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hexespheres · 2 months

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𝟲𝟬 𝙔𝙚𝙖𝙧𝙨 𝙤𝙛 𝙎𝙘𝙖𝙧𝙡𝙚𝙩 𝙒𝙞𝙩𝙘𝙝

(inspired by 40 Years of Psylocke)

→ First appearance: X-Men vol.1 #4 (1964)

→ Writers: Stan Lee (creator), Roy Thomas, Len Wein, Steve Englehart, Bill Mantlo, Jim Starlin, Chris Claremont, Mark Gruenwald, Steven Grant, Ralph Macchio, Roger Stern, Dennis Mallonee, John Byrne, Dann Thomas, Andy Lanning, Dan Abnett, Kurt Busiek, Geoff Johns, Brian Michael Bendis, Allan Heinberg, Rick Remender, James Robinson, Jim Zub, Al Ewing, Kelly Thompson, Steve Orlando & more.

→ Artists: Jack Kirby (creator), Don Heck, George Tuska, John Romita Sr., John Buscema, Sal Buscema, Rick Buckler, Bob Brown, Gil Kane, Jim Starlin, Jim Mooney, Jerry Bingham, Michael Golden, Rick Leonardi, Dan Green, Al Migrom, Richard Howell, John Ridgway, John Byrne, Steve Butler, David Ross, Andy Kubert, John Higgins, Mike Deodato, Ian Churchill, George Pérez, Joe Jusko, Mark Texeira, Alan Davis, Kieron Dwyer, Scott Kollins, David Finch, Olivier Coipel, Jim Cheung, John Cassaday, Jorge Molina, Daniel Acuña, Kevin Wada, Tula Lotay, Sean Izaakse, Pepe Larraz, Paco Medina, Javier Pina, Cian Tormey, Sara Pichelli, Russell Dauterman & more.

→ Costume designers: Jack Kirby, Don Heck, John Buscema, John Byrne, Richard Howell, Al Migrom, Colin McNeil, Mike Deodato, George Pérez, Alan Davis, Kieron Dwyer, Olivier Coipel, Jim Cheung, John Cassaday, Daniel Acuña, Kevin Wada & Russell Dauterman.

→ 𝘼𝙣𝙞𝙢𝙖𝙩𝙚𝙙 𝙖𝙙𝙖𝙥𝙩𝙖𝙩𝙞𝙤𝙣𝙨: Vita Linder (The Marvel Super Heroes), Katherine Moffat and Jennifer Darling (Iron Man), Susan Roman (X-Men: The Animated Series), Stravoula Logothettis (Avengers: United They Stand), Kelly Sheridan (X-Men: Evolution), Kate Higgins (Wolverine and the X-Men) & Tara Strong (The Super Hero Squad Show)

→ Various games: X-Men Legends II: Rise of Apocalypse, Marvel Super Hero Squad: The Infinity Gauntlet, Marvel: Avengers Alliance, Marvel Avengers: Battle for Earth, Marvel Heroes, Marvel Contest of Champions, Marvel Future Fight, Marvel Ultimate Alliance 3: The Black Order & more.

→ Current books: Scarlet Witch & Quicksilver by Steve Orlando & Lorenzo Tammetta, The Avengers (vol. 9) by Jed Mackay & C.F. Villa, Avengers United: Infinity Comic by Derek Landy & Marcio Fiorito, Blood Hunt by Jed Mackay & Pepe Larraz; Scarlet Witch (vol.4) by Steve Orlando & Jacopo Camagni

#wanda maximoff #scarlet witch #marvel #marvel comics #comics #comicedit #wanda django maximoff #wmaximoffcomicedit #marveledit #russell dauterman #kevin wada #xmen #xmen comics

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human-antithesis · 7 months

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Vandar jǫtunn reisti fiska upp af vǫtnum

Vandar jǫtunn reisti fi ska upp af vǫtnum, ǫldu velgr þat fyllti upp skjá sem kaldir vængir þar væru. Andvígir vér aptr erum, en Óláfr tryggt stýrir ósigruðum her Krists gegnum klungrs lævi til gamallrar glamma ferða traðar Svíþjóðar. Jǫrmungandr ok kaldr haukvǫllr Ránar fyr neðan! Svǫrt sjónrǫnd ofan við leygjar eitr Ægis rifl að stormi, ok býðr velkomin þann ljósa morðvandarhylti er ǫfl ug árin bersk gegn fiskastraum við Rús vǫtn.

