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#Symbolic Fruit!
jinxthejubilee · 2 years
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Random Thoughts
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This one started out as a stupid idea, but then I got waaaay to deep into it. You know, like always. Today's Topic: Symbolic Fruit!
So, as most of us players and collectors of cards have noticed, Lucifer is often associated with apples, mostly for the symbolic representation of Adam and Eve taking a bite of the Forbidden Fruit from the Tree of Knowledge, which led them to get kicked out of Paradise.
We all get it. But what are the other's symbolic fruits?
From what I've discovered, Asmo is often depicted with strawberries. As seen here:
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For those who're wondering, strawberries in the Middle Ages were often seen as a symbol of temptation, pleasure of love, tender flesh, and sensuality.
Yet somehow, they're also a symbol of purity and righteous.
Which given Asmo's whole sctick as the Avatar of Lust, one would think that this clash of symbolism wouldn't make sense. But, it actually does.
Asmo himself may seem like a hypersexual narcissist who flaunts himself as the most perfect creature in the world, but he's also a person so desperate to receive real love and admiration, that he's completely blind and naive to the fact that his brothers, MC, and everyone around him love him for who he is, not for what he looks like.
Heck, he becomes completely shell-shocked whenever we or anyone else tells him as such!
But getting back on track, none of the brothers have any fruit-related cards from what I've seen.
I wonder if any of them would have an apple as their default fruit since they're all brothers to Lucifer.
Perhaps Mammon would have a golden apple.
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Not only is he the second brother only to Lucifer, but golden apples usually represent wealth, prosperity, power, and knowledge.
I don't know, I think giving them ALL apples would be kind of repetitive. So I'll leave you guys to ponder the rest.
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gummi-ships · 4 months
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maddie-grove · 4 months
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The “curtains are blue” people are wild. I’m always thinking “what kind of cobbler should the characters be eating to best enhance the mood of this scene?”
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canisalbus · 4 months
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Machete and Vasco are so pomegranate-and-the-hand-that-slices coded. To me.
Pomegranates are seen as messy, bloody, inconvenient fruits. You slice or tear or bite and in return for your effort you come away underwhelmed, disgusted, and stained too deep to wash. The consumption of a pomegranate is a violent act of defilement, for both the fruit and the eater.
But that is because most do not understand how to open a pomegranate. They have little patience for the precise carving. They see no point in coreing the fruit gently, no reason to be reverent as they pull the quarters apart. When done correctly, opening a pomegranate leaves little mess. Your fingers will still stain, your knife will still slick, but there will be no pool of crimson drowning both you and the fruit.
The seeds are only sweet to those who understand the merit of a light hand and intricate slicing. Why put in so much effort for a food so bitter and clearly armored against consumption? Surely it must not yearn to be eaten.
(^insane about silly catholic dogs)
.
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soybean-official · 10 months
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What's going to happen to me now?
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agentc0rn · 7 days
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Love it when there's cool™ folks with extensive historical knowledge of lore and ancient lineages who have gone through losses and sought questionable ways of achieving their goals + having indirect connection to their respective beings of worship
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spookysspoons · 4 months
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I love you dog symbolism. I love you fruit symbolism. I love you insect symbolism. I love you flower symbolism. I love you motifs. I love you poetry.
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inoreuct · 4 months
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drink from me
a sherry-laced conversation about thirst and running away. zosan | 2k | hurt/comfort
Being a coward isn’t as easy as one might think.
It’s juxtaposition in its own right; cowardice is, as defined, a lack of bravery— And yet Sanji supposes it takes bravery to be able to ditch everything you stand for. To turn tail and run. Bravery to bear upon your shoulders the disappointment of everybody who had ever believed in you. 
He sighs deeply, tilting the bottle in his hand so that the dregs of liquor slosh within. This is why he doesn’t drink.
It’s relatively easy most days. To lock his past behind a set of double doors, bar the handles with a padlock and chain so he can pretend that everything he’s running from isn’t just three paces behind, snapping at his heels, starved and ready to eat him up whole. Alcohol slots the key back into place and twists it without his permission. Twists his heart until it aches.
He doesn’t know why he’d started. The bottle of sherry had sat, nondescript and guileless and half-full on the galley table after the night’s dessert, and Sanji had paused before he’d slowly wrapped his fingers around the neck of it and let his nails scrape against the dark glass.
The cork had popped almost too easily and here he is now, taffrail digging into his forearms as he takes a long drag from his cigarette and lets bitter smoke fill his lungs full to bursting. Blood orange coats the back of his tongue, cloyingly sweet, thick on the roof of his mouth— He’d made a layered trifle with cacao nibs and caramelised cream that had been slathered between slabs of boozy vanilla sponge, and the aftertaste clings to his teeth. Sanji peers down as what’s left of the sherry glimmers vaguely inside the bottle and fights the urge to chug the rest. 
He could, if he really wanted to. He hardly drinks but it certainly doesn’t mean he can’t. 
A soft scrape against wood catches his attention, barely perceptible. He fights to keep his spine from stiffening, fights to maintain his loose-limbed, easy demeanor; the liquid warmth in his veins helps some but not enough, and he’s halfway through another drag when near-silent footsteps stop just behind him. 
