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#THAT is how you make a movie adaptation of a musical folks take notes
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Kaiju Weeks in Review (September 10-30, 2023)
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I adore Godzilla Final Wars, but it's a movie with an identity crisis, unsure whether it wants to be headlining a Toho Champion Festival or mesmerizing American teenagers at a mid-aughts multiplex. @spacehunter-m's Final Wars 2004: The Year We Make Corn-Tack gives it a strong tug in the first direction, whittling the runtime down to 77 minutes and replacing most of the music and sound effects. She was inspired by Space Warriors 2000, of all things; as she put it, both films are "largely comprised of nonstop, monotonous action." As in that bizarro Ultraman compilation film, the kaiju trash-talk each other. It makes you wonder why Ryuhei Kitamura didn't at least bring back the speech bubbles from Godzilla vs. Gigan. Kaiju fan edits are rare, and this is in a class all by itself. Download it here.
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Shigeru Kayama's novelizations of Godzilla (1954) and Godzilla Raids Again are out—hopefully the first of many to come. My copy only arrived on Saturday, so I haven't had the chance to read the whole thing yet, but I've made it through Godzilla. It's interesting to see Kayama, who wrote the initial treatment, take another swing at the story after the film was finished. He puts back moments like Godzilla eating a cow and attacking a lighthouse, and is also more overt with the wartime allusions. There's an incredible moment where Dr. Yamane muses that studying Godzilla and learning his secrets could be Japan's way of redeeming itself after "caus[ing] a great deal of trouble to people throughout the world." Note that these are novella-length, so much less in-depth than the novelizations of American Godzilla films you might be used to (Godzilla Raids Again is less than 80 pages). The book ends with an afterword by translator Jeffrey Angles contextualizing the tales.
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Godzilla: War for Humanity continues to be a standout IDW miniseries. There's a new and very weird monster in the second issue, plus a no-nonsense Mothra (she tries to recruit Godzilla to fight Zoospora by shooting him in the back of the head and dragging him into the ocean in front of Minilla).
I've also got to mention the solicitation for another Godzilla Rivals installment, due December 20. Nola Pfau is writing, Megan Huang is illustrating.
Jen Onça is not excited to start her new, fast-paced fast-food career at Minilla Burger, but she'd much prefer a mundane day to the sudden return of Megalon! The monster brings destruction, trapping Jen in a forgotten lab deep beneath the restaurant with only the half-built form of Jet Jaguar to help her get out! She must repair the robotic defender to save herself and the city, but first she needs to escape the rubble trapping her in this tense adventure!
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Yuzo the Biggest Battle in Tokyo, Yoshikazu Ishii's follow-up to Attack of the Giant Teacher, has also been picked up by SRS Cinema. No release details yet. I can't really speak to the film either, since it screened at the same time as Yumiko Shaku's panel at G-Fest, but as you can see from the poster, it's set during the pandemic.
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The GAMERA -Rebirth- Gyaos has joined Godzilla Battle Line as an unusual sort of swarm unit. Your first summon of the match calls forth two sub-adults, and by the fifth summon you're sending out two sub-adults and three adults, still for four energy. They're probably the best swarm in the game, though still highly vulnerable to AOE units like Godzilla '01. I'm having fun with them in the Challenge Battles.
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Notzilla, one of the sharpest kaiju comedies out there, is unexpectedly getting the graphic novel treatment. Mitch Teemley is adapting his own screenplay, with art by Zumart Putra. The comic is already finished, although I'm not clear on how folks who didn't back the Kickstarter (which wrapped on September 11) will get it. Useless trivia: the terrific cover above (one of four) is by Ben Dunn, who wrote the How to Draw Manga book I poured over in middle school.
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After Troll shattered Netflix streaming records (according to Netflix), it's not super surprising that the company wants a sequel. Priority one: coming up with a title that's not Troll 2. Screenwriter Espen Aukan and director Roar Uthaug will both return.
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Toy highlights of the past few weeks:
After confusing everyone by teasing its silhouette the day before April Fools', Tamashii has fully unveiled an S.H.Monsterarts Godzilla '72, a rare Showa figure from the line. It comes with two heads, one of them bloodied (see above). Due at the end of February.
After finally running out of ways to repaint their mold of Hedorah's Perfect Stage, Bandai is making a Movie Monster Series figure of the kaiju's Landing Stage. A Godzilla Store exclusive, it'll be released October 25.
After over two years, Funko is releasing a trio of Godzilla Singular Point Pops. Hopefully they go all-out with this show—it's not like there's any other plausible way for a Satomi Kanahara figure to exist.
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phoenixwatchesmovies · 7 months
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Thought Dump: Dracula (1931)
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I HAD to find a gif of the flappy bats on string! Easily my favorite part of the movie!
Aside from Martin the orderly. I liked that guy.
So, uh...yeah. From a modern lens, this is an awkward movie from an era when folks were still learning how to shoot movies. It also probably doesn't help that this adaptation was adapted from a stage play that was adapted from Bram Stoker's book. The camera switches from distant static shots to close-ups that are occasionally too close, the blocking looks more appropriate for a stage show, and there are some looooooooooong pauses between dialogue with little to nothing else going on. Not even music, aside from the opening credits (the theme from Swan Lake, if you were curious).
The story is super hella mega condensed, but the pacing works out. It ends up feeling like a cliff notes version of the book and takes some liberties, most notably with Lucy and her boyfriends (or lack thereof), but you get the gist of things, if not the nuance or even any of the central themes.
I'm pretty sure that's a beef I have with older films in general. I haven't seen many and I remember even less, but they tend to concern themselves mostly with what happens on the surface. Makes sense, I guess, since it was still a relatively new art form and the focus was on the visuals themselves, but they come off a little simplistic as a result. Very cause-and-effect, like the way fairy tales are written.
Some good stuff: Bela Lugosi pioneered the modern image of the vampire, so he obviously deserves some credit. The fact that his performance has been copied and parodied to hell and back is testament enough to his impact. It's easy enough to tell which scene is THE scene of the movie (Dracula and Van Helsing confronting each other, if you don't feel like watching it), and it does get a bit tense at times. Special shout-out to Renfield, mental patient and Dracula's stooge.
All in all, I get it. It's a classic and iconic and all that jazz. But around 45 minutes in, I started checking the runtime to see how much was left and the ending fell flatter than Flat Fuck Friday, so I'll pass on this in the future.
But I still prefer this one to the Francis Ford Coppola version.
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og-reesetti · 8 months
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I do not post here often, much to everyone's appreciation. So let me get a little annoying about the One Piece live action adaption.
(tldr It's good, some inaccuracies and cruddy changes but overall a delightful celebration of One PieceL
Early on when this was first announced, I was cautiously optimistic, with the rather dogshit history of manga to live action adaptions. I mean, sure we've never seen a single good adaption outside of maybe the Death Note movies? But maybe this time. Surely it'll go better this time.
We started seeing some of the sets, and imo, it was pretty lifting. They were building boats, using proper locations and translating designs of shit like the marine base and especially Baratie with excellent accuracy. Faith was building.
Then the casting started to be announced. I vocalized being cautiously optimistic, but I think at that point I was honestly sold. The casting and costumes of the show are honestly my favorite part of the whole project, and it was obvious from the choices that whoever was behind this show knew their shit and gave a shit besides. I can't remember when in the timeline it was announced Oda himself had a hand in the shows making, but that was also a glowing sign of "this might be it, folks". The man took time from working on the manga to travel and work on this even, the stars were aligning.
My big worry was that I've seen Sky High and Fantastic 4. Hollywood is not known for making rubber stretchy powers look believable, or good for that matter. Considering that the main character's power is the big stret, getting to see how the vfx team tackled it was what I was biting my nails the most over. Then we got the first trailers, and I was sold.
Cut to present, the show is out and I've watched it. There is a lot to think about, and I think I don't want to spend all the time just comparing it to the manga, so I'll start with the good. Visually, the show looks like One Piece. It's weird, things are just weird while still being believable. The costumes and sets are bar none my favorite part of the show and if I was an award giver I'd give it to those teams. It's a treat for the eyes. The casting was spot on and the acting is mostly right what I wanted. Acting highlights go to Luffy, Usopp, Sanji, Mihawk, Kuro, Zeff, the young SH crew, and ESPECIALLY Buggy. Music design was also a good translation from the anime. You have Bink's Sake playing, you have the We Are moments, and the character specific scores are all enjoyable.
With any adaption there'll be changes, and for the most part the changes here are good. My personal favorite was the handling of Syrup Village. Siam and Butchy were way more fun than their manga versions, the whole murder house vibe, Zoro getting trapped down a well compared to a slippery hill. Other things like showing more of Coby and Luffy's relationship, Sanji being not a drooling freak like his recent manga time, and Arlong Park being an actual amusement park. Tons of small details building to an incredible experience.
Things that I wasn't so hot on are a shorter list, but still present. First and foremost is Garp. We got a few shots where he got violent and loud, and the actor crushed those moments. But so much of the series with him is brooding, talking quietly and taking everything way more seriously than he should. Coco Village actually resenting Nami for her deal with Arlong instead of secretly bearing it with her, and really a lot of how that final stretch was handled, just didn't fit right. Once the fighting started it's aces (sans Hachi being absent) but aside from Nami's past, I think Coco Village should've been done closer to the source. The whole Garp chasing Luffy through the East Blue bit I understand but don't like. Okay, you wanted a natural way to show Coby and Helmeppo's growth without just whole cutaways like the source, but I think because of how... wrong, Garp was portrayed, the entire plot line just feels off.
You have a few small details that could've been better, but overall I think the series crushed it and definitely helped introduce a lot of people to an incredible world. I do not trust that Netflix will continue the series, because their leadership is pretty damn stupid regarding what to continue and what to cut. But if they did, and the team manages to capture lightning in a bottle more than once, I'd be more than happy.
Okay, I'm done. Fuck off, let the door hit you on the way out.
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akwardlyuncool · 1 year
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Class Favorites: Movie Rank!
This is a ranking of all the movies I watched for the first time in 2022. I didn’t review every new movie, but I will link to any reviews that I can. That being said, be sure and click the links to also see the trigger/content warnings. (If they are what you need.)
Also it’s not in reverse order because I can never be bothered.
1) Spider Man No Way Home (2022)
It was just good and gave what it needed to give. The “surprise” was very well done and definitely worth the watch. If you haven’t seen but would I recommend. Sorry no review, but I enjoyed myself and I’m pretty sure there were tears at some point in the watching of this film.
2) Lone Star State Of Mind (2002)
We can argue that there were better made movies on this list, but I promise you none of them made me laugh as hard and gave the comedic gold that this one did. Laughter is a strong sway and in a world that’s falling apart, I’ll take the joy of genuine laughter. Joshua Jackson and DJ Qualls don’t hurt either. It’s what you want out of a 2002 comedy. 
3) Unpregnant (2020)
I think the movie did what it set out to do very well and that’s why it’s up here so high. Would it be one to get a quicker rewatch? No, but it was still a pretty decent movie over all and in the lineup it stood out as a good movie, if you’re into the the YA book to movie adaptations.
