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#Silver Bramham
demon----dean · 2 years
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Clare Maguire 'Ain't Nobody' from silver bramham on Vimeo.
This song is my Obikin obsession as I write for the weekend event. :3 The video is also inspiring the story as it fits the sith!au asthetic perfectly.
Meet me in the red sky and dance with me Let the valley change you and the night set you free It's dusk in the dessert, it's heaven at the gates You were my desire, you were my escape
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williamshirakawa · 6 years
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Kuoth Wiel & Torian Ellsion for END PAPER
Creative Director:  Roxane Zargham
Producer: Tiffany Bank
Models: Kuoth Wiel & Torian Ellsion
Styling: Jessie Cohan
Hair: Sascha Breuer
Makeup: Silver Bramham
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bestfashionphoto · 7 years
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Jacquelyn Jablonski in Harper’s Bazaar Serbia January 2017
Ph: Paul McLean Style: Anna Katsanis Hair: Sami Knight MUA: Silver Bramham
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rudolf-rokkr · 7 years
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fuck your ugly-ass runes
I’m frustrated with people who want “their” cultural symbols handed to them on a silver platter. They want to “reclaim” things that were never anything except Nazi symbols, like the 12-spoked black sun or the symbol of a Nazi volunteer militia, yet they can’t be bothered to figure out what runes Vikings used. Nazis say “here are the symbols of our ancestral heritage (that are a bunch of crap we made up) and you all go “give it back!” When it comes to the runes they took 1,500 years of tradition and steamrolled it. It could never have been any other way. Nationalism is the enemy of culture. They cannot coexist in harmony. Nationalism is piss on the graves of our ancestors.
I keep seeing people say that they want to reclaim the runes, but you can’t reclaim something that was never yours. And if your conception of the runes is coterminous with Nazi use of them, then it is shallow, superficial, not worth saving, the death of tradition with a few half-rotten specimens preserved pinned under glass.
I know it’s hard when you don’t know who you can trust. We wouldn’t be in this situation without wolves in sheep’s clothing sneaking lies between a handful of facts to distract you (Thorsson/Flowers). We have a lot of work to do uprooting the deceit that lies at the core of modern heathen reception of the runes. Now’s a good time to start. Since the part of the problem that’s most active on everyone’s mind regards visual perception of symbols of Norse and Germanic culture this is gonna focus on that, with lots of pictures.
~ Get excited, kids, it’s runology time ~
Nazis didn’t take “runes,” they took an aesthetic more or less from the Gallehus horn.
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This one particular object has runes that happen to appeal to their sense of aesthetics and as a result became “the” runes, and all of you people fell for it. They’re into straight lines because there were Nazi philologists who thought runes were the original writing system that the Mediterranean alphabets ripped off (echoing Johan Bure in the 16th century). The straight lines reminded of their origin in ancient rock carvings (rather than the truth, that their origin is in the (Semitic) Phoenician alphabet via something else like Latin, Greek, another Italic alphabet, or perhaps even with direct influence from a Semitic source). They were considered a symbolic mystical system first, that later achieved some utility as a writing system. The pristine geometric shapes reflect their archetypal mystical nature (specifically within the “Ariosophical” (racist) Armanen system of runes based on a “hexagonal crystal structure”). And I guess these blocky slabs are “manly” or something.
So yeah, it relates to an actual inscription but it’s just an aesthetic. I know this because I can do this:
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These are Latin letters that “look like runes.” The only problem is, they don’t. They look like one inscription that reads “I, Hlewagastiʀ Holtijaʀ, am a huge fucking bigshot who drinks out of gold.” The non-runologist part of me is glad his shit got stolen and melted down.
Most of this goes for the other widely-visible variant -- the same thing but with thin lines (like tawido at the end above). Those are somewhat better represented in the runic corpus but it’s not because that’s what runes “are,” it’s because it’s easier and not everyone is a professional. I’m still gonna attack the idea that these are in any way prototypical. In fact I believe that for most (but not all) rune-carvers rounded runes were the prototype, and when this wasn’t adhered to it was for stylistic or utilitarian reasons.
Runes that don’t follow this aesthetic -- which is most actual runes -- will not even be recognized as runes by most people.
