Personally the amount of people who are either "Jake is a stupid himbo" or "Jake is actively malicious" blow my mind. No, Jake isn't stupid, and he's not evil. He's a sixteen year old who is implied to have a mental disability and/or brain damage (it's not exactly clear, Caliborn claims they have the same developmental disorder and Dirk iirc worries that Jake hit his head too much, I guess you can take either with a grain of salt but I digress), and has not had meaningful real life interactions with other human beings in years. He is in the wrong for his actions, but it feels. Purposefully ignorant to claim he's just stupid or just evil for them.
He's socially stunted. He wants to emulate heroes in movies but lacks self esteem and experience. If the alpha kids had enough time to be more fleshed out (and let's be real, if Hussie cared about Jake) this might have been explored more thoroughly. He'd never had the opportunity to learn how to cope with a relationship, how to communicate his needs, or understand that he can't control how other people perceive him like he can through a computer screen.
He doesn't know healthy boundaries because he's never had to use them, and this goes both ways (allowing his friends to sexualise him and treat him like an object, as well as constantly complaining about his relationship with Dirk to Jane) Like yeah he does run away instead of communicating with Dirk and yeah he does dump all his problems on Jane. I love Jane, but one of her problems is her bottling up her feelings and people pleasing until everything blows up. She should have told him off much sooner, and while he was being a dick, it was partly because she allowed him to feel like it was okay to do, since she never told him it wasn't after the first few times or when she was starting to get aggravated.
His problems with Dirk are a little more complicated because we're never actually shown their relationship or how it broke down, but from what we can gather, Jake felt overwhelmed by Dirk's intensity and decided to ignore him rather than tell him try and avoid confrontation but leading to Dirk being frustrated and breaking up with him. Dirk claims he feels like he bullied Jake into a relationship, and though I personally think that's him making it seem worse than it was, it does mean that Dirk probably was trying to go too fast. I've best heard it is Jake being an introvert pretending to be an extrovert.
This is not to say I don't think people can't dislike or even hate Jake, but it's like. Idk. Misinterpreting a character and disliking that version of them is a little redundant to me.
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i wish "you should think about why you do [x thing]" wouldnt be seen- or used- to mean "you shouldnt do [x thing]" because like. introspection is good! seeing if you have any unknown biases or whatever thats influencing a decision/action that needs to be deconstructed is a useful thing to do. and then if you want you can continue doing the thing once you understand your interest for it better and have it disconnected from any potential iffy shit if there were any there. so youre not unconsciously perpetuating a deepseated stereotype or whatnot.
and being forceful about "you need to think about why you do [x thing]" and insinuating theyre actually bad for it does nothing to encourage them to actually think on it. theyre just going to get defensive, and then maybe overlook some potentially unsavory stuff they havent unpacked. or they get nervous and drop the thing, thinking it was bad but not really being given the chance to think on it and truly understand why, even if the reasons they were doing the thing were actually not influenced by anything iffy.
but it also shouldnt be assumed that someone hasnt done any introspection on the situation, or doesnt have some personal reason for it. "you cant hc this character as [identity], its stereotyping" is just stupid because sometimes Real People just happen to have mannerisms/interests/etc that are stereotyped. "actually im of that identity and i relate to this character, thats why i hc them this way" is EXTREMELY common, and people do not have to out themselves about it to some stranger whos trying to police how they can engage with fiction. you are not entitled to any personal details about strangers.
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they try, honestly they do, but the doctor isn't a stationary creature and never has been, especially not when they know there's something they could help with. which is to say, it takes a week of soft quiet life before he starts begging kate for a job. kate in turn withstands three weeks of the doctor's incessant begging and big puppy dog eyes while donna noble stands right behind him and mouths don't you fucking dare before she makes a counteroffer: he can work in a lab (the 'very far away from active duty' is implied) as long as he meets with unit's therapist.
and he refuses, of course, loudly and profusely, right up until donna very gently but very firmly tells him that it really could help, actually.
so. therapy. the doctor assumes it won't do anything. the unit therapist is no nonsense and unflinching and very very bright, and twenty minutes later the doctor sits outside the room hyperventilating while kate finishes paperwork and kindly doesn't mention the way he's all but curled into her.
the second session ends much like the first, and the third, and then the fourth he walks out with dry eyes and a tremulous smile. the fifth, kate calls donna and she takes him home and they drink hot chocolate and he doesn't start talking again until the next day. it takes him seven sessions to be able to stay in the room for the full hour; kate pats him on the back and then finally allows him to build a shield for her office as a reward. she sits outside the therapist's office every time he has a session, even though she has to have better things to do. they don't talk about it.
unit only has files on things the doctor's done on earth, and even then, only sometimes, which means that when the doctor talks about some things he just. edits, a little. talks about two weeks in a confession dial and a month in prison, because maybe then he doesn't have to think about the enormity of it all. and every single time he does this, the therapist looks at him and very kindly calls bullshit. it's weird, being known. it's different with donna. he is donna and donna is him, in ways they will probably never talk about. but he sits in that cluttered little office for an hour a week (sometimes two or three times, if he's doing particularly badly) and he feels seen.
