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#Shut up G
zivaninja · 6 months
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I am seventeen years late to the party I know, but I have just watched doomsday for the first time and I'm having a complete tenrose breakdown.
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Dream is literally me. I swear to God.
The Sandman: The Wake #74 (1995-1996)
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fuckyeahgoodomens · 8 months
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Link 1, Link 2 :)
Digital Good Omens 2 Sountrack is coming out in 4 days! 🥳 CD version in October! :) ❤ Coming soon on vinyl…
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Out to Stream/Download from 25th August. Out on CD 13th October. Coming soon on vinyl…
David Arnold’s ‘end of the world’ complex and multi-genre soundtrack.
From the Award-winning composer of Sherlock and Casino Royale comes a follow up to the hugely successful, Emmy nominated Good Omens soundtrack.
Good Omens series 2 premiered on Prime Video on 28th July. The series follows the odd couple, angel Aziraphale (Michael Sheen) and demon Crowley (David Tennant) in their quest to sabotage the end of the World. The six-episode sequel to the popular adaptation of the novel by Neil Gaiman and Terry Pratchett, concerns the Archangel Gabriel (Jon Hamm) arriving without his memories to Aziraphale’s bookshop. Aziraphale and Crowley attempt to find out what happened to Gabriel, whilst hiding him from Heaven and Hell, both eager to find him.
The Soundtrack
David Arnold’s soundtrack to Good Omens was first released in 2019 to favourable reviews, with BBC Music Magazine calling it “a rollicking trip to hell and back”. Blueprint Magazine described it as “a great listen” and Sci Fi Bulletin commented on “plenty of memorable themes” to conclude that “This is another work of art from Arnold”. At times nostalgic and eerie but always varied, beautiful and full of excitement, the Good Omens 2 soundtrack showcases Arnold’s every skill from his composer arsenal. Featured here are orchestral arrangements with sprinkling of Sugar Plum Fairy pizzicato and percussion, jaunty strings and mighty choral sweeps from Crouch End Festival Chorus. Added to the mix are rock guitar riffs, and psychedelic 70s sounds and all together they create a haunting otherworldly feel, complementing the fantasy and the quirky humour of the show. The spirited Waltz of the opening theme is also present in the second series and it wonderfully sets the scene for fantastical mayhem. In series 2, this robust, evocative, and funny music entity, becomes yet again another character in the story. Award-winning composer David Arnold is well known for his blockbuster scores, including Stargate, The Chronicles of Narnia: the Voyage of the Dawn Treader, Hot Fuzz, Paul, Independence Day, 2 Fast 2 Furious and Casino Royale as well as for his TV work such as Sherlock and Dracula. Also available: The original soundtrack to the first series of Good Omens >
Tracklist
– Disc 1 – Chapter 1: The Arrival 1. Before the Beginning 2. Good Omens 2 Opening Title 3. Into Soho 4. Something Terrible 5. To The Bookshop 6. Maggie and Nina 7. He’s Smoking 8. Tiny Miracle 9. Heavenly Alarm Bells Chapter 2: The Clue 10. Avaunt! 11. The Song is the Clue 12. It’s What God Wants 13. A Mighty Wind 14. Whales 15. Gabriel Returns 16. His New Children 17. Am I Awful Now? 18. Fallen Angel Chapter 3: I Know Where I’m Going 19. Police Arrive 20. Scotland 21. We’re Going to Hell 22. People Get a Choice 23. My Car is Not Yellow 24. Beelzebub in Hell 25. The Book 26. The Fly 27. Mr. Dalrymple 28. We Need to Cut 29. I’m Going to Save Her 30. Crowley Goes Large 31. Not Kind 32. Beelzebub Isn’t Happy – Disc 2 – Chapter 4: The Hitchhiker 33. Hell-O 34. Nazi Zombies 35. March of the Nazi Zombies 36. Crowley Pep Talk 37. The Magic Shop 38. Catch The Bullet 39. Zombies in the Dressing Room Chapter 5: The Ball 40. I’ll Let You Have It 41. We’re Storming a Book Shop 42. Monsieur Azirophale 43. The Candelabra 44. Here Comes Hell 45. Gabriel Gives Himself Up 46. Shax 47. The Circle Chapter 6: Every Day 48. Bin Through the Window 49. Gabriel Leaving Heaven 50. The Halo 51. Gabriel Revealed 52. Gabriel’s Love Story 53. Leaving The Bookshop 54. Gabriel and Beelzebub 55. Crowley and Muriel 56. I Forgive You 57. Don’t Bother 58. The Biggest Decision 59. The End?