The rest is long and full of images so I will save your dash but the punchline is that if you want to save the runes from Nazis the first step is knowing them -- not as the Nazis conceived of them but as they exist in the wild, because then you realize that what was taken was nothing compared to what we rob ourselves of by falling for imposter “tradition.”
If runes had been used continuously they would probably be about as different from Latin letters as Greek and Cyrillic scripts -- that is, no inherent stylistic differences, just different inherited underlying shapes. I mean, look at early Latin script:
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(Lapis niger)
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(Duenos inscripion)
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(Lapis Santricanus)
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This beautiful text here is Gothic, the precious lovechild of runes and the Greek alphabet. The result of adapting to new contexts and new challenges.
The reason runes aren’t as diverse in appearance as Latin is because there just isn’t as much of them. If they were used for writing long texts they’ve probably have developed minuscules and all sorts of other variants. But even within the much more limited corpus we see that runes can be:
soft
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(Tune stone)
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(Möjbro stone)
regular and professional
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(Vadstena bracteate, this btw is typical of bracteates which by numbers are most of the elder futhark corpus)
curvy:
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(Björketorp runestone -- notice even the m (#6 on 3rd line), d (there’s a bunch of them), and k (#7 on second-to-last line) runes have curves).
minimalist
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(HS 12, staveless runes)
stylized
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(Kragehul spearshaft; we can file the Gallehus horn underst “stylized” as well, the goldsmith was trying to be fancy and fucked up so he had to squeeze the last bit in)
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(Bramham Moor ring, drawing by Georg Stephens)
chaotic
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(Ribe skull... yeah, literally a piece of skull... with what’s believed to be a charm for a headache)
tiny
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(Saltfleetby spindle whorl... an invocation of Óðinn, Heimdallr, and Þjálfi(?))
There is a huge amount of variation of each rune
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(From Texts and Contexts of the Oldest Runic Inscriptions by Tineke Looijenga)
they even borrow from other futharks
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(Stentoften stone; the circled runes are both reflexes of *jērą (at this point, *ār) but the second is an ideograph for ‘harvest’ that is not contemporary to the stone)
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(Ög 43, that’s an elder futhark d-rune in a younger futhark inscription (1st on second line); image manipulated to make it more legible)
I mean look at this badass
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(Rök stone... standard early short-twig and then BAM! Elder goð damn futhark in the 800′s (bottom and leftmost line)! I mean the carver doesn’t know how to use it properly but damn. And then that’s not enough so then the cheeky bastard breaks out MULTIPLE PATTERNS OF CIPHER RUNES (top and third line of tunes from the top. )
they can have serifs
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(Malton dress pin)
they keep up with the times
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(AM 748 I b 4to, The Third Grammatical Treatise from c. 1300-1325... an essay by Snorri’s nephew that talks about how to write in runes, by the way, I’ve been shoving this down people’s throats for years and can’t get anyone to care)
or go their own way
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(Codex Runicus, from about the same time as the previous, this doesn’t look very out of time to us now but everyone was writing like in the image immediately above at the time)
I mean, guys. And don’t not click the links, please. I’m begging you
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(Lbs 1349 4to)
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(Lbs 636 4to)
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(Huld, ÍB 383 4to)
and like not to toot my own horn or anything but
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nobody is seeing this and thinking “white nationalist.”
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ek iafnuel skrifa i litlum stǫfum sem ek bio til ek jafnvel skrifa í litlum stǫfum sem ek bjó til ‘I even write in minuscules that I invented.’ Can you tell I really love Gothic script? Would love to see what others would come up with, what would pick up and spread, what variants would coexist.
Also I mean it’s not like you even need to use runes to write in runes
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(Ciphers in AM 687 d 4to, the earliest copy of the Icelandic Rune Poem. Along the bottom are villuletur, a substitution cipher. Conveying information but preventing most people from accessing it was always an important part of runes)
shit, you don’t even have to write anything (link to instructions on how to spell using rune kennings)
Here’s the thing. Nazis are idealist essentialists, they believe in the “original” “unpolluted” archetypal proto-form of things. Runes have never been any of those things. Runes have always been artists trying to one-up each other, nerds trying to push the boundaries of weirdness, young punks scrawling graffiti, and at least later on also moms carving shopping lists so dad doesn’t forget that little Sigríðr needs new gloves. Stop holding yourself to a standard that doesn’t exist because you found it in a book by some crypto-fascist masquerading as a runologist. From the second person to carve runes on, there were no prototypical runic forms -- carvers saw a variety of related symbols standing for the same thing, formulated their own idea of their own prototype of it and how to use it, and deployed it in combination with context plus willingness to put in time and effort. The beauty of runes is -- like all writing -- is their infinite potential for creative expression.
