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#So Jason can't get in
ryoalouette · 8 months
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Machi's Idea #4
The JL can't understand what's wrong. They did their best effort to honor the king of dead and celebrate accordingly with the most strict protocol. Yet the king seems equally dull and annoyed. The JLD knows what's going on but they decided to say nothing in the hopes that this would teach the JL a lesson. Jason tried to explain the situation but none of the "adults" (aka Batman) listened to him so he decided to get his point across by getting into a fist fight with the king. One hour later they are kissing and Jason is explaining to the JL that ghost bond through fighting.
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bet-on-me-13 · 6 months
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The New Gotham Rogue, Keeper Pt.1
So! When Danny was killed by the Portal, he was tossed into the Realms and the Portal collapsed behind him. All that was left was a small Spiral shaped Crack in Reality hanging in the Air, and a crater where the Portal had originally opened.
His Family and Friends assumed he was vaporized by the malfunctioning Portal and mourned his death, and Danny himself thought he was just Flat Out Killed by the Portal and became a normal Ghost.
Danny was stuck in the Ghost Zone for over a Month, coming to terms with his own Death, before something happened. The Portal Re-opened itself temporarily.
When Danny found it Open, he was Elated! He could finally go back home, explain what had happened to his Parents, maybe even find a way to live in the Human World as a Ghost!
Unfortunately, he wasn't the first one to find the Portal. Lunch Lady had reached it about an Hour before he did, and had begun attacking the students at his old school for changing the Lunch Menu she had concocted in her life.
Danny rushed to stop her, and eventually managed to beat her. Unfortunately, his Parents showed up and started attacking him too. Even after he explained that he was Danny, that he was their Son, they didn't stop. In fact, they got even more aggressive, saying that their son was dead and that he was just another Spook.
In the end, Danny had to run back into the Ghost Zone to escape his parents, dragging Lunch Lady with him.
After that, he decided that he had to become a Guardian of the Portal whenever it randomly Opened, to keep both the Humans and the Ghosts safe.
For over a year, he stopped almost every Ghost that attempted to pass through the Portal, fighting them back or stalling them until the Portal closed again. There were a few incidents where they managed to get passed him, like when Undergrowth mind controlled his old friend Sam, or when Hotep-Ra reawakened Tuckers memories from his pasts lives, but most of the time he had it under control.
Of course not all of them had to get past him, Natural Portals still existed after all, but every time they got to the Human Realm he would find them and drag them back.
Unfortunately, being the one thing standing between the Ghosts and the opportunity to fulfill their Obsessions earned him a lot of resentment.
Everybody he met hated him. He was seen as a Villain in the Zone, the one who prevented everybody from fulfilling their Purpose at every pass.
Danny was not in a good head space about it.
His mind was buckling under the pressure of it all. His duties as the Guardian of the Portal, the hatred the Denizens of the Realms held for him, the lonliness eating away at his Sanity, it was all too much. He felt his psyche cracking ever so slightly every day that passed like this.
It got better for a time in the 2nd year of his Afterlife. He had managed to befriend a few Ghosts, mainly the Leaders of certain Kingdoms who saw the necessity of his action, as well as a few others.
Frostbite, Pandora, and Dorathea were the Pillars upholding his sanity for that period of time. He finally had friends (or at least people who didn't harbor nothing but distain for him). But unfortunately, it couldn't last forever. They had Kingdoms to run, People to Lead, and they couldn't spend all their free time entertaining his selfish whims his need to talk to someone, anyone at all, so he forced himself to stop bothering them so much (they didn't think any of that)
And Guarding the Portal took most of his time as well. His Rouges had started attacking him between it's Openings, hoping to gain control of the Portal while it was inactive so they had first dibs when it did open. Danny was getting run ragged trying to keep them all away.
Eventually, he reached his second Death Day. It didn't really feel like 2 years had passed, in fact it felt like much, much longer than that, but he knew in his Core that it was his 2nd Death Day. Also, whenever he peeked through the Portal, it seemed like 2 years ago passed in the Living World, so he just went with that.
On that day, he discovered something. During a battle with Plasmius, (who was still enraged at him for blowing up his own, stable Portal), he felt something strange. A familiarity that he had never noticed before, which happened when Plasmius briefly turned Human to avoid his attacks.
After the Battle, Danny decided to investigate that feeling. It was a weird sensation, like pressure built up in his Chest that he had never noticed until that moment with Plasmius, the first time he had ever seen him Transform in person.
After focusing on it for a while, Danny felt it getting stronger and stronger until it Burst with a flash of light. And suddenly he was Human again. He was Alive again.
It was another few minutes of testing this ability out before he finally stopped and took it all in. He was a Human. even if he was half Ghost.
He was Human.
He was Alive.
A thought struck him. Did this mean he could go back home? Back to his Family? His friends? Mom and Dad? Jazz? Sam and Tucker?
In an instant he was up and running to the still Open Portal. It hadn't closed since he had beaten Plasmius, as it it felt his desire to return to the Human World.
It actually might have, considering it was a part of him. Clockwork had explained it after the whole, Dan situation. When he had first formed, a piece of his newly formed Core had broken off and become the Core of the Portal instead. It gave him a connection that allowed him to better Guard the Portal, knowing when it was Open or if somebody had used it.
Stopping at the edge of the Opening, Danny thought about all the things he would be able to do again. Hug his Parents, eat Human Food, talk to his friends. Oh God, it had been so long since he had actually talked to another person. None of his Rouges had bothered reciprocating his Quips in almost a year now, so he barely ever had anybody to talk to. Even somebody proclaiming their eternal hatred for him would be better than the endless silence.
Taking a deep breath, he stepped through the Portal with Hope in his Heart.
On the other side, he found un unfamiliar room.
It was much cleaner than his Parents Lab, with all the different Inventions placed perfectly in neat workstations. Multiple work stations. Had his parents hired some neat freak assistants? Why were there so many Work Stations?
Honestly that wasn't even the most eye catching detail he noticed. There was something else, something more noticeable.
It was the fact that everything in the entire Lab was White.
He heard a series of footsteps approaching the Lab, and before he knew it, the room was filled with GIW Agents and Scientists, all pointing their Weapons at him.
He tried to call out to them, to tell them that it was okay, that he was Human. But all that came out was the static sound of Ghost Speak. Why did that happen? He wanted to use Human Language! Why was he only using Ghost Speak? Had he...had be really forgotten how to speak?
Did he really forget the one thing basic for almost every human? How? Sure it had been a while since he spoke it, but were 2 years of not speaking English really enough for him to forget everything?
But, it hadn't been just 2 years, had it? Time moved strangely in the Ghost Zone, and it definitely felt like longer. How long had it actually been? How long had he been Dead?
Stuck in his own mind, he never saw the barage of attacks coming his way.
...
Danny was stuck in that Lab for over 6 months.
He was kept in that same room he was captured in, constantly being cut open and pulled apart before being left overnight to heal himself.
He tried to explain that he was human in any way possible, but without being able to talk it was hard. He tried writing out in his own blood at once point, but they just cut him opened even more after that, trying to figure out how the "Mindless Ghost" had managed to imitate human writing.
They never listened to him screaming in pain. In their eyes it was just a random Ghost trying to trick them into thinking he could Feel.
Every time he screamed in pain, they would berate him. "You can't feel, shut up!" "You aren't human, stop taking that form!" "You are a Ghost! You can't feel scared, get up!" "You are just a mindless blob of Ectoplasm!" "You would kill everybody here if given the chance!" "You aren't Human!" "You aren't real!" "You're just a Monster!"
"You aren't Alive!"
Even through all that Torment, he didn't stop fighting. He knew he was Human, that he was alive. There was nothing that would ever change that. Or so he thought.
Then they brought his Parents in.
They had previously mentioned them, praising them for their technical skills and cheering the fact that they had sold them the Portal, even if it had not turned back in since he came through. Then, they decided to bring them in to study the Ghost who kept imitating their dead son.
When they first walked in, Danny felt a spark of hope. Maybe they would save him, maybe they would see that he was alive, that he was real.
But they didn't. They just kept on with the same experiments as before, yelling the same things, but it hurt so much more coming from them.
He didn't last long under their study. He broke, and he didn't think he would ever put himself back together again.
...
It was at the 6 Month Mark that something new happened. As it turns out neither his, nor the Portal's absense had gone unnoticed in the Zone.
In his time trapped in that Lab, he had used his connection to the Portal to keep it from opening, using every ounce of his Willpower to force it to stay closed, no matter how much it struggled under his control.
When he was finally Broken by his Parents, he lost his grip on the Portal, and that night it opened for the first time in Months.
The first one to find him was, coincidentally, the Lunch Lady. The first ever Ghost he guarded the Portal from.
What she saw when she floated into that Room would forever Scar her memories. Danny in his Ghost Form laying strapped to an Operation Table, his organs out in the Air, his ribs spread out like an Eagle. At the center of his Chest sat his Core, exposed for the whole world to see, showing off all the damage it had received since the Scientists first found it all those months ago.
He looked up at her, and his eyes told her all she needed to know. Run.
She fled back through the Portal, horror stricken across her face. Danny managed to shut it down again after that.
Apparently news of what she had seen seen had spread around the Realms. Even when the Portal was active, nobody came through. The few times anybody did poke their head through, they saw him and left screaming in Terror.
Danny knew they would never save him. He was their Enemy, the Villain in their story, they would never risk themselves trying to help him.
And honestly he didn't know if he wanted to he helped. This was all his Fault. He was the one to open the Portal, he was the one who Guarded it for all that time, he was the one who got himself into this mess.
