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#Sawa Suzuki
pierppasolini · 22 days
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A New Love in Tokyo (1994) // dir. Banmei Takahashi
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roseillith · 10 months
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A NEW LOVE IN TOKYO (1994) dir. BANMEI TAKAHASHI
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may8chan · 10 months
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New Love in Tokyo - Banmei Takahashi 1994
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nobuyoshiaraki · 4 months
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荒木経惟 Nobuyoshi ARAKI
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twilightronin · 9 months
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愛の新世界 1994
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flourescencia · 1 year
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A New Love in Tokyo (1994) Dir. Banmei Takahashi. 
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digitalfountains · 3 months
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Sawa Suzuki by Nobuyoshi Araki
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wintercorrybriea · 2 years
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sawa suzuki
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cinemaronin · 1 year
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A New Love in Tokyo (1994)
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愛の新世界 A New Love in Tokyo (1994)  directed by Banmei Takahashi cinematography by Naoki Kayano
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jungfrukallan · 2 years
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pierppasolini · 8 months
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A New Love in Tokyo (1994) // dir. Banmei Takahashi
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roseillith · 10 months
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A NEW LOVE IN TOKYO (1996) dir. BANMEI TAKAHASHI
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may8chan · 10 months
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New Love in Tokyo - Banmei Takahashi 1994
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kursed-arcana · 1 year
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And The fun continued beyond the anime
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four-white-trees · 5 months
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Sunday Six
It's the time of the week!
I've been working away and several RGG projects this week, and the one I'm most excited to show off is a lengthier fic that explores Kuwana's life as a high school teacher. This was originally meant to be a small vignette in a fic that explored all of Kuwana's transformation, but then the high school teacher took the fuck over. I'm very proud of it, however, and especially the bit I'm sharing today.
Tagging the collective @overdevelopedglasses @carbonatedcalcium @fire-tempers-steel @passthroughtime @woundedheartwithin @mike----wazowski @skysquid22
The lecture that day was over haiku, which Kitakata usually enjoyed, especially with third-years. By then, students had grown up with haiku all their lives, so he was able to pull a deeper discussion of meaning, construction, and language. He’d start with one that always got laughs from the class: 
Over-ripe sushi,
The Master
Is full of regret.
- Yosa Buson
“What strikes you about this?” he asked, raking his gaze over the class. His eyes lingered on Kusumoto’s empty desk. 
“Someone needs to learn how to make sushi,” Kawai said, drawing a laugh from Suzuki and Akaike. 
“But he’s a Master,” Sawa pointed out. “He knows how to make sushi. I think there’s something very sad about someone who knows better but still makes such a basic mistake as preparing old sushi.” She locked her eyes with Kitakata then, a flare of indignation in her eyes. Kitakata plastered on a smile. 
“Quite good, Sawa-chan,” he said. “Although perhaps sadness is not the emotion to take from this. Rather, think of it as a warning to remain humble in your craft. You can always make a mistake, no matter how good you are.” 
The look in Sawa’s eyes seemed to intensify, and then she dropped them to her notebook as she scratched out some notes. 
He moved on to a famous poem that everyone in the room was guaranteed to know. 
An old silent pond...
A frog jumps into the pond,
splash! Silence again.
- Matsuo Bashō
“This one is about serene nature,” Suzuki offered. “I like it. It seems like such a peaceful scene.” 
“That it is,” Kitakata said with a nod. “Notice how Bashō is able to paint a dynamic picture in so few words. The energy moves from stillness, to movement, and back to stillness, like the cycles of life itself.” 
“Seems too boring to be real life,” Kawai suggested. “Maybe back in the samurai times this made sense, but today? We have cars, man.” 
“So you’re saying this haiku lacks a sense of timelessness?” Kitakata pressed. 
Kawai shrugged, but Akaike took up the conversation. “Yeah, I think it does. The modern world is just too different. I don’t even know the last time I saw a frog was.” 
“Perhaps this can serve us modern people as a reminder to slow down, then,” Kitakata suggested. 
“No way,” Kawai said. “You slow down, you fall behind.” 
“Interesting perspective, Kawai-kun,” Kitakata said. He turned to Sawa. “What do you think, Sawa-chan?” 
Sawa fiddled with her pencil, looking thoughtful. “I think there’s an overwhelming sense to the silence of the pond. Even though the frog disrupts the silence temporarily, it returns, and it’s like the frog had never even jumped at all.” 
Kitakata let a silence hang after Sawa’s words, surprised by her perspective. The silence was disrupted, however, by Kawai and Suzuki’s laughter. “You’re such a downer, Sawa-chan,” Kawai said, earning him a glare from his classmate. 
Shaking himself from the reverie, Kitakata moved on before Kawai and Sawa started arguing. 
My life, -
How much more of it remains?
The night is brief.
- Masaoka Shiki
As Kitakata recited it, he caught Akaike and Kawai exchanging an incredulous look. “Now, I think this one resonates with me a little more than you,” Kitakata said. “You are all at the beginning of your lives, and you don’t get a sense of mortality until you’re an old man like me.” 
Suzuki giggled. “You’re not old, sensei,” she said. 