Zoro’s haori shifts in the wind, palm loosely wrapped around the end of Wado’s hilt where she’s strapped alone to his hip. “Was wondering where you went,” he says easily, looking out over the ocean. 
Sanji scoffs. It burns his throat more than the sherry did. “For someone built like that, you’re surprisingly quiet, marimo.”
The immediate urge to kick himself is something new. He rarely feels it— It appears often, don’t get him wrong, he just. Ignores it. It’s a little more difficult tonight. Built like that. The noise that escapes him is mirthless. What’s that even supposed to mean, huh? Alcohol’s always made him snappy and he does feel bad for once — But he’s tired, and the chores won’t do themselves. 
“Make it quick, would you?” he mutters when Zoro still hasn’t replied, low and quiet in the still evening air as he curves down to dig the heel of his palm into his temple. “My spice jars are still all over the counter, and I have to mop the floor before I wash the dishes—”
“It’s done.” 
Sanji blinks, before his eyes narrow and he turns his head to look at Zoro properly. “The dishes?”
“Everything.” The swordsman huffs when Sanji gives him a dubious look, gaze flicking over and away again as he rolls his eye. “Luffy asked me to clean up the galley. Said you needed a break.”
Well. The cook exhales, measured, and buries his face into the crook of his elbow. Taps his cig so that ash doesn’t fall into his hair where he’s holding it aloft above his head. “Tell him thanks, but I don’t.”
He clocks it out of his peripheral vision when Zoro smirks and waves a hand to gesture to his cigarette and his slouch and the glass bottle dangling against wood. “What’s this, then?”
I don’t know. Shop’s closed, please fuck off and come back tomorrow morning. 
The other words that sit at the tip of Sanji’s tongue are far more scathing. He feels them, bites them back viciously before he can burn anyone other than himself. “If there’s a single thing out of place in there I’m gonna—”
“Kick my ass, I know, I know.” Zoro chuckles under his breath. “Don’t you get tired of saying the same things over and over again?”
“Maybe I wouldn’t have to if you didn’t constantly choose to be selectively deaf, moss-for-brains.”
The swordsman huffs another soft laugh, and conversation peters out after that. Sanji feels an itch building at the base of his skull, flickering just under his skin; it’s making him restless. He taps the bottle against the rail just to fill the silence. Zoro reaches a hand out and Sanji gives it to him easily, unthinkingly, watching and pretending he isn’t as the swordsman thumbs over the faded paper label that’s peeling at the corner. 
Zoro’s hands are scarred, he notes. He knows this, of course, but he never gets tired of letting his gaze drift over tan skin and old scars, thin slivers of pearly tissue painted silver in the moonlight. A breeze ruffles his hair as Zoro finally drinks, and he’s distantly surprised to see that it’s a measured sip and not a swig like what it usually would have been. 
Fucking hell. Sanji’s inhale shudders when he pushes himself up and stands straight, now-free hand wrapping around lacquered wood as he finishes his cigarette and tosses the butt over the side. He needs to stop thinking. He’s paying too much attention. There’s a pressure building behind his forehead and Zoro is an overwhelming presence beside him, unavoidable, stoic and staunch as ever, perfect posture, perfect honour, a sentinel with a pure white sword like some sort of— of hero from a storybook. Perfect perfect perfect.
It’s all building like a scream behind his lips, a river at a bottleneck, and he clenches his jaw to keep it in. Grits his teeth until he hears them creak because what would happen if he opened his mouth? Nothing good, he’s sure. Nothing anyone needs.
Sanji nearly startles when the bottle taps against his elbow. “Talk to me.”
“Nothing to say,” he replies immediately, taking a careless gulp and holding in a cough. 
Zoro’s slow exhale feels like it shifts the wind itself. Their ship creaks gently. “You always have something to say, curls.”
“Look, you—” He cuts himself off, tempering his breath. “I’m tired, alright? So can you just get to the point?” Fuck, he needs another cigarette. 
Maybe that’s the problem. He knows he’s the problem, sure, but Sanji suspects that he’s been running for so long that he’s forgotten how to walk. It’s grown into him like weeds wound through his ribs, the way he sees poison in water that’s perfectly clean, the way peace makes him more anxious than chaos does. He needs to stop running. He doesn’t know how. 
Zoro pries the sherry from his fingers and it’s only then that he relaxes the death grip he’d unintentionally had, a shudder slipping over his shoulders. Zoro holds the bottle loosely between his scarred fingers and doesn’t drink.
The silence thickens. Static crackles within his bones.
Sanji doesn’t know why he starts talking. Doesn’t know why it feels like a dam breaking in his chest, but his mouth is open, and the words are emptying out. “I’m tired of looking over my shoulder for something that isn’t there. Luffy gave me something to run towards, for once, but—”
He doesn’t know how to say it’s not enough without sounding ungrateful, without being greedy. “Sometimes I think I could… consume every one of the Blues, and still want more,” he allows. “Need more.” His fingers lace together, and Sanji dips his head with a wry smile even as he looks at the endless expanse of sky in front of them. “I’m afraid I’ll drink the world and still come up dry.”