4) The Ultimate Playlist Of Noise (2021)
I think I’m just so in love with music and playlists and having a soundtrack to everything, that there was no way this movie wasn’t going to get a high ranking on this list. It was a little heavy, but still gave off more light than anything. Yes there were the typical he has to save her or they have to save each other, but at the end of the day a decent little movie. Now I’ll be honest and say that my brain didn’t automatically remember this one, but after seeing it in the line up it does spark some good memories.
5) Moonshot (2022)
This movie was good for what it was and because it wasn’t trying to be something it clearly wasn’t, I enjoyed it. it fell right among it’s peers and even out preformed some of them. It was cute, lighthearted and took a couple digs at billionaires and they’re gross infatuation with space, so it metaled in my book.
6) The Making of Lords Of Dogtown
This was like a 30-45 minutes documentary on how they made the Hollywood movie version of Lords of Dogtown. I really enjoyed the original documentary on those kids story and thought the movie was also done really well and this addition to that collection of things was well received, at least by the small subset of folks who claimed to have watched it on Letterboxed. If you watched the movie and just want more, but have already seen the original documentary, then this is a solid recommend. And even if you haven’t seen the movie, but just love skate culture, then I recommend it to you as well. I will say that it is a bonus feature on the DVD copy, however since I only got the VHS tape, I went and found a copy of it on YouTube.
Note: I didn’t rank this one higher because of it being a DVD bonus feature, but if it was a full length documentary it probably would have garnered one of the top 3 spots.
7) Cherry (2021)
We all know that sometimes the drama wins and I think that’s why I went and ranked this the way that I did. There were parts that were really intense and then there were parts that weren’t as great, but overall I thought it was worth checking out and something that I wouldn’t steer people away from, that is unless subjects of war, addiction and PTSD struggles are a trigger for you, then I’d go check something else out.
8) Elvis and Annabelle (2007)
This was a very late watch in the year for me, but it still found a way to make the top 10 cut. I liked this one more than I thought I would and I think most people who are also into dark, but still kinda light romances, would too. It pulls at heart strings and keeps you engaged, definitely one I can see having a small following behind it.
9) Step Up Revolution (2012)
I took a moment in 2012 to rewatch the Step Up series and also catch the ones that I hadn’t seen before. I had previously seen 1 and 2 and maybe the beginning of part 3, so this one was new for me. If my memory is holding up, Revolution was the most fun I had with the series and that’s not counting the first movie. It was also the film in the series that held a lot of it’s own weight without Moose’s character. Moose does show up at the end and does his little thing, but the rest of the movie fares pretty decently without him.
10) Too Young To Be A Dad (2002)
Since I didn’t post a review the quick synopsis is that 15 year old Matt Freeman (Paul Dano) get’s his girlfriend pregnant and the families all have to figure out what to do, when Matt wants to step up.
First it’s Paul Dano, so do with that information what you will. Second this is a “Lifetime,” made-for-TV movie, so treat it like such. Now I’d say it was decent for what it is. It’s not ranking at the top in it’s category, but it does pretty well in mid range. I find enjoyment in this type of movie, however I know not everyone else does, so watch or not watch accordingly. 
11) Gully (2019)
Gully is ranked this low simply because it is so traumatizing. To quote my review cause I felt like I said it best then, “if you are emotionally tired of seeing Black youth being brutalized, even in a fictional setting and even if they are sometimes being brutal themselves, (product of their environment) give this one a pass. You do not have to sit through all that trauma because someone on Twitter was talking about how it’s a “must see.” Now if you feel you can handle it, than I suggest watching it with self-care practices in place.”
Basically the cast preformed very well, but it was far too violent and once again traumatizing for me to rank it any higher. Part of me thinks I could have gone even lower with it but since the cast did so well, while there were other just not great performances, it gets a mid rage score.
12) Expecting Amish (2014)
Another “Lifetime” made-for-TV movie, cause I dabbled in a few this year. This one was fairly decent, but it ranked lower because of the ending. When a movie is Oh-Kay, but it doesn’t give you what you want, you tend to drop it down several points. That all being said it has Jesse McCartney, so do with that information what you will lol.
13) Step Up All In (2014)
It’s the Battle of 2014 apparently. It’s also an “All Starts Season,” which everyone knows is typically filler. It wasn’t the worst in the Step Up lineup, but you could see what they were doing and even when you had a moment of fun, you were still kinda tired. It’s fun with the binge though.
14) Step Up 3D (2010)
I remember starting this movie forever ago, but not getting very far into it, fast forward to this binge of the series and I finally understood why. Basically this is the boring feature. It’s the movie they made while thinking they still had clout from the previous two and they were wrong. Again Moose does his thing, as well as Alyson Stoner, but it just wasn’t enough.
15) First Love (2022)
This was a movie that wanted to be something is didn’t deliver. It wanted to be a star crossed lovers film, but never succeeded in making us actually believe that. Yes it was the better of the Hero Fiennes Tiffin movies I saw this this year and it wasn’t the worst thing I saw, but I’m not sure I want to put something I thought was a little empty too high on this list.
16) Left For Dead: The Ashley Reeves Story (2021)
The quick rundown since no review, is that 17 year old Ashley Reeves was assaulted and left for dead, but later found buried alive and it follows how she coped afterwards.
This is an actual Lifetime Movie, based on a true story and sometimes they get them pretty decent and sometimes they fail and this one was not good. Yes the story itself is captivating, but the way it was told here wasn’t. It felt fake and rushed and overdramatic without the actual good dramatic parts to hold it up. It lacked so much for the type of story it was trying to tell and it just wasn’t worth the watch, unless you want to see all of them, good or bad. Good for it here though, cause there were worse movies that I saw in 2022.
17) Love, Game, Match (2022)
Students try to pair up their teachers, but there’s secrets that threaten to get in the way.
Another made-for-tv movie that didn’t give me any of the feels they are at the very least required to give. I’ll pretty much sit through any former Degrassi star’s post community school work, especially if there’s romance involved, but that doesn’t mean I have to call it good. It took me a couple sittings to get through this 1hr 25min movie because it couldn’t keep my attention when it needed to. I’m not a big fan of the word boring, but sometimes that’s the only way you can describe a film that lackluster. The goal is to crank out a lot and sometimes they’re good and sometimes they’re not, but a lot of time they’re just there on the Urgent Care waiting room TV making so the room isn’t totally empty. It was simply fine. 
18) The Change-Up (2011)
2 best friends switch bodies after thinking the other has the better life.
I’ve been wanting to see this movie for a long time, cause i happen to enjoy these types of films, but after watching it I feel like it could have stayed as something I just happened to missed. I guess I was over sitting through that much trash with little reward and maybe that’s why I shouldn’t be picking these movies up. There is no redemption arc that needs to happen here, at least not with this one. Sometimes this particular trope or theme or whatever is done well and other times the fact that you’ve seen it play out several times pulls it down even further.
19) After Ever Happy (2022)
One had to come before the other and this one was slightly better and do mean slight than it’s sibling that came out last year. It’s a toxic relationship, no shipping, we’re just in too deep.
20) Zach and Miri Make A Porno (2008)
2 Best Friends/Roommates who can’t pay their bills decide to make an adult film with their friends as well as some paid actors. What once was platonic may be catching some feels.
I love this era of movie, but not even Seth Rogen being Seth Rogen could save this movie, especially with him dropping the n-word. (Like that is one of the most unattractive things I’ve seen him do.) It had points for some professions of love, but lost them. Sorry not sorry, but a sad one in an era that I generally like. I feel like if I had watched it back in high school that I probably would have found some joy in this film, but once again I probably watched it too late and the connection is lost.
21) After We Fell (2021)
This movie was rushed and I barely knew what what going on in relation to where we were in the story line. This story is a mess just like the main character’s toxic relationship. There’s just not much redeeming for this particular film or the After series in general, so I think it was always end up at the bottom of the barrel.
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Just felt the need to share that I think the Tick...Tick...BOOM! movie may have just completely changed who I am as a person like I am mid-crisis as we speak
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edgepunk · 3 years
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The Witcher Netflix Rant from your local frustrated Slav I cannot tell you how tired and frustrated I am by TWN and its treatment of Slavic people. An actual Polish man has pitched the show to Netflix, multiple other producers of Slavic descent have been alienated and felt like they didn't belong there because of how they have been treated, then ultimately left the production that has been handed over to a literal Karen that doesn't give a shit about it. The show has removed every instance of Slavic(mainly Polish)/other European (Germanic, Nordic) influences, cultural significance and turned it into an uninspired, boring, muddy fantasy. Hell, I have tons of criticisms about the games, but at least they kept the Central-Eastern European influences and, despite TW being a dark fantasy, weren't scared to make the games look bright and colorful. You'd think that Girlboss Lauren and her posse would put some effort into representing the cultural influences since the games pretty much got the series popular with the blend of different Central-Eastern European (mainly Polish, obviously) cultures and the usage of Slavic folk music thanks to Percival. A lot of the themes in the books draw from Poland's history, which also have been lost in the show (here is a post that's written by an actual Polish person and explains it better than I could since I'm not actually Polish, ya know). All of that has been lost, both the writing and aesthetics lack the cultural and historical significance that has influenced the world of The Witcher, because the showrunners are a bunch of Brits and USAmericans who aren't willing to put any effort into trying to understand the history and culture. They just want to make the next GoT, which,, huh? GoT ended up like it did, but to give them some credit, in the beginning the writers mostly stuck to the books instead of making a badly written Wattpad fanfiction from the get-go.
And it's possible for a western person to try to understand the circumstances, look at Craig Mazin, the man who directed HBO Chernobyl. Of course it's dramatized, of course they added some things that didn't actually happen and a few things were inconsistent. But you can clearly see in the production of the show that they put a lot of effort and interviewed people from Ukraine. Not sure if it's true, but I've seen somewhere (or was it a podcast?) that they gave the scripts to some Ukrainian people who were alive during the Soviet Union and asked them to correct the dialogues to make them sound more authentic, closer to how people adressed each other during the USSR (and how Eastern Slavs adress each other since it's a little different than western people do, including us Western Slavs, here is a nifty post explaining it if you're interested).