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lovesickeros · 8 months
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☆ even the gods bleed
{☆} characters furina, neuvillette {☆} notes cult au, imposter au, multi-chapter, gender neutral reader {☆} warnings blood, injury, light angst {☆} word count 2.3k
What was justice?
Focalors had asked herself that question many times during the long nights she spends awake pouring over the prophecy of a dead God, words replaying in her mind like a broken record until the sun rose like a blooming flower.
She was the God of Justice, an Archon, yet she herself lacked the answer to such a simple and yet so very complex question.
How does one define what is just and what is not? How does she know that what she believes to be just is right? Is it justice if one being alone may sway the scales of justice on a whim? What justice is there to be found in the cold, watery grave that awaits her nation?
She does not know.
Perhaps she may never know.
What she does know, at least, is that this is not justice.
It is a mockery of it.
She stands before the bloodied, broken body like the judge, her sword held so tightly in her hand her fingers feel stiff, a dull ache adding to the weight of what she's seen. For a long, horrible moment she almost thinks they are dead – something she would have reveled in, only a day prior – before she sees the subtle rise and fall of their chest. Breathing, but barely.
The rain felt heavier upon her shoulders at the realization – she was not sure if it was in relief or horror.
Her nails dig into her palm, mind stuck somewhere between that abject horror and confusion so palpable she swore she could hear the gears in her head turning.
For a long, silent moment as she stares upon the body beneath the heavy rain..she wonders if this is how it all ends instead. If the world itself will simply crumple in on itself and cease – without its heart, it will wither, after all – long before the waters ever swallow her nation whole.
Because, try as she might to rationalize it, for every drop of rain that hits her like pins and needles, soaking her down to the bone..the body of the imposter is completely dry. Even the water pooling along the stones dares not to leave so much as a splotch against their ragged, torn clothes.
She remembers the meeting so very clearly, and she thinks she is a fool to not have noticed sooner – the Creator upon their gilded throne, finger pointed in accusation at the visage far too similar to their own. The imposter. She remembers the lilt of their voice as they called for their death as easily as one would speak of the weather – and to no one other then herself would she admit the spark of fear it had ignited within her. Because beneath the divine charade there was a sick enjoyment in the way they looked upon the imposter – like a bug beneath their shoe.
She understands, now.
She had thought that perhaps finally – finally – she could do right by her people, by her Creator, if she rid Teyvat of this..intrusion.
Now she sees herself as what it all really is – blind lambs following the herder.
Perhaps she would be considered a heretic under the eyes of the law – beneath the weight of justice, heavy as the heart that bears its sins. Perhaps this is a mistake, one she would come to regret.
But for now, she sheathes her blade with unsteady hands, the sound making her ears ring – for what she had almost done, what she had already done – as she stumbles like a newborn lamb towards the broken body of..
..What, exactly? Human? Divine? She is not so sure what to call them. Creator? No. The name is bitter upon her tongue, now, burning like liquid flame down her throat.
Where once she had spoken it in reverence and admiration, it felt hollow and empty, now.
Her vision wavers as she kneels down against the rain soaked stones, the rain upon her back growing heavier as she reaches a shaky hand forth – and for a moment, however brief, she feels the weight of expectation, of a title she fears she may never live up to, wash away with the waters that fall from the heavens.
The bruises and blood smeared across their skin are like strokes of a paintbrush, their body the canvas from which such horrid art is created. It makes her ill.
Doubt wavers her composure briefly – her position is already unsteady. She has never been seen as an equal to many of the other Archons. Her own people do not see her as their Archon, but an actor in a grand play that they shall simply toss aside and replace like a broken doll the moment she bores them.
What does she have left to lose?
She reaches out again, her hand settling onto their shoulder and turning them onto their back. She..isn't sure what to do, actually. She's never been particularly physically capable – she tended to avoid fights, even if she oft provoked them – and she was certainly no healer.
Yet what choice does she have but to march on anyway? She is in the heart of the city, it is far more dangerous here then anywhere else..she had little time to make her move.
Fontaine was, after all, a nation founded on the principle of justice. To know an injustice has been made against the most Divine..the entire nation was in a frenzy.
