Sylvano Bussotti - Solo da La Passion selon Sade (1966)
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I was watching a musical adaptation of Twin Peaks directed by Jennifer Coolidge. The score and choreography were actually pretty good but when the credits rolled, it said that Jennifer died and the movie was released posthumously in her honor. I have never been more devastated in my entire life.
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Arnold Schönberg, Suite, op. 29 – Bi-directional twelve-tone row chart, n.d. [1925-1926] [Akademie der Wissenschaften und der Literatur, Mainz. © Arnold Schönberg Center, Wien. © Arnold Schönberg Estate]
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Wild, Wild World of Animals - orig. end theme
Amazing track to this 70's era documentary show. What'd I give to find it in a longer form but no luck so far. :/
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Meet Score, a serious inkling who's a very competitive, no-nonsense player. Ranked Mode is the only thing she participates in.
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The entire score to Frieren by Evan Call just dropped - even if you haven’t watched the anime yet (and I highly recommend you do), go listen to the score. It’s bone chillingly good.
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scopOphilic_micromessaging_907 - scopOphilic1997 presents a new micro-messaging series: small, subtle, and often unintentional messages we send and receive verbally and non-verbally.
East Williamsburg fence: Part 1
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BTS of #RWRBMovie: the score by Drum & Lace
Below are summarised points of what Sofia Hultquist (Drum & Lace) mentioned about Red, White & Royal Blue on this podcast.
She was brought on for the film in December 2022 as a replacement. By then, there already was an assembly cut of the movie (the 3 hour one)
It was challenging because people already loved the characters and because Alex and Henry come from very strong backgrounds.
Alex and Henry have their own individual themes that work together as their theme together. For example, this can be heard in the track "We Won." Their themes were written to be played by two people at the piano at the same time, representing them separately and coming together.
Henry's themes incorporate a few different kinds of pianos, inspired by the fact that Henry plays the piano
Alex's instrument is the guitar, paying homage to his heritage and because it was a more contemporary sound
The score had to be classically inclined enough to feel like a big romantic score, but also contemporary enough to stand up to all the amazing songs used in the movie
For 'First Kiss,' it was important for the music to come in really quietly so you just hear piano notes. It had to be delicate so it didn't come in too strong
'In Good Hands' was the music that went through the most revisions, probably the scene that went through the most revisions as well (the making love scene). It was very important to Matthew to portray that in a way that was authentic and not sensationalist and the music had to be the same. Every time the cut changed, the music had to change. There was around 7 versions of the music. They opted not really for piano and there's a harp at one point which Matthew suggested using because "it's in-between a piano and a guitar where it's a plucked instrument but still considered like a keys"
Matthew had a lot of ideas and is really musically attuned (but kept acting like he wasn't)
There was about 3-4 versions for the other tracks
"Museum" is her favourite track and the one she and Matthew both decided was the one to push in Spotify
She sees the love and number of plays on Spotify
+ confirmed the back of the vinyl is the Union Jack
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Excuse me but we need to discuss the original scoring happening as Jack is having his epiphany about the noose and the scenes that follow after
Like what do you mean there’s a ticking clock in the instrumentation as he races to tell his true love that he thinks he figured out how to save her life only for him to find her collapsed on the floor leading to him carrying her to the hospital so he can perform life saving surgery on her?
I actually think it’s illegal to have a scene where all sound fades out except the original score to amp up the tension and then NOT release that score for the public to blast in their ears
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why did my old college send me a check for seven dollars
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Milan Adamčiak, Hudba pre Manfreda Mohra, (ink on paper), 1977 [Slovenská národná galéria, SNG. © Milan Adamčiak]
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