Can't speak for all Slavs, but the overall reaction has been positive from the people I talked to and my older family member. Note that a lot of "older" people here have been born pre '89 (that's when the USSR fell apart, the disaster happened in April '86), so the majority of them lived through the disaster. The biggest criticism people had that they turned Dyatlov into too much of a villain. when in reality he was way calmer during the night the disaster happened. Not to mention Mazin had it more difficult since he was adapting a story from real life that affected thousands upon thousands people. Mazin is a westener, he could've just shrugged it off and said "eh who cares about these filthy Eastern Euro people" but he and his team went out of their way to actually approach the victims, read several books written by people who actually lived through the disaster, that affected them and their families to make the story more authentic and respectful. Now, why can't Miss Lauren and her posse do it with a fantasy setting? Because they don't care. The only instance of "Slavic influence" (using that term very loosely) in the show is during the Striga episode when they mention a "vukodlak" which literally translates to "werewolf" so like,,, eh. It's still a werewolf, just a different version. I'm sure the writers were patting themselves on the back for including that word they found on the werewolf Wiki page. It would've been so nice to see a Slavic piece of media make it to Hollywood, but you see how that ended up. We barely get any recognition and if there is a Slavic character in a western production they're always: an assassin, gopnik, Seksi Female Spy that falls in love with the American, thief, mob boss, and I could go on. They never get the language right, because all Slavs speak botched Russian, right? All of us are named Anton, Ivan, Nikita, Natasha or Svetlana. And there are other mythical creatures besides Baba Yaga which Hollywood can't get right either. And it bleeds into the fandom too, all the modern AUs take place in the US or the UK. When other Slavic people criticize the show for its westernization they are told by westerners to shup up or they're "haters" (I do actually hate the show and the corpo bullshit Netflix is trying to pull here so,,, you can come at me all you want lol) tl;dr: The Witcher was the perfect opportunity for Slavs to have something positive in Hollywood, but it got doomed the moment it was handed to an USAmerican woman who doesn't understand the cultural influences and has zero interest in doing proper research. I probably would've forgiven her and her team if they actually tried, but they didn't. But seeing how other cultures that aren't USAmerican are being treated in movies and TV shows it shouldn't surprise me. Also I feel like I have to clarify - this has nothing to do with the actors, this is purely on the writers, the background and costume designers that put zero effort into researching the different cultures (not just Slavic, but I am Slavic so I wrote this from my perspective) that influenced The Witcher universe.
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bluefirewrites · 3 years
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Juke headcanon please 🥰
Alright folks, here you go:
Luke stands guard outside of Julie’s room every night. 
She doesn’t know he does this, but ever since the stamps disappeared and the boys were free, Luke is terrified that Caleb is going to come back and do something horrible. 
Especially since Caleb has come to the studio before and knows where Julie lives, it’s Luke’s greatest fear is that Caleb would sneak up on them when they least expect it and harm Julie to get his way. 
Ghost don’t sleep, so every time Julie tucks in for the night, Luke sits outside on the porch ledge right under her window, eyes peeled for anything suspicious. 
He doesn’t even listen to music, his ears sensitive to hear the telltale sign of a ghost poofing just in case... 
He always has a can of salt with him. He knows it’s practically useless, but Carlos has promised him that he’s still looking into a more viable source of protection. 
He just... feels better having it on him. It makes him feel like there’s something he could do. He already feels so powerless...  
(The guys eventually figure out where he goes to every night, but instead of telling him to quit it outright, they end up taking turns to watch over Julie- all of them afraid for what Caleb might do.)
Julie eventually finds this out when she tries to sneak out of the house to meet up with Flynn ( she had sent a ‘911′). She climbs down the lower level roof and scares both her and Luke who had been sitting on the porch while on watch. 
She asks him what he’s doing there, and he couldn’t come up with a good enough excuse. 
And she sees the can of salt and she puts two to two together. 
She doesn’t call him out on it because she likes knowing that he’s close by. 
And if Julie does ever need him all she has to do is whisper out her window and he’ll poof by her side. 
Julie studies up on ‘90s culture and history to better connect with Luke
I see a lot of instances where Julie catches the boys up on what they missed out in the past 25 years, helping them acclimate to 2020′s culture. 
But I’d like to think that Julie wants to make it more like home for them, knowing that all these changes could be so overwhelming and hard to take in. 
Especially for Luke, who she catches appearing self-conscious with how slow he’s getting it. 
She goes to the library during her free time and pores over magazines from the ‘80s and ‘90s to get a feel for the time, maybe see what TV shows Luke might have liked or the celebrities he might recognize, and maybe the language he uses. 
Julie often goes thrift shopping anyway with Flynn, but she spends more time around the electronics section and she ends up coming home with tapes and toys from the ‘90s. 
She gets her dad to dig through their stuff for one of those TV’s with the built in VCR and she plays him the movies he liked to watch and also reruns of ‘Double Dare’ and ‘Beavis and Butthead’
She gets so caught up in ‘90s mode though, that she doesn’t realize that she’s using ‘90s slang casually around him: 
“Hey Jules, how was your day?” 
“Ugh. Got in trouble today in history which was totally bogus,” 
“’Bogus’, huh?” he smirks. 
“Like Mr. Johnson went postal today for like no reason,” 
Luke is trying so hard not to smile real big hearing her say stuff like that, but then she says she’s “totally ‘buggin’” with a straight face and he just... 
He just loves hearing her talk like that and is moved that she would go through all this trouble just to make him feel more at ease. 
Quick ones: 
Luke makes cutoffs for Julie to not only wear but also design. He purposely finds old T-shirts of his that are blank or have plenty of space for her doodles. They share and Luke wears Julie’s works of art with pride. 
Julie gets ‘music history’ lessons from Luke, where he schools her in bands that he likes. Only fitting since he’s the one to have originally introduced her to rock. 
Julie gets them a dual headphone adapter so they could listen together. They often lay down on the ground right next to each other, just vibing with the music. 
Luke doesn’t like it when other people mess with his hair. Julie’s the only who can run her fingers through his hair. He learns that he loves getting his hair played with. 
She hums or sings songs quietly when she does play with his hair. He closes his eyes and it’s the closest thing to sleep he could get as a ghost. 
Julie finds random hair ties in her hoodie pockets that she definitely doesn’t remember putting in there. But what she does remember is complaining to Luke about never having any hair ties on hand when she goes to dance class. 
Luke has terrible handwriting, so before letting the rest of the band run a song, Julie would rewrite the lyrics and copies for the boys. She may have left some cute heart drawings on Luke’s copy, and Luke secretly loves it. 
Julie runs her essays by Luke, who is insanely good in English. He proofreads it and leaves good notes. 
Luke likes to bike, and Julie lets him use the one in the garage at night in the park (so no one can see a bike pedaling by itself). She goes with him sometimes and she gets to ride on the handlebars. 
They both cry during movies. They make sure to have a box of tissues for them to share. 
Although Luke’s Spanish is terrible, Julie loves hearing him try to say things. 
232 notes · View notes
kleptonancydrew · 3 years
Text
Nancy Drew and Education
So apparently the Clue Crew is full of teachers? Who knew. Well, as a former homeschooled student, current teacher, and (hopefully) future homeschooling parent/teacher I have been planning on integrating the games into lessons for a long time. Below the cut I have just a few of my many ideas (some more fleshed out than others). Feel free to use, adapt, or add your own! 
SCK:
-        Braille
o   How blind/vision impaired people navigate the world
§  How we can make it more accessible for them
o   How do braille books and printers work
-        ASL
o   Memorizing the alphabet and basic signs
§  Build up fluency
o   How HOH/deaf people navigate the world
§  How we can make it more accessible for them  
o   Connections of ASL to other signed languages
§  French Sign Language versus British Sign Language
-        Dangers of gas leaks
o   What to do if you smell or hear gas
-        Inequalities between mens and womens sporting opportunities
o   See Women’s Soccer
-        What are performance enhancing drugs
o   What is the difference between #steroids and the steroids your doctor might prescribe
-        How drug running is a gateway crime
-        Why blackmailing people isn’t good
-        More reasons to never move to Florida
-        Why you shouldn’t go to an actual high school part one
 STFD:
-        Television in NYC
o   Soap Operas
o   How television sets work
o   Role of director
o   Teleprompters
o   Props
o   Agents
-        Theatre in NY
o   Broadway
§  Learn a show
o   Carnegie Hall
-        Dangers in the ways we obsess over celebrities
o   Paparazzi
o   Stalkers
o   Respecting privacy
-        NY taxi system
-        NY regional accents
-        NY as a center for immigration – salad bowl
o   Ellis Island
-        History of NYC
o   Geography of NYC
-        Typewriters
-        Towers of Hanoi
-        Encoding  
-        How to make chocolates (with or without poison)
-        Read along:
o   New York the Novel (Edward Rutherford)
o   The Power Broker
o   All of a Kind Family
 MHM:
-        San Francisco Gold Rush
-        Earthquake and Fires in San Fran
-        Golden Gate Bridge
-        Angel Island
o   Asian (Chinese) Immigration to the USA
-        Chinese Zodiac
-        Fortune telling (and why it’s not okay)
-        Bed and Breakfasts
-        San Francisco today
o   Technology boom
o   Overpriced everything
§  How this hurts established residents
§  Homelessness in San Fran
-        Bandits in the American West
-        Hauntings in American buildings
-        How to remove and install tile
-        Renovations – refurbish something
-        Antiques
o   Visit an antique shop
-        Importance of fire safety
-        How to install lighting fixtures properly
-        How to fix a dumbwaiter
o   How not to be a dumb waiter
-        Tangrams
-        What is the Victorian period
o   Significance of Queen Victoria
-        Read Along:
o   Little Brother
o   Paper Son: Lee’s Journey to America
o   Angel Island Gateway to Golden Mountain
 TRT:
-        The French Revolution
o   Marie Antoinette
o   Women and the French Revolution
o   Worldwide effects of the Revolution
o   Historians of the French Revolution
-        Writing history
o   How we can focus on different events in history, how we can be sympathetic to certain people, how we can fulfill different spaces in the historical narrative, criticism of history as a field, entering history as a field
-        Wisconsin Dairy industry
-        Alarm systems and how they work
-        Fingerprinting
-        Elevator safety
-        Ski lifts
o   Skiing
-        Vandalism
-        Taking care of libraries
-        Latitude and longitude
-        Keeping records of good events and bad events
o   Nothing you do will ever stop me from loving you
-        Some people keep different sleep schedules
-        Journalism
-        Making translations  
-        Why France has different holidays – to keep the ski lodges from getting too full
