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#Solo versions and the duet
sapphosclown · 5 months
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if rotpl was set in the glee universe with things mostly the same but set in current time lydia and cynthia would in fact have a very dramatic dream-sequence-esque duet of lacy by olivia rodrigo
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xxl1ghtxx · 6 months
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AFTER IDK HOW MANY MONTHS ITS DONE..
FINAL SOLO
MUSIC MADE BY :@soxiedibasil
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funky-bird · 9 months
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Top five mk8deluxe tracks off the top of my head big blue ribbon road cheese land mount wario dolphin shoals koopa cape and n64 rainbow. ESPECIALLY big blue, mount wario, and n64 rainbow. Listen to those with headphones sometime they kick ass
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ryssabrin · 8 days
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tagged by @saintalessia for my top ten songs on repeat, ty!
stick season-noah kahan
place your hands-gabrielle aplin
obsessed-ayumu imazu
too sweet-hozier
forever-noah kahan
i don't care (acoustic)-ed sheeran
色彩-riria.
to someone from a warmer climate (uiscefhuaraithe)-hozier
all my love-noah kahan
sleep walking orchestra-bump of chicken
and i'll tag @admiraltatianawolverines, @angelicfangirl, @beenabutterandjelly, @danzafila, and @blackjackkent
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hadalzonee · 3 months
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i start t tomorrow so today's the last day i can do "pre-t" things. i gotta record those song covers i've been meaning to do (for voice comparison purposes)
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tuiyla · 1 year
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I like glee’s rendition of IKAG. But I wish they hadn’t done it the way it’s in the episode. It should’ve been the glee girls singing that song just for fun, sort of like Gives You Hell or Hate On Me. Or even Ride Wit Me. You know? Any circumstance except the one they did it for
Oh I feel you. I love IKAG s3. I often feel it's a guilty pleasure because I despise the episode with every fiber of my being but the soundtrack does (mostly) slap so what can you do. It's a Pezberry duet and I'm only human. If anything, the fact that it's actually a bop makes me hate the context even more lol.
I like the ironic fun approach in terms of how they should have done IKAG. If they had to cover it again outside of Tina's audition solo, I've written before about how I could have maybe accepted it. The sad truth about it being a fun ND girls number is that I really don't trust Glee not to have inevitably turned it into a male gaze thing in every variation. Because they just suck so much and girls might wanna but they cannot, in fact, just have fun.
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jakeperalta · 2 years
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just saw an instagram post about how speak now tv shouldn’t have any collabs on the vault tracks or songs she’s written with other people because it would ruin the self-written thing and “a lot of fans would be sad”......... speak for yourself i will eat up every single collab she gives us!!!!!
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cinnabeat · 1 year
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ooooh.... just listend to love ka and 😬
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theredtours · 6 months
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You Don’t Have To Call (Solo Version) - Unreleased
Created specifically as a ringtone, the only version of this song that was available was a duet… until now. The solo version has finally leaked!
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angstynai · 1 year
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Been listening on repeat stampede ost 2 and i just need to let it out.
On ep 9 we learn about the twins song which titled as ‘Duet’. It was started by child-Nai seemingly playing some high notes slowly like he’s still trying to compose a melody, and he feels proud when it comes out beautifully (he smiles too, omg)
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And then Vash came in a crash and started playing his own made up melody in low notes and upped the tempo (the melody is the one that he humms in ep 12 btw), making Nai feel annoyed and struggled to follow his lead at first.
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But in a second, Nai started to get a feel on the melody and they keep on playing the duet. (Lol his face. Turn out your brother is a genius pianist too, right Nai? Vash charm +35)
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Then we finally back with teen-Nai finishing it alone. And he actually included Vash’s low notes parts into his composition now. (His left hand replacing Vash’s, god..)
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AND NOW we know that Nai’s piano (which also titled as Knive’s Piano btw), is like a solo composition he made based on their duet song, and that makes me feel soft.
