You're so polite with your sadness. You don't want to ruin this for anyone.
Silas Melvin, Twenty
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the body as the precipice / the body as the body
— Silas Melvin, from “Punished Body,” Grit
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no one in town speaks your feral / tongue.
silas melvin
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the body as the punishment & therefore
the punished,
in a desperate animal riot
ending in kitchen knives & throbbing remorse
— Silas Melvin, from “Punished Body,” Grit
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the boy a boy (but in halves / & in sometimes & in private / & painfully in public)
— Silas Melvin, from “The Boy,” Grit
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you / wish you had the nerve to kiss / strangers or believe in love.
— Silas Melvin, from “Neurosis,” Grit
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19 & i have only now told my therapist my
suicide plans from high school, how i mapped
it out like like a skinned knee & knew for
certain it would never heal over shut & for
my birthday this year: antidepressants & the
dread of “i was not meant to live this long” &
no one in the house says my name unless
forced, as if a robbery, as if inviting ghosts.
— Silas Melvin, from “Nineteen,” Grit
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& you say girl the same way sailors
name their boats because who can afford a gender
these days? & you take your medication with the syrup
from a can of oranges & your body is still your body
& really, there is no metaphor for that & you wash your
hair in the sink for the first time in many days
& you are thankful for even that kind of warmth
— Silas Melvin, from “A Valentine’s Day Spent Home, Alone,” Grit
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you’re so polite with your sadness. you don’t want to ruin this for anyone.
— Silas Melvin, from “Twenty,” Grit
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no one in town speaks your feral / tongue.
— Silas Melvin, from “Neurosis,” Grit
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19 & always crying
in front of professionals, asking to be healed
but never taking the advice, showing them
skinned knees & being given a sad, pinched
look in return. 19 & sitting still in the sun
light, skin broken, medicated, & unsure.
— Silas Melvin, from “Nineteen,” Grit
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you are reading richard siken, which is to say you are homosexual & panicked by your existence.
— Silas Melvin, from “Twenty,” Grit
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i dangerous myself.
unendanger myself.
wax this bear trap
so no one dare
step into the cave.
— Silas Melvin, from “Shiny Chrome,” Grit
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you wake up the same dysphoric body you always are
& kiss your wrists sweetly because no one else
is here to do it & you ask god for her blessing,
please, one day, here, to be loved & loving
& unbodied & she is quiet like she always is
— Silas Melvin, from “A Valentine’s Day Spent Home, Alone,” Grit
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the boy a scraped knee &
asking ‘why’ in that way children do &
the boy unanswered & the boy
limping & the boy blaming god
& without god & without direction
& without answer
— Silas Melvin, from “The Boy,” Grit
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your crumpled body. your anxiety vomited out like confetti. your eyes weeping like split oranges. you are going to be 20 & you are going to be a wailing asteroid for the rest of your life. 2 years ago you were supposed to be dead. you have outgrown your gender & your jeans. you tell your mother im sorry, i love my sadness so immensely, i don’t know who i am without it & what you mean is i have not come home without expecting someone else to be in my spot at the dinner table in so long, im not sure i was ever born to belong in the first place.
— Silas Melvin, from “Twenty,” Grit
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