This post makes heavy use of resources from Arild Hauges Runer, which goes uncited above because Arild mostly collects sources from elsewhere, but it would be wrong not to credit him for all his work.
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dambiente · 6 years
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“Good Time: viviendo al límite”, de Ben & John Safdie
“Good Time: viviendo al límite”, de Ben & John Safdie #cine #SiguemeyTeSigoGay #EntreHombresNosSeguimos #HombresParaHombres #GayArgentina #dambiente
  TITULO ORIGINAL An Englishman in New York AÑO DE ESTRENO Richard Laxton Amanda Jenks Brian Fillis John Hurt (Quentin Crisp), Denis O’Hare (Phillip Steele), Jonathan Tucker (Patrick Angus), Cynthia Nixon (Penny Arcade), Swoosie Kurtz (Connie Clausen), Nick Adams (Hombre débil), Jeff Applegate (Periodista), Silver Bramham (Orlando), Benjamin Eakeley (Joven), Robert Gomes (Gay enfadado),…
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crank11news-blog · 6 years
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THE BLAZE In Concert
THE BLAZE In Concert
THE BLAZE Events
THE BLAZE is on tour and will be playing at several venues (see below for a full list).
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ustribunenews-blog · 6 years
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'THE BLAZE' Events
‘THE BLAZE’ Events
THE BLAZE Concert List
Experience THE BLAZE in concert at one of the venues listed below.
(more…)
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universomovie · 7 years
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Heather Marks - Red UK Setembro 2017 by Chris Craymer
Heather Marks – Red UK Setembro 2017 by Chris Craymer
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Hair for Every Mood Red UK September 2017 www.redonline.com Photography: Chris Craymer Model: Heather Marks Styling: Sophie Hooper Hair: Kerry Warn Make-Up: Silver Bramham Beauty Editor: Annabel Meggeson Art Direction: Nicola Rose
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jamesgierach · 5 years
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Gierach Comment:
Gierach Comment: the best drug policy in the world in many respects, Portugal. Experimental drug legalization protocols could be better.
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olympicgames-en · 5 years
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Bramham Horse Trials 2019: Tears of joy for young riders as home favourite Nicola Wilson sets about task of Dublin her tally
#OlympicGames #London2012 [The Yorkshire Post]London 2012 team eventing silver medallist Wilson brought the Bramham Park house down in 2015 when winning the CIC three-star event with Annie Clover for her first victory at Yorkshire’s crown jewel ...
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ofoatd · 6 years
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Fall Out Boy Fantastically Finish Their UK 'M A N I A Tour' & Panic! At The Disco Proficiently Perform At March Madness Music Festival
Llama appearance shake ups and 'Bohemian Rhapsody' mess ups. Fall Out Boy and Panic! At The Disco are on opposite ends of the axis, putting on performances of mind perplexing high notes, 'Girls/Girls/Boys' rainbow wraparounds, rebellious antics and dashing displays, intact instrumentals and purple production.
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The 'Sugar We're Goin Down' singers Fall Out Boy are in the post hype hysteria as the four piece have touched down in the capital of France the city that's home to the Eiffel Tower, after their staggering sold out London show on the mammoth M A N I A world tour. Making their sophomore o2 Arena appearance following on from the 2009 Folie à Deux date, another big booking upgrade compared to the SSE Arena Wembley in 2015 and Astoria in 2006. The Chicago congregation brought a Greenwich gathering ambience of singing strangers, deep purple dyed heads and armed with industrial scale staging, plentiful of great graphics, a solid setlist and tons of talent, they brought 2018 electro-pop and 2005 pop-rock to reality.
