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#Seeing
pinkiestmeatpie · 2 days
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KinitOLM
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ongawdclub · 7 months
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H o m e r S i m p s o n
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ksjanes · 7 months
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“Photography is an art of observation.It has little to do with the things you see and everything to do with the way you see them”
— Elliott Erwitt
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Seeing her slowly spread her legs.
Six Sexy Words
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noosphe-re · 2 years
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It is high time we realized that it is pointless to praise the light and preach it if nobody can see it. It is much more needful to teach people the art of seeing.
C. G. Jung, Collected Works of C.G. Jung, Volume 12: Psychology and Alchemy
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mrs-trophy-wife · 7 months
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Imagination is the tool that helps you shape your circumstances rather than being shaped by them.
—Neville Goddard
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thirdity · 5 months
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I wanted to see something in full daylight; I was sated with the pleasure and comfort of the half light; I had the same desire for the daylight as for water and air. And if seeing was fire, I required the plenitude of fire, and if seeing would infect me with madness, I madly wanted that madness.
Maurice Blanchot, The Madness of the Day
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asteroidgalore · 10 months
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The Lilith Asteroids symbolize different aspects of the dark goddess Lilith.
H21 is the Worldly Lilith, full circle Lilith. Forming a protective circle is to not let anyone or anything attack your essence. A protective circle of friends, family, or anything else. “Layers of protection.”
1181 is Domesticated Lilith/demon spawning Lilith.
H58 is Vengeance Lilith. This Lilith is known as the anti-mother. In my viewpoint, she is the highest level of or extreme perversion. There is controversy on the internet of this one being raped, abused, or whatever, and I believe that the “collective” of women conspired or plotted against this one because of her very nature to take her power and “send her to hell,” in a sense. Hell is a place no one wants to go, especially the anti-mother. Hell is a place in your head where the perversion that is her nature is not pleasureful.
H12 is a carbon copy of the Black Moon Lilith. It’s always the same. This one is the star, it’s not the liar.
H13 is High Occultism Lilith. She has a focus on all things esoteric and loves to learn and discover new things.
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trinalwilliams · 7 days
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Reality
I am
A spec
A spot
A little teeny
Thought
In this
Vast existence
Tlw
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austinkleon · 27 days
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youtube
Richard Serra in "Place" - Season 1 - "Art in the Twenty-First Century" | Art21 - YouTube
MAN: What do you do in that book all the time, Richard? 
RICHARD SERRA: Um, I keep track of myself. 
MAN: Are you writing poetry?
RICHARD SERRA: No, it’s a way of keeping your eye and your hand together.
“I think the eye is kind of a muscle,” Serra says. “The more you draw, the better shape the muscle’s in. The better you see.”
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mumblelard · 2 months
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the scrying mirror or winter wanes
yesterday was a difficult day and yesternight was a difficult night, but today already feels like something better. the last gasping grasp of the dark season, one hopes
this year i have decided to abandon the astronomical accounting of seasons and also happy last day of winter imaginary constructs
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Reason to Live #8714
  Hearing/smelling/seeing the rain again after it not raining for a long time.– Guest Submission
(Please don't add negative comments to these posts.)
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ksjanes · 3 months
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Seeing through.
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Seeing the lust in their eyes.
Six Sexy Words
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noosphe-re · 11 months
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Touch is the sensory mode which integrates our experiences of the world and of ourselves. Even visual perceptions are fused and integrated into the haptic continuum of the self; my body remembers who I am and how I am located in the world. My body is truly the navel of my world, not in the sense of the viewing point of the central perspective, but as the very locus of reference, memory, imagination and integration. All the senses, including vision, are extensions of the tactile sense; the senses are specialisations of skin tissue, and all sensory experiences are modes of touching, and thus related to tactility. Our contact with the world takes place at the boundary line of the self through specialised parts of our enveloping membrane.
Juhani Pallasmaa, The Eyes of the Skin: Architecture and the Senses
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penig · 1 year
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I’m impressed that the Cratchitts can pay rent on a house, however small. Four rooms, yard, and wash house is an impressive property in a city where larger families are living in single rooms and sharing one pump and one outhouse with the entire building, or even multiple buildings.
Of course the Cratchitts are a bit idealized here. Dickens was a journalist and a social reformer as well as a novelist, and moreover had some personal experience of poverty. He knew a lot about the struggles of people living and raising children on 15 shillings a week. But he also knows his audience and his craft. The Cratchitts must be the antithesis of Scrooge and they must be attractive and squeaky clean, physically and morally, and the forces threatening them must not even hint at vice. A sickly and disabled child is a threat to their happiness not the most rigid middle class moralist can hold against them.If Martha is ever desperate enough to be tempted by sex work, or subject to the sexual predation of her employer’s husband; if Peter’s friends are pressuring him to shoplift; if Bob or his wife ever drink gin out of the context of a family holiday party - we’ll, now is not the time to explore that.
No, what is necessary now is a demonstration of the very important fact that Bob and his family, despite everything Scrooge has done to make them miserable, are happier than he is. They get much better value for the money they spend than he ever gets for the money he hoards. They don’t have enough money for new clothes, but they can make a good show for sixpence by adding ribbons to a twice-turned gown, and Bob can keep warm with exercise instead of a greatcoat to keep the kids clad, and even loan clothes to his offspring to make them feel dressed up. And they can eat their fill and have a proper holiday dinner, even the dessert, and pretend that the feast is more lavish than it is, to maximize their pleasure.
A twice-turned gown, by the way, is a labor-intensive bit of frugality. Victorian women’s clothing took acres of fabric, all of which had to be sewn by hand by the household or someone paid by them. A good dress had to be made to last! But everything fades with time and exposure, no matter how carefully laundered and protected. So once the original color faded, you took the dress apart, turned the unfaded side out, and put it back together again, probably with variations to accommodate changes in fashion or figure, or even, in a house with growing girls, of wearer. And if the fabric was good enough, when that side faded, too, you could turn it inside out again and re-remake it, if you were clever enough.
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