One time, he felt the Familiar Aura of Pandora approaching the Portal, and forced it closed before she could reach it. Her head managed to get through for a moment, but when she looked at him with those pleading eyes, begging to let her help him, he closed them as tight as he could and shut the Portal Closed, pushing her Back into the Realms.
She was trying to save him. But she didn't deserve to get hurt trying to help a waste of space like him.
He needed to get the Portal away from the Lab. It was only a matter of time before he lost any ability to close the Portal at all, before the Scientists managed to find a way to keep it open and invade the Realms. He needed to get it away from them, if only to protect the Ghosts on the other side.
He needed to do his Job, to guard the Portal. From either Side.
...
It took another month of conserving his strength before he managed to break out of his Shackles. It took a bit if trial and error, but eventually he found a way to draw the Portal into himself to transport it away.
It was technically a piece of his Core after all, he just had to slot it back into Place.
After that, he had to find a way out of the Lab. The Scientist he found wandering outside his room didn't have any Overshadowing Protection at the time, so he managed to get halfway to the Exits before the alarms sounded.
Then it was a mad dash of fighting off Guards and dodging the Security System to get to the Door. He dropped the Body when he reached the Doors.
It didn't get any easier after escaping the Building, but after several hours of chasing he eventually lost them.
He kept running though. He couldn't keep the Portal within him forever, and he needed a safe place to let it out. Hours of running eventually led him to somewhere that might work.
Gotham City.
...
Cass wasn't entirely sure that she was making the right call in this, but Croc's Body Language seemed to suggest that he was being genuine in his intentions, so she kept on following him.
In the past few Months, there had been a string of incidents where Government Agents in White Suits had incited fights and shootouts while "investigating" a supposed escaped Superpowered Prisoner. They had justified themselves by saying that the civilians they were attacking were actually Extra Dimensional Monsters known as Ecto-Entities, also known as Ghosts.
Of course a simple blood test always disproved them, but they were relentless in their "investigation". She used air quotes because they were some of the most Incompetent and Dimwitted morons the team had ever encountered, which was saying something. The only semi-competent ones where the pair of Scientists who commanded them, but even they were borderline insane, constantly ranting about how Evil Ghosts were and how they wanted to pull them apart molecule by molecule.
Unfortunately, there was nothing her Dad could do about them. They were a legitimate Government Agency, no matter how incompetent, and they hadn't been lucky enough to actually do any damage in their multitude of fights, so her Dad couldn't really force them to leave.
He had however started looking into the missing Ghost Prisoner they were chasing. If he could just find it, they could get the GIW out of the City and be done with them.
Her Dad and Tim's investigation had led him to a few short reports from a couple of months ago, describing a Humanoid figure covering in a glowing green liquid stalking the streets one night before disappearing all of a sudden. There wasn't much to work with, but the Team kept on the investigation in the hopes that they could get rid of the GIW sooner rather than later.
Unfortunately Cass, Damian, and Jason were exempt from the investigation, because for whatever reason whenever they came anywhere near the GIW, they started attacking them.
They had argued that they could take care of themselves, but Bruce had been adamant that they stay out of it. Damian had eventually relented, trusting the orders of his Father. Jason had flat out refused, but said that he would stay out of it just as long as the GIW stayed out of Crime Alley.
Cass however? She didn't want to be left out! She had more than proven that she could take care of herself, but her Dad was still too paranoid to even let her out of the House. She decided that she would undergo her own Investigation, and prove to her Dad that he shouldn't have ousted her from the Case like that.
She decided to take a different approach to the Investigation. Her Family was still combing through reports from the previous few months to see if there were any more mentions of the Figure, but she thought of something else.
After looking at the randomly reported sightings of the Entity that her family had collected, she noticed something. They were all set near Farners Markets, Grocery Stores, Restaurants.
The Entity was looking for Food.
She didn't think extra-dimensional Entities would be eating the same food as other Humans, but then again these things are supposedly impressions of Human Emotion that remain after death. Maybe it held onto the same Habits?
She decided to follow that potential lead.
Tracking stolen food across Gotham was tricky, because so many people were stealing food to survive. But eventually she got down a Pattern. It would strike at nighttime, stealing only Canned Food, and the Camera's would be covered in static for his duration in the store. Curiously, it would also take a few containers of Fudge whenever the store had it.
It was very steady for a while, and eventually she found that her list of locations matched up to the sightings the others had gathered had from the past few months.
On the day she was about to reveal the results of her investigation to her Dad, something changed.
The GIW had a major shootout, where they reported that they had found and injured the Prisoner, but it had Escaped.
The reports of stolen food matching it's M.O. stopped coming in after that. She thought that her Lead had been lost, and was mentally cursing the GIW in her head for days, before an offhand comment from one of her brother's caught her attention.
"Croc was seen stealing Canned Food recently. Didn't think he ate anything but Meat, but I guess he got a taste for Chocolate Fudge."
So, she investigated the Lead and found that Croc had taken up stealing the same type of food as the Entity did.
Quickly, she looked up the maps of every store that had been hit, as well as the Sewer Systems, and looked at them side by side. They matched up. At every single location where the Entity had stolen it's food, there was a Major Sewer Line.
And each of those Sewer Lines were in Killer Croc's territory. Killer Croc was harboring the Entity, he was feeding it.
She had solved it! The Ghost Entity was living in the Sewers!
She almost got up and ran to tell her father the news right then and there, but she paused. There were still unanswered questions, questions she wanted to figure out before telling her Dad.
Why was Croc feeding the Entity?
What connection did they have?
Why was the Entity in the City in the first place if the GIW was there as well, looking for it?
She needed all the answers before presenting it to her dad. She wanted to cover all of her Bases if she was going to admit that she went against her Dad's orders, not wanting to anger him. (She knew he wouldn't be mad at her, but old fears die hard.)
It took a while to find a way to sneak out of the House, but she managed it eventually. She roped Alfred into covering for her, saying she just needed some fresh air after being stuck in the house for almost a Month. Which was actually true.
After that it was just a matter of scoping out the spot where she had predicted Croc would be first, and waited.
It took a few tries to get the right location, but eventually she managed to find him. Croc was wary of her at first, and when she mentioned the food matching the MO of somebody else she was tracking, he flipped out!
He wouldn't let her get a word in, not that he was speaking very much, but still.
He calmed down after a few minutes of her not fighting back. She convinced him that she just wanted to talk to the one she was Tracking, whoever he was, so she could ask them for help in getting the GIW out of the City. Which was technically the truth.
After a bit more convincing, he caved and told her to follow him, before descending into the Sewers.
She was thankful that Croc was one of the more reasonable of the Rouges, and that she had a good enough reputation that he managed to trust her.
So here she was, following Croc through his Territory under Gotham, about to meet this Ghost Entity she had been tracking for over a Month now.
After a long walk, they emerged into a relatively large Room. It seemed to be an abandoned Sewer Reservoir, one of those large Rooms you see on TV that's like a giant Whirpool that characters are always getting sucked into (she hadn't had much to do while stuck in the house okay? She had been watching a lot of TV recently), except it was completely Dry.
There were a few places around that were obviously set up like different rooms in a house. A bedroom, a kitchen, an old couch and a box TV set up in front of it, and so on. This seemed to be one of Crocs more lived-in homes, which spoke to the trust he was placing in her not revealing this place to the other Bats. She felt slightly honored at that thought.
He led her to a section of the Base slightly off to the side, a room that wasn't entirely visible from the Enterance.
He stopped her at the door and called into it. "Hey Keeper, there's someone here to see you."
Without waiting for a reply, he turned around and ushered her into the Room.
It looked like a typical Bedroom, an old wardrobe was set off to the side, one of the door having fallen off. Inside there weren't that many items, just a few shirts and some pants. Closer to the center of the room, there was a Table covered with various empty cans and utensils. On three walls there were various posters and drawing featuring stars and constellations, seemingly placed haphazardly around the room with no real pattern. Most importantly, there was a Bed in the Corner.
And on that bed, was the Entity she had been tracking. And he was just a Kid.
He looked just like a normal teenager, about the same age as her, but he had White Hair and Green Eyes. He was sitting in an upright position, probably having sat up to get a better look at his visitor, and she could see the mess of bandages on his body.
The freshest ones were obviously for the wounds that had gotten him put on bed rest, a strip of clean bandages covering his stomach, with a bulge above his lower left stomach showing where he had gotten shot by the GIW.
But the rest of them, the older ones, they covered his entire main body. The bandages where old and slightly dirty, but it was obvious they had been placed in a hurry.
She was so busy studying his wounds that she almost missed Croc introducing her.
"Orphan, this is Keeper. Keeper, this is Orphan." He told the boy, "She says she wants to help get rid of the GIW."
The boy merely glanced at her before directing his gaze to Croc. A static-like sound seemed to Emit from his form, like a Trill, but against all logic she seemed to understand what it meant.
Discontent. Wariness.
Croc seemed to understand it too, and said, "Keeper, she can help get rid of the GIW. Don't you want them gone?"
Another Static Trill. Uninterest. Indifferent. Resigned.
"You can't just give up like that! If you won't fight back for yourself, at least fight back for the sake of protecting the P-", he was cut off by a wave of Static.
Anger. Displeasure. Stop.
Croc stuttered a bit. "I-sorry Keeper, I didn't mean to- I-" He was cut off again.
Displeasure. Leave.
They got the hint. Leaving the room, and walking to the exit.
Cass made one final glance behind her, meeting his eyes through the open doorway. They were cold and lifeless voids, as if he had cut himself off from all emotion.
"Sorry 'bout this Orphan. Keeper needs help, but he doesn't think he deserves it." He told her as they walked back to the surface. "He's not in a good head space right now, hasn't been since me n' Grundy found him wandering the Sewers all those months ago."