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In the period of silver linings and pop up performance pit stops as the sixth studio LP awaits, Panic! At The Disco have temporarily suspended praying for the wicked on a weekend especially on a Saturday night in exchange for proficiently performing on a Sunday evening alongside headliners Imagine Dragons and last minuet added Bebe Rexha at the 72 hour NCAA March Madness Music Festival. A state side approach to preparing for the 'This Is Gospel' hit makers Reading and Leeds festival slot alongside label and management mates Fall Out Boy on the August bank holiday weekend in Richfield Avenue and Bramham Park UK, an imminent occasion to announce European and UK string of shows for the Pray For The Wicked Tour during the festival stint could be imminent as these major countries are non existent as of the American leg tickets went on sale last week. Whilst Urie's vocals reached new vast heights and newly inducted touring bass player Nicole Row ruled with her rhythm virtuosity, A producer warning of banned explicit language as Panic! pronounce themselves on the San Antonio stage with Brendon Urie opens the 14 song long set, addressing the sea of festival goers speaking a swear word that shows he has sinned against the rule book.
Watch Panic! At The Disco Perform At March Madness Music Festival and get tickets to Fall Out Boy's M A N I A Tour here:
March Madness Music Fest: Capital One Jam Fest
Fall Out Boy Tour Dates
(All photographic content curtesy of Elliott Ingram/Fall Out Boy/Panic! At The Disco/March Madness Music Festival)
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soundrenaissance · 7 years
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Pond Share "Paint Me Silver" Off Upcoming Album
Pond have shared a new single and music video, titled “Paint Me Silver.” off their upcoming album The Weather. The animated video depicts a nuclear doomsday theme. You can stream it above.
The Weather will be out on May 5th via Marathon Artists (pre-order MP3). Additionally, Pond is currently on tour. They just played Coachella and will be performing at Atlanta, GA’s Shaky Knees (5/14).
You can also stream some other tracks off The Weather and see Pond’s tour schedule below:
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    Pond 2017 Tour Schedule
4/23 – Coachella Music and Arts Festival – Indio, CA 4/25 – Great American Music Hall – San Francisco, CA 4/27 – Doug Fir Lounge – Portland, OR 4/28 – Neumos – Seattle, WA 4/29 – Biltmore Cabaret – Vancouver, BC 5/2 – Turf Club – St. Paul, MN 5/3 – Empty Bottle – Chicago, IL 5/5 – Mod Club Theatre – Toronto, ON 5/7 – The Sinclair – Cambridge, MA 5/9 – Music Hall of Williamsburg – Brooklyn, NY 5/10 – Bowery Ballroom, New York, NY 5/11 – Johnny Brenda’s – Philadelphia, PA 5/12 – Black Cat – Washington, DC 5/14 – Shaky Knees Festival – Atlanta, GA 5/27 – London Calling Festival – Amsterdam, NL 5/29 – Trix Club – Antwerp, BL 5/30 – La Gaite Lyrique – Paris, FR 5/31 – Les Docks – Lausanne, CH 6/1 – L’Epicerie Moderne – Lyon, FR 6/3 – Primavera Sound Festival – Barcelona, SP 6/5 – Mascotte – Zurich, CH 6/6 – Magnolia – Milan, IT 6/7 – Covo Club – Bologna, IT 6/9 – Primavera Sound Festival – Porto, PT 6/11 – This Is Not A Love Song Festival – Nimes, FR 6/13 – Barby – Tel Aviv, IL 6/15 – Concorde 2 – Brighton, UK 6/16 – The O2 Forum – London, UK 6/17 – Stylus – Leeds, UK 6/19 – The Art School – Glasgow, UK 6/20 – Gorilla – Manchester, UK 6/21 – Thekla – Bristol, UK 6/23 – Down The Rabbit Hole Festival – Beuningen, NL 7/23 – Splendour In The Grass Festival – North Byron Parklands, Australia 8/20 – Summersonic – Osaka, Japan 8/25 – Leeds Festival – Bramham Park, UK 8/27 – Reading Festival – Reading, UK 8/31-9/3 – End Of The Road Festival – Dorset, UK