 FIN:
-        History of theatre spaces
-        Use of film at theatres
-        Magicians
o   Houdini
o   Learn a ‘magic’ trick
-        Library of Congress
-        Demolition – wrecking balls
o   What’s involved
-        Plaster casts
-        Historic register of buildings
o   Visit a local historic building
-        Price of concessions and movie tickets today
-        Nickelodeons
-        Celebrity stunts for attention from press
o   Celebrity endorsements
-        Jazz music
o   Dancing
-        Kidnapping stories
o   What to do if someone tries to grab you
-        Rubber vs. electricity
-        Art/artists of the 20s
 SSH:
-        Numbering systems (particularly ones not based on 10)
-        Cultures of South America
o   Maya
§  Cultural understandings
§  Connections to what appears at Beech Hill
o   Aztec
o   Inca
-        Myths of lesser civilizations because of European preconceptions
-        Why do countries have consulates/embassies in other countries
-        What is amnesia and other medical memory issues
-        Provenance and why its important part one
-        Roles and responsibilities within a museum
o   Visit a museum
o   How to be critical of a museum and how knowledge is presented to you
-        Modern art
o   Make your own
o   Visit a modern art museum
-        Periodic Table of Elements
-        Positive and negative molds for casting
 DOG:
-        Prohibition
o   Speakeasys
o   Amendments to constitution
o   Drinking age restrictions
§  Comparison of USA to European countries  
o   Connections to modern drug policies
-        Recognizing and photographing local birds
-        Dangers in the forest – ticks and other pests
-        Why water sources are important
o   Flint water crisis
-        Visit a state park
o   Importance of maintaining public land
-        Alcatraz
-        How to care for dogs
-        Noise pollution
o   Light pollution
 CAR:
-        History of carousels
o   Visit a carousel
-        Lathes
-        Harmonicas
-        Band organs
-        Writing messages with lemon juice and other hidden inks
-        How to iron
o   How not to iron
-        How to make a sundae
-        How amusement park rides are designed
-        Soldering
-        What is parole
o   Welcoming those who have been in prison back to society
o   Problems with the American prison system
§  How it disproportionately affects minority groups
o   What can be done in prison reform
o   Abuses in prison
o   Making mental and spiritual help and guidance more available
o   Making sanitary products available
o   Prison for profit hurts everybody except the prison owner
o   Educational opportunities for those in prison
o   More half-way help
o   Juvenile sentencing reform – more out of system help
o   Respecting humanity of prisoners
o   Ending the death penalty  
-        Depression
o   How to get help
o   How to help others
o   Dealing with loss
DDI:
-        Native peoples of the Pacific Northwest
-        Orcas and other whales
o   Whaling industry in Northwest and Northeast
o   Things whale products were used for
o   Visit natural history museum with whale exhibition
-        Visit an aquarium with a good reputation
o   Problems with places that do not take care of their sea life – particularly large sea life like whales
-        What is a chowder and how is it made
o   Try or make chowder
-        Crabs
o   Restrictions on different types of crabs – what type is local
o   Try a crab dish
-        Importance of different knots  
o   Get some rope and learn how to tie different knots
-        Know the NATO alphabet and letter flags
-        Boating knowledge
o   Go on a boating trip – know the port and starboard sides
-        Learn how to kayak
-        Try to learn how to skip rocks
-        Visit a lighthouse
o   Importance and histories of lighthouses
-        Smuggling – what is it and why does it happen
-        Shanghaiing
-        Chess
 SHA:
-        The continuous oppression and mistreatment of Native Americans
o   From Mayflower to Pocahontas to Trail of Tears to Dakota to DAPL to Reservations to food deserts to voting rights to much much more
§  How to support current Native voices and concerns
o   Why Native Americans are not a costume
o   “Possession” of Native American objects and land
§  Arrowheads and native jewelry
o   Broad overview of regional Native American groups – using their own voices
§  Special focus on local Native American groups
·       Is there a local museum/educational resource that is either Native created or known for respecting Native voices
o   Current Native Americans of note (ex: politicians, activists, artists)
o   While the previous focuses on Native Americans in the modern day USA – also discuss First Nations from Canada and Native Groups from more southern areas
-        Why temperature and pan matters when baking (show what happens in the oven when it goes wrong)
-        Magnets and how different metals react differently to magnets
-        How to take care of a horse and other farm animals
o   Visit a local farm
o   Try horse-riding
-        Dangers of rattle snakes and scorpions
-        Lassos and how to use them
-        Legends of outlaws in the American West
-        Ghost towns  
-        Flower stitches when knitting/crocheting
-        Petrified wood
-        How to make a campfire
-        Picking fruits and veggies when they are ready
-        Flower language
-        Read Along:
o   Native American folk tales  
o   Motorcycles and Sweetgrass
o   Gone Away Lake
o   Black Beauty?
 CUR:
-        Where are the moors
-        Different regional accents within the United Kingdom
-        British foods
-        Latin
o   Learn fun phrases and prayers
-        Ancestry and genealogy
o   Map your own family tree and recognize family crests
o   How adoption has historically been a binding and irrefutable concept for lineage
o   Find places your family lived
o   Leaving a history for your descendants
§  Write a story book for them
o   British Royal Family
§  Why incest is bad
-        Parrots and their intelligence
-        Secret passages in old buildings
-        Alchemy
o   Connections to modern understandings of science  
o   Historical understandings of elements
-        Astrological signs
-        Witch trials
-        Legends of lycanthropy and other monsters
-        Importance of not taking other peoples medicines
-        Runic alphabet
-        Feeding your pets a healthy diet
-        Typing practice
-        How to embrace the idea that home taught students are evil geniuses
-        Forges and melting points of different metals
-        Carnivorous plants
-        Succulents
-        Constellations in different places  
-        Read Along:
o   The Secret Garden
o   The London Eye Mystery
o   Beastly
CLK:
-        Great Depression
o   Causes and effects
o   Who was hurt
o   Who was not hurt
o   Areas of America
§  Dust bowl
o   Famous people and literature
o   Homelessness and poverty
§  Bread lines
§  Soup kitchens
§  Anti-homelessness architecture
§  Connections to mental illness and veterans
§  How we can help those who do not have homes today
-        Early Telephones
-        Shakespeare
-        History of Nancy Drew
o   Mildred Wirt Benson
o   Edward Stratemeyer  
-        Fishing – why different fish respond to different bait
-        Orphanages in the early 20th century
-        Gas prices and accessibility of cars through time
-        How to make pie
-        What is jurisdiction and what is significant about crossing state lines
-        How do banks work
o   Safety deposit boxes
-        Identify theft
-        How to use a sewing machine
o   Sew an item of clothing
-        Mini golf – why and what
-        Mirrors and their usefulness
-        Stamp collections
-         
-        Radios and call signs
o   Comparison to modern internet forms
-        Telegrams
-        Read along:
o   Shakespeare
§  Midsummer Night’s Dream
§  Others
o   Pollyanna
o   Rebecca of Sunnybrook Farm
o   The Grapes of Wrath
  TRN:
-        Trains
o   Steam trains
o   Visit a train museum
o   Take a train ride (if not a normal event)
o   Importance of transcontinental railway
o   Trains around the USA today
o   Trains around the world (TGV, bullet train)
-        Abraham Lincoln
-        Mark Twain
-        How to make a good burger (you leave off the PB&J)
-        Slugs
-        Periodic Table of Elements – abbreviations
-        Gemstones
-        History of Mining
o   England (Newcastle upon Tyne)
o   American West
o   Appalachia
o   Company Store
o   Health issues for miners
o   Danger of mines
o   Current issues for mining
-        Dancing the Hurley Burley
-        People who collect creepy dolls
o   History of porcelain dolls
-        Embroidery
o   How to
o   Patterns/symbols
-        General Stores in the American West
o   Sears
-        How to make taffy
-        Find a well maintained and beautiful tomb and research who is entombed
-        Focusing light through a magnifying glass can start a fire
-        Read Along:
o   Murder on the Orient Express
o   Mark Twain books
DAN:
-        All lessons in French
-        How using different ingredients and different amounts of ingredients can affect the outcome of your cookies
-        Paris métro
o   History
o   How to read/follow a métro map
o   RER
-        Montmartre and other Parisian neighbourhoods
-        History of Île de la France and Square de Vert Galant Parc and Pont Neuf
-        WWII and the French Resistance
o   Cross of Lorraine
o   Vichy France
o   Abuses of the French gov’t in this period
-        Paris and the fashion world
-        Beauty standards and the rejection of natural beauty by society
o   Dangers of weight and figure standards
o   You are beautiful as you are
-        Catacombs of Paris
-        Famous French Dishes (from this region)
o   Or Bretagne since I know and like them better
-        The French Café
-        Moulin in France
-        Tea and how hot leaf water can taste so bad but still be good for you
-        Buildings of Baron Haussmann
-        Paris History  
-        Decoders
-        Importance of vitraux historically, culturally, and religiously
-        Read Along:
o   Little Kids
§  Madeline
§  Babar
§  Petit Ours
§  Plume
o   High School
§  Hunchback of Notre Dame
§  Les Mis
§  Dale Van Kley
 CRE:
-        History of Hawai’i and her native people
o   How the USA screwed them over and continues to do so
§  Land colonizing today
o   Listen to voices from Native Peoples
-        Pearl Harbor
o   USS Arizona
-        Native myths and legends
-        Local flora and fauna
-        Surfing
-        How to make bead necklaces
-        Snorkeling
-        Entomology
o   Find some local bugs and identify and observe them
-        Horticulture
o   See if you can graft something
o   Watch a carnation placed in water with food dye
o   Regrow a fruit or veggie from the leftovers
-        Go looking for seashells – see how many complete shells you can find
-        Be aware of pesticides and the dangers they offer
o   Dangers of organic food too
-        Make something with pineapple in it
-        Fishing – different kinds of native fish
-        Volcanos
-        Hula  
  ICE:
-        Wolf sanctuaries – respecting wildlife and their place in the wild and not the domestic
o   What to do if you see a wolf in the real world
-        Fur trapping in Canada history
-        Regions and Capitols of Canada
o   Visit Canada?
-        How the Canadian government works
-        Use of French language in Canada    
o   Unique features of Canadian French  
-        Ice fishing
-        How to cook omelets, salmon, etc.
o   How to not add paprika cause like ew
-        Fossils
-        Radiation
o   Marie Curie
-        How to be a good maid
-        Snowballs/ice balls
-        Ice skating
-        Winter weather safety
-        Avalanches  
-        Saunas
-        Birthmarks
-        Fax machines
-        How to not lie about bird watching
-        Frozen water safety  
-        Modern offenses against First Nations by Canadian Government
  CRY:
-        Culture of the Arawak and Caraïbe
o   Voodoo
-        Mardi Gras in New Orleans
-        Hurricane Katrina and aftermath
-        French Influence
-        Eyes and their parts and functions
-        Teeth and their parts and functions
-        Alligators in the Southern USA and how they are dangerous pests  
-        Graveyards/cemeteries and how to be comfortable in them
o   Modern burial practices
o   Why are they above ground in Louisiana?