She made a questioning sound, and he picked up her meaning quickly. "Grundy is out finding more space themed stuff for his Room. Said somethin' about needing to fill an Obsession, but can't really explain it more than that."
She nodded in understanding as they reached the Sewer Drain where they had first decended into his Territory. She climbed out, but gave a final goodbye to Croc as she left.
She pointed at herself, and said, "I. Come. Back. Soon."
He gave her a slight Nod, and she leaped away.
By the time she got back to her Room in the Manor, her mind was a raving.
She was dumbfounded. Cass had originally tracked him down to make sure her theory was right before reporting it to her Dad, so that the GIW would take him before leaving and not coming back. She was dead set on getting the GIW out of the City by turning whatever entity they were chasing in.
But every intention of reporting him had left her the moment she had seem him in person. He was just a kid, a teenager like her. He was so hurt he couldn't get out of his Bed, his body was covered in bandages from presumably previous encounters with the GIW, and he was resigned to his fate.
He didn't care if he lived or died. He was just fine with letting the GIW capture him and injure him again, but there was something he was protecting that made him keep going on.
She wanted to help him.
But it wasn't because she pitied him. It was because Keeper had such a familair expression on his face when she left. One she had seen in the mirror a thousand times before her Dad had taken her in. And she swore she wouldn't let another kid keep that same expression as long as she could help it.
But there was also something else. When he was talking to Croc, and Croc mentioned that she wanted to help get rid of the GIW, she saw something flicker in his eyes. Just for a moment.
And she might be wrong, but she thought she saw a flicker of Hope.
#Dpxdc#Dp x dc#Dcxdp#Dc x dp#Danny Phantom#Dc#Dcu#Guys in White#Giw#He acts as the Guardian of the Portal and prevents anybody from passing though to protect the people of Amity Park#Danny doesn't know that he's a Halfa for years and just thinks that he is the Ghost of Danny Fenton#He kind of distanced himself from his old identity as Danny Fenton because he believed that his parents were right and that he wasn't real#When he finds out that he is a Halfa he is extatic and acts before he can fully think through the consequences#Danny gets Captured by the GIW#The Portal is a piece of his Core that was broken off when he formed so he had some level of control over it#He keeps the Portal closed forcefully for months on end so the GIW can't invade the Ghost Zone#When he escapes the takes the Portal itself with him and runs away to Gotham#The GIW follow him#Cass Jason and Damian are too Liminal so the GIW can track them#Many citizens of Gotham are Liminal as well but those 3 are so Liminal that they are detected as Full On Ghosts (because of the Lazarus Pit#They are put on House Arrest for a bit and Cass does not like this so she does her own investigation#At first she wants to find the Entity that the GIW is Hunting and turn him in so they can finally leave#After she meets him she wants to wrap him up in a blanket and hug the trauma out of him#Cass can understand Ghost Speak#Just the basics but she can get the general idea of what they are saying#Danny is taken in by Croc and Grundy#Grundy gets Danny some Space Themed Objects so he can heal faster by fueling his Obsession
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puppetmaster13u · 8 months
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Can't stop thinking about This prompt/au lol
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I almost like to think that Clockwork kind of half-sent Danny to the ghost-world version of Gotham because he was struggling and is honestly just a kid and could use some guidance. And with how the Observants dislike him to the point of murder, CW sure couldn't keep him in Long Now. But Gotham? Now there's a place that not many go, thanks to curses running amok, a very dangerous City Spirit, and amalgamations of fallen Guardians and Rogues. It's chaotic, dangerous, and a hell of a shot, but the Bat could, and most probably would assist the newborn guardian. The living world and the infinite are intertwined after all, influenced by whatever realm it drifts closest to.
Thankfully Danny seems to be enjoying himself- he has a proper ghost friend now! And he's starting to be able to understand Batblob's cacophony of Silent-EverSilent-Gurgles-DistantWhispers-QuietScreamsSilence easier too without Robin translating. (His Ghost-Speak is getting so good :D) He wishes he could bring Sam & Tucker but it's a little too far into the ghost zone. And the ghosts and Vlad doesn't bother him here! (The last time he tried, unknown to Danny, the older halfa was met with a malicious swarm of teeth and maws ready to rip and tear and not lose another child again-) He's even gotten shown the exits to the living-world's Gotham. Robin likes to ramble about the new and different living-robins and about their friend who was also a robin and who disappeared one day and whose core they carry on their belt. Maybe he can help them find out what happened to him...
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sleepy-writes-stuff · 9 months
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DP X DC WRITING PROMPT #20
(#) = Notes at the end of post
(*) = Other ideas relating to the prompt
To Let Sleeping Dogs Lie
Jason stayed dead for about six months before he was resurrected. That left his spirit plenty of time to fully manifest in the ghost zone, but time flows a little weird in the Infinite Realms so it feels like he's been dead a lot longer.
Regardless, six months is enough time for him to make plenty of friends and enemies alike. Enough to fall head over heals for the white-haired boy named Danny who just so happens to also be his king. Enough time for Jason and Danny to finally confess their feelings for each other and form a relationship. Enough time for them to grow to adore each other down to their very cores. Enough time for Jason to become the King's consort and earn the title of Prince of the Infinite Realms.
Not enough time, however, when Jason's spirit is unwillingly dragged back to the broken husk of his body buried in a coffin six feet under. Not enough time when the sheer amount of trauma his body and mind suffered causes his memories of the afterlife to sift out like grains of sand through a colander, mindless in his continued existence and search for a man named Bruce that he only half recalls.
Not enough time for when his body is stolen and dunked into the foulist pools of ectoplasm to ever surface in the living world and he comes back with unbridled rage he only half understands. Where is he? Where was he? Why does green flood his vision? Something is missing but why can't he remember? He shouldn't be here. Why was he here?? (1)
Jason tries to navigate his way through the world he'd previously left behind and discovers what happened after his death. The Joker was still alive. Another child was running around in a traffic light costume in the dead of night. Bruce had replaced him, seeming to forget he ever existed and the consequences of training a child to be a vigilante. That just won't do. He cries. He rages. He plans.
Meanwhile, the King of the Infinite Realms is apocalyptic over the fact that his lover was ripped from his arms, their kingdom, their home. He can sense Jason's torment like echoes in a cave. Can sense when his body enters the fringes of his territory when dunked into the toxic Lazarus waters created by the previous king. How dare they taint his lover's spirit with such filth?! Danny's core rears its head, chanting, growling to protect his soulmate.
Danny is beyond unhappy and he's about to make it everyone's problem.
Notes:
(1) Jason forgets everything he experienced in the afterlife with Danny and is even more confused than he previously would have been when resurrected. Memories only come back to him in bits and pieces when he comes into contact with beings of the supernatural and Danny himself or possibly when he sleeps.
(*) I believe an interesting way to show the events and progression for this prompt would be to switch back and forth between the current events of Under the Red Hood/Phantom's anger and the days they spent together in the Infinite Realms before they were literally torn away from each other. Either as standalone info or through the dreams Jason has as he sleeps but doesn't remember when he wakes.
The events of Under the Red Hood still happen, there's just the question of where he even was for the six months that he was dead added into the equation. Dead on Main tossed in there for flair, because why not? Been seeing a lot of "Jason becomes Danny's Fright Knight" fics, but I wanna see one where they're literally just a royal couple who rule the Infinite Realms with a just and fair hand.
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amaraudermind · 1 year
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Anyone else ever thinking about the constant nightmares Dick was having at the beginning of his solo in the nineties(in which he was Robin again and trying to catch a little boy who’s face he could never make out and was always too late) that culminated in the fear gas induced hallucination issue wherein there’s another faceless young boy who eventually introduces himself as Jason
And the dreams were subsequently never brought up again
The closest we got was the hallucination he had in his secret files where he spent the whole time talking to Robin
Because I am. I am thinking about it a lot
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No Regrets - Part Three
This one got longer than I expected, so it's only about Spring Break. We return to the apocalypse next part.
Part One🦇 Part Two🦇Part Three🦇Part Four🦇Part Five🦇Part Six
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"-eve?"
Waking up again is disorienting. His head aches like the beginning of a migraine. There was something he was thinking about but it's fading quickly. A conversation in a boathouse...? That's not right. The boathouse was empty. The police had beat them there.
"Steve?"
No. No conversation in a boathouse. But there was a phone call. He knows he remembers that. Joyce had called last night. Her and Murray sharing a phone between them as Steve- Oh! Right. Steve told them he knew about Hopper in Russia.
"You have to go, though. Hopper is alive and waiting. And there's a demogorgon. Demodogs, too. You have to kill them all. Any connection to the Upside Down left alive helps Vecna. It's like having a tether to here makes him stronger."
"I can't just abandon El," Joyce sounds conflicted, and Steve gets it. He does.
"You aren't. You're going to be giving her back her dad. She's got Jonathan and Will and Mike. Argyle, too, if he wants to be there. Just. Just get them on the road and back here as soon as you can. If they don't leave soon than Brenner will-"
"Brenner? What do you mean Brenner? He's dead. Right? He's supposed to be dead."
"Yeah, well, he's not. He- I don't know the full details, just. I was just given an overview because, y'know, other shit was going down. But he makes El relive a lot of traumatic shit from her past and yeah, it gets her back her powers, but she's just a kid. She's just a kid."
"Her abilities, they aren't gone?" It's Murray who asks.
"No. She's just traumatized, in a different way. It was... it was Jonathan who said this, actually, to me. I mean, he hasn't said it yet, and if everything goes the way I want, he won't need to say it ever, but that's- sorry, that's not important. He said he thinks El blocked her abilities because she lost Hopper. An internal block, you know? 'Cause she couldn't save him with them, so what was the point of having them?"