Pond Share “Paint Me Silver” Off Upcoming Album was originally published on Sound Renaissance
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snarkyoracle · 7 years
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Buffy The Vampire Slayer ran from 1997 to 2003. Check out these Entertainment Weekly‘s 20th-anniversary reunion pics!!! The photos include images of Sarah Michelle Gellar, David Boreanaz, James Marsters, Alyson Hannigan, Nicholas Brendon, Emma Caulfield, Amber Benson, Alyson Hannigan, and Seth Green, Charisma Carpenter, Alexis Denisof, Kristine Sutherland, Michelle Trachtenberg and a painting of Anthony Stewart Head:
Buffy The Vampire Cast Reunion Shoot (2017) Actors from left to right, Amber Benson, Alyson Hannigan, Nicholas Brendon, Emma Caulfield, Alexis Denisof, Charisma Carpenter, Seth Green, David Boreanaz, Sarah Michelle Gellar, James Marsters, Michelle Tracthenberg and Kristine Sutherland, with creator Joss Whedon in the foreground of Buffy The Vampire Slayer photographed exclusively for Entertainment Weekly by James White on March 7th, 2017 in Los Angeles. Styling: Annie Jagger/The Only Agency; Boreanaz’s Styling: Rob Bolger; Prop Stylist: Andy Henbest/Art Department; Production: Allison Elioff/Sunny 16 Productions; Benson’s Hair: Toni Chavez/The Only Agency; Makeup: Adrienne Herbert/Art Department; Dress: Self Portrait; Shoes: Saint Laurent; Jewelry Erickson Beamon; Hannigan’s, Denisof’s Hair: Stephen Sollitto/TMG-LA; Makeup/Grooming: Marcus Francis/Starworks Artists; Hannigan’s Dress: ALC; Shoes: Saint Laurent; Denisof’s Shirt: Dolce and Gabbana; Blazer: John Varvatos; Boots: Ralph Lauren; Brendon’s, Whedon’s Grooming: Erika Parsons/Art Department; Brendon’s Jacket:G Star; Shirt: John Varvatos; Jeans: G Star; Boots: Frye; Whedon’s Jacket: John Varvatos
Buffy The Vampire Cast Reunion Shoot (2017) Sarah Michelle Gellar of Buffy The Vampire Slayer photographed exclusively for Entertainment Weekly by James White on March 7th, 2017 in Los Angeles. Styling: Annie Jagger/The Only Agency; Prop Styling: Andy Henbest/Art Department; Gellar’s Hair: Mara Roszak/Starworks Agency; Makeup: Marco de Souza/NARS/Wilhelmina; Dress: Farrah Angsana; Shoes: Jimmy Choo; Jewelry: Erickson Beamon; Production: Allison Elioff/Sunny 16 Productions
Buffy The Vampire Cast Reunion Shoot (2017) David Boreanaz of Buffy The Vampire Slayer photographed exclusively for Entertainment Weekly by James White on March 7th, 2017 in Los Angeles. Rob Bolger; Prop Styling: Andy Henbest/Art Department; Boreanaz’s Grooming: Sonia Lee/La Mer/Exclusive Artists; Jacket: Hollywood Trading Company Production: Allison Elioff/Sunny 16 Productions
Buffy The Vampire Cast Reunion Shoot (2017) James Marsters of Buffy The Vampire Slayer photographed exclusively for Entertainment Weekly by James White on March 7th, 2017 in Los Angeles. Styling: Annie Jagger/The Only Agency; Marsters Groomer: Helen Robertson/Chanel les Beiges/Celestine Agency: Prop Stylist: Andy Henbest/Art Department; Jacket: TK
Buffy The Vampire Cast Reunion Shoot (2017) Alyson Hannigan of Buffy The Vampire Slayer photographed exclusively for Entertainment Weekly by James White on March 7th, 2017 in Los Angeles. Styling: Annie Jagger/The Only Agency; Prop Styling: Andy Henbest/Art Department; Hannigan’s Hair: Stephen Sollitto/TMG-LA; Makeup: Marcus Francis/Starworks Artists; Hannigan’s Dress: ALC; Shoes: Saint Laurent; Production: Allison Elioff/Sunny 16 Productions