Add in the Million Knives vocal version and it’s like a triple kill ☠️
The lyrics
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haunted-headset · 4 months
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ASK TIME ASK TIME!! i am officially raiding your asks now, take this as a threat /j
mkay sooooo, thoughts on lovejoy member!reader x wilbur?? 🤭 you could write about their sweet loveydovey moments and the way they blow kisses to each other on stage, or maybe their relationship is secret so focus on all the little things they do to show affection without the fans (and maybe friends too) knowing they’re together? like holding hands under tables, the lil glances they give each other, aaaah!!
apologies if you’ve written smth similar already, my memory is failing me rn, but if u have then do not worry because ill be back asking for other random shit too LMAO <3
🎸 Lovejoymember!reader x Wilbur HCs🎸
a/n: yoooo this is a really cool idea :D
tags: @vibestillaxxx@joviepog@ax-y10@themonsterunderurmom @wilburstan@smolsleepykitten@funnyreally2009@crows-death@dykepunz@aresriiots@0miamor0@defonotval@chipch0p@mazzistar16@unmellowyellowfellow@justalittlebitofchaos@thosecolorfulsheets@vopix@taylors-version-from-the-vault@aine-lasagna@merianakross@veeislost@urfav-sapphic-siren@shazbaz58-blog @wifiatthetrainstation@mcr-pr-fob@shd454@rqvii@idioticion@m0thza @zuuriell @somebody-v @goosebeing@ogelizasoot @lexx-the-gay-rubber-ducky @r0ckstardr3amgal
contains: loads of fluff, petnames, a single ass slap, & cheesiness
This man is CONSTANTLY flirting with you on stage. We're talking ass pats, blowing kisses, quick pecks between lyrics, etc. He finds it funny whenever the crowd screams & cheers when you two flirt.
When you two first started dating, you both didn't want to tell anyone, so you couldn't be affectionate around each other. Or so you thought. He'd hold your hand under tables, make sure you two were sharing a hotel room &/or bed, kiss the back of your hand when nobody's looking, give you hugs, tickle you (we all know he would tickle you. he did it to Mark, why not you?), etc.
If you were a drum player, he'd randomly rest his chin on your head if you were sitting down to play
During studio time, he's hugging you from behind & being suuuuuper cuddly (while grossing out the other members in the process)
During concerts, he's randomly making suggestive, cheesy, or flirty jokes to you to make the crowd laugh.
^^ "Hey, Y/N?" Wilbur said to you into the mic, looking in your direction. "Yeah?" you replied, trying to catch your breath from the last song. "What's up?" "I have a really important question for you," he said. "The crowd would really love to hear this from you." "What is it?" you replied. "Everybody's been wondering what you do for a living besides being sexy," he grins. This causes you to turn beet red & the crowd, the rest of the band, & Wilbur begin to laugh.
If you were a good singer, he'd beg on his hands & knees ask you to do duets or backing solos in new songs
If you were artsy, he'd also beg on his hands & knees ask you to help design the merch
If the band had to get on a plane or train to get to the next concert location, he'd be SO CUDDLY!!! He'd lay his head in your lap or vice versa, he'd hold your hand, he'd share an earbud with you, he'd let you watch him play The Sims on his laptop, he'd lean his head on your shoulder or vice versa, etc.
When the band goes out to eat or just goes out in general, he's paying for & doing EVERYTHING for you. You got something to eat? Don't even lay a finger on your wallet. You're in a store & you mention being hungry? He's grabbing every single snack & drink that you like. You shiver slightly? He's taking off his jumper or hoodie & giving it to you, no questions asked. You mention your legs hurting? You're being carried, either piggyback, on his shoulders, or bridal style.
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kittyball23 · 5 months
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I read somewhere in Deviantart about an AU idea where Floyd didn't left Branch and Raised him. Their Grandma still got eaten and all Branch has left is Floyd. Wonder how would that turn out. Would Branch still be the same grumpy protective troll that we used to know back in the first movie? Would Floyd also get his colors fade? Or things would go different?
Oh wow, I was actually thinking of making a few oneshots at some point for my AU collection of Trolls fics where, in a similar situation to what was described, Floyd was the only bro who stayed with Branch…
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In the version I was coming up with, Floyd did leave to pursue a solo career, but came back as promised. He and Branch would then grow up together, becoming a duet act and rising to fame without the other three brothers. When asked about JD, Spruce, and Clay in interviews and such, they try to skirt the topic. They often resort to confiding with each other about wanting to find them one day to mend fences. It’s possible that Floyd and Branch’s colors may have dulled a bit after the death of their Grandma, and Branch would still be protective, though perhaps not to the extreme seen in the first movie (as he still does have one family member remaining).