"And you think bringing Hopper back will free her of that block?" Murray asks.
Steve can't help it. He laughs. "Hell no. I think years of therapy might, but having her dad will help. There's no way it hurts, right? Also, uh, you're the parent here, Joyce, so I'll let you decide what to tell her, but the big, awful thing that Brenner made her relive? It was a massacre. At the lab, when she was there. Another guy, another number, killed a bunch of the people there. It was El who saved the remainder. She stopped him from killing anyone else by opening the first gate to the Upside Down. She tossed him in and closed it. She's not a monster. Oh, that part you have to tell her. She's not a monster."
"Steve!"
There's more to the phone call, Steve knows he knows that but there's yelling and it's distracting.
"Steve!!"
"What?" Steve snaps, both with his shout and back into himself. He's sitting at the picnic in Forest Hills. Everyone is looking at him with varying degrees of concern.
"You okay?" Robin asks, "we've been trying to get your attention for a while now."
"What? Yeah, sorry," Steve says, distracted, standing up and looking around. Eddie's trailer is right there, and Wayne's truck is parked in front. He knows Wayne. Knew Wayne? He's in charge of the gardens at home base. A real green thumb, not that you can tell by looking at the trailer now. "You think that with Fred's death, they'll stop suspecting Eddie?"
"What? We don't know that they suspect Eddie," Dustin is quick to say, "I know he didn't do it, and so do you so-"
"Yeah, I know! I do know that, but Chrissy died in his home and then he ran. Of course, he's a suspect. But he was in jail last night. So. They can't suspect him still, right?"
Nancy purses her lips, giving Steve a look he knows isn't good. "Well, it will depend on when they apprehended Eddie, which we don't even know they did. How do you know he was in jail last night?"
"Good point. I don't, not for sure. But Wayne might," Steve says as he starts walking away. He can hear everyone at the picnic table shouting for him and scrambling to follow. Steve picks up speed, dashing up the steps and pounding on the door before anyone catches up.
"Steve, what are you doing," Max hisses, because she's the fastest and therefore the closest.
"I just gotta-"
"Can I help you?" Wayne Munson greets, voice even. Steve watches as his eyes sweep the group, pausing on Nancy before coming back to Steve.
"Hopefully. Uh, I'm a friend of- well, no that's a lie. I don't want to lie to you. I'm not Eddie's friend, but I want to be, and Dustin here is, so we just wanted to know if you could tell us if Eddie's okay?" Steve says. "You already talked to Nancy yesterday, but she didn't know that we, like, knew him. Have you heard from Eddie?"
Wayne eyes him with suspicion, which is fair, "I ain't heard from him."
"Please," Steve says, because he's got to try one more time. Either Wayne doesn't know for real, or he's lying because he doesn't trust Steve. He's not sure he'll be able to tell which is which, but he has to ask again, "I swear that we just want to help Eddie. Whatever happened to Chrissy wasn't his fault, I know that. I just need. I need to know he's not- not out there, alone and scared. Please."
Wayne stares him down and Steve refuses to look away. Wayne's eyes flick away from him to the single police cruiser still stationed nearby, then back. "Get in here."
He doesn't need told twice. Wayne retreats into the trailer and Steve follows. Immediately his eyes jump to where the gate will form. Currently it just looks like water damage on the ceiling, but Steve knows. No gate yet, but it'll be there tomorrow. Probably fully formed by the time Vecna tries to take Max.
Robin, the last one in, shuts the door behind her gently.
"I told her yesterday that Eddie didn't do this," Wayne nods his head towards Nancy but he never takes his eyes off Steve. "Didn't stop them from arresting him."
"Thank God," Steve breaths out, which is the wrong thing to say, given how quickly Wayne's face morphs to anger, so he quickly adds, "shit, I mean, that means, he was in police custody when they found another victim last night, right? That'll prove he's innocent."
Wayne doesn't respond right away. Instead, he takes his time looking at each and every one of them, lingering on Nancy before settling on Max. "You live 'cross the way, don't ya?"
Max looks surprised to be recognized. "Yeah."
"Did you see anything?"
"I saw..." she trails off, brows furrowing as she thinks. She looks from Wayne to Steve. He doesn't know what she sees on his face, but he watches as she steels herself, a decidion made, before looking back to Wayne and saying, "What I saw is whatever I'll need to have seen to help Eddie."
"You'd lie to the police for Eddie?"
Max and Wayne have a silent conversation following the question, judging by their stare down and raising and following brow lines. When Max does speak, she says, "I've lied to police for worse people."
"Huh," is all Wayne says as he settles back against the counter behind him.
"Thank you," Steve says, even as his mind starts to calculate. They'll probably keep him the full 48 hours, since there isn't evidence enough to charge him. Right? There isn't really any evidence. Except, perhaps, what Eddie might have told them. Shit. Would Eddie say anything? "Can you let me know when they release him? Whatever happened, whatever he saw, probably freaked him out. I don't want him to feel alone. I mean, we don't."
Dustin is looking at him now like he's grown a second head but Wayne. Wayne is looking at him like he's made a realization. Drawn some unknown conclusion that he must approve of because he nods. "Sure, son."
"You got pen and paper? I'll write down my number."
The silence from his friends is deafening and does not bode well for Steve. He just knows they're going to bombard him as soon as they leave the trailer.
Which is exactly what happens. They wait until they're back by their cars before starting in, though.
"Steve, what the fuck was that?" Dustin says.
"How did you know he got arrested?" Max demands.
"Steve, you are acting so strange right now," Robin says, worry painted across her face.
"Explain," is all Nancy says, crossing her arms.
Should he? Does he even know what's happening? No. Not really. He's got memories of a future that's bleak and dark and terrible and he doesn't want it to come true. Are they even memories? Did those events even happen? He doesn't know for sure. All he does know if he wants to do everything in his power to prevent it from happening though. He doesn't want to have regrets about.... about something.
"We don't win," he says. "We don't win this one. Or, we didn't? We might now. Things are different this time."
"What?" Robin asks.
Steve ignores the question, giving instead more of the information he knows, "Hopper's alive. Joyce and Murray are on their way to Russia to save him."
"WHAT?" he's not sure who asked. Maybe all of them.
"And El is- I don't know. On her way, I hope. But she won't have her powers when she gets here. Or maybe she will? If she believes she's not a monster and really is the hero."
"Steve, you are not making any sense!"
"I know!" Steve shouts and drops into a squat. "I know! I'm not the- the figure it out guy, or the plans guy, or whatever. I'm just the guy who knows things he shouldn't, and I can't tell if it's because I actually lived it, or if I was just given knowledge about it somehow. I know the Upside Down has a red storm that never ends, more democreatures that just gorgons or dogs, and that Vecna slash Henry slash One is a goddamn monster who opens a giant hell gate and causes the apocalypse."
"Whoa, whoa," Dustin sooths, and when Steve looks up, Dustin's got both hands up and approaching like Steve's a wild animal. He kind of feels like one right now. "Slow down and explain."
There's a lot Steve could say. Should say. Steve is kind and soft, even in the face of the end of the world, but he's also learning that he's a little ruthless. Not heartless, but enough that he can see where they are, where they need to be, and how to get there in the easiest way possible. His eyes flick to Max. "Chrissy and Fred. They were both seeing the guidance counselor. You've seen them both there, right Max?"
"I- yeah. Yeah, I have."
"And Nancy, you've got a hunch, right? You need to go to the library to check it out?"
She narrows her eyes at him but nods.
"Okay. So, uh, let's use that as proof. You and Robin go check out your hunch, and I'll stick with Dustin and Max. Take Max to see Ms. Kelley and see if she'll tell Max anything that connects them?"
"You already know what we'll find, don't you?" Nancy asks, and Steve shrugs. "You're right. I won't believe you. Not without this proof. So, we'll go, Robin and me. And when we meet up, I expect you to tell me what we learned."
Max is completely silent the entire drive, an exact opposite of Dustin who shoots off so many questions in a row that Steve can barely remember the first by the time he's onto the next. Not that it would matter, because Dustin doesn't pause between any of his questions or comments to let Steve answer anyway.
Max launches herself from car almost as soon as Steve pulls up to the curb with a loudly groaned, "finally" before she slams the door and bounds across the street.
"Steve! Are you even listening to me!?" Dustin has finally lost steam or ran out of breath or something.
"Are you done yelling at me?" Steve retorts.
Dustin lets out a really big sigh then says, "For now. I just- Let's start with this. How do you know that Hopper's alive?"
"Joyce and Murray confirmed it when I talked to them on the phone. They're supposed to be getting El and crew heading back this way while they go to rescue him, but I don't really know how that's going."
Dustin squints at him. "I thought you could see the future now."
"No. I saw the future, so like, lived it or something. And it's like... You watch Back to the Future yet?"
"Yes."
"Okay, so like, the part where his family starts to vanish from the picture? Because he made his mom want to bang him-?"
"That is a disgusting oversimplification of the plotline, Steve."
"-it's like that. Except I want to change the events because we definitely end up in the bad timeline."
"Okay. Say I believe you. You said we don't win this time. Explain that."
Steve sighs. "Can that wait for like, everyone? Explain it all at once?"
"What made it so bad you have to alter the course of all of human existence?" Dustin demands.
"The Upside Down breaks through, man," Steve says, "Like, toxic air and no more sunlight or blue skies kinda bad. Full on, end of the world apocalypse type shit."
"Shit. We, like, lose lose," Dustin says in a small voice Steve doesn't think he's ever heard Dustin use before he huffs and falls out of view with a click and the sound of squeaking leather. Steve watches as Dustin reclines his seat back so he can stare up at the ceiling of the BMW.