Buffy The Vampire Cast Reunion Shoot (2017) Nicholas Brendon of Buffy The Vampire Slayer photographed exclusively for Entertainment Weekly by James White on March 7th, 2017 in Los Angeles. Styling: Annie Jagger/The Only Agency; Prop Styling: Andy Henbest/Art Department; Grooming: Erika Parsons/Art Department; Jacket, Jeans: G Star; Shirt: John Varvatos; Boots: Frye; Production: Allison Elioff/Sunny 16 Productions
Buffy The Vampire Cast Reunion Shoot (2017) Emma Caulfield of Buffy The Vampire Slayer photographed exclusively for Entertainment Weekly by James White on March 7th, 2017 in Los Angeles. Styling: Annie Jagger/The Only Agency; Prop Styling: Andy Henbest/Art Department; Caulfield’s Hair: Silver Bramham/Art Department; Makeup: David Keough/Art Department; Dress: Maje; Shoes: Jean-Michel Cazabat; Production: Allison Elioff/Sunny 16 Productions
Buffy The Vampire Cast Reunion Shoot (2017) Amber Benson, Alyson Hannigan, and Seth Green of Buffy The Vampire Slayer photographed exclusively for Entertainment Weekly by James White on March 7th, 2017 in Los Angeles. Styling: Annie Jagger/The Only Agency; Prop Styling: Andy Henbest/Art Department; Benson’s Hair: Toni Chavez/The Only Agency; Makeup: Adrienne Herbert/Art Department; Dress: Self Portrait; Shoes: Saint Laurent; Jewelry Erickson Beamon; Hannigan’s, Hair: Stephen Sollitto/TMG-LA; Makeup: Marcus Francis/Starworks Artists; Hannigan’s Dress: ALC; Shoes: Saint Laurent; Green’s Grooming: Katy McClintock; Sweater: John Varvatos; Jeans: G Star; Boots: Saint Laurent; Production: Allison Elioff/Sunny 16 Productions
Buffy The Vampire Cast Reunion Shoot (2017) Charisma Carpenter of Buffy The Vampire Slayer photographed exclusively for Entertainment Weekly by James White on March 7th, 2017 in Los Angeles. Styling: Annie Jagger/The Only Agency; Prop Styling: Andy Henbest/Art Department; Carpenter’s Hair: Raul Alvarez; Makeup: Rebecca Janian; Bodysuit: Dolce & Gabbana; Shoes: Stuart Weitzman; Production: Allison Elioff/Sunny 16 Productions
Buffy The Vampire Cast Reunion Shoot (2017) Alexis Denisof of Buffy The Vampire Slayer photographed exclusively for Entertainment Weekly by James White on March 7th, 2017 in Los Angeles. Styling: Annie Jagger/The Only Agency; Prop Styling: Andy Henbest/Art Department; Denisof’s Hair: Stephen Sollitto/TMG-LA; Grooming: Marcus Francis/Starworks ArtistsDenisof’s Shirt: Dolce & Gabbana; Blazer: John Varvatos; Boots: Ralph LaurenProduction: Allison Elioff/Sunny 16 Productions
Buffy The Vampire Cast Reunion Shoot (2017) Amber Benson of Buffy The Vampire Slayer photographed exclusively for Entertainment Weekly by James White on March 7th, 2017 in Los Angeles. Styling: Annie Jagger/The Only Agency; Prop Styling: Andy Henbest/Art Department; Benson’s Hair: Toni Chavez/The Only Agency; Makeup: Adrienne Herbert/Art Department; Dress: Self Portrait; Shoes: Saint Laurent; Jewelry Erickson Beamon; Production: Allison Elioff/Sunny 16 Productions
Buffy The Vampire Cast Reunion Shoot (2017) Seth Green of Buffy The Vampire Slayer photographed exclusively for Entertainment Weekly by James White on March 7th, 2017 in Los Angeles. Styling: Annie Jagger/The Only Agency; Prop Styling: Andy Henbest/Art Department; Green’s Grooming: Katy McClintock; Sweater: John Varvatos; Jeans: G Star; Boots: Saint Laurent; Production: Allison Elioff/Sunny 16 Productions
Buffy The Vampire Cast Reunion Shoot (2017) Kristine Sutherland, of Buffy The Vampire Slayer photographed exclusively for Entertainment Weekly by James White on March 7th, 2017 in Los Angeles. Styling: Annie Jagger/The Only Agency; Prop Styling: Andy Henbest/Art Department; Sutherland’s Hair: Steven Mason/Schwarzkopf/Exclusive Artists; Makeup: Blondie/Laura Mercier/Exclusive Artists; Dress: Valentino Red; Shoes: Alexandre Birman; Jewelry: Erickson Beamon; Production: Allison Elioff/Sunny 16 Productions
