Family
(AKA some of my Tom “Iceman” Kazansky headcanons)
Warnings: Tom “Iceman” Kazansky’s father’s A+ parenting (not), mentions of cancer.
Author’s Note: This was instigated by @callsign-skydancer, after she sent me a very insightful message, and I just had to go with it, until, voilà, I churned this out in an hour and a half.
I’ve had these headcanons for a while now, but it’s because of Sky that I decided to get them down.
I’ll be using these in some later stories, so if you see some copy-pasting, you didn’t see anything, self-plagiarism doesn’t count, 😂.
I have no idea if this makes any sense, I wrote this in what I feel is a weird tense, but I have to get this out of my head, so I can finish “Wherever You Go”.
Enough of the Authoress talking, here we go!
Family has a great deal of meaning for Thomas Kazansky.
It affects and has affected him in more ways than one, and it continues to influence and shape him.
It was why he joined the Navy.
Most people assume that his father was Navy, because they hear higher-ranking officers whisper “He’s related to Kazansky” or things like that, but they’d be wrong.
His father was not Navy.
His father is Dr. Vasily Kazansky, a prominent Honolulu cardiologist, who detests all things military, who wanted nothing but for Tom to follow in his footsteps, demanding utmost academic excellence in preparation for medical school, creating a habit drilled into him that carried over into Tom’s service.
His grandfather, however, was Captain Sergei Kazansky, a highly decorated US Navy officer who served during World War II.
As a child, during visits to his Dedushka Sergei and Babusya Anya, young Thomas could be found in his grandfather’s arms, listening wide-eyed to Sergei’s stories of his time in the Navy.
It was Sergei Kazansky who instilled in Tom a love of country, and the desire to serve.
Tom’s decision to join the Navy and attend Annapolis was what drove a final wedge between Tom and his father, who detested the military for taking his father, Sergei, from him, in more ways than one, both physically, and emotionally, Sergei not knowing back then how to handle his trauma.
It was his grandfather who pinned the Lieutenant Junior Grade bars on his uniform, and Tom will never admit it, but he had tears in his eyes when Sergei embraced him and whispered in his ear, “Я так горжусь тобой, Томас,” words his own father never said to him.
It broke his heart when Sergei died of lung cancer three months before he was slated to attend TOPGUN.
But his memories and the lessons his Dedushka taught him would stay with him forever.
Most people would never assume that Tom “Iceman” Kazansky would have an artistic bone in his body, but they would be absolutely wrong.
One of Tom’s best kept secrets was that he is a very accomplished pianist.
He was taught by his mother, Yelena, how to play the piano, and music ran in her family, her own father, Oleg, having been a violinist with the USSR State Symphony Orchestra, before his defection to America.
Tom’s fondest memories of his mother are of afternoons spent with Yelena teaching him to play the piano, after dragging him from his homework, which enabled him to play Chopin at twelve, followed by the two of them listening to recordings of classical music, some of them featuring his grandfather Oleg’s playing, his father’s long hours at work enabling this time away from studying without censure.
One of his most prized possessions is a vinyl record which he inherited from his mother, of Shostakovich’s “Leningrad Symphony”, where his grandfather Oleg can be heard playing second chair violin.
In general, Tom’s favorite pieces to play are Chopin, but depending on his mood, what he plays varies.
When he’s at his most neurotic, Bach comes easier, the precision required to play those pieces giving his mind something to fixate on.
When he’s upset or angry, he hammers away at Scriabin, and some pieces of Rachmaninov, like “Prelude in G Minor (Op. 23 No. 5)” and “Prelude in C Sharp Minor (Op. 3 No. 2)” and Beethoven’s “Piano Sonata No. 8 in C Minor (Pathétique)”.
When he’s feeling a little drifty, he goes for Satie and Debussy, or “The Lark” by Glinka and Balakirev.
When he’s happy, Chopin’s “Heroic” polonaise is a must.
When he’s lonely, Chopin’s “Nocturne No. 20 in C Sharp Minor (Posthumous)” is a standby, because of how it reminds him there’s always light at the end of the tunnel.
He’s proud to say he can play his dream piece from his early high school years, Liszt’s transcription of “La Campanella”, though he still thinks he can get it just a little bit faster.
His most recent dream pieces are Rachmaninov’s “Piano Concerto No. 2”, and Liszt’s “Rondo Fantastique (El Contrabandista)”.
It’s because of him that Bradley is as good a pianist as he is, having been the Baby Goose’s teacher on the instrument.
He wishes Bradley would show off the classical pieces he knows more than his rendition—great as it is—of “Great Balls of Fire”.
Family has shaped Thomas Kazansky for better and for worse—there are still days he can hear his father telling him an A- wasn’t going to get him into any half decent Ivy League, or that he had to try harder, that his best needed to be better, and those are the days he plays Bach, or Scriabin, Rachmaninov, and Beethoven—but it was also what made him who he was, what led him to what he loves doing, and what led him to the family he chose.
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