"Yeah," Steve says before they fall into silence until Max sprints back, screaming for him to drive before she's even got the door closed behind her and certainly isn't wearing her seatbelt yet.
They all converge at the school, and Steve tells them what Nancy and Robin learned at the library, then Max puts together the thread that connected Chrissy and Fred, and he has to watch, again, as she accepts she's going to die. She even looks to him, as if he'll confirm that with a shake of his head or a nod.
He just blinks back at her until she looks away.
They want answers he isn't ready to give. Not until tomorrow, after Vecna tries to take Max. Given how today has gone, tomorrow shouldn't be much of a change. Nancy and Robin will still go the Pennhurst, and Steve will take Max everywhere she wants to go, but this time he'll be ready. It's not too late, so the little music store down from Melvald's will still be open. Hopefully they have Kate Bush handy. He'll make sure Lucas has a backup cassette player and-
"Wait. Lucas should be told. He should be here. Why isn't he..." Steve trails off, trying to remember why Lucas would be here. He went to party with the basketball team and- and what? There's something he's missing. Something changed. His head hurts and the white noise is back, and it hits him so suddenly he sways and stumbles backwards until he hits a wall.
"Steve!" Robin gasps his name and rushes to hold him up. Dustin is at his other side just as quick.
"I'm ok," Steve says with eyes closed. He can't explain it, but he's changed something. He knows he has. Lucas is with them tomorrow, he remembers that, and there's this feeling that he should be here now. That he should have shown up at the school, but the reason eludes him. Slips from his grasp like he's trying to hold water. "It's- there was something that was supposed to happen. Something that made Lucas find us here at the school. I remember that. I- I almost hit him with a lamp. But he's not here. He didn't- something's changed. Whatever happened before didn't happen again."
"What, like, you changed the past?" Dustin asks.
The laugh Steve lets out is manic, even to his own ears. "I don't know! I can't remember! It's there, the why, but I can't reach it. It's faded, man, like the picture. It's faded."
"Okay, I think it's time we get some rest," Nancy says. "Dustin, you'll radio Lucas tonight and fill him in. Tell him Steve or I will pick him up tomorrow morning to join us. Let's go everyone, before someone does show up."
Nancy takes Dustin and Max, and Robin sticks with Steve. She doesn't even question his detour to the music store, just helps him find the Kate Bush tape. Doesn't even raise an eyebrow when he buys two cassette players, five blank tapes, and a tape recorder.
"Who is the mix tape for?" Robin asks him only once they're at Steve's house and settled in for the night in front of the fancy stereo in Steve's living room. Robin's called her parents already and told them she was staying with a friend, and they had leftovers for dinner from.
"Just in case. Now, shh," Steve says, and once Robin has properly quieted, he pressed record on the tape recorder and play on the stereo. He's already found the track he wants, so it's just a matter of waiting the song out, pausing the tape recorder quickly, then rewinding the tape. He goes too far back, so his finger just hovers over the record button until Running Up That Hill comes back on, and he repeats the process. Over and over again, until the hour long tape is filled with nothing but one song.
Robin watches him do it in complete silence. She doesn't move or shuffle until after he's paused the recording, stilling again once he hits record. He knows she doesn't understand why, but also that she doesn't need to understand. He knows that she knows he'll explain as soon as he's able.
He's just afraid to say too much right now. He can remember tomorrow; the Pennhurst plan, how it is supposed to go based on what remembers Nancy and Robin saying. Max will bully him into driving her around, and they'll end up at Billy's grave. He'll be ready this time, he already knows the answers they're seeking but he doesn't want to risk too much.
He has a plan. And it'll work. It has too.
Because he can't remember what happens after. Patrick dies, and there's... water? A lake? But why is Patrick at a lake in the dark? He isn't, is the thing. It's like there are two memories overlapping in Steve's mind and he doesn't know which is real. Or if either of them are.
There's a memory of... of Eddie? Eddie talking about Patrick floating but there's also a memory of hearing it on the news, Patrick found dead in his room, murdered the same way as Chrissy and Fred with no sign of forced entry in his house. Both memories feel real, but Steve doesn't know, can't tell, which is.
Robin and he falls sleep wrapped around each other that night.
-
@i-less-than-three-you @nburkhardt @afewproblems @skepsiss @apomaro-mellow @eddie-munsons-lunchbox @sirsnacksalot @livelifeliketheresnotomorrow @sageclipse @schnukiputz @mbloggotdeletedsothisismybackup @lumoschildextra @juleswashere3 @yet-still-more-banched @cinnamon-mushroomabomination @yearningagain @starlight-archer @chaosgremlinmunson @aol19 @goodolefashionedloverboi @gutterflower77 @moomkin77 @wonderland-girl143-blog @krazyperson @sevenmerrymagpies
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hopesallwegotleft · 4 months
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disniq · 1 year
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The thing is, I actually think it's a super interesting angle to look at the intersection of trauma and mental illness and vigilantism and coping mechanisms with Jason's character.
But, for me, if you want to seriously ask at what point does Jason need therapy more than he needs the vigilante lifestyle it's not Red Hood Jason you should be looking at. Red Hood Jason was literally murdered and the mysteriously resurrected. That's not something you can therapy your way out of! That's something that no amount of talking will ever help you understand, because it's a completely incomprehensible event!
No, if anyone needs therapy it's 12 year old Jason.
It's 12 year old Jason, who has poverty trauma and homelessness trauma and prison system trauma and parentification trauma and drug related trauma and, depending on your reading, potentially sexual trauma.
It's 12 year old Jason, who is taken in by Bruce - a man who is *also* severely traumatised (in extremely different ways) and chooses to dress up as a Bat and punch people about it instead of seeking healthy coping strategies.
It's 12 year old Jason, who Bruce decides - without psychiatric training or so much as a second opinion - needs the same outlet that "helped" Bruce and "helped" Dick.
And by the time aditf rolls around, Bruce is maybe just realising that he's made a mistake. But it's too late, because for two years he's told this child - a child who arguably feels indebted to him, a child who is extremely isolated and had very few if any other trusted adults to talk to - that violence and avoidance is how you deal with emotions.
I think that's fascinating to think about!
That Bruce's own failure to process his trauma left him blind to what Jason might actually have benefited from! That if Bruce had noticed Jason struggling earlier, if he'd reacted differently or explained himself better in aditf, Jason might not have felt the need to travel around the world alone looking for a woman he'd never met and only just learned about!
That if *Bruce* had been healthier, had been to therapy instead of throwing all his energy into vigilantism, none of this might have happened!
Reframe Red Hood Jason as a tragedy of Bruce's own making, not because of the classist bullshit that Jason was always going to end up a criminal and Bruce failed to stop that, but because Bruce's terrible coping mechanisms became *Jason's* terrible coping mechanisms and nobody likes to see the worst parts of themselves in the mirror.
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mamawasatesttube · 1 month
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i wish i could organize a timkon giftswap or week or whatever event, but like only for people who actually care about kon as a character, without coming off as a gatekeeping asshole or something lmao
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tinybro · 8 months
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jasico server was chatting about the cupid scene and jason getting nico's memories blasted straight into his brain and how jason being shot with one of cupid's arrows while with nico and this was just never brought up in canon again and now i'm thinking like...what if that's just how cupid's arrows work? not by magically manifesting love for someone out of nothing, but by giving someone the perspective that'd make them fall in love naturally? jason gets a front row seat to nico's memories and instantly understands him intimately and can trust him completely without any doubt or suspicion
so what if jason, after slowly realizing he's totally in love with nico, just thought back to the arrow incident and it made him second-guess everything? because maybe he's only feeling this way because cupid hit him with an arrow with only nico was around and it's no different than any other god messing with his love life
#i live for anything that drags out the pining/pre-relationship period as long as possible okay#give me the drama of jason frustrated about constantly being manipulated by gods#in love with nico but convinced it's just cupid fucking with him and not wanting nico to get dragged into it#maybe telling nico eventually because he's having trouble hiding his feelings and he doesn't wanna hurt nico by confusing him#which is of course an emotional rollercoaster for nico#hearing jason say he's in love with him only to then immediately hear that it's just godly fuckery#nico agreeing to help jason find cupid to get it reversed because he knows how much it sucks having feelings for someone unwillingly#and he doesn't want jason stuck mooning over someone like him just because he was unkucky enough to be with nico for the cupid incident#whole quest in which nico develops feelings in return and angsts because he's sure jason only feels that way because of the arrow#maybe a slip-up in the middle somewhere with nico accidentally revealing he likes jason back before backpedaling wildly#so now jason has hope despite himself because he'd never really thought it was possible anyway given nico's feelings for percy#and he doesn't like being manipulated by gods but he doesn't mind the idea of being in love with nico#and what if he just gave up on the hunt for cupid entirely and let it happen#while nico feels guilty since clearly it's just cupid arrow magic fucking with jason and he's enabling it#and then of course when they finally find cupid he explains how his arrows work and that he can't just FORCE someone to be in love#no more than hera could with jason and piper by fucking with their memories to push them together#cupid's methods are just way more effective#my tag babble ended up longer than the actual post oh my god#pjo#jasico#my dumb headcanons
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covertblizzard · 1 month
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jaykyle au where they're theatre kids in the same school but they're not the actors jason's the scriptwriter/director and kyle is the prop manager (i don't know the official terms sorry) and they'd probably do an amazing job on the backstage setting if they could stop arguing for 5 whole seconds about their artistic visions and ideas and how "this would obviously work better this way"
#jason todd#kyle rayner#jaykyle#mypost#dc thoughts#vp of the club: maybe we should find some other people to do the job if they can't get along?#pres of the club: no they're both talented af and i want this to be raving success just knock their heads tgt and tell them to play nice or#i'll make them wear the get along shirt again#WAIT ONE SEC DONNA'S THE PRES and overseer she's pissed bcos kyle played the same role last year and he was chill then#wally's vp no 1 and backstage manager and he's thinking of kicking kyle out#dick's vp no 2 and main lead and he's thinking of kicking jason out bcos it's embarrassing and annoying to work with your younger siblings#kon helps kyle with props and bart is one of the actors and kon is jealous af about it he grumbles a little#roy is the fight scene choreographer#i'm trying to think of something for garth but the only thing that comes to mind i'm not sure are fitting enough#actor manager? weapon manager? oooh maybe pet manager if they have animals... human and pet manager???? hr department but including animals#ooooh maybe pet manager if they have animals#raven can play bart's love interest (in play) maybe (wally doesn't like it and neither does gar for very different reasons)#eddie deals with the contraptions they build for this bubble machines smoke machines lowering and raising anything mechanical#rose and cass helps with the weapons stuff they keep fighting too and roy is TIRED#connor plays the villain he didn't mean to or want to but he got dragged into it and he's really hot and gunned in for next years main lead#he doesnt want this#steph and mia are hair makeup costume department but bart and kon love to hangout and help too#jennie-lynn and bart are in-charge of socials#tim pops up a lot because so many of his friends (and brothers) are here and when he does he helps steph and mia#damian too pops up to help with pet management and sometimes prop art#this is much to dicks annoyance jason is already here can his little brothers LEAVE HIM ALONE SOMETIMES UGH#damian (taking cues from talia and bruce loverenemies dynamic and wanting an artist in-law): we should set jason and kyle up#dick: no / tim: hmm / dick: NO#i want to add the yj girls (cassie cissie greta anita) but i know too little about them right now but imagine they're there and the roles#are to be determined
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pickleking8 · 27 days
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12 - Adoption Isn't All It's Cracked Up To Be - Chapter Twelve
Words: 412 (very short chapter today, sorry)
Ao3 Link
Previous - Masterpost
I don't think there's any content warnings for this chapter, but let me know if I missed something.