“See? That’s the correct response, very good, Suzuki-chan,” Kitakata said, and Suzuki giggled more. “Still, it is good to keep your own mortality in mind, even at your age,” he went on. “You aren’t invincible, as much as it may feel that way. Now, I’m not saying any of you are going to die young.” He paused and swept his gaze over the classroom again. Kawai rolled his eyes. “But you never know.” He smirked, and Akaike chuckled. 
He lectured on a few more haiku, but the end of class came quickly. He dismissed the class, hoping to make a quick exit, when Sawa stood up. He recalled, then, that she had asked to talk to him the day before, and he had completely forgotten about it. But before he could address her, Kawai jumped up.
“Sensei,” he said, drawing Kitakata’s attention. He closed the distance between his desk and the podium in two long strides. Lowering his voice, he asked, “My grade’s pretty bad, huh? Think there’s a way I can make up some of those missed assignments?” 
Kitakata sighed. “Kawai-kun, you know I don’t give out extra credit,” he responded. “That’s more work for me.” 
Kawai smiled, embodying all the cocky self-assurance a seventeen-year-old could. “Yeah, but I’m your favorite student, right?” he said with laughter in his voice. 
Behind him, Kitakata noticed Sawa’s shoulder sag. She gathered her backpack and left the room. He should have called to her to stay, as he had no intention of entertaining Kawai’s nonsense, but he was also eager to get home and relax. Perhaps whatever issue she had had already been sorted out. 
“The best way to salvage yourself here is to stay on top of everything for the rest of the term,” Kitakata said firmly. “Then, Heaven help you, you may have a chance.” 
If Kawai was disappointed by this response, he didn’t show it at all. “You got it, sensei,” he said. He grabbed his notebook, which Kitakata had noticed he hadn’t written in all class, and joined his usual crew out in the hall. 
“Idiot kid,” Kitakata muttered under his breath. He gathered his notes together and picked up the textbook he had been teaching from. As he placed his bookmark back in it, his eyes fell over another haiku. Perhaps it was the end-of-the-day fatigue, but the words caused a prickle of goosebumps to kiss his neck. 
I kill an ant
and realize my three children
have been watching.
- Kato Shuson
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watasemasaru · 1 year
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Ten Films I LOVE
tagged by my comedy partner in crime, the tsukkomi to my boke; @zurdoabsurdo
Shark Skin Man and Peach Hip Girl (1999 dir. Katsuhiro Ishii) This is my movie. Movie of all time. Rotten Tomatoes can eat my ass with their 25% rating. A yakuza on the run for stealing from the boss from a wacko cast of assassins with a clever girl in tow. It's what Tarantino wishes he could make.
Heat (1995 dir. Michael Mann) I mean, come on. AlPacino, Robert DeNiro, Val Kilmer, Tom Sizemore, Ashely Judd, Mykelti Williamson? This movie could not fail even if that was the goal.
The Accountant (2001 dir. Ray McKinnon) It's a short film, and Ray is actually from the town I've lived in the last twenty years, so I have a soft spot for him. Ray is so captivating as an actor, and this film was something else. It's somber but still moving.
Straight Talk (1992 dir. Barnet Kellman) It's a cornball romcom, but it's DOLLY PARTON'S romcom. I love this movie to pieces. I even have one of the original movie posters. Unfortunately I have to also look at James Woods' face lol.
Tombstone (1993 dir. George P. Cosmatos) Another that's like, be serious. I love westerns and the outlaw/lawman yeehaw bullshit. You know how it is with yeehaw bullshit.
Deadland Inferno/Zアイランド (2015 Hiroshi Shinagawa) An action zombie comedy. This one is for the yakuza gworls (gn). Basic we have a plan to get to safety from zombies and hijinks ensuse. Sho Aikawa, SHINGO TSURUMI MY BABY BOY BABY, Hideo Nakano, Hitoshi Ozawa, Sawa Suzuki. So like...dead souls but you're playing as Takasugi, Sagawa, Shibusawa, and Kuze LOL
The Bridges of Madison County (1995 dir. Clint Eastwood) Romance between an older couple, bittersweet partings, it's everything. I'm a closet die hard romantic.
My Dead Dad (2021 dir. Fabio Frey) I watched this for Raymond Cruz and wasn't expecting much but it really hit me. For reasons of my own dead dad that I was estranged from, but there were so many pieces that were like snapshots of my own teens years. The skate parks and ugly fucking skate shoes, weed, sour beer. It's also beautifully shot. It was my movie of 2022.
Grosse Pointe Blank (1997 dir. George Armitage) The soundtrack fucking rips. Probably one of my favorites ever. Joe Strummer put his whole pussy in it. A black comedy, John Cusack & Minnie Driver? Hot stuff
The Devil's Advocate (1997 dir. Taylor Hackford) MY GAY AWAKENING, A MOVIE I HAD NO BUSINESS WATCHING UNDER THE AGE OF TEN. I was obsessed with this movie. Tamara Tunie only had a small part man....she changed my life forever. If you love the tropes of good and evil, the devil, lawyers, Keanu Reeves with a terrible southern drawl, watch this :)
Tagging @necrotizer @coffeemakesmeahappybean @xyndario and anyone else that wants to share their favorite films <3
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