Her eyes dart around nervously, hands clasped tight on their shoulders and her lips drawn into a taut line – someone would notice her absence. One of the Archons would point out her absence in the coordination of the search.
Her options were just as limited as her time – she couldn't just take them out of the city. Security was tight, and as much as she fancied herself an escape artist – Neuvillette could hardly keep her in one place for too long – she doubted she could do the same with the limp body of the imposter in tow.
..The Palais Mermonia it was, then.
Her room had a secret entrance that few knew about, and even fewer would dare to traverse. She just..had to hide them there for a bit and hope Neuvillette wouldn't notice anything different.
Probably.
Still, there was the problem of actually..transporting the body. As grim as it sounded. Her only solace was the fact she didn't have to worry about them catching a cold, at least, and their breaths were still audible, if only barely. So she had to resort to some..unexpected methods.
Seeing the limp form of, well, the imposter – she'd really have to ask for something else to call them when they woke up – stuck in a bubble of hydro wasn't exactly on her bucket list.
Then again, neither was treason.
Well, first time for everything, right?
It wasn't breaking the law if no one else knew about it.
..Neuvillette didn't have to know about it, really. It was fine.
She could, of course, technically try to talk some sense into Neuvillette – he'd listen to her, right? She thought she was pretty close with him..but he was also the one person more obsessed with justice then she was. Such a stickler for the law..so maybe she's breaking a few, it's fine.
But he was also pretty devout, as much as he tried to keep his worship private – with Focalors around, nothing was really secret. Maybe she could get him to settle down long enough to prove it.
..How was she going to prove it?
An exaggerated groan escaped her lips as she led the bubbled imposter – she really wished she didn't have to resort to that, it would be a lot a more awkward to explain then dragging the body around – through the winding streets of Fontaine. She's just glad she's already memorized the entire city like the back of her hand..and a little dramatics went a long way. People listened when the Hydro Archon spoke, and she was suddenly very, very glad for that fact, even if they treated her more like a mascot then a God.
And partially because she, maybe, just a little..stole a few documents detailing the layout and a little personal exploration of her own – but what Neuvillette didn't know couldn't hurt him!
After what felt like hours, though was really no more then half an hour at best, she'd managed to drag herself – soaked to the bone with rain – and the conveniently bubbled imposter up through the secret entrance and into her room.
The perceived safety, as flimsy as it was, was..comforting. Until she heard the rustle of fabric, the clearing of a throat and the pop of a bubble as she, in her surprise, popped it – and then the thud of the imposter hitting the floor.
She felt a bit of regret about that part, at least, wincing.
"Lady Furina." His voice was as sharp and cool as she remembered it always being – like fresh spring water, she'd heard it described. Soothing. It did not feeling very soothing right about now.
She turned sharply on her heel, a forced smile tugging at her lips on reflex, every muscle in her body tensed – she probably looked like a wet cat right about now, soaked with rain, but that was the last thing on her mind.
"Do you mind explaining what, exactly, you did?" Not what you're doing, she notes – what she did. He was mad. Oh, she was really in for a scolding now. She twiddled her thumbs, laughing weakly, though it quickly dies out at the awkward, tense silence.
"Well, you see – it's rather complicated! I can– I can explain." Her attempts to diffuse are met with a raised brow and the sharp tap of his cane. Every single thought is plagued with the urge to run, but the unsteady breathes of the 'imposter' keep her rooted in place. "Well?"
She was sweating bullets, her nails digging into her palm as she scrambled for any excuse that could warrant her not getting hauled off and scolded thoroughly at best – she was coming up empty. How was she supposed to prove that the 'imposter' was very much not what the 'Creator' said they were? Their unconscious body was doing no one any favors, certainly.
"The Creator is lying," She blurts out, immediately regretting her impulsiveness when she feels the sudden weight of his stare – the piercing hues of his eyes that remind her just who is the strongest between them. It is not her, she knows. It never has been. "You can see for yourself! Don't you trust me, Neuvillette–?"
Her voice is cut off by the sharp click of his cane as he strides across the room in only a few steps, his height making her feel like a child about to scolded. She hated it, but she grit her teeth through the exchange. She reminded herself that this was for the sake of the 'imposter' and any affront to her ego was..tolerable.
To her credit, too, she didn't immediately lash out when she saw him poke at their body with his cane, turning them onto their back – she wanted too, though. She considered it, but the thought was quickly shot down when his stare turned back upon her, and she felt frozen in place again, her tongue a heavy weight in her mouth.