o   Places where they are running out of space for the dead
o   Historic violations of final resting places
-        Ventriloquism
-        Lizards and how to care for them
-        Rube Goldberg machines
-        Curio shops
-        Crystal Skulls  
 VEN:
-        International crime
-        Organized crime
-        Scopa
-        Italian basics
o   Learn an Italian aria
-        Italian food
o   Not just spaghetti
-        History of Venice
o   Current issues in Venice
-        Carrier pigeons
-        Micro-dots
-        “Observing the architecture”
-        Try to make gelato (or just get gelato, either way you get gelato)
-        Disguising yourself – put on an outfit and try to get me to not recognize you
-        Picking locks
-        Secret codes
-        Solfege
o   With hand signs
o   Learn a song in solfege
-        Carnivale
-        Learn how the sausage gets made
o   How to deal with food poisoning
-        How to secure your living space against burglars
o   Glass breaks, motion sensors, keypads, magnets, and more
-        Read Along:
o   Heist Society
o   The Prince
o   Merchant of Venice
  HAU:
-        Irish lessons (as much of this in Irish as possible)
o   Why the Irish language is important
-        Geography of Ireland
o   Provinces and counties
-        Irish names
-        Why Ireland has disliked and should dislike the UK
o   Historically
o   Famine
§  Emmigration
o   Easter Rising
o   Troubles
o   Present-Day
-        Importance of alcohol in Ireland
o   Uisce beatha
o   Guinness
§  Guinness world records
-        Irish music
o   Irish instruments
o   Learn some Rebel songs
-        Ogham runes
-        Irish foods
o   Something with lamb, who cares what
-        Don’t use friends for land development
-        Bogs
-        Chemical Reactions
-        Rockets
-        Inventions and secrecy during WWII
-        Religion in Ireland
o   Pagan traditions
o   Christianity
o   Catholic/Protestant tensions
-        Irish wedding traditions
-        How printing presses work
-        Irish castles
-        Sheep sheering/raising sheep
-        Irish legends
o   Fae
o��  Leprechauns
-        Don’t drive and talk on the phone
 RAN:
-        Why blackface is problematic? (the fact that this needs to be said is problematic in and of itself)
-        Scuba diving
-        Sailing
-        Bermuda Triangle
-        Bats
-        Primates and their intelligence
o   Problems with animal research
o   Koko
o   Jane Goodall
-        Island resort culture
-        Metal detectors
-        Pirates
o   And the Caribbean
o   Their abuses
o   Different kinds
o   Modern day pirates  
-        How do walkie-talkies work
-        US mistreatment of island territories
-        Read Along:
o   Bloody Jack (Meyer)
 WAC:
-        Edgar Allan Poe
o   Stories
o   Baltimore
-        Piano
-        Victorian Dining traditions
o   How to set a place for fancy dining
o   How to fold napkins
o   Table manners
o   How to serve someone at a fancy dinner
o   How courses might work
o   How to use your silverware  
-        Why you shouldn’t go to an actual high school part two
o   Just fyi – that’s not how uniforms work
§  Have a school inspired dress code for a week
-        Bullying and why you absolutely will not be a bully
o   How to respond to bullying
o   Importance of talking to adults and counseling
-        Logic puzzles
-        Research the founding of a local school
-        Stringed Instruments
-        Plagiarism
o   Turnitin
-        Making sandwiches – like a good deli style sandwich
-        Photography scavenger hunt – make a digital (or physical) yearbook
-        Squirrels
-        Orthographic projection
-        DNA/RNA
-        Saving every major project on three different thumb drives
-        Getting along with roommates
-        States and Capitals
o   Countries and capitals of the world  
 TOT:
-        Tornados
o   Technology used to observe tornados
-        Meteorology
-        Prairie dogs
-        Life on the great plains
-        Great Plains Native Americans
-        Small towns in the Midwest honestly be like that
-        Defensive driving
-        Make a disaster kit
-        Know what to do in various natural emergency situations
o   What is the local alert protocol
o   What do local authorities recommend
-        How to maintain and fix a car
-        How to fix a broken device
-        What is tenure
-        How to budget
o   Go to the grocery store on a strict budget (however much you come in under budget is your candy budget)
-        Read Along:
o   Little House
  SAW:
-        Basic Japanese phrases
o   Learn to count
o   Writing in Japanese
-        Sudoku, nonograms, renograms
-        Japanese ghost legends
-        Japanese culture
o   Tourism
§  Ryokans
o   Space – everything small
o   Politeness/formalities
o   Hot springs/baths
o   Tatami and paper walls
-        Japanese cultural dress
o   Kimonos
o   Lolita? Fashion
-        Japanese names
o   Last name first
o   How to address others in Japan
-        Martial Arts
o   Ninjutsu
§  Traditional tools
-        Japanese tea ceremony
-        Schools in Japan
-        Teaching English as a foreign language
-        Japanese subway/train system
-        Pachinko and Japanese gaming
-        Japanese vending machines
-        Robotic animals
-        Bento
-        Japanese foods
-        Origami
-        How to fake a haunting
 CAP:
-        Basic German phrases
o   How to make a German word
o   Connections of German to English
-        German food favourites
o   Especially cakes
-        Storytelling as a cultural entity
o   How memory has worked differently in different times
-        Glass blowing
-        How castles provided for the local community
-        Bavaria in Germany
o   Cultural dress
-        Glockenspiel
-        How to make board games
-        Monster stories of central Europe
-        How to monitor security camera remotely
-        Read Along:
o   Heidi
ASH:
-        Arson
o   Watching how different accelerants burn a piece of paper
-        All politicians are at least somewhat self-serving
o   But write a letter to a local politician anyway
§  Different ways to contact elected officials, and why some don’t work
-        How to make ice cream
-        How a police investigation works
o   Problems with police departments around the world – specifically USA
o   Ways that police work unfairly targets minorities
§  If Nancy is innocent how many others are
-        How to use matches and lighters safely
-        Why you should not return to the scene of a crime – particularly a fire
-        Making sure smoke detectors work properly and the system is connected
o   We might not go to school but fire drills are still important
-        What is a mass spectrometer
-        Who to call if you’ve been arrested
-        What to do if you get pulled over
-        How the media can skew the truth and make their own narratives
-        Sound mixing
-        Be careful with what you say/post/record
o   Keep receipts and clarify when possible
 TMB:
-        What not to do at an archaeological site
-        Ancient Egyptian History
o   Pantheon, notable figures, relevant events
o   Pyramids, sphinx
o   Pharaohs
-        Modern Egypt
o   Arabic alphabet
-        History of archaeological digs in Egypt
o   Why they’ve been problematic
-        Dangers of the tombs
-        Mummys
o   How they are put together
-        Tomb raiders
-        Importance of water in the desert
-        How to piece together a broken artifact
-        How to gently brush off an artifact
-        There is no such thing as a dictionary for ancient Egyptian
-        Aliens did not build the pyramids
-        Senet
-        Desert life safety
-        How mirrors can be used to light a room
-        Read Along
o   Rick Riordan
 DED:
-        Nikola Tesla
o   All his fun stuff
o   Tesla Coils
-        3-D printing
-        Gummy fingerprints
-        Faraday Cage
-        Basic electric concepts
o   How to build a circuit board
-        Chemical safety
-        How a lab might work
-        Valuing different skills within academia
-        Ultraviolet light
-        How motorcycles work
-        Freelance photography
-        How to use academic databases
 GTH:
-        Slavery in the United States
o   Origins
o   ‘End’
o   Civil War
o   The connection to “southern culture”
o   Continued abuses of Black people in America
§  Importance of recognizing Black voices and what they are saying
§  Listening even when it’s uncomfortable
§  Checking privilege when you have it
o   Jim Crow Laws
-        Plantations
-        Gone With the Wind
o   The good and the bad
-        Civil War spies – female
-        Carbon monoxide poisoning
-        Burned out houses are not a safe space
-        Do not go digging through people’s coffins – rest in PEACE
-        Understanding that your family can be flawed
-        If you don’t want to get married, if you’re not happy in a relationship, end it
-        When a member of your family is sick you take care of them
-        Make a will, just in case your cousin kills you
-        Bachelor and bachelorette parties should feature activities that everyone is comfortable with
-        Read Along:
o   My Last Skirt: The Story of Jennie Hodgers, Union Soldier
 SPY:
-        Scotland and their identity
o   Celtic Nations
o   Independent Scotland
o   Call a Scottish person
-        Unicorns and other mythical creatures in Scotland
-        Scottish food
o   The appetizing parts
-        History of spies
-        Biowarfare
o   Code Orange
o   Other teenage stories dealing with anthrax
o   Current events and concerns
o   Historical biowarfare (smallpox blankets)
-        Ziplining
-        Archery
-        How to bug someone
-        Tartans and plaids
o   Kilts
-        Augmented Reality Glasses
-        Record players
-        How to reset a circuit breaker
-        Read Along:
o   Gallagher Girls
o   Code Orange
o   Little House (Martha)
o   Little Brother (Doctorow)
 MED:
-        Don’t meet your heroes
-        New Zealand
o   Maori culture
-        Survivor style game shows and realism
-        I’m not saying Aliens can’t exist, I’m saying they def aren’t involved here
-        Kayaking
-        Submarines and what they can do
-        Turtles
-        Earthquakes
-        Be careful with rope bridges
  LIE:
-        Provenance and why it’s important part two  
-        Greek art and how it was originally painted vibrantly
o   Abuses of Greek art through the ages
-        The British Museum and the issues with that
-        Greek pantheon
o   Legends and notable figures
o   Religious traditions  
-        Iliad and Odyssey
-        Art forgery
-        How to fire clay pots and pottery
-        Memorizing lines for a play
o   Staging for a play
o   Role of a director
-        Theatre
o   Lights
o   Curtains
o   Fly system
o   Sound
-        Greek alphabet
-        Historical importance of the Greek language and culture
o   Alexander the Great and Hellenization
-        Olympics
o   Historic and modern
-        Greece and the European Union  
-        Make something with pomegranates
-        Read Along:
o   Iliad
o   Odyssey
o   The Thief
o   Percy Jackson  
  SEA:
-        Iceland
o   Culture
§  Naming traditions
o   Language
o   Music
o   Food
-        Shipbuilding
o   Historic and modern ships
-        Ice caving
-        Northern Lights
-        Tides
-        Snowmobiling
-        Poetry
-        What is xenophobia
 MID:
-        Some games just shouldn’t be made
-        American witch trials
o   What actually went down
o   Misconceptions
-        Treating people with albinism as real people
-        Arson is bad
-        Herbal remedies and how they can interfere with modern medicine
-        Witchcraft and how not to
-        Salem MA
-        Ignorance promotes fear and hatred so we do our best to learn about others
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introvertguide · 3 years
Text
The Sound of Music (1965); AFI #40
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The next film that we reviewed from the AFI Top 100 was the most successful movie adaptation of a Hollywood play of all time, The Sound of Music (1965). The story was based on the 1949 memoir of Maria Von Trapp, who became a nanny for a retired naval officer and his children. They lived together in Austria and had to escape from the invading Nazi party right before the start of WW2. That story was turned into a musical by the dynamic duo of Rogers and Hammerstein and eventually translated to a Best Picture Oscar winner directed by the great Robert Wise. The film was nominated for 10 Academy Awards and won 5 of them. This truly is a phenomenal story with great music and I can't wait to get into the breakdown. Of course, I do need to mention...
SPOILER ALERT!!! IT IS NOT LIKELY THAT MANY PEOPLE DON'T HAVE AT LEAST AN IDEA OF THE PLOT OF THIS FILM, BUT I REALLY GO OVER THE DETAILS!!! MAKE SURE THAT YOU REALLY KNOW THE STORY AND HAVE SEEN THE MOVIE BEFORE GOING ANY FURTHER!!!