There is a thirst in him. Something different than what had wracked him for a month on that barren rock. Hunger he can handle; he eats just enough to stave it off and goes about his day. This, though— Sanji can’t help the way it buzzes in the back of his head and keeps him wound up like a coil of electrical wire. He kneads dough and whisks egg whites just to have something to do with his hands. He defaults to his usual barbs when he’s feeling ungrounded so he can kid himself into thinking he possesses some semblance of normality. His shoulders ache as he stares out over the sea and wonders what it’s like to hold so much and still, still, be so achingly empty.
The winds change, carding cool fingers through his hair. 
“Drink from me,” Zoro says, and Sanji’s breath catches between his teeth.
His head snaps up to find Zoro already looking at him, face unreadable, elbows on the taffrail and bottle cupped in his hands. The swordsman looks serene, Sanji thinks. Gaze trained straight ahead, ever clear of his objectives as Wado gleams at his side, starlight in an ivory sheath. 
“Drink from me,” he repeats. The words are solemn as they always are in moments like these, the liminal space just after dusk but before true night, as his eyes shift over to Sanji and lock in place. “I won’t let you go thirsty again.” 
Sanji’s mouth dries. It’s hard not to feel pinned as Zoro looks at him; the weight of his gaze is almost physically tangible, like a familiar green coat settling over his shoulders. That’s the thing about Zoro— For all Sanji jokes about him having plant life in his skull, the swordsman has a penchant for dropping absolutely earth-shaking statements without even seeming to think about them at all. The cook swallows once, twice, tries to find his words as his lips part and loses them as soon as he takes his next breath.
He doesn’t know if he’ll ever stop feeling like a ticking time bomb. But as Zoro’s lashes flutter and he looks away, Sanji feels something in him settle. The relentless buzz that always seems to sit just beneath his skin soothes out into a quiet hum. 
Maybe part of it’s how Zoro’s scarred and still perfect. Untouchable. Sanji couldn’t hurt him even if he tried, even if he blows apart.
His fingers wrap, unthinking, around the neck of the bottle as it’s pushed back into his hand, the pressure of Zoro’s touch lingering until he’s sure that Sanji has a good grip. The swordsman’s boots brush softly across the planks as he turns to leave and he’s halfway to the stairs before Sanji speaks.
“Marimo.”
He knows Zoro turns without even looking. “Hm?”
“Did Luffy really ask you to clean up the galley?”
A pause, before Zoro starts walking again. “Get some sleep, cook. I’ll take the rest of your watch.”
The silence he leaves in his wake is honey-thick. First watch is Sanji’s shift, it always is— He cleans up the galley and stays awake until Zoro comes to take over. 
(The galley is clean. His watch is covered. His mind is quiet.
For once, he can’t find himself another reason to stay.)
 
The sherry holds no evidence of them ever having shared it. Sanji lifts the tinted glass and there’s no trace of Zoro, no proof that his mouth had ever been where Sanji’s is— None of the candied orange and rosemary from the duck they’d had for dinner, gamey and blood-sweet.
I won’t let you go thirsty again.
Sanji tastes it still, gentle in the back of his throat as he drains the bottle.
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daylighteclipsed · 6 months
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Bruh soriku got the floral arch, the dearly beloved wedding march, and the paopu fruit 💀
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lucidloving · 7 months
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Jean Little, "Oranges" // Vincent van Gogh, Still Life with Basket and Six Oranges // @bicarus // Youqing Wang, A Peeled Orange // Enrique Serra Auqué, The Orange Seller // Nina Lacour, "We Are Okay" // Golden Girl— Frank Ocean // Christopher Citro and @sunlightafterdark on Instagram // Wendy Cope, "The Orange"
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failchild · 1 year
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thinking about fruits in disco elysium
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ivytea · 2 years
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firebird’s orchard •  illustration for Herbarium 5e supplement. I was reading about alchemical and occult symbolism recently so it was a lot of fun to cobble together this imagery for this (probably structurally unsound!) poison/healing cabinetry.
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random-husky · 4 months
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Servamp Secret Santa 2023!
Happy Holidays @puns-parce ! :3
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I was your Secret Santa this year! :D
You wished for Jeje and fruit symbolism, so I tried to portray that here. According to my research rotten fruit can symbolize death which I thought was fitting for Servamp in general. Rotten fruit can also symbolize the fall of man (the Bible) which I thought fit Jeje considering all the religious symbolism surrounding him. And lastly, I went with an apple since that is the fruit people often use to represent the forbidden fruit in the story of Adam and Eve which is referenced in Servamp.
Had a lot of fun drawing this! Hope you like it!
And thank you to the lovely @animes-trash for hosting this event!
Have a wonderful day/night! And happy holidays!
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marbletheunworthy · 4 months
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‘Abbey’ -Mitski
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agentc0rn · 6 months
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Dreams sweet as peach
Mushed into pulp
All gone but the pit
Out of mind, swallowed it whole
amygladin comes
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thechibilitwick · 20 hours
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i don't remebebr how to drawwwww i hate artblock
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