I also thought of another AU idea where instead of Grandma Rosiepuff having been the one to save Branch from the Chef, it was Floyd, resulting in Branch losing his colors over the loss of his favorite brother (but maybe that’s too sad, idk. What do you think?)
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ravenscamander · 1 month
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To celebrate the one-month anniversary of EPIC: The Circe Saga I present to you:
Moments in EPIC: The Musical that make me go
Mhhhhhhhh
dundundundun dun dun dundundun alright my brothers listen closely
but now we'll be the ones who ~Slayyyyyy~
Penelopeeeeeeeeeeeeeeee
Penelopeeeeee
And TELEMACHUUUUUUUS
i couLD RAISE HIM AS MY OOOOOOOOOOOWN
The Blood On Your Hands Is Something You Won't Lose, All You Can Choose Is Whose
(literally all of Just A Man, that song will haunt me forever)
(but especially:)
how could I hurt youuuuuu
I'm just a man who's trying to go home even after all the years away from what I've known
I'm just a man who's fighting for his life, deep down I would trade the world to see my son and wife
the choir chorus. Just. All of it.
forGIIIIIIVE MEEEEEEEEEE
forgiiive meee
I'm juuuust aaaaa maaaaaaan
The Full Speed Ahead Instrumental Intro.
Six. Hundred. Men.
600 miles of open seaaaaaaa
But the problem's not the distance (it's what lies in between)
And Ithaca's waitiiiiiiing, my kingdom is waitiiiiiiiiiiiiiing, PENELOPE'S WAITIIIIIIIIIIIING for meeeeeee
That High Note™ on full speed aheeeeeaaaaad
Captain? EURYLOCHUS
Captain?Politeeees
GIVE ME TIL SUNRIIIIIIIIISE AND IF WE DON'T RETUUUUUUUURN
Then 600 men can make this whole place BURN
So full speed aHEEEEEEAAAAAAAAD
WE'RE UP WE'RE OFF AND AWAY WE GO
You can relax my friend (...what)
That High Note™ on Give it a try it's not that hard
STAY BACK (stay back...)
See? This life is amazing when you greet it with open arms (~ahhhhhh~)
A CAVE
East! (That way)
Thank you! (Welcome)
HAVE YOU FORGOTTEN THE LESSONS I TAUGHT YOU
LET. ME. REMIND YOU.
~Goddess of Wisdoooooom~
~Master of Waaaaaar~
i HAD a challenge, a TEST of skill, a magic BOAR only the best could kiiiiill
Little Odysseus's LET'S GO
I can see youuu HOW CAN YOU SEE THROUGH MY SPELL
I was lying! And you fell for my bluff! Hahahaha
Nahhh, don't be modest, I know you're a goddess, so let's be honest you are
ATHENAAA (athena!)
Badass in the arena! Unmatched, witty, and queen of the best strategies we've seen!
The duet harmonies in the second chorus! Fucking superb
Look at all this food! Look at all these sheep!
WHO ARE YOU
YOU KILLED MY SHEEP
banger cello solo
MY FAVOURITE SHEEP
Take from you as you took from meee
theRE'S BEEN A MISUNDERSTANDING
Wine?
A gift from you and a gift from meee
My name is noooobody, Noooooobody, Nooooobody (aka That High Note™ part 3)
I'm so glad we see eye to eye
...what?
WATCH OUT
POOOOOOOLYYYYYYYYYPHEEEEEEEEMUUUUUUUUS
PO!LY!PHE!MUS!
Six Hundred liiiiiives at stake, it's just one liiiiiiiife to take
Stay in his blinds while you striiiiiiike his heels (STRIKE THE HEELS)
Show him that we're deadly! (HAH! HAH!)
SIX HUNDRED LIIIIIIVES AT STAKE IT'S JUST ONE LIIIIIIIIFE TO TAKE (pt. 2 choir version)
*body tumbles across the ground* cap...tain...
banger cello solo pt.2 electric boogaloo
*electric guitar fades in* dundundundundundun dundundundundundun
But captain, what will we do with our fallen friends?
remember them
REMEMBER THEM
(let's kill him!)