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The film opens on that iconic spinning shot of Maria (Julie Andrews) from a helicopter and establishes the beautiful hills of Austria. The whole movie is set on and around the city and hills of Salzburg, Austria. It is 1938, dangerously close to the rise of the the Third Reich and Nazi occupation, but Maria is not involved in such things at the time. She is young, enthusiastic, and completely lacking discipline. Turns out she is training to be a nun at the millennia-old Nonnberg Abbey and the Mother Abbess (Peggy Wood) is considering what to do with her. It is decided that Maria will leave the abbey for a time and work as a governess for one Captain von Trapp (Christopher Plummer) and his seven children.
On the day she arrives, Maria learns that the Captain cares for his children with strict military discipline and also that the kids have caused a lot of trouble for their previous governesses. It seems that their mother has died and their father is distant, so they act out to try and get attention. The kids put a frog in Maria's pocket and place a pine cone in her chair at dinner, but she instead thanks them for their warm welcome and they all cry out of guilt. That night, the eldest daughter Liesl (Charmian Carr) goes out and meets with a young suitor named Rolfe (Daniel Truhitte). They sing together in the rain and then she returns to the house via Maria's room. While there, a thunder storm begins and all the other children join out of fear. Maria sings with them about getting over their fears by imagining good things and the children begin to trust her. The next morning, the Captain leaves to go to Vienna giving Maria a chance to bond with the children even more.
While the Captain is away in Vienna, Maria decides she will teach the children to have fun and allow them to play. She tears down drapes and makes play clothes for the children, then takes them around Salzburg and the surrounding mountains. She teaches them how to sing, allows them to climb in trees, and piles them in a boat to go rowing. The Captain unexpectedly returns to the villa with rival love interest Baroness Elsa Schraeder (Eleanor Parker), a rich Viennese socialite and widow looking for a new husband, and mutual friend "Uncle" Max Detweiler (Richard Haydn). The Captain and his guests are greeted by Maria and the children returning from a boat ride on the lake that concludes when the boat overturns. Displeased by his children's clothes and Maria's impassioned appeal that he get closer to his children, the Captain orders Maria to return to the abbey. Just then, he hears singing coming from inside the house and is astonished to see his children singing for the Baroness. Filled with emotion, the Captain joins his children, singing for the first time in years. Afterwards, he apologizes to Maria and asks her to stay.
Impressed by the children's singing, Max proposes he enter them in the upcoming Salzburg Festival but the suggestion is immediately rejected by the Captain as he does not allow his children to sing in public. He does agree, however, to organize a grand party at the villa. The night of the party, while guests in formal attire waltz in the ballroom, Maria and the children look on from the garden terrace. When the Captain notices Maria teaching Kurt the traditional Ländler folk dance, he cuts in and partners Maria in a graceful performance, culminating in a close embrace. The children get together and sing a goodnight song to the party crowd and the impressed Max insists that Maria join the group for dinner. Confused about her feelings, Maria blushes and breaks away to change clothes. The Baroness, who noticed the Captain's attraction to Maria, hides her jealousy while convincing Maria that she must return to the abbey. Instead of joining the party, Maria leaves a note and runs back to the abbey.
Intermission
Back at the abbey, when Mother Abbess learns that Maria has stayed in seclusion to avoid her feelings for the Captain, she encourages Maria to return to the villa to look for her life. We get the very appropriate, but perhaps the most out-of-nowhere and cringy performance in the film, "Climb Every Mountain" sung by the Mother Abbess. It is convincing and Maria returns to the villa, only to learn about the Captain's engagement to the Baroness and agrees to stay until they find a replacement governess. The Captain's feelings for Maria, however, have not changed and he breaks off his engagement with the Baroness and proposes to Maria. The announcement of the first engagement, the return of Maria, the break-up, and the second engagement all happen in a single day in film and about 20 minutes of run time, so make sure to pay attention.
While they are on their honeymoon, Max enters the children in the Salzburg Festival against their father's wishes. When they learn that Austria has been annexed by the Third Reich in the Anschluss, the couple return to their home, where a telegram awaits informing the Captain that he must report to the German Naval base at Bremerhaven to accept a commission in the German Navy. Strongly opposed to the Nazis and the Anschluss, the Captain tells his family they must leave Austria immediately. That night, as the von Trapp family attempt to leave, they are stopped by a group of brown shirts waiting outside the villa. When questioned by Gauleiter Hans Zeller, the Captain maintains they are headed to the Salzburg Festival to perform. Zeller insists on escorting them to the festival, after which his men will accompany the Captain to Bremerhaven.
Later that night at the festival, during their final number, the von Trapp family slip away and seek shelter at the nearby abbey, where Mother Abbess hides them in the cemetery crypt. They are about to get cleanly away when the are discovered by the boy who was courting Liesl. Rolfe is sill a boy but is shouldering the responsibilities of a man. He lets the family get by because he can't bring himself to harm them, but he does call for backup. More brown shirts soon arrive and attempt to pursue, but they discover their cars will not start as two nuns have removed parts of the engines. The next morning, after driving to the Swiss border, the von Trapp family make their way on foot across the frontier into Switzerland to safety.
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I think the first thing to mention is the undeniably beautiful music. I absolutely love the music of this film and how each song starts off simple and just builds in complexity. The best songs either set the scene or progress the plot and are magnificently placed. From the opening song that sets the scene, to the discussion of how to deal with a woman that doesn't fit in, to the discussion of what to do when you are afraid, to putting your love and affection towards somebody who can't love you. The themes are incredibly deep when you consider the lyrics of the songs as foreshadowing the rest of the movie. The von Trapp family has to escape into the hills and they do it using their musical skills. When the family is trapped and has to keep quiet despite extreme fear for their lives, they are able to make it through because they have been taught to suppress their fear thinking of their favorite things. "Sixteen Going on Seventeen" has the young German boy talking about being a man because he is slightly older then the eldest von Trapp daughter, yet he is charged with finding the family and turning them over to the German military and he can't do it. The music serves a purpose and the movie would be far less palatable for it, despite the story being a truly fascinating real life drama.
The great actress Julie Andrews does such a good job as Maria. This was most definitely a perfect role for her and might be her greatest performance. It is between this role and the part she played in Mary Poppins the year earlier. In fact, Julie Andrews was much better known for her Broadway performances at the time of this film. Mary Poppins was the first feature film role for Julie Andrews and The Sound of Music was technically her third. She jumped on the Hollywood scene and was exceptionally lucky that musicals were popular and she was a beautiful young triple threat (acting, singing, and dancing). She is the perfect example of success being a mixture of preparation, luck, and opportunity.
One thing I forget about musicals from this time period is how quickly plot points (like falling in love and building relationships) happen. I don't mean in terms of run time, I mean in terms of time passing by in the story. Maria is sent to be with the von Trapp family and the children go from hating her to needing and trusting her in a single day. She goes from being a beloved nanny to running away to rejoin the nunnery in one evening. The captain goes from proposing to the Baroness to Maria returning to breaking off his engagement to asking Maria to marry him in a 48 hour period. The Captain and Maria return to Austria after their honeymoon and enter a singing competition to escape to Switzerland all on the same day. In terms of run time, that first day actually takes up the first hour of the film. That last night takes up the last half an hour. I doubled checked this just to make sure, but it is true: only 4 critical days are shown in the film. Maria leaves the convent and arrives at the von Trapp house. Time passes, The Captain returns to fire Maria but changes his mind and instead throws a party where Maria runs away. Time passes. Maria is convinced to return and arrives to find the Captain is engaged before he changes his mind to leave the Baroness and immediately proposes to Maria. We see them on their wedding day. Time passes. The Captain and Maria return and he is ordered to join the Navy, but he instead using the children's performance that night as cover to escape with his family. End of movie.
Despite the story being about a young family escaping the Nazis, this film has the lightest rating (G) of any best picture winner. Some films were not rated at the time that would now be considered a G rating and Oliver! in 1968 had a rating of GP (general public) that no longer exists. It seems like a movie that doesn't have at least a bit of a serious tone can't win a Best Picture and that comes with a heavier rating. It was funny that the Amazon Prime virtual copy that I saw most recently starts out with a screen that says rated G for violence, language, and adult situations.
There are some funny behind the scenes stories since there were many young children in the film. This means that many of them are still alive and can relive their memories with young fans. We are also lucky enough to have Dame Julie Andrews still working and sharing her experiences like a champ. She really is a treasure. The young girl who played the adorable Gretl von Trapp (Kym Karath) is only in her early 60s since she was only six in the film. it was actually her 4th picture, giving her more experience in film than Julie Andrews at the time. There were plenty of specials commemorating the 50th anniversary of the film back in 2015, so there are actually some really good interviews with the surviving cast that are relatively recent. I would highly suggest the 20/20 review of the film that can be found on YouTube:
NBC|ABC|20/20: The Untold Story of 'The Sound of Music - YouTube
There was some concern from the cast and the producers that a film version of a musical would not be financially viable. Other Rogers and Hammerstein musicals had been adapted to film and had not lived up to the success that was found on Broadway. Luckily, director Robert Wise used the natural lighting and countryside of Austria and Germany to slightly excuse the sudden singing of a musical that seems out of place in film. Also, he had recently directed West Side Story and knew how to best accomplish this. Then again, who wouldn't want to dance around and sing in those mountains? Wise did some things like lowering the tone of the song "Climb Every Mountain" and moving Maria through the countryside while she was singing "Confidence in Me." This helped reduce the cringe factor.
So does this film belong on the AFI top 100? Oh God yes. It is a great story adapted by the greatest American songwriting duo and directed by one of the great American directors who specialized in musicals. The list would be lacking if this film was not on it. Would I recommend it? Oh man, yes. Go watch it right now. Oh, you just saw it? Watch it again. It's that good.
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tiramisiyu · 3 years
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【未定事件簿】 Tears of Themis: “Romantic Rail Getaway” Zuo Ran Route, Day 2
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Translation Masterlist | Themis Event Masterlist
Zuo Ran Route: Day 1 | Day 2 | Day 3 | Day 4 | Day 5
Videos, where applicable, are hyperlinked on the headings in the post.
See under cut!
Part 1 – Dilly Street Area – “The Charm of Dilly Plaza”
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Dilly Plaza
On the second day, with the train’s advance, we arrived at the Dilly Plaza stop.
If Rumba City were called a picture scroll of literature and art, then Dilly Plaza was an elegant city that had both an artistic feeling and the flavour of life.
Here, you could clearly feel the enthusiasm of the locals.
Such as now – a travel guide warmly received us not long after we’d gotten off the train station platform.
Travel Guide: I’m very happy to meet you, visitors from afar.
Travel Guide: Is there anything you need me to help you with?
MC: Hm…
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INTERROGATION START
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Recommended Attractions
MC: Could you recommend some popular attractions for us?
Travel Guide: There are lots of popular attractions in Dilly Plaza, although the most popular with visitors is the Dilly Art Gallery and the Movie Wax Museum.
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Dilly Art Gallery
MC: I believe that it said online that the art gallery is holding a special exhibition on Impressionist painters?
Travel Guide: Yes. If you two are interested, you can check out the gallery.
Travel Guide: The exhibition this time has brought together the famous works of over ten Impressionist painters, as well as specially allowing visitors to take photos…
Travel Guide: You can take pictures of your favourite works to your heart’s content.