Buffy The Vampire Cast Reunion Shoot (2017) Michelle Trachtenberg, Kristine Sutherland, and Sarah Michelle Gellar of Buffy The Vampire Slayer photographed exclusively for Entertainment Weekly by James White on March 7th, 2017 in Los Angeles. Styling: Annie Jagger/The Only Agency; Prop Styling: Andy Henbest/Art Department; Trachtenberg’s Hair: Whitney Olson; Makeup: Liz Zaldana; Dress: Uel Camilo; Ring: Erickson Beamon; Sutherland’s Hair: Steven Mason/Schwarzkopf/Exclusive Artists; Makeup: Blondie/Laura Mercier/Exclusive Artists; Dress: Valentino Red; Shoes: Alexandre Birman; Jewelry: Erickson Beamon; Gellar’s Hair: Mara Roszak/Starworks Agency; Makeup: Marco de Souza/NARS/Wilhelmina; Dress: Farrah Angsana; Shoes: Jimmy Choo; Jewelry: Erickson Beamon; Production: Allison Elioff/Sunny 16 Productions
Buffy The Vampire Cast Reunion Shoot (2017) Michelle Trachtenberg of Buffy The Vampire Slayer photographed exclusively for Entertainment Weekly by James White on March 7th, 2017 in Los Angeles. Styling: Annie Jagger/The Only Agency; Prop Styling: Andy Henbest/Art Department; Trachtenberg’s Hair: Whitney Olson; Makeup: Liz Zaldana; Dress: Uel Camilo; Ring: Erickson Beamon; Production: Allison Elioff/Sunny 16 Productions
Buffy The Vampire Cast Reunion Shoot (2017) A frame that will house a painting of Giles, the actor Anthony Head of Buffy The Vampire Slayer photographed exclusively for Entertainment Weekly by James White on March 7th, 2017 in Los Angeles. Styling: Annie Jagger/The Only Agency; Boreanaz Styling: Rob Bolger; Gellar Hair: Mara Roszak/Starworks Agency; Makeup: Marco de Souza/NARS/Wilhelmina; Boreanaz Groomer: Sonia Lee/La Mer/Exclusive Artists: Prop Stylist: Andy Henbest/Art Department; Gellar dress: TK; Boreanaz Jacket: TK, Shirt: TK
Buffy The Vampire Slayer Cast Reunion Photos Buffy The Vampire Slayer ran from 1997 to 2003. Check out these Entertainment Weekly‘s 20th-anniversary reunion…
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graveravens · 7 years
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Jacquelyn Jablonski by Paul McLean
Jacquelyn Jablonski by Paul McLean
Long draped looks set against the city background modeled by Jacquelyn Jablonski. Captured by fashion photographer Paul McLean for the January 2017 issue of Harper’s Bazaar Serbia. See the shoot below:   Photography: Paul McLean Styled by: Anna Katsanis Hair: Sami Knight Makeup: Silver Bramham Model: Jacquelyn Jablonski
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universomovie · 7 years
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Harper’s Bazaar Kazakhstan Março 2017 Anna Mila by Claire Rothstein
Harper’s Bazaar Kazakhstan Março 2017 Anna Mila by Claire Rothstein
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Photography: Claire Rothstein Styled by: Anna Katsanis Hair: Sami Knight Makeup: Silver Bramham Model: Anna Mila
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olympicgames-en · 6 years
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Wilson hoping One Two Many can earn Bramham’s top spot
#OlympicGames #London2012 [Yorkshire Evening Post]London 2012 silver medallist Wilson is Yorkshire’s leading hope at this year’s eventing extravaganza and the 41-year-old flew into the lead in the CIC three-star class on the opening day after a fine dressage score of 25.0 on star mare Bulana.
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