Remember them (part 3 choir version)
SCATTER
It was noooooobody, Nooooobody, Noooooobody
If nobody hurt you be silent! (Don't go!)
HAVE YOU FORGOTTEN THE LESSONS I TAUGHT YOU (no.2)
no
No??!!!
What good would killing do? When mercy is a skill more of this world could learn to use?
don't
HEY CYCLOPS
The next time that you dare choose not to spare, remember them! Remember uuuuus! Remember me!
I'm the reigning king of Ithacaaaaaaaa
I am neither man nor mythicaaaaal
IIIIIIII am your darkest momeeeeeent
IIIIII am the infamooouuuuus
Odysseus
(aka the first time our main character gets actually named aka the worst decision ever made by the poor guy)
You were reckless, sentimental at best. That's not a teaching of mine. You've grown soft! Your dead friends can attest! (hey) Put your emotions aside.
That Growl™ on I don't know where I went wrong
That's just like you! Why should I be surprised? Selfish and prideful and vain
You're Not Looking For A Mentor, I'm Not Looking For A Friend
At least I know what I'm fighting for while you're fighting to be known! Since you claim you're so much wiser, why's your life spent all alone? You're alone!
One day, you'll hear what I'm saying, one day, you might understand, one day. But not today for after all you're
JUUUUUUST AAAAAA MAAAAAAAN
OHHHHHHHHHHHHHHH
*soft piano outro*
*epic horn intro*
*epic trumpet solo*
These waaaaaves and tiiiiiides have grown in strength and siiiiize
Brace for a STOOOOOOOORM (stoooooorm)
The likes of which we've never seen before!
Have them follow my ship, I'll ensure that we'll PREVAIIIIL
At this rate we won't make it out aliiiiiive
~an island in the skyyyyy~
We're gonna shoot for the sky! (what.)
STOOOOOOOOOOOORM, STOOOOOOOOOOOORM (this time with amazing harmonies)
WE'RE SHOOTING FOR THE ISLAND IN THE SKY! IN THE SKYYYYYYYYYYYYY
Please don't tell me you're about to do what I think you'll do
We're in the home of the Wind God! (We don't know for sure.) How many floating islands have you seen before? This is the home of the Wind God! (And what's your plan.) I'm gonna climb to the top and ask 'em for a hand
Have faith friend, we've come this far
Yes, but how much longer til your luck runs out
You rely on wit and people die on it, whooaa
I still believe in goodness
I still believe that we could be kind
Lead from the heart, and see what starts
Thank you for the concern but brother I can assure you, our journey is almost done. I understand that we're tired, I understand that we're fazed. But don't forget how much we already faced!
I took 600 men to war and not one of them died there. In case you needed a reminder.
If you want to talk more, let me pull you aside then. I need to talk to you in private.
Hahaha
I am the wind, twisting and turning
HAHAHA
Keep your friends close and your enemies closer! (Never really know who you can trust)
If they wanna get the bag open you gotta say No Sir (Sometimes killing is a must what)
It's treasure! what.
NO DO NOT.
Everybody listen closely. See how this bag is closed? That's how it's supposed to be.
Cause the end always justifies the means (everything's changed since Polites)
For nine days I've stayed wide awake, tried to make it home with no storm or tidal wave. I remain unopposed, the bag is still closed and I'm getting closeeeer to youuuuuuu (Penelopeeeee) I can't wait to make some new memories (Teleeeemaaaachuuuus) Time for me to be the father I never was
(just keep your eyes open) why are my eyes and my heart and my soul so heavy (just keep your eyes open) I keep on trying to embrace you both why won't you LET MEEEEEEE (Just Keep Your Eyes Open) So much has changed, but I'm the same, yes I'm the SAAAAAAME
Just keep your eyes open, keep your eyes open
Wake up. Wake up, Odysseus, they're opening the bag, WAKE UP
EPIC ORCHESTRA™
NOOOOOOOOOOOOOOOOO
STOOOOOOOOORM
OOOODYSSEUS OF ITHACA
do you know who I am
*wave sounds*
POSEIDON POSEIDON POSEIDON POSEIDON POSEIDON POSEIDON POSEIDON Poseidon
In all my yeeeaaaars of living it isn't very often that I get pissed off
Iiiiii've been so graaaaacious
That's right, the Cyclops you made blind is mine (no)
I'm left without a choice, and without a doubt, Guess The Pack Of Wolves Is Swimming With The Shark Now
You are the worst kind of good cause you're Not. Even. Great.