Eigi hrædduzk ægi ér fóruð sæ stóran; allvaldr of getr aldar engi nýtri drengi.

Opt varð fars, en forsi flaust hratt af sér brǫttum, neytt, áðr Nóreg beittuð, niðjungr Haralds, miðjan. (Óttarr svarti, Hǫfuðlausn 15)

Hollostu gefr hæsta hring-Þrótt með sér dróttinn saðr, þeims sinna iðrask synða, lausn ok ynði.

Ern skóp hauðr ok hlýrni heims valdr sem kyn beima; ǫrrs ok ǫllu dýrri élsetrs konungr betri. (Gamli kanóki, Harmsól 25)

Óláfr leiðis oss að lǫndum Náríkis, skáldin ok trúboðarnir bera fram Kristsorð á ný.

Braut hafið, bǫðvar þreytir, branda rjóðr, ór landi — meir fannsk þinn an þeira þrekr — dǫglinga rekna.

Stǫkk, sem þjóð of þekkir, þér hverr konungr ferri; heptuð ér en eptir orðreyr, þess’s sat norðast. (Óttarr svarti, Hǫfuðlausn 16)

Ný von rís meðal margra er skildu við land til að fylgja haukstalda gram hirðs stjóra. Óláfr, sannrar trúar veitir, heill sé þér!

Nú skulum gǫfgan geisla guðs hallar vér allir, ítr þanns Óláfr heitir, alstyrkan vel dyrka.

Þjóð veit hann und heita hríðblǫsnum sal víða — menn nemi mǫl, sem innik, mín — jartegnum skína. (Einarr Skúlason, Geisli 7)

Berask maðr und skýjaðri (frægr stóð af því) flœðar (fǫrnuðr) rǫðull stjǫrnu. (Einarr Skúlason, Geisli 2)

Stríðsmaðr ok trúboði er þú, ok fylgjandi þeirra frómu orða frelsarans. Líkr Kristi, skal Óláfr rísa aptr eptir myrka grímu glímu. Svá vér heyrðum síðar þá fregn, at sá hinn hataði jarl, Hákon Sigrðasson, var tekinn til Ránar að brims vegum, en fǫr vor stefnir norðr til Þrándheims. Með nýreista von í brjósti fyrir Kristni ríki í norðri þessa skjálfanda hǫlða grundar, sǫfnum vér fl eirum ok fl eirum berendum skjalda rógs þorna, gríða ok blóðorma þvert um Veradal. Ek trúi að komandi tímar muni vera oss ǫllum dýrð færandi. Hauðtjalda harri, Kristr ok helgr andi, vísa þú rétttrúum stríðsmanni.

#Árstíðir lífsins #Arstidir Lifsins #International #Germany #Iceland #Pagan Black Metal #Black Metal #Bandcamp

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newyearsmom-blog · 1 year

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Check out this listing I just added to my Poshmark closet: Savage Streets VHS 1983 Vestron Original Release RARE Linda Blair Movie TESTED.

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scenesandscreens · 3 years

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Maniac (2012)

Director - Franck Khalfoun, Cinematography - Maxime Alexandre

"Please don't scream. You're beautiful."

#scenesandscreens #maniac #Franck Khalfoun #Maxime Alexandre #elijah wood #nora arnezeder #Jan Broberg #Liane Balaban #America Olivo #Joshua De La Garza #Morgane Slemp #Sal Landi #Genevieve Alexandra #Sammi Rotib #Megan M. Duffy #Bryan Lugo

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90smovies · 3 years

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Cops and Robbersons

#Cops and Robbersons #Chevy Chase #Jack Palance #Dianne Wiest #Robert Davi #Sal Landi #Michael Ritchie #Bernie Somers #90s

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theactioneer · 4 years

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Street Knight (Albert Magnoli, 1993)

#jeff speakman #sal landi #street knight #90s action #throw #gif #shelves

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badmovieihave · 5 years

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Bad movie I have Independents’ Day 2016

#Independents’ Day #The Asylum #Fay Gauthier #Sal Landi #Johnny Rey Diaz #Matthew Riley #Jon Edwin Wright #Jude B. Lanston #Jacquelin Arroyo #William Castrogiovanni #Vishesh Chachra #Brian Tyler Cohen #Christos Kalabogias #Jes Selane #Kurt Sinclair #Jonathan Thomson #Holger Moncada Jr.