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Danny was getting close, so very, very close. He sat on his bed. No, the bed. It wasn’t his bed, no matter how many nights he had slept in it, it was Jason’s, and he wasn’t Jason. He wasn’t. No, he was Danny. He liked stars and space, not “Pride and Prejudice", and loved his sister, Jazz, not these lunatics of siblings. His favorite color was yellow, not red (never green). 
That’s who he was. 
…right?
Right.
He squeezed his eyes shut, spots dancing in front of them as he cleared the thoughts. 
He’s not focusing on that. He’s focusing on the buzzing, the humming. He can feel it under his skin, writhing and squirming like worms. He squints, staring at a wayward ant resolutely marching across the carpet. Ants are brave, he thinks. So small, so fragile, but tenacious all the same. 
Focus. Come on, Danny. He’s focusing right now. On what?
His pinky. He’s focusing on his pinky, he knows this. 
He feels weird. Lethargic. It’s been too long.
It’s been too long, he’s lethargic.
The buzzing builds. Danny squints. An acorn plinks on the windowsill. It’s funny, he thinks, how acorns have little hats.
FOCUS. His pinky. His right pinky. 
He remembers this, this buzzing. When he first got his powers. Like his mind was swimming through molasses. Too much, too much, too much. Just too much. He was expanding, him, his awareness, his everything, and it was too much. He couldn’t keep up. He couldn’t-
He couldn’t keep up. 
Focus. He tastes watermelon. Sweet, a little mushy (overripe, maybe), juice dribbling down his chin. Why does he taste watermelon?
Ah. He remembers. The picnic, when he was seven. It doesn’t seem so long ago, now. Perhaps it’s still happening. Perhaps it’s always happening. Maybe, he’s still eating the watermelon. That’d be nice, he thinks. He was happy then. 
Happy. It was a good picnic, except for the flies. They buzzed. Buzz, buzz, buzz. It was loud, the buzzing, almost like static, like his brain was a broken TV. Buzz. It made him feel like he would vibrate out of his skin, like there were worms underneath. Writhing. Squirming. 
He hears buzzing.
FOCUS. The buzzing. The worms. The pinky. The power. 
There! His pinky. Invisible. He pushes it, slowly, through the blanket. Intangible. Good. He smiles. It’s bitter. Empty. 
It doesn’t matter. He doesn’t matter.
He’s close. He’s so very, very, close. 
The buzzing doesn’t stop.
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Taglist: @tkiesai, @simplestoryteller
Hey! At this point I'm going to stop saying that I'm excited to get back into writing regularly and accept that my update schedule is usually about once every two months. But who knows. Perhaps the inspiration will strike. Anyway, I know this chapter is pretty short, but I felt that kind of fit it, so here we are. This isn't how I envisioned this chapter going but eh. Here. Have this. Thanks for reading!
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aresianrepose · 1 year
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Before the semester kicks off and murders me, @disniq​ asked for my essay on Jason Todd and hysteria. So, without further ado, here is an actual essay (fucking dissertation) because I refuse brevity. It is extremely long. I’ve split it into sections so you can find the section header and read what you want. This does not encompass all the narrative trauma themes and lived experiences that this boy holds, just specifically hysteria. 
Jason Todd, The Hysteric & Bruce Wayne, The Batman
I think it’s a common reading that Jason Todd is girl-coded and the patron saint of victims, at least within the circle that I’ve fallen into within this fandom. There are plenty of meta discussions on why those readings stand, so I’m not going to reiterate them. A pillar of him being girl-coded and someone trauma survivors have latched onto as one of our own has to do with being written in the context of hysterical femininity. And let me just say, I don’t think that writing was done in a way that he was intentionally coded as hysterical, but it is a function of our patriarchal society that this coding was used on him albeit without the explicit purpose of writing a hysteric story. 
For the purpose of this post: the word woman includes ciswomen, transwomen, and any person who is socially positioned as a woman regardless of gender identity. I include the positionality here because anyone can experience misogyny and sexism depending on the perception of the perpetrators either interpersonally or systemically. 
The History and Context of Hysteria
To understand the context, we have to look at the history and oppression of hysteria. Hysteria (in the modern context of psychology) emerged in the nineteenth century and is difficult to define by design and often applied to traumatized, unruly, and broken women. The main patriarchs who contributed to hysterical study were Jean-Martin Charcot and Sigmund Freud. I only mention this because it’s important to know their names moving forward for any of this to make sense. The beginning of this started with Charcot literally putting women whose lives had been marked by rape, abuse, exploitation, and poverty on display in his Tuesday lectures (which were open to the public) to show his findings on hysteria. This was actually seen as restoring dignity (fucking yikes) to the women because before Charcot these hysterical women were cast aside and not treated at all. In Charcot’s work, the women’s speech was seen as simply “vocalization” and their inner lives, their stories, their words, were silenced. After hearing a woman cry for her mother during one of the public sessions Charcot remarked, “Again, note these screams. You could say it’s a lot of noise over nothing” (Herman). 
This led to Freud, Charcot’s student, wanting to surpass his teacher by discovering the cause of hysteria. This was disastrous. Freud started with listening to the hysterics. In doing so, he learned and believed them about the abuse, rape, and exploitation of their pasts. He then published his work and gave a lecture on it. The work rivals even contemporary psychological work on trauma in it’s level of compassion, understanding, and treatment of survivors. However, he was then labeled a feminist (this was all happening during the first wave of feminism) and professionally ostracized. How in the world could these aristocratic French men be sexually abusing their wives, sisters, and daughters??? Insanity, truly. And... This always fucking gets me. He recanted his work and then told his patients they all imagined it because they wanted to be sexually abused by their husbands, brothers, and fathers. This set back the study of trauma by literally a century. One colleague called his work “a scientific fairy-tale” simply because he had the audacity to believe victims. Also, I want to point out that the famous hysteria case during this time was the case of Anna O and she was ultimately villainized by the entire psychological community for going into crisis after her care provider abruptly ended their therapeutic relationship after two years of DAILY sessions. 
Anyway. We can see how the power of these men over vulnerable women silenced, pathologized, villainized, infantilized, and used male ‘logic’ to completely destroy their credibility and lives under the guise of care and hysteria. Even when credible men lend their expertise and voices to the victims, their voices are silenced. This particular iteration of hysteria lasted over a century, and we are still dealing with the consequences of these actions and ideas within our social construction, medical and mental health care, interpersonal relationships, and more. Patriarchal pillars such as hysteria don’t die. We saw it move from hysteria to schizophrenia (which used to have the same symptoms of hysteria before the diagnosis changed in more contemporary psychology) after this which led to widespread lobotomies and electroshock therapy (my least favorite case of a lobotomy being done is on a woman who was diagnosed with LITERALLY ‘narcissist husband’) to depression in the 40s-50s with the over prescription of benzodiazepines to house wives to keep them in a zombie state (these prescriptions were sometimes double and triple what we take today with the intent of medical catatonia). In my opinion, as well as other counselors within the feminist therapy theoretical orientation, we are currently seeing it with the emergence of borderline-personality disorder. Think about how BPD is treated and demonized for a second. I professionally know therapists who refuse to work with BPD clients due to this villainization and just fucking gross perception of victims.
