in front of her and they will make a human from a society that did not interfere with her planet’s suffering their emissary but they will not speak to her. and I’m sure she can do a lot to justify it in her mind because she would have to be able to in order to keep any faith, and she has to keep her faith because she says herself that’s all she had in the camps, but that’s still a terrible thing to experience. and I’m sure a lot of people would argue that it’s not real faith, it’s ambition, but I think it’s some of both, and most importantly I think on the most immediate levels she believes it’s faith.
and like I think she and a lot of other bajorans have a reason to have a really complicated relationship with the prophets because the more demonstrably real and powerful they are, the more they’re willing to interfere in things like the dominion war, the harder it would be for a lot of people to justify to themselves why the prophets didn’t do anything to stop the genocide of their chosen people. I think the pah wraiths plotline ultimately fell kind of flat when it kind of boiled down to “dukat’s weird cult” and it was also a victim of the season’s pacing issues, but it has some interesting implications regarding this divide in the bajoran people, particularly when their religious leader’s faith is being so seriously called into question.
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someone tell me why every yorkalina fic explains away the lighter thing as york being a smoker and carolina tries to convince him to stop by taking/being given his lighter...
you're really going to tell me the girl thats hardened by war at 24, has the world's most damaging relationship with her father, and has an addictive obsessive personality ISN'T a smoker like come on...
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tbh its not entirely fair to paint all blatant rep as poor in comparison to queercoding (altho i do love some good queercoding). i think the reason so much blatant rep is Like That, while queercoded stuff feels so much more meaningful and real, is because the blatant rep we often experience is made to Market To The Queers. while it may have queer creatives working on it, the reason its created is to make money off of queers. its trendy. so just write a fairly surface level fluffy movie about white queer teens and get some cash! its blatant, which means it will be treated as a groundbreaking queer media especially by liberals.
while queercoded media on the other hand (intentional or not) cant or wont just slap two conventionally attractive teens on screen and make them kiss and get those rainbow dollars. its an expression of queer silencing, the quiet thats left when you arent allowed to say what you desperately want to. when you cant spoon-feed your audience queerness you have to. yknow. actually think about what it means and how to express that artistically. you have to show and not tell.
thats all to say, there is blatant queer rep that is good. but you probably aren't gonna find it on amazon prime. that kind of rep is being made by queer artists making indie films. i promise you its not either "blatant queerness that feels shallow" or "deep queerness thats not allowed to be blatant". theres a secret third option and its "capitalism will never liberate you and you need to actually support indie queer artists and actively reject queer capitalism to experience the breadth and width of what queer art is capable of being and doing."
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