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vimooz · 5 years

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Mark Blanchard’s award winning independent film A World Away will screen at the upcoming Myrtle Beach International Film Festival 2019 on Saturday, April 27, 2019. A World Away is Official Winner of Chicago Independent Film Festival 2019 for Best Film Feature, Best Ensemble Cast, Audience Choice For Best Film.

This family-friendly, Dove approved, sci-fi adventure film stars Rowan Blanchard, David DeLuise, Caroline Lagerfelt, Landry Bender, Nathaniel J Potvin, Frank Lawrence Catania, Daniel Jenks, Mary Lynn Rajskub, Nadine Velazquez, Alexa Khan, Julian Grey, Sal Landi, Samantha Bowden, and Carmen Blanchard. Additional cast includes Maximilian Muench, David Steen, Shane Blanchard, Riley Jackson, Chika Nashiki, and Genghis Khan N Enrique.

The lucky winners of a school raffle embark on an overnight field trip to the Grand Canyon but when their plane takes an unexpected detour through a wormhole, six kids and their ex-military pilot find themselves no longer on planet earth but a world away. In order to get back, they’ll need to forge unlikely friendships, face their fears and trust a magic ‘source’ capable of guiding them on an adventurous journey home. But it won’t be an easy journey home…

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dimepicture · 10 months

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#my gal sal #1942 #40s #does 1890s #color #technicolor #multi #still #carole landis #jewels

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giallofever2 · 1 year

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Napoli una storia d'amore e di vendetta

Data di uscita: 1979

Regista: Mario Bianchi

Sceneggiatura: Alberto Sciotti

Casa di produzione: M. D. V. Film

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adamwatchesmovies · 2 years

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Rover Dangerfield (1991)

If you’re a hot new comedian at the top of your game and you want to make the transition into full-length motion pictures, watch Rover Dangerfield. Take heed of its warnings. This is how NOT to do it. Don't make writer, co-producer, and star Rodney Dangerfield's fall be in vain.

Rover (voiced by Dangerfield) is a fast-talking, wise-cracking, gambling dog living in Las Vegas. When he upsets his owner’s boyfriend, Rocky (Sal Landi), he is thrown over the Hoover Dam to drown. Luckily for our canine protagonist, he is saved. Grateful at first, he’s horrified to discover that he now lives on a farm.

I wish Rover Dangerfield was egregiously unfunny, insulted your intelligence, or unsightly. . Then there’d be more to talk about. This is a film so mediocre it becomes a forgettable waste of everyone’s time and effort. The animation is ok, sometimes dipping its toe into sub-par. The best way to describe it is “generic”. Rover is modeled after the real-life comedian. He sticks out as unique. Everyone else looks like they’ve been pulled from some other random late 80’s/early 90’s animated picture. The humans look realistic while the animals are cartoony. Some of them behave like real animals, others are semi-anthropomorphic. There’s no consistency and evidently, little care was put into the designs. The acting? It’s ok. There's not much to say about it. The writing offers more inspiration. Not to say that it's inspired; you’ll find yourself wondering “haven’t I seen all of this before?” The city slicker in the country thing’s been done countless times. Slapping on a "cartoon dog" skin doesn't make it revolutionary. Tasking Dangerfield with sly comments doesn’t do much either, mostly because every snarky remark he dishes out is neither innovative nor fresh. Almost as if the best material had to be saved for stand-up routines, or got neutered to be inoffensive.