MC: (Whoa, then I’ll be able to take lots of precious photos!)
MC: Lawyer Zuo, let’s go to the art gallery in a bit.
Zuo Ran: Mhmm, I was just planning to go see it with you too.
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Movie Wax Museum
MC: How do you get to the movie wax museum?
Travel Guide: You can board the trip bus to the Promenade of Light and Shadow on the west side of the plaza to get to the entrance of the movie wax museum.
Travel Guide: The wax museum uses exquisite sculptures and reconstructed many classical movie scenes. It’s the attraction that visitors like seeing the most.
Travel Guide: If you two enjoy movies, you definitely can’t miss out.
MC: (Of course we like them! The wax museum is in the guide that Zuo Ran made before – I’m sure he must really want to go.)
Zuo Ran: MC, how about we…
MC: How about we go to the wax museum!
Zuo Ran and I basically spoke at the same time with our invitations… at the same time as when we spoke, Zuo Ran’s lips curved in a smile.
Zuo Ran: Sure, let’s go together.
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Recommended Delicacies
MC: Could you recommend a few characteristic delicacies for us?
Travel Guide: On Dilly Plaza’s food lists, the highest-ranked dishes are mussel shrimp soup and red wine beef tongue.
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Mussel Shrimp Soup
MC: I’m kind of curious about what mussel shrimp soup tastes like.
Tour Guide: This soup dish is very well-known in Dilly Plaza. Many types of vegetables are stewed in the soup, which contrast with the fresh sweetness of the mussels and long-tailed shrimp.
Tour Guide: I guarantee that when you first taste it, you’ll be able to experience the complex taste of mussel shrimp soup.
MC: (Just listening to it makes me feel like it’s a dish with a complicated process behind it! Its taste will probably be good, right?)
Zuo Ran: When we eat later, we can try a serving.
MC: Mhmm! I was thinking this too.
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Red Wine Beef Tongue
MC: Red wine beef tongue sounds very delicious.
Tour Guide: This is a traditional dish in Rumbaliya, and you must try it.
Tour Guide: The chefs use a low-temperature slow cooking method to ensure the soft, springy feeling of the beef tongue…
Tour Guide: The pairing with specially-prepared red wine sauce makes the beef tongue freshly sweet and delicious. Visitors who eat this dish all praise it to high heavens.
MC: (I’m already hungry just from listening to this! I’m going to add this dish to the food checklist!)
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INTERROGATION END
Tour Guide: Are there any other questions you have?
MC: None left, thank you.
Tour Guide: Then, I hope you two have fun!
 Part 2 – Dilly Art Gallery
[Gameplay]
 Part 3 – Dilly Commerce Street
[Gameplay]
 Part 4 – Movie Wax Museum – “Mishap at the Wax Museum”
After checking out the Dilly Art Gallery, as well as tasting the fresh, sweet mussel shrimp and the delicious red wine beef tongue…
The next trip target was the movie wax museum that we were really looking forward to.
MC: (I wonder if there will be the movie scenes that Zuo Ran and I like in here…)
Right when we walked into the ticket booth, what greeted us weren’t enthusiastic staff members – instead, it was the sound of shouting.
Visitor: Did you get it wrong? Why should I pay an additional fee?
Staff: Dear lady, these are our rules.
Visitor: You’re taking money at random and trapping visitors with this!
MC: Eh? This is…
Visitor: Young lady, you came at the perfect time. Come judge what’s right!
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INTERROGATION START
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Course of Events
MC: Ah, don’t rush, could you tell me what happened first?
Visitor: I bought a special combo trip ticket online to come to Rumbaliya!
Visitor: The combo ticket included over entry tickets for over ten popular attractions, and it also said that we could use it whenever we wished.
MC: (Hm… sounds pretty worth it.)
Visitor: Who would’ve known that when I took out the combo ticket… the people here would have me pay more money!
Visitor: They even said that it couldn’t be used on its own, and I had to pay an additional service charge. It really pisses me off!
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Ticket Price
MC: On the combo ticket, did they indicate information related to additional services charges?
Visitor: They didn’t! I’m willing to swear that this definitely wasn’t there.
Visitor: I flipped the combo ticket back and forth several times. There wasn’t any requirement about additional service charges.
Visitor: The people here must be tricking me.
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What the Proprietor said
MC: Then… what did the proprietor say? Why are they collecting additional charges?
Visitor: Hmph, he said that the combo ticket only includes the basic entrance ticket price…
Visitor: I have to pay the remaining handling and service fees to go inside!
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INTERROGATION END
 Visitor: I’m so pissed off. What kind of random, crappy wax museum is this! I’m not going in anymore. Refund me!
Staff: My apologies, lady. Our tickets are non-refundable.
MC: (Can’t be refunded? This is a little ridiculous!)
Zuo Ran: If this lady does not intend to continue visiting, then it is reasonable to refund her entrance ticket.
Visitor: Exactly, what kind of logic is this forceful money collection?!
Staff: Our tickets are non-refundable! It was said that it’s non-refundable, so it’s non-refundable!
[Gameplay]
Staff: Whatever! I can’t beat you all, so I’ll just refund the ticket money now.
Staff: Hurry off now. Our wax museum doesn’t welcome troublesome patrons like you!
--
Visitor: Thank you. If you two didn’t help, I think that I would have had to argue with him for a lot longer.
MC: No need for thanks, we’re just doing what we should.
MC: Plus, we’re also visitors, and we should help each other.
Visitor: Ugh… Rumbaliya’s sceneries are quite good. It’s just that there are way too many black-hearted store proprietors – so frustrating!
The visitor caught the chance again to spew some bitter complaints.
After we managed to soothe her emotions, Zuo Ran and I no longer were in the mood to continue touring around.
After hastily taking a few scenic pictures, we ended the day’s itinerary in advance.
  Part 5 – Street Performance Plaza
[Gameplay]
 Part 6 – A Gentle Street Performance
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Dilly Street Area
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MC: That staff member was way too unreasonable.
After putting several roads’ worth of distance between us and the wax museum, I was still brooding over what had happened earlier.
I originally thought that I could experience the charm of classic movie scenes with Zuo Ran in the wax museum…
But instead… putting aside how we had been shut outside the order, the staff member even fiercely called us “meddling tourists”.
Zuo Ran: We just told the local police about the situation…
Zuo Ran: We can leave the rest for the related people to deal with it. Don’t let this matter affect you.
MC: Mhmm, I shouldn’t let people like this affect my good mood!
Zuo Ran reached out and straightened out the hairs in front of my forehead, a slight smile in his expression.
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Zuo Ran: Right, do you want to see the night street concert at Dilly Plaza?
MC: Eh? Don’t we… not have enough time to make it…
When we heard the travel guide introduce us to the grand concert event during the day, I did want to go.
It was just how we definitely wouldn’t have time considering our itinerary, so my curious thoughts could only be a temporary flash.
Zuo Ran: Since we didn’t go to the wax museum… altogether, we’ve got around an extra hour of time.
Zuo Ran: If we go to the music event location now, the timing should be just right.
Zuo Ran’s voice, accompanied by the cool night wind, blew slowly into my ears and aroused the curiosity in my heart.
MC: Lawyer Zuo, I want to go!
Zuo Ran: Okay, I’ll call over a car.
--
“My beautiful lover, please look at me.”
“Please don’t let go, become music notes, and follow the galaxy of time to find me.”
MC: It sounds so beautiful.
The melodious singing voices of the singers onstage was like flowing river water under the stars of a spring night, lingering with a tranquil feeling.
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Zuo Ran: This song is called “Galaxy Nocturne”. It’s a popular song that’s an adaptation of a local Rumbaliya folk song.
There was no host for the street concert, and the singers were all improvising their music and interacting with the audience sitting around them.
Zuo Ran thus explained things for me, becoming a quiet guide on my side.
MC: I thought that the songs selected for open-air concert would mainly be fast ones. I didn’t think that they’d mostly sing lyrical ballads.
Zuo Ran: The theme of this performance is “Starry Skies and Romance”, and the selected songs are mostly local Rumbaliya folk songs.
Zu Ran: The locals revere the beauty of nature, and when they sing, they don’t like using accompaniment – instead, they’re more prone to sing acapella.
MC: Hm… an improv performance like this must require higher skill and better intonation.
MC: The singers onstage never go out of tune – they’re basically walking juke boxes.
We chatted quietly, the beautiful singing blowing away all the troubles in my heart like a refreshing, gentle wind.
I was still immersed in the singing by the end of the performance, and I’d already forgotten all the troubles we’d encountered during the day.
Zuo Ran: Are you feeling better now?
MC: It got better early on! After listening to such an excellent concert, I’m feeling particularly great right now.
Zuo Ran: That’s good… I want you to enjoy a perfect vacation.
Zuo Ran: So I don’t want what happened during the day to affect your mood and become a regret.
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>I don’t think there’s anything regrettable >I still feel a little bit of regret
MC: I don’t feel like there’s anything regrettable at all. On the contrary… I feel pretty lucky.
MC: If we didn’t miss the wax museum exhibition, we might not have been able to see such an amazing concert.
MC: Is this called a “blessing in disguise”? Oh wait, no, this is called “when sorrow becomes joy”!
Zuo Ran: Oh you…
Zuo Ran laughed in amusement at my words, his heroic eyebrows raising gently, so that those eyes revealed even more emotion than usual.
Zuo Ran: If you say so, then to me, what happened today… probably counts as “Heaven accords to human wishes”.
MC: Huh, why?
Zuo Ran: Whether it’s an exhibition or a concert, what’s most important to me is… doing these things with you.
Zuo Ran: Now, my wish has already come true. Isn’t this a sort of “wish fulfillment”?
I didn’t think Zuo Ran knew to chitchat like this, far from the stressful work environment…
Between the vast sky and earth, he seemed to unintentionally reveal more, truer sides to himself to me.
MC: Yeah, that does seem to be right.
  >I don’t think there’s anything regrettable >I still feel a little bit of regret
MC: I still feel a tiny bit of regret.
Zuo Ran: …
MC: Lawyer Zuo, you’ve always liked movies a lot. Now that we weren’t able to see the wax museum, I feel regretful for you…
Zuo Ran: I don’t feel regretful.
Zuo Ran: Rather than going to see the contents of the wax exhibition alone, I like enjoying the process of the exhibition with you more.
Zuo Ran: And to me, this process is already excellent.
Zuo Ran: So I don’t regret it. I even feel… very satisfied.
Zuo Ran looked at me, smiling. I could read the gentleness on his face, and I could feel the sincerity in his words.
Influenced by his words, the last bit of regret in my heart was mended over.
MC: I’m also very satisfied.
--
Zuo Ran: It’s getting late, and we should be getting back.
Zuo Ran: We’ll be visiting Kelosi City tomorrow, so rest well tonight.
Kelosi City was a famous capital of cuisine. Several hundred types of local snacks and characteristic delicacies had attracted countless tourists there.
MC: My cuisine checklist can no longer restrain itself!