Yet she couldn't shake the sudden tenseness to his shoulders, his brows furrowed and a distant look to his eyes. It was..haunting, in a way.
She knows it well, she realizes. The realization and acceptance, the crumbling of every solid foundation you've ever known – leaving you to flounder in the waves, alone and afraid.
The gentleness in which he picks up the limp body surprises her though, his cane set aside. The rain howls like a horrid storm outside, but she cannot focus on anything but the furrow of their brows, the soft noise that escapes their lips.
"I trust that you know that this must stay between us," His voice is soft, like the gentle lap of waves against the shore, as he sets their body down against the bed, his hand lingering against their cheek with something almost like reverence – and if her eyes do not deceive her, affection. "Lady Furina."
She does not hesitate to agree.
"Well– well of course!" She huffs, crossing her arms over her chest and frowning at the feeling of her wet clothes clinging to her skin, a heavy weight that feels like it's dragging her down. "Just what do you take me for?"
He doesn't deign to respond.
It only makes her fume more.
Not that he seems to notice, unbuttoning his heavy outerwear and tossing it on the bed, rolling up his sleeves and focusing on the injured– er..yeah, she really needed a new name for them. Calling them imposter felt wrong.
"So long as you understand, then we will have no problems." She huffs again, pouting and puffing up her cheeks, sitting down on the other end of the bed with only an occasional glance towards him as he worked at peeling away the ragged clothes and examining the injuries marring their skin.
She suddenly felt out of place.
..What was she supposed to be doing?
As if noticing her sudden quietness, Neuvillette sighed, his back turned to her though his attention very much falling upon her. She really hated the feeling like she was being dissected whenever he looked at her. It was unnerving. She doesn't know how anyone else handles it..
"If you are so eager to do something, Lady Furina, then please have something brought up for when our..guest awakens. They will need to recover their strength."
Finally! Something she can do. She perks up, her heels clicking on the floorboards as she darts out like a bullet, unable to stay still for so much as a moment.
Neuvillette, for his part..
Feels an odd sense of serenity as he stares upon the troubled features of the..guest. A peace that lessens the burdens upon his shoulders, the weight of a nation upon his back.
He cannot hear the rain, anymore.
..It must have stopped.
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gonna be honest i've never understood or resonated with an ena video quite like power of potluck
like the mask covering her sad side and changing her mannerisms, only for it to disappear and her characteristics return.
like it was so different between the two that when she spoke for the first time without her mask i jumped for joy because YES! THAT'S MY ENA!
It's about masking.
It's about fitting into neurotypical society where everyone puts on a role in a system.
Her desire for "fun" is a place to fit in in this society.
the therapist saying "you will not find joy here" is referencing how by pretending to be someone she's not, she's forever unhappy.
Power of Potluck tore open and laid bare the reason why I was magnetically attracted to ENA, because she's like me.
She's also autistic.
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pdouwes · 9 months
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All I've ever known is how to hold my own but now I wanna hold you too.
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pinkhysteria · 1 month
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BONNIE & KAI ↳ 6x17
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sidsinning · 11 months
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Can I just say I could not fuckin breathe during this whole scene
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thatsonehellofahabit · 4 months
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haha what no i didn’t just finish portal 2 a few days ago what do you mean..
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rainyfroggy · 2 years
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Rejoice, submas au be upon ye
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zivaninja · 2 months
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something about the "look at you, you made it out" line in isimo that just, to me, screams that even if you feel you haven't made it out yet, you have. getting to where you are today means you made it out. you will get there again.
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jasonsthunderthighs · 2 years
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Yea, I have a strange addiction.
Addicted to Jason Todd’s amazin Thunder Thighs™.
Can't get enough of ‘em.
I mean.
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Can
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You
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Fuckin
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Blame
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Me? (Yes, I made this gif for this exact reason)
*Whispers* You're welcome.
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quacky-art · 5 months
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so-very-small · 16 days
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body hair on giants is like salt to food. you can have food without it but my god where’s the flavor
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joanofarcisdead · 1 year
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hi. they’re diametric opposites. positive and negative polarity, the image and afterimage. entirely oppositional. and yet one carries within the performance all the accumulated fervor and narrative doom embodied in the other (and from others not even pictured). it’s like poetry. to me
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ravenndei · 10 months
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I JUST KNOW Miorine's echoing Suletta here skskskskkss
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