A Greek who reeks of false right.eous.ness that's what I HATE
I mean you totally could've avoided all this had you just killed my son. But ~nooo~
YOU ARE FAR TOO NICE, MERCY HAS A PRICE
Unlike you, I have no mercy left to give cause
Ruth.less.ness is mercy upon ourselves
Ruthlessness is MERCY UPON OURSELVES
OURSELVES
*wave sounds pt.2*
We took no pleaaaasure in his pain
That High Note™ on We only wanted to escaaaaaape
The Line Between Naivety And Hopefulness Is Almost Invisible
die
When does a ripple become a tidal wave
43 left under your command
When does a man become a monsteeeer
Iiiiiii am your daaaaaarkest momeeeent
Any last words?
ALL I GOTTA DO IS OPEN THIS BAG (WHAT)
EPIC BRASS SOLO™
Remember meee...
*eerie strings*
We came across a palace, inside we heard a voice
Sir! Sincewelefthomewefacedavarietyoffoesfromawiderangeofplaces gods, monsters, you know the roster, hostile creatures that we could resist, but this was a hell of a twist cause we are weak to a power like this!
What was it??? A woman.
What.?
She had us in just two words
~Come inside~
Damn
That Run™ on Go ahead and rest wherever you liiiiike
Take a seat (Yeah)! Let me bring you all something to eat (Yeah)!
This is the priiice we pay to liiiiive, the world does not tend to forgive
We have to go save them. No we don't
There's no length I wouldn't go if it was you I had to save! I can only hope you'd do the saaaame?
hehehe
hehehehehehe
hahahaha
I must say, what a brilliant speech you gave
Divine intervention, someone who's not afraid to... Send a message
Hermes? AHOHOHOHAHAHAHA
the chorus
That Run™ on When you take her on aloooooooone
the chorus again, this time with harmonies
~Here in the root of this flower there lies such a power to take her on~
That High Note™ on then you'll manifest a Being of your creation (all you need's imagination)
And I call this root ~Holy~ ~Moly~
Ahh...
AHAHAHAHAHAHA
More Chorus with More Harmonies!
OHHHHHHHHHHH OHHHHHHHHHHHHHH OHHHHHHHHHHH OHHHHHHHHHHHHHH
Don't thank me friend, you very well may die. Ahmhmhmhm! Good luck
*Carmen intro*
Lady of the palace
Did you do something to them? Who me? All I did was reveal their true forms.
You turned them into pigs.
Ha
I don't know who you are nor why you're here, but let me make this one thing clear: I've got people to protect, nymphs I can't neglect, so I'm not taking chances, dear
If you make one wrong move then you're done for, anything I don't approve and you're done for, I could put a spell on you and you're done for, boy you better run or soon you will be done for
I DON'T MEAN TO TIP YOUR SCALE
~dire consequence~
Hermes gave it to you, didn't he?
Okay fine, yes, but regardless-
Duet version of I've got people to protect
*sword sound* You've lost.
My nymphs are like my daughters I protect them at all costs
... I'm not sure I follow
There are other ways of persuasion, there are other modes of control, there are other means of deceit, there are other roads to the soouuul, there are other actions of passion, you have so much left to learn, want to save your men from the fire? Show me that you're willing to buuuuuurn ohhhhhhh
~so much power, so much power~
I can't
*Penelopeeeeee* but make it viola
She's my everything, my Penelope
*sigh* Poseidon, eh?
I know of a brilliant prophet! Problem is this prophet is dead
I remember actions of passion, I have been in love once before. Maybe one day the world will need a puppeteer no moooooooore. Or maybe one day the world will need a puppeteer
MOOOOOOOOOOOOOOOOOOOORE
I apologise for any spelling mistakes and also for the length of this. It took me way too long but oh well
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autumnwhistles · 7 months
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youtube
Introducing Last Life: The Unofficial Musical! I've been working on this for a while and have finally finished recording the first song, out of something that looks to be 45 at the moment but I'll probably trim that down.