Zuo Ran: I looked up several decent local specialty restaurants. After we arrive at the stop tomorrow, we can tour around, then taste the foods.
MC: Mhmm, the ones selected by you are guaranteed to be great!
We chatted as we walked the way back.
Under the moonlight, the road ahead extended without limit, turning our journey towards an unknown but anticipatory direction.
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Double Features 2: Splatter, Splicer, Slander, Slasher
Considering the fact that we’re locked down and most folks aren’t going out much, why not settle in on a weekend with double feature. As part of a series of articles, I’ve decided to suggest some titles that would make for an interesting pair. It’s a time commitment like binging a few episodes of a TV show, and hopefully these double features are linked in interesting enough ways that it has a similar sense of cohesion. They also can be watched on separate occasions, but the lesser the distance between them, the more the similarities show. Do it however you want, really. I’m merely a guy on the internet, and that qualifies me for absolutely nothing! Enjoy at your own risk.
This template is back! I wanted to suggest a few more double features, but this time keep them in a specific genre: horror. I love horror movies, and I realized that I hadn’t really given them their due on this here blog, so I wanted to remedy that by showing a lot of love across a lot of different movies. I’ve put together some international movies, some classics, some that are silly, some that are serious, and even a bonus suggestion hidden in one of these blurbs. So without any more ramble in the preamble, here are four new suggested double features.
Note: The pairs are listed in the order I think best serves them being seen.
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Hausu & Evil Dead II:
Hausu aka House (not to be confused with 1985 American horror film of the same name) has sort of transcended cult movie status to become a staple of off-center horror-comedy. Directed by recently deceased Nobuhiko Obayashi, the film shows his roots in advertisements with every shot designed for maximum effect, a (still) cutting edge approach in the edit, and a joyous, playful approach to special effects. It’s a gauzy and dreamy romp about a group of schoolgirls who head to the countryside on vacation. While staying at one of their aunts’ house, the supernatural hauntings begin, and heads start to roll (as well as bite people on the butt). It’s the type of movie where the main cast of characters are named Gorgeous, Kung Fu, Melody, Prof, Mac, Sweet, and Fantasy and they each have corresponding character traits. I was lucky enough to catch this at a rep screening at the Museum of Fine Arts a few years ago (further proof that this has gone beyond the cult curio status), and this is absolutely a movie that benefits from having a crowd cheer and laugh along - but it’s fairly easy to find and still has lots of pleasures to be enjoyed on solo watch. I’m pretty much willing to guarantee that if you enjoy it on first watch, you’ll want to share it with others. Now, where does one start when talking about Evil Dead II? Sam Raimi is rightfully as well known for his start in the hair-brained splatter genre fare as he is for his genre-defining Spider-man films. The influence of the Evil Dead movies is nearly unquantifiable, apparent in the work of directors like Edgar Wright, Peter Jackson, Quentin Tarantino, and the Korean New Wave filmmakers like Bong Joon-ho and Park Chan-wook. There’s a reason that the second film of his Evil Dead odyssey is the one that people hold in highest esteem, though. There is an overwhelming gleeful creativity, anything goes, Looney Tunes approach to it that makes the blood geysers, laughing moose heads, and chainsaw hands extend beyond gore and shock into pleasure. It’s been noted over and over by critics and Raimi himself that the Three Stooges are probably the biggest influence on the film, and by golly, it shows. Evil Dead II and Hausu are pure in a way that few other movies can be. Both of these movies are an absolute delight of knowing camp, innovative special effects, and a general attitude of excitement from the filmmakers permeating through every frame. They’re a total blast and, in my mind, stand as the standard-bearers for horror-comedy and haunted house movies.
Total Runtime: 88 minutes + 84 minutes = 172 minutes aka 2 hours and 52 minutes
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The Thing (1982) & The Fly (1986):
Feel free to roll your eyes as I explain the plots of two very famous movies. The Thing is John Carpenter’s body horror reimagining of Howard Hawks’ The Thing from Another World and the story that was adapted from, “Who Goes There?” by John W. Campbell Jr. The film is centered around a group of men in an arctic outpost who welcome in a cosmic force of shape-shifting annihilation. What ensues is a terrifically scary, nihilistic, paranoid attempt to find who isn’t who they say they are before everyone is replaced with the alien’s version of them. The film is a masterpiece of tone in no small part due to Dean Cundey’s photography and Ennio Morricone’s uncharacteristically restrained score. The real showstopper here, though, is the creature effects designed by Rob Bottin with an assist from Stan Winston – two titans of their industry. There may not be a more mind-blowing practical effects sequence in all of movies than Norris’ defibrillation – which I won’t dare spoil for anyone who hasn’t seen it. The story is so much about human nature and behaviors, that it’s good news that the cast is all top-notch – anchored by Kurt Russell, Keith David, and Wilford Brimley. While The Thing is shocking and certainly not for anyone opposed to viscera, David Cronenberg’s The Fly is the best example of a movie not to watch while eating. Quite frankly, it’s got some of the most disgusting things I’ve ever seen on film. Chris Walas and Stephen Dupuis’ makeup effects are shocking, but the terror is amplified because this builds such a strong foundation of romance in its opening stretch between Jeff Goldblum and Geena Davis in what might be their career-best work. The story is simple: a scientist creates a teleportation device that he tries out himself, but unknowingly does so with a fly in the chamber with him. When he reatomizes on the other end, his DNA has been integrated with the fly. Slowly his body begins to deteriorate, and he transforms into a human-fly hybrid. While this is first and foremost a science-fiction horror film, it’s truly one of the most potent love stories at its center. The tragedy is that the love, like the flesh, is mutated and disintegrated by the hubris of Goldblum’s Seth Brundle. Here are two remakes that – clutch your pearls – outdo the original. They both serve as great examples of what a great artist can bring by reinterpreting the source material to tell their version of that story. The critical respect for Carpenter and Cronenberg is undeniable now, but both of these movies make the case that there are real artists working with allegory and stunning craft in less respected genre fare. It doesn’t take a lot of effort to transpose the thematic weight of the then-new AIDS crisis onto both films, but they both have a hefty anti-authority streak running through them in a time where American Exceptionalism was at an all-time high. If you want to get a real roll going, fire up the ’78 Invasion of the Body Snatchers first to get a triple dose of auteur remakes that reflect the social anxieties of the time and chart from generalized anxiety to individualistic dread to romantic fatalism.
Total Runtime: 109 minutes + 96 minutes = 205 minutes aka 3 hours and 25 minutes
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Theatre of Blood & The Abominable Dr. Phibes
That old Klingon proverb that Khan tells Kirk about revenge being a dish best served cold is challenged by these two Vincent Price tales of the macabre. They posit that revenge is best served in extremely convoluted and thematically appropriate predecessors to the Saw franchise. Where Saw trades in shock and extremity, though, these classic horror tales offer an air of panache and self-satisfied literacy. In Theatre of Blood, Price plays a disgraced and thought-dead stage actor who gets revenge on the critics who gave him negative reviews with Shakespeare-themed murder. There’s good fun in seeing how inventive the vengeful killings are (and in some cases how far the writers bend over backwards to explain and make sense of them). It’s a little rumpled and ragged in moments, but Price is, of course, a tremendous pleasure to see in action as he chews through the Shakespeare monologues. Imagine the Queen’s corgis with a chainsaw and you’re on track. Phibes came first and, frankly, is the better of the two. The story is about a musician who seeks to kill the doctors who he believes were responsible for his wife’s death during a botched surgery. The elaborate angle he takes here is to inflict the ten plagues from the Old Testament. I hesitate to use a word that will probably make me come across as an over-eager schmuck, but it really feels best described as phantasmagorical. It’s got this bright, art deco, pop art sensibility to it that’s intoxicating. It also has a terrifically dark sense of drollery - it knows that you can see the strings on the bat as it flies toward the camera. Aesthetically, it feels adjacent to the ’66 Batman show. The music is great and the indelible image of his tinker toy robot band, The Clockwork Wizards, is a personal obsession of mine. Both Theatre of Blood and The Abominable Dr. Phibes feature great supporting turns from Diana Rigg and Joseph Cotton, respectively. Settle in for a devilishly good time and enjoy one of cinema’s greatest vicarious pleasures: getting back at those of criticized or hurt you.
Total Runtime: 104 minutes + 94 minutes = 198 minutes aka 3 hours and 18 minutes
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Blood and Black Lace  & The Bird with the Crystal Plumage
The final pairing comes from beyond American borders and, to some, beyond the borders of good taste. Mario Bava and Dario Argento are likely the two biggest names in Italian horror, and that’s for very good reason. Bava, who started as a cinematographer, has made loads of movies (even the film which gave Ozzy Osbourne and crew the name their band name) that have tremendous visuals and terrific sense of mood. Argento, probably most famous now for Suspiria, emerged onto the Italian film scene a handful of years later and picked up that baton from Bava to crystallize the dreamy logic puzzles cloaked in hyper-saturated colors. These two films are regarded as quintessential in the giallo genre – named for the yellow covers of the pulp crime fictions that inspired them. As someone who loves the flair that can be applied to make a slasher film stand out amongst their formulaic brethren, I found that the giallo made for a smooth transition into international horror. Blood and Black Lace is a murder mystery that’s as tawdry and titillating as its title suggests. Set in an insular world of a fashion house in Rome, models are being murdered. The plot feels like a necessity in order to create a delivery system for the stunning set pieces that revolve around a secret diary. Bava puts sex right next to violence and cranks up the saturation to create something thrillingly lurid. Six years later, Argento made his first film which has often been credited for popularizing the giallo genre and already is playing around with some of his pet themes like voyeurism and reinterpretation. Built around an early set piece (that stacks up as one of the best in thrillers) in which a man is trapped but witnesses a murder, the film sees said man trying to find the piece of evidence that will make the traumatic killing make sense. Like Bava, it blends sex and violence with tons of flair, including a score by the aforementioned Ennio Morricone. The film is absolutely on a continuum between Hitchcock and De Palma. If you’re looking for a pair of exciting horror/thrillers, or even an entry point to foreign genre cinema, this is an accessible and enjoyable place to start.
88 minutes + 96 minutes = 184 minutes aka 3 hours and 4 minutes
Well, there you have it. Eight movies, and hours of entertainment curated by some guy with no real qualifications. If you’re interested in some more suggestions (in horror and other genres), stay tuned for the next entry in this Double Features series. And if you’re looking for a way to watch these movies, I highly recommend the app/website JustWatch where you can search a title and see where it’s available for streaming or rental. Happy viewing.
Thanks for reading.
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la5t-res0rt · 4 years
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this was written several weeks ago in response to asks i was receiving i am posting it now it is very long the longest i have ever made and it is not very well edited but here it is in this final essay i talk about how shitty rae is about black people in her writing as well as just me talking about how her writing sucks in general lets begin
hello everyone 
as you may know i have received a lot of anons in the last week or so about issues of racism in the beetlejuice community both just generally speaking and also within specific spaces 
i was very frustrated to not be getting the answers i wanted because i typically do