Rover Dangerfield is a head-scratcher. What's the point? Why not allow Rodney to really show off his comedic talents? Did he look at his notes and seriously think “Hey! This is great! It’ll have the audiences rolling in their seats to see me as a dog!” It's like they came up with the title, and then the creative juices stopped. The "plot" is little more than a bunch of sketches between musical numbers (did you ever want to hear Rodney sing? No? Too bad). No one older than 8 would find them funny, none are memorable regardless of your age. It all feels more like padding for a story that barely makes it to 74 minutes than a musical achievement.

You could make a lot of jokes at the expense of Rover Dangerfield. It’s “The movie that deserves no respect” or perhaps you could comment that showing this film to your children is much crueler than anything his character did in Natural Born Killers. But coming up with such jokes wouldn’t be worth your while, not for this movie. It’s more bland than bad, but with nothing actually “good” about it, The best I can offer Rover Dangerfield is a 2/5. (On VHS, July 7, 2012)

#RoverDangerfield #movies #films #MovieReviews #FilmReviews #JamesL.George #BobSeeley #RodneyDangerfield #HaroldRamis #animatedMovies #AnimatedFilms #1991movies #1991films

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brokehorrorfan · 4 years

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Savage Streets will be reissued on Blu-ray on January 5 via Code Red in association with Kino Lorber. The 1984 exploitation film stars Linda Blair and Linnea Quigley.

Danny Steinmann (Friday the 13th: A New Beginning) directs from a script he co-wrote with Norman Yonemoto. Robert Dryer, Sal Landi, Johnny Venocur, Scott Mayer, and John Vernon round out the cast.

Savage Streets is presented in high definition with 5.1 Surround and 2.0 Lossless audio. It features reversible artwork. Special features are listed below.

Special features:

Audio commentary by director/co-writer Danny Steinmann

Audio commentary by actors Robert Dryer and Johnny Venocur and producer John Strong

Audio commentary by actors Robert Dryer and Sal Landi and cinematographer Stephen L. Posey

Isolated music track

Interview with actress Linda Blair

Interview with actress Linnea Quigley

2 interviews with producer John Strong

2 interviews with actor Robert Dryer

2 interviews with actor Johnny Venocur

Interview with actor Sal Landi

Interview with actor Scott Mayer

Kat Scratch Cinema intro by hostess Katarina Leigh Waters

Theatrical trailer

Linda Blair is Brenda, vivacious leader of the Satins, a fun-loving group of pretty high school girls. The Satins are in for trouble from the first moment they play a harmless prank on the Scars - a vicious gang who runs loose on the Hollywood streets. The Scars and their malevolent leader, Jake (Robert Dryer), take their revenge seriously - first with Brenda’s deaf-mute sister (Linnea Quigley), and then her soon-to-be-married best friend. Caught up in her rivalry with the cheerleaders, Brenda is at first unaware of the Scars’ involvement, but she soon finds out the full truth. Shocked... full of hate... in a skintight black suit… Brenda searches for the gang members and she takes them out one by one with deadly vengeance.

#savage streets #linda blair #linnea quigley #john vernon #exploitation #80s movies #1980s movies #code red dvd #kino lorber studio classics #kino lorber #dvd #gift #danny steinmann

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silenthillmutual · 4 years

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what Classic Film(TM) you should watch based on who your fave Danganronpa 1/2 character is

disclaimer - obviously as a film dude i’m gonna say you should watch all of these. but maybe watch the one correlating to your fave first!

Makoto: 12 Angry Men (1957, dir. Sidney Lumet) - strong themes of justice, it’s about a jury trying to determine a man’s guilt. it’s basically what Makoto does for the entire game. you’ll also like it if you’re a fan of Phoenix Wright.

Sayaka: A Star is Born (1954, dir. George Cukor) - it’s all about a girl’s rise to fame and how her relationships change with that. there’s three versions of this film, most recently with Lady Gaga.

Mukuro: Vertigo (1958, dir. Alfred Hitchcock) - themes of murder and hiding your identity, losing yourself to a cause.

Leon: Animal House (1978, dir. John Landis) - a comedy about a fraternity. it’s THE college frat movie and i think Leon would enjoy it a lot.

Chihiro: WarGames (1983, dir. John Badham) - two teenagers might have accidentally started a world war during the cold war by trying to play computer games...fitting for the series, no?