These are just the highlights, but it shows the history of hysteria. There have been centuries of women being marked as hysterical and the cures have ranged from lobotomy to bed rest (which sounds not so bad but read the Yellow Wallpaper and get back to me on that one). While the Yellow Wallpaper is fictional, the life behind it was not. After the traumatic birth of her child the author, Charlotte Perkins Gilman, was remanded to bed rest by the authority of her husband and doctor. Within the sphere of medical control, hysterical women are often treated as children while their doctors make decisions for their mental well-being without consulting them, or they hide the truth of their procedures for “the woman’s own good” and because “she’s hysterical and wouldn’t comprehend the logical need for this.” She then had a mental break due to the treatment. Again, we see hysterical women being silenced, infantilized, discredited from their own experiences, and under the narrative control of male logic and voices. 
Hysterical women have often historically been seen as beneath men, except for when they’re dangerous. Listening to victims is inherently threatening to the status quo because all trauma comes from a systemic framework. The framework that upholds patriarchal power. It’s easy to see why that would be seen as dangerous to powerful men. We saw this with the European witch genocide in which oppressed women were targeted and wiped out under the excuse of what was considered women’s work. (Before this time, witchcraft wasn’t tied to any religion and was mostly just seen as women’s work. It was targeted specifically to have an excuse to persecute widows, homeless, disabled, and vulnerable women who no longer had men to reign over them during a time of political unrest and scarce resources). This time period saw hysterical and traumatized women demonized as dangerous, evil, immoral, hypersexual, and supernaturally wily. A threat to the moral fabric of society. 
(Interesting history side note: this caused the view of women’s base traits we have today. It stemmed from the Victorian era that came after this time period in which women learned if they behaved a certain way, they would be spared the stake. For example, before the witch trials, women were actually seen as the ones with unsatiable sexual appetites, something we culturally prescribe to men now.) 
Notice how none of this has to do with the actual abuse that happens to the women, but instead the labeling and treatment of women when they are already showing the symptoms of abuse, trauma, control, exploitation, and rape. 
Jason Todd, The Hysteric
So, how does this relate to Jason Todd? To say that Jason has experienced trauma would be an understatement. Extreme poverty, loss of parent to death and addiction, loss of parent to the justice system, parental abuse, manipulation, witnessing violent crimes, witnessing the aftermath of sexual abuse and assault, arguably (not explicit in the text) his own sexual trauma, witnessing the dead bodies of victims, a violent death, and subsequently a violent resurrection. There’s also an argument to be made for being a child soldier and how that is romanticized up until he dies, but the text does not treat this as traumatizing.
Now, I’m not going to dive into the trauma he experienced. The purpose of this is only to look at how he’s framed as hysterical in the narrative, and as I stated, hysteria was a word slapped on women after they tried to talk about their trauma or exhibited symptoms (or were just unruly women). Jason does embody many facets of the victim experience and this is just one of them. 
Feelings vs “logic” - Firstly, it is really hard to talk calmly about things that you carry, your experiences, your trauma, and things that specifically harm you. It is easy to talk calmly about things that don’t. This is why there is an abuse tactic of gaslighting or silencing victims by framing their very real reactions to harm or their triggers as abuse, this is known as “reactive abuse.” This tactic is also employed in oppressive settings where the privileged group will often default to ‘winning’ a debate by being able to remain calm while the marginalized group whose life, personhood, etc is being harmed by the things being discussed and are unable to have a sterilized, emotionless debate. 
Both of these settings fit Jason nicely within the moral context of vigilante comics. He fought back, he didn’t lay down, and he will do what he deems as necessary to protect himself and others from his fate. This, however, is framed by Bruce and others as being just as bad as his murderer or even just as bad as Joe fucking Chill. To put this in perspective of a real world equivalent. Combine every billionaire on this planet into one person and instead of their shitty business practices murdering people, they did it with their own two hands. And due to their resources and political power, they would never, ever stop killing or be reasonably contained. More people would die with absolute 100% certainty. Would killing that one person make you equally bad as that person or violating the sanctity of life? That’s the moral question that Bruce puts onto Jason. While the moral question inherent to Jason is actually, is there a line worth crossing to provide reasonable safety (for yourself or the nameless community)? There is actually a difference between those two questions and the reactive abuse framing is certainly a choice. Also, it is funny to me that a man with the amount of power Bruce has (and frequently misuses) can lecture a murder victim on the misuse of power and morality. Are we supposed to be agree with his stoic, philosophical lecturing to a marginalized, abused, murder victim? (yes, we are). Bruce leverages (personal) philosophy against victim’s voice for their own safety, and take a wild guess which one is framed as logical and reasonable.
Jason’s morals come secondary to Bruce’s philosophy in a universe where there is still harm being done (but it’s an acceptable harm). Why is killing the line? Bruce is regularly destroying families and lives by feeding them into the prison industrial complex while supporting it with his whole chest. Or he’s disabling and seriously maiming people with the level of violence he uses. 
Crying - Throughout the entire story of Under the Red Hood, we never once see Bruce emote while interacting with Jason outside of tight grimaces. With the exception of the shock he shows at the Joker’s life being threatened, which... Okay, suuure. We never see him cry during any of their interactions, but we do see Jason cry. Specifically, we see him crying when he’s at his most emotionally vulnerable and physically dangerous to the toxic male power fantasy. This kind of vulnerability is rarely shown by male characters, and when it is, it’s usually done with a mist of a tear in their eyes or their face is hidden. There are a few narrative devices that allow men to cry, but they are the exception rather than the rule. Usually, it’s to play for laughs, infantilize, or emasculate. Here, we see Jason combine the violence of a bad victim, bucking the system of power, and fully crying. Just slide right into that hysterical coding like a glove. Jason often shows his feelings entirely. Time and time again, the readers have seen Jason have breakdowns, cry, and be overcome with grief. This is tied to his portrayal as hysterical and unstable in the narrative, but in actuality it shows his capacity for love and how vastly impactful his death was. 
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This fits nicely with the next point that Jason fits into the hysterical box. Love is framed as one of his key faults. A son reaching for his father. 
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Love - One of Jason’s defining features is the amount of love and compassion he holds. He’s willing to put up with any treatment, shoulder blame, and sacrifice himself for others to almost an unhealthy degree. However, this doesn’t extend to what he defines as his baseline safety. This one line of safety is the one thing that can’t be crossed, even with all of the love he feels for his father. He desperately wants to feel connection, have a family, and be loved in return with the same unwavering ferocity love that he gives. This is such a fucking key part of the victim experience, especially victims of childhood trauma. The desperation to just be chosen. He’s raw and honest with his reasonable expectation for love to provide safety for him and that is framed as hysterical, needy, unstable, naive, and fucking childish. Victims know what they need to have safety, and this framing as Bruce knowing what’s best for Jason and literally giving a cold shoulder to his needs is disgusting. 
Less than - Jason is portrayed as less powerful than Bruce even though they have similar expertise. There are so many instances of this that if you just open any media they both appear in, you can close your eyes, point, and land on an example. It makes me die laughing every time I remember that the Arkham games made Jason just one inch shorter than Bruce. Like, they can’t even be the same fucking height, that’s the level of insecure masculinity surrounding this relationship. Jason cannot and will never be able to be on par with Bruce because of his hysterical femininity and the power of Bruce being the self insert for the toxic male power fantasy. This power dynamic applies to the other batkids as well, but specifically in Jason’s case there is an element of hysteria. The reasons change because he’s so inconsistently written but usually he can’t surpass or even meet a stalemate with Bruce because he’s too emotional, he’s unstable, traumatized, and simply Bad. It’s even explicitly stated by Alfred in Under the Red Hood. 
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Victim blaming - Jason deserved to die because he didn’t follow orders. Jason deserved to die for not following his training. Jason deserved to die because he was an angry Robin (oh no a child had an appropriate reaction to sexual violence). Jason deserved to die for being human.
Infantilization - Jason is repeatedly infantilized in contrast to Bruce. When given the ultimatum at the end of UtRH, Bruce speaks to Jason like a child, or a bad dog. Ordering him to do things like, “enough!” or “stop this now.” Bruce knows what’s best for Jason (and for everyone in the entire world), we should really just take his word for it and not the victim’s. Imagine staring at a 6 foot wall of a man and scolding him like a child. Beyond that, as mentioned above, his views of love and safety are framed as childish. Even though they are actually leaning more toward collectivism rather than the rampant individualism that Bruce so strongly defers to. (also, just a side note, collectivistic methods in healing from trauma is actually the only scientifically reliable way to heal. Every other method has absolutely abysmal results and higher rates of relapses.)
Silenced and Safety Villainized - Jason is silenced in his own story, acceptable and honored when he was dead and met with vitriol in life. All of the love given to him as Robin turns to ash as soon as he collides with Bruce’s power and morals. I think any survivor can relate to the experience of being told that what happened to them was a long time ago and it’s time to move on. Or even that they’re leveraging their own safety to get what they want in a manipulative way. Regardless of whether or not there was any accountability or justice for the harm done to them. Alfred asks Bruce if he should remove Jason’s memorial in the cave like two seconds after learning of his resurrection because Jason’s methods of securing safety for himself and using his own voice to define his story. Bruce was able to tell Jason’s story when he died. He was able to memorialize, grieve, and ultimately define Jason’s story because Jason wasn’t there to speak for himself. When Jason does speak for himself, he is villainized and literally stripped of his past significance as Robin (or a good victim) by Alfred within seconds. This is reflected in real life with adoptee advocates speaking about how adoption is unethical/harmful/traumatizing and subsequently being framed as ungrateful, selfish, etc. They were little perfect victims without voices before they grew up and could speak for themselves.
Erased - Gestures at the entirety of how Jason is either talked about or completely erased during the 90s Tim Robin run. He wasn’t convenient to talk about, as victims rarely are. This also ties into how Steph’s death was erased and Babs was written like she “won” at trauma by simply... beating it??? 