The musical follows @inthelittlewood's version of events (Watchers are canon, etc) because his lore is awesome, but you don't have to understand that to listen to it, since it wasn't even revealed in Martyn's perspective until the last episode. That'll be the same here, with the Watchers just playing the role of the chorus/narrators (who mainly sing this song), and some being the voices that speak to Martyn in his POV.
Because I'm following his lore, c!Martyn is the main character, and there's also a lot of focus on c!Scott because he was the winner of the season (and in my mind there are a lot of contrasts and parallels between the two, with Scott defying the rules of the game while Martyn is following the instructions of those who made the game, and occasionally trying to question it/break out of that cycle but being manipulated back into it – see the start of his episode 8). However, I am trying to give justice to other characters and POVs as well, since Last Life was due to the creation of everyone and I don't want to dismiss anyone's contributions as unimportant. Throughout the musical, the Watchers/chorus informs us about wider events at various intervals (through song), and I'm trying to give a lot of other people solos/duets too – for example, I'm writing a Tango solo song ("You Bet Your Life") at the moment; I'm planning to do a "Die For Me" for Cleo; Joel and Scar have a duet about various perceptions of them after Joel has turned red (they're not interacting with each other but are singing at the same time); etc. It'll definitely take a while to finish, but I do plan to see it through. There are also going to be musical and lyrical analyses on here explaining my thought process behind a lot of aspects of each song.
Full lyrics here!
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khytal · 1 year
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I’ve been meaning to write about this since ep12 aired but I haven’t had time until now. I'm sure someone's already brought it up by this point but I wanted to put it into my own words, so here I am :]
I’m gonna talk about the “plant song”, as it’s called in stampede’s soundtrack: an 8-bar motif that comes up in several songs in the ost (but I’ll only be going through 3 of them + some other things)
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*I consider "common front"/"trigun stampede" to be vash's main theme, rather than "vash the stampede" (more on this later)
it's used (or not, in one case) in some very interesting ways, which have interesting implications :)
I'm referencing track 28 from vol2 of the ost, "plant song on erhu", as the base that I'm comparing the other songs to. aside from some stylistic ornamentation, it's just the 8-bar melody on its own (which I've transcribed in the above image). this is also currently the only version of the song in the soundtrack that features this melody as a solo, with no other instruments.
some notes before I get into it:
-for my sake, I refer to "common front" as vash's theme in this post x) I know it's a shorter version of "trigun stampede" (they're the same song), but the track title makes it easier for me to associate it with vash so I'll be using that instead of "trigun stampede". the titles are more or less interchangeable though
-the rests in measures 3-4 and 7-8 in the transcription for "bio-power reactor" and "common front" don't exist in the songs themselves. I inserted them so that the corresponding parts line up with when they occur in the plant song
-the excerpt from "bio-power reactor" is a diminution (note lengths were cut in half) to make the comparison easier to see
-in "common front" 's case, the transcription isn't entirely accurate but it's more about the notes than the rhythm u-u)b
-this motif is heard in more than just these 3 songs, but about a third of the ost recycles sections from other songs (ex.: "vash the stampede" is just "the jeneora rock resistance" and "trigun stampede" stitched together), so I picked the ones I felt were like "source" songs. since this is about plants, I only had to look for the tracks that were most representative of the twins and the plants themselves
-knives has like 7 different versions of his theme (including the piano/duet ones) but they're all more or less the same so. yeah. I referenced the vocal version in vol2 since it emphasizes the plant song as the melody, and has a slight variation
-I don't talk about the duet here since it's pretty clear that it's for both vash and knives, and it's just a fancy version of the plant song. not much to analyze about it for this post
-I did annotate the music I transcribed, but no knowledge of music terminology is necessary to understand it. it's all pattern recognition, and I mostly just highlighted where the similarities and differences were
-please don't take any of my interpretations as fact, I just thought it'd be cool to point out the motif. you're more than welcome to have your own interpretations using the transcriptions I've included ^^
okay here we go :)
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-the songs are listed by how closely they resemble the original plant song, with "millions knives" (and any other related themes) being nearly identical and "common front"'s excerpt being something barely recognizable as the plant song