after four months, there are memories he can touch without flinching, and people he can talk about without crying. he starts spending a couple of hours just sitting in the vortex, not because he's hiding or running but just because he likes the way it feels against his skin. he cooks dinner every other night and washes up when he doesn't. he takes out the bin every week even though it's rose's job, because he loves her. and he can say that now, and he doesn't think about her short lifespan or about all the other people they've loved and lost. he can say that and just mean it.
part of his contract is an agreement to never offer a trip to a member of unit unless it's actual life or death (the small chemical leak in the lab doesn't count; he takes shirley to new mars anyway) but he finds himself toying with the idea of asking for a session in the tardis. just once, just to see. the therapist looks at him and sees him and it is monstrous and they keep looking anyway and now the doctor can sit through a family dinner without wanting to tear his skin off and he doesn't know any other way to say thank you.
it's funny, almost, how quickly he grows attached to this person who picks through his hurts and rifles through his traumas and holds direct eye contact while doing so. the doctor talks about their deaths and their crimes and their cowardice and the therapist nods and asks him how he feels and it's. it's terrifying. it's beautiful. it's the worst thing he's ever ever been through, and the best. he feels ripped apart and put back together in a way that few people have ever been able to— huh.
after his sixty eighth session (he's unable to not keep count) the doctor walks outside to where kate is annotating a schematic and says, thoughtfully, they're the master in disguise, aren't they. and kate says oh 100% and please don't let them know that you know because they will definitely go to the second stage of whatever long con they've been hatching and they're too good at this for us to let them go
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I wonder: Do Americans know about american school buses? Not their existence in general, but how they're seen overseas.
Over here, they're one of the symbols of America, on par with the Statue of Liberty, the flag, the Eagle, and well ahead of any chain restaurant you can name. People won't know any US states, but they will know these vehicles.
The thing is, here in Germany, we don't have dedicated school buses. The general idea is that kids go to school on their own. When that's not practical, they're expected to use (and given free tickets for) public transit. Public transit is designed around this requirement; there are many places where there is a bus, and anyone can get on it, but the route and timetable really only makes sense for school children. In case a dedicated school bus is really needed, that's generally subcontracted out, and the lines either use something like a Sprinter Van for smaller routes, or a normal city or interurban bus (often a used one that's a bit older). School trips are normal public transit, or a rented bus, typically a coach or regional bus.
It's not a perfect system, in the past couple of years there's been an epidemic of people bringing their kids to school in their cars instead of letting them walk, which is less than ideal. It is what it is. But building a dedicated network of public transit lines only for students, and building dedicated vehicles only for that, has never occurred to anyone here.
Of course we know about these buses, from movies and such, but they're as foreign here as cacti or pick-up trucks (actually we're seeing more and more of these here) or yellow cabs (all europeans will assume all cabs in the US are yellow until they actually visit).
You do see these buses here at times, because people still generally like the idea of the US, even if they have a lot of issues with a lot of details, and so folks bring them over, along with stretch limos and stuff (also not really a thing here). And of course, if someone goes to all that trouble, they don't do it to haul school kids, they rent it out for city tours or as a party bus or whatever.
So you see these yellow things as a symbol of faraway places, scenic vistas, some vague undefined idea of freedom that doesn't necessarily hold up to any contact with reality, and it's just a huge part of the whole US aesthetic.
And then you go to a student exchange with the US, and you finally get the chance: You yourself get to ride in one of these iconic chrome yellow buses! It looks just like in the movies! You get in, you drive in them a little…
…and you realise they're shit. Just the worst buses in the western world. Terrible suspension. Uncomfortable seats with weirdly high backs (so they don't have to put seatbelts in, they just restrict how far kids can fly in an accident). Everything made out of the cheapest materials. Turns out the reason why the US uses school buses like that instead of normal modern city buses, which the US has, is to save money and because they just hate kids.
And then it hits you why US Americans say "as American as apple pie", a dish that is made and enjoyed literally anywhere in the world, instead of "as American as yellow school buses". Of course the Americans already knew all this. They got tortured by these things forever. It would never occur to them to see this as a symbol of America, it's just a normal part of life for them. It's a symbol of school and school life and sometimes normalcy, and tells us that these actors getting out of it are supposed to be teenagers, nothing more.
But most people in Europe have, of course, never ridden on these buses. So when they see them in movies and TV, that's a giant big yellow signifier that we're not in Hessen or Wallonia or wherever anymore. A symbol of a different world, one that may be at most a once-in-a-lifetime-experience for most people, just like a picture of a tropical beach, Incan Pyramids, the Great Wall of China, or Hildesheim (there's no reason to go there twice). And I think Americans don't know that, and that's fascinating.
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