Dangerous - Jason is framed as threatening the basic fabric of society (in a story with vigilantes this is hard to do, so they have him oppose the no-kill rule, and then doubled down on Bruce’s characterization of no-killing). Anything that bucks the status-quo is usually marked as villainous in mainstream vigilante/superhero comics, but this is a step beyond that into the interpersonal and political sphere. Hysterical women are often framed as dangerous, villains, snakes, and treacherous (the other side of this coin is weak, pathetic, and pitiable) because they are victimized and then have the audacity to do something to the system about it. Whether that be the system of their immediate families or the political sphere. I don’t think it’s a coincidence that Jason was paired with Talia in Lost Days to hammer this point home to the reader. It could’ve just as easily been anyone with access to the Pit that rescued him, but no, we had DC’s favorite brown, treacherous, venomous, female punching bag. 
Bruce Wayne, The Batman
Bruce fits well into the father, enforcer, and logical man slot in Jason’s hysterical story. There is a history of ownership throughout women’s history when it comes to their subjugation to men. Women actually couldn’t be put on trial before the witchcraft genocide because they weren’t seen as legally a person. Their male owner would be put on trial instead. Women would go from being owned by their fathers to their husbands after entering marriage, the most dangerous woman being one who isn’t owned (orphaned, widowed). Bruce does treat (and even thinks) about Jason like he’s something that he owns. He’s his protege, his son, and his responsibility. 
The narrative function of Bruce as a perpetrator in Jason’s story. 
“The perpetrator asks the bystander (reader) to do nothing. He appeals to the universal desire to see, hear, and speak no evil. The victim, on the contrary, asks the bystander (reader) to share the burden of pain. The victim demands action, engagement and remembering” (Herman). 
Bruce does remember what happened to Jason. He keeps a permanent memorial to his dead son. However, this doesn’t translate into any kind of tangible action. He doesn’t do anything to actually stop the murderer who took his son’s life and he continues to throw child soldiers at the problem of crime (how many children have died for the sake of his no-kill rule at this point?). When met with the reality of his inaction, he fits into the perpetrator’s role like a glove:
“In order to escape accountability for his crimes, the perpetrator does everything in his power to promote forgetting. Secrecy and silence are the first line of defense... If secrecy fails, the perpetrator attacks the credibility of his victim. If he cannot silence her absolutely, he tries to make sure that no one listens... From the most blatant denial to the most sophisticated and elegant rationalization... One can expect to hear the same predictable apologies: it never happened; the victim exaggerates; the victim brought it upon herself; and in any case it’s time to forget the past and move on. The more powerful the perpetrator, the greater his prerogative to name and define reality, the more completely his arguments prevail” (Herman). 
I think it is simply fact at this point that Bruce is the head patriarch in Gotham if not, arguably, in the entirety of DC. That level of power in the narrative cannot be ignored, especially when faced with the very real, screaming voice of a victim that Bruce uses all of that power to silence. Bruce, because of his status as patriarch, default protagonist, and self-insert for the toxic male power fantasy, has the ultimate power to name and define reality. Especially to the reader. Bruce doesn’t deny what happened to Jason, because that’s physically impossible to do. But what he does do is ensure that no one listens to Jason, discredits him, and rationalizes his own inaction, actions of violence towards Jason, and victim blames.
Here’s Bruce using the most base form of denial and victim blaming:
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After this panel, Bruce also revokes Dick’s access to his childhood home simply for asking a question.
This theme extends to other members of the batfam because of Bruce’s narrative power over them. It’s why we can’t have Dick, Steph, Babs, or even Damian step in and relate to Jason’s trauma or vindicate him. Even when we, the readers, can see parallels and wonder why these conversations or bonds aren’t forming. Jason HAS to be a lone wolf because he is hysterical and a threat to the system of power. This also shows why most of his runs in group settings outside of the batfam fall apart or fall flat. If he was humanized by any other character or had his trauma validated in any actionable way, it would be recognizing the failure of the toxic male power fantasy. The readers are not supposed to see the flaw in this system that allows the bodies of children to pile up and sympathize with one of their voices. It would be a crack in the system of power that exists not only in the source material, but very much within our real world.
Side note: Jason is allowed to interact with others in a wholesome and validating way when he no longer threatens the systemic power of Bruce. When he is silenced by the writers and plays the “nice victim” (like Babs does), he is allowed connection. Only when his healing is done in a way that doesn’t demand action and is only his personal responsibility (gotta love the rampant individualism). If he is hysterical, demands action, and asks for someone to be held accountable for his death, he is shoved away into a lone wolf box. Examples: Gotham Knights (from my very basic understanding, I haven’t played the game, only seen play throughs) and WFA. Victims are acceptable if they do their healing in a neat little box and stay there, but hysterics are the ones who step outside of that box.
Red Hood, The Political Voice of Hysteria and Trauma
Red Hood is deeply political in terms of hysteria and trauma. Herman stated that victims and those that authentically care for them or listen to them intently (whether that be interpersonally, clinically, or professionally) are silenced, ostracized, and discredited. Survivors need a social context that supports the victim and that joins the victim and witness in a common alliance. On an interpersonal level this looks like family, friends, and loved ones. However, trauma is systemic and the social context mentioned above must also be given on a wider social scale. For this to be done, there had to be systemic change and political action. Jason had the interpersonal social support and witnesses to his trauma ripped from him by Bruce. So, we see him move onto a systemic level of addressing trauma in his own political way. He literally cannot escape Bruce and this constant trigger because of Bruce’s philosophy and just... fucking power to define reality... being re-enforced constantly in DC no matter where he tries to go. So, he tries to heal by taking the systemic issue of perpetrators who cannot be held accountable or have fallen through the cracks of accountability into his own hands in a very personal way. A one man political movement.
Whether his methods are moral or ethical doesn’t really matter in the overall framing him as hysteric. He simply has to be opposed by the male power fantasy in some significant way. This shows that the goals, needs, and work towards victim’s and the marginalized’s freedom is dangerous, doomed to fail, and ultimately unethical if the victim is framed in a villain light instead of the more pathetic/pitiable iteration of hysteria. 
You can see how this is not only problematic but also reflects the real world values instilled in arguments against human rights movements (which are intrinsically tied to victims rights). Defunding the police is dangerous, the MeToo movement is dangerous, abolition is dangerous, trans rights are dangerous, etc etc etc. Think of the victims voices tied to each of these movements and how they are integral to the real change offered by these political movements. You can’t have human rights violations without creating victims. And you can’t have political movements surrounding human rights without listening to victims.
We can also see how the individuals within these movements are ostracized, villianized, and often silenced (sometimes ultimately silenced with death) because they rally against the systems of power that victimized them. The framing of traumatized, vulnerable people as hysterical is integral to upholding the system of power that traumatizes and harms them.
A popular comic book movie adaptation that highlights the importance of Jason’s hysterical framing and how it impacts the political narrative/how he is written is V for Vendetta. To be fair, it received an insane amount of backlash by conservatives (not within leftist or liberal spaces) for V’s methods in over throwing fascism, but only because of the movie’s release date being so close to 9/11. V and Jason have many parallels, it’s only the lack of hysterical framing that makes V more palatable to the viewer. We are told, not shown through behavior, that V is traumatized by his past and he does not pick a fight with the protagonist that functions as a toxic male power fantasy. He is the protag, with his version of Bruce being men who are not framed in a sympathetic, heroic, or relatable light. 
Additionally, there is literally an unemoting mask standing between the viewer and V, whereas Jason takes off his helmet to allow the reader to see every aspect of his trauma and pain. V readily dehumanizes himself into an idea, rather than a person. Whereas Jason screams to be seen as a person in a very hysterical way. So, we can see how the framing of Jason as hysteric against the logical, heroic man greatly impacts how the audience reads him when contrasted by a very similar political story/character who uses similar (and arguably more violent) methods to meet his ends. (This just made me realize that I would die for a Jason adaptation written by the Wachowski sisters). 
Jason’s work as Red Hood is seeped in leftist, victim, and community centered politics. His portrayal as a hysterical antagonist (at best an anti-hero) is rooted in misogyny and upholding patriarchal, capitalist, and the prison industrial complex systems of power. He is the righteous embodiment of “the personal is political” for victims. Even his Robin run draws attention to and shows correct, angry reactions to the system of patriarchal power in sexual violence.
Patriarchal Writing and Enforcement
Jason is girl-coded and hysterical because he’s supposed to be emasculated, discredited, and disliked by the reader. He serves the narrative function of boosting the toxic male power fantasy of Bruce and in doing so, the writers use one of the oldest tropes in the book (one that we have all subconsciously been taught since birth) to get the reader on their side. Make him a hysterical woman. 
References: for anyone interested in furthering their understanding of any of the concepts mentioned above and to, you know, use sources for my own writing.
Barstow, A. Witchcraze
Bondi, L., Burman. E. Women and Mental Health: A Feminist Review
Freud, S. The Aietology of Hysteria
Gilman, C. P. The Yellow Wallpaper
Herman, J. Trauma and Recovery
Ussher, J. The Madness of Women.
Van der Kolk, B. The Body Keeps the Score
Wilkin, L., Hillock, S. Enhancing MSW Students’ Efficacy in Working with Trauma, Violence, and Oppression: An Integrated Feminist-Trauma Framework for Social Work Education
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puppetmaster13u · 8 months
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My take on @phoenixcatch7 's Possessed Doll Au, specifically the designs lol. Technically a first rendition and might change (and of course it's not all of them seeing as there'd be others like Nightwing or Red Hood lol)
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happyk44 · 2 months
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Percy, Jason, and Thalia can see ultraviolet
Nico, Bianca, and Hazel have superb night vision
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vivitalks · 2 months
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more adhd jason grace or die by my sword
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