-"millions knives" has this motif everywhere. you could say it's representative of him being in tune with his identity as an independent plant. or almost like he represents the plants--oh wait, he does (self-proclaimed, but that's irrelevant here)
-almost every time the plant song is heard, knives is there/involved. prior to ep12's implication that it comes from the plants (and the ost outright confirming this), it wouldn't be odd to assume that it's his theme; that's how frequently it pops up. and it's even more obvious in the soundtrack..........except it might as well be his theme, despite its origins lying with the plant race
basically: *knives voice* my theme now
-even though "bio-power reactor" refers to the plants, their song is barely present in the track (it's heard at the beginning and end). kinda sorta makes it feel like a transference of the theme to knives. like the plants are just vibing (they are, mostly) while knives is taking the reins (he is, mostly)
-the reason the track "vash the stampede" isn't part of this is because the plant song is nowhere to be found in it. while it does use "trigun stampede"/"common front", it doesn't have the part that I transcribed
(if you really want to read into this, you could consider the motif's absence a reference to vash being more akin to a human than a plant. I can't say whether this was intentional or not though, considering "vash the stampede" is just a mix of 2 pre-existing songs and has no melodies unique to it)
[-feel free to skip this tangent: "common front"/"trigun stampede" stands out to me because the lyrics are more about vash than the track that's literally named after him (which isn't even an original composition for some reason):
"here I come, here I come any enemy is powerless in front of me here I come, here I come, keep anybody that get(s) in my way, away from me
get everybody involved like a typhoon pull the trigger, shoot down [on a/on the/'nother?] full moon can't you see what I'm [hiding/having?] in my hands call me vash the stampede, and feel love and peace"
not that "jeneora rock resistance" 's lyrics aren't about vash, but I think it's odd that "vash the stampede" doesn't use the lyrics from "trigun stampede" beyond the initial "here I come, there is no one anywhere who is a match for me"]
-"common front" is vash's main theme to me, since it references the plant song while also being about vash himself. it describes vash as he is amongst humans, with the motif serving as an acknowledgment of his race without overpowering the rest of the song (unlike with knives, where it's nearly constant and makes up the core of his theme. if this was intentional on the composer's part, it's very clever)
-the bit I transcribed from "common front" is from the part in the middle that features a flute solo (1:17-1:26; or 1:36-1:45 in "trigun stampede"). you can also hear this in the low brass around 2:27 of "millions knives", where it follows the same pattern as the section in "common front". it looks like this (written as it's heard, without the 2 measures of rest I added):
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"millions knives" and this fragment from "common front" are both in the key of b minor ("common front" starts in d minor and briefly modulates to b minor before going back to d minor)
personally I like that knives's variation is grand/drawn out, while vash's is played freely. it highlights their personalities, though we don't really get to see much of vash being "free" in stampede
-there's a very short call and response bit in ep12, where vash sings the first 2 bars to the plants and they sing back to him:
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nothing specific to write about here but vash's "La"'s in the jp dub are more articulated because of how japanese people pronounce the "L" sound; whereas jyb's articulation is much softer/barely noticeable (though he sings the 2nd measure with 1 "la" instead of articulating each new note. also his F# was a little flat but like. don't take that as an actual criticism lmao I just have a really good ear)
I don't know why the plants' responses are unique between the two dubs, but I thought it'd be cool to transcribe that part as well. the rhythms were a little hard to pin down since they're sung freely so idk if it's accurate but I know the notes are right x)
-I'm guessing the dub's VA for young vash couldn't sing the C so they cut it and had them start a beat later to compensate and match the lip flaps:
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not a significant difference, since the altered part exists in the plant song so it doesn't stand out unless you're listening for it (like I was), but yeah. there you have it
(-I'm sure people know this by now but I figured I'd mention it anyway since I'm talking about it. the reason "knives" asks vash what he's humming in the flashback is because it was rem who asked him that in the original memory. the song seems to be something that all plants know instinctively, so knives should've known what it was. and this discrepancy is part of what caused vash to become aware of himself again......which means knives screwed up his own plan x)
(I wonder if knives will ever talk about what the song means to him))
-when vash is poking at the piano keys at the end of ep12, he's just playing an octave (between a low and high Bb, but that isn't important). my guess is that he's trying to play the plant song, specifically starting at the octave that ties into the triplet, but for some reason he can't get any further than that.