Mondo: On the Waterfront (1954, dir. Elia Kazan) - struggling to do the right thing and being sort of frustrated about your circumstances as they pertain to class and missed opportunities. being dragged into bad situations by family. also Marlon Brando is a bicon and very hot in this movie.

Taka: Rebel Without a Cause (1955, dir. Nicholas Ray) - a lot of turbulent shit happens to three teenagers over the course of 24 hours. one of - if not the first canonically gay teenager on film. i think we all know by now that James Dean was mlm, but so were the director and Sal Mineo. big bi polyam vibes; if you like chishimondo as a ship you’ll probably like this film too.

Hifumi: Akira (1988, dir. Katsuhiro Otomo) - had a hard time figuring out what to put for Hifumi, but overall i think if nothing else he’d appreciate how impressive the animation was (and honestly, still is) along with the fact that the mangaka was also the director. so although there’s a lot cut out (the manga had not finished before the film came out), it’s still roughly the same plot as the manga.

Celes: Dracula (1931, dir. Tod Browning) - probably the most iconic iteration of Bram Stoker’s novel, this is the one staring Bela Lugosi. not terribly true to the novel from what i remember, but it’s peak aesthetic and exactly the kind of thing she’d enjoy.

Sakura: Rashomon (1950, dir. Akira Kurosawa) - finally getting onto films i haven’t actually seen but that are on my list. sakura’s another person i had a hard time deciding on a film for, but the “several characters telling different accounts of the same plot” reminded me a bit of her case in the game.

Hina: West Side Story (1961, dir. Robert Wise & Jerome Robbins) - admittedly i had a different film in mind for her to start with, but Maria’s final monologue fits with Hina’s motivations during Sakura’s case.

Toko: Gone With the Wind (1939, dir. Victor Fleming) - another one i haven’t actually watched yet, but it’s based on a famous novel, described as “epic historical romance.” i think that vibes with Toko pretty well.

Byakuya: Citizen Kane (1941, dir. Orson Welles) - if you’re really interested in film, you’re gonna be made to watch this sooner or later. famous for being the “best film ever made”, it’s more or less about newspaper moguls like William Randolph Hearst - who is also the main reason why this film is famous at all. it’s not exactly a flattering depiction of those kinds of people and boy, did that ever piss Hearst off. if he hadn’t made such a big deal trying to keep Citizen Kane from seeing the light of day, something much better might have made it to the top spot.

Hiro: The Music Man (1962, dir. Morton DaCosta) - based on the Broadway musical of the same name, a “travelling salesman” (read: con artist) starts to work his latest con on a gullible small town, but actually starts liking the people in it.

Kyoko: The Man Who Knew Too Much (1956, dir. Alfred Hitchcock) - not to be confused with the other Hitchcock film from the 30s also titled The Man Who Knew Too Much. this is the one with James Stewart and Doris Day. it’s a highly suspenseful film that gave us the song “Que Sera, Sera (Whatever Will Be, Will Be)”.

Junko: Gaslight (1944, dir. George Cukor) - ever heard the term “gaslighting”? this is where it comes from! based on a play in which a woman’s husband psychologically tortures her into believing she is going insane.

Monokuma: Duck Soup (1933, dir. Leo McCarey) - all Marx Brothers films are as utterly silly (and sometimes as incomprehensible) as one of Monokuma’s MonoTheatres. i watched about half of Duck Soup and had to stop because it was finals week and i was supposed to be doing something other than losing my shit.

Hajime: It’s a Wonderful Life (1946, dir. Frank Capra) - you probably already know this film. if you’re Christian you know it as That Film Your Parents Watch Every Year On Dec 24th Around Midnight. if you have seasonal depression, don’t watch it then; warning for suicidal ideation. it’s supposed to be uplifting. your mileage may vary on that one.

Impostor: To Kill a Mockingbird (1962, dir. Robert Mulligan) - i don’t have a good reason to pair these two up other than gut feeling. as far as film adaptations of books go, it’s pretty damn good, and Atticus Finch is the original DILF. themes of childhood innocence and racism.