I think he's reluctant to hear the song of his people, the one that made up the duet he and his brother used to play; the one that used to calm him down but may now instead only remind him of what he did/lost. maybe he's trying to reassure himself with the song, and is unable to with the weight it suddenly holds for him
(side note: the duet is in the key of a minor and no Bb's are played in it, so he's not trying to play either parts of the duet)
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extra things I noticed that aren't very conclusive (so don't take them too seriously) but are still worth mentioning:
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-these are also arranged from most to least similar
-........yeah I found the plant song in "tombi". the augmented triplets in the pre-chorus tipped me off. I'm pretty certain this is a coincidence though, since it's the only piece of the motif that I heard. I didn't look too much into it, but if "tombi" was written with stampede in mind and if kvi baba was asked to incorporate the plant song then. well. x) anyway I just wanted to point it out, coincidence or not
-knives's theme is here again but for the express purpose of being compared to "orphanage" of all things, because they're in the same key. this 2-bar excerpt plays from 0:18-0:22 in "orphanage", and it seems to be pulled from "millions knives"
the notes are split between 2 different instruments (3 if you count the piano chord reinforcing the A) but they form that exact phrase if you put them together and follow the main beats
which leads me to this point: knives's theme is in "orphanage" because he's linked to it through the eye of michael (again this is me reading deeply into the pattern, so I wouldn't say this was on purpose but if it was.....!)
-elendira's theme doesn't have the plant song in it; at least, not directly. she's actually the reason I ended up writing this whole post, because I wanted to know if the plant song was in her theme. and it's not. fascinating.
anyway this one's a HUGE stretch but I find it to be an interesting interpretation: the plant motif possibly being an inversion, as a way of saying she's neither plant nor human (as mentioned by dr conrad)
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that's all I have to say about this! I hope it wasn't too confusing x') thank you for reading, if you made it this far. the plant song is pretty significant in stampede so I'm really looking forward to hearing how it's used in s2 o)-<
(if there's anything I missed or if you have any questions feel free to ask!)
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schmergo · 2 months
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I think there's a very specific type of girl that just loves the stepsisters from Cinderella in any incarnation and that trait stays with you for life. When I heard about Lucy Punch, who's played 4 different versions of Cinderella's wicked stepsister in movies and TV shows over the years and apparently had a wicked stepsister themed birthday as a child, I was like, "Yeah, makes sense, goals." I love characters who are tacky and over-the-top and trying to be 'glamorous' to the point of being grotesque. And I always loved Anastasia and Drizella's style from the animated Cinderella.
When I was very little, like first or second grade, a girl in my class got one of those 'put on a play' kits from American Girl and invited a bunch of us over to put on Cinderella in her backyard. Of course, half the kids couldn't read fluently yet, so that wasn't going to go great, but I was SO DESPERATE to play a stepsister, and nobody else wanted to play them because they're ugly/evil, so I ended up reading both stepsisters' roles. I guess that was technically my introduction to theatre.
In sixth grade, I auditioned for a summer children's theatre production of Cinderella and got cast as a stepsister. That very same day, I found out I had been chosen to appear on a nationally televised game show. My reaction was basically, "Oh my gosh, best day ever! I get to be on Jeopardy! and I get to be a stepsister!" When I actually appeared on the show, my intro fact was that I had just played a stepsister in Cinderella and that it's more fun to play the villain.
I was in a musical theatre class in high school. We had to pick two solo songs and a duet for our musical showcase and while most of the duets were dramatic in nature, this other girl and I made an absolute beeline for the stepsisters' song from Rogers and Hammerstein's Cinderella.
AAAAAAND just now, at the age of 31, I auditioned for a local production of Into the Woods, my first musical in over 13 years. Did I audition for one of the lead roles? NO! I auditioned for a stepsister! And I GOT CAST AS A FLIPPIN' STEPSISTER! And I sincerely believe that somehow giving off this very specific spark as that weird girl who's obsessed with the stepsisters and actually wanting to play that role is the one thing that I had working in my favor.
I wanna play stepsisters forever. But I am also willing to eventually graduate to playing the stepmother.
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