Teruteru: Breakfast at Tiffany’s (1961, dir. Blake Edwards) - apparently much different from the novella on which it is based, but i think Teruteru would really dig the aesthetic and romantic vibes of the film. Holly Golightly is probably the original Manic Pixie Dream Girl.

Mahiru: Rear Window (1954, dir. Alfred Hitchcock) - like It’s a Wonderful Life, chances are good you know this film - or at least, you’ve seen its plot recycled a hell of a lot. a professional photographer recovering from a broken leg thinks he witnesses a murder take place and is determined to get to the truth.

Peko: Seven Samurai (1954, dir. Akira Kurosawa) - another one on my to-watch list, but it’s oft referenced and remade in film. a village hires seven ronin to protect them from bandits who will return to steal their crops.

Hiyoko: East of Eden (1955, dir. Elia Kazan) - i’ll be honest here, i didn’t really know what to put for Hiyoko because i’m not sure i understand much about her, but i seem to remember her family playing a pretty big role in her being Like That and for “shitty family” the first two things to come to mind were this and Giant. and unless you like 3-hour long movies about the state of Texas, i’m not about to recommend you watch Giant.

Ibuki: A Night at the Opera (1935, dir. Sam Wood) - another Marx Bros film in which they help a girl both to be with her lover and to achieve her dreams of stardom as an opera singer. the kind of silly, manic thing i think Ibuki would like.

Mikan: The Shining (1980, dir. Stanley Kubrick) - i hate hate hate putting this on here, but since this is for film and not books i couldn’t exactly state to read the book. the book is about the cycle of abuse. the movie is more about... a trapped man going crazy in a spooky hotel.

Nekomaru: It’s a Mad, Mad, Mad, Mad World (1963, dir. Stanley Kramer) - comedy about five groups of people racing to get to a large sum of money buried by a recently escaped convict they stopped to help out after his car crash. it’s a comedy, and just kinda seemed like Nekomaru’s thing.

Gundham: The Seventh Seal (1957, dir. Ingmar Bergman) - i watched this in like 10th grade and all i really remember is a man playing chess with Death and if that doesn’t say Gundham Tanaka to you, i don’t know what does.

Nagito: North by Northwest (1959, dir. Alfred Hitchcock) - i don’t really have a reason for this one either but it’s a spy film and i think komaeda could get behind that kind of intrigue.

Chiaki: Metropolis (1927, dir. Fritz Lang) - not to be confused with the anime, this is a 1927 German expressionist film that seems to be about socialism and unionization. it’s also famous for its (purposeful) use of the Male Gaze and being one of the first sci-fi films ever made. be warned: it is a silent film.

Sonia: Strangers on a Train (1951, dir. Alfred Hitchcock) - another one of those films you’ll get told to watch if you’re interested in the queer history of film, i was gonna put something else but honestly the character of Barbara kinda reminded me of Sonia. a famous tennis player meets a man on a train who attempts to plan a double-murder with him.

Akane: My Fair Lady (1964, dir. George Cukor) - i was trying so hard not to double up on the post about musicals, but Akane really does have Eliza Doolittle vibes. they’re both feral and nothing would be able to really domesticate them. for whatever it’s worth, this film and the musical on which it is based is itself based on the play Pygmalion, in which your typical rich cishet white dude bets he can turn any street urchin into a real lady because he’s just that good. you might know the plot better as Pretty Woman.

Kazuichi: A Streetcar Named Desire (1951, dir. Elia Kazan) - i don’t really have a good excuse for this one, either; i haven’t even watched it yet (although i have read the play on which it is based). all i’m gonna say is i want Souda to have his gay awakening via Marlon Brando, as we all do.

Fuyuhiko: Casablanca (1942, dir. Michael Curtiz) - despite his love and adoration for Ingrid Bergman, Humphrey Bogart decides fighting Nazis is more important. i think Fuyuhiko would like the aesthetic, and the film. don’t let him know but i think he’d probably cry watching it.

Usami: To Sir, With Love (1967, dir. James Clavell) - issues of race and class intersecting in a film about a teacher working with inner city students. i was going to put Singin’ in the Rain here, because it’s what Usami would want people to watch...but i think this better fits the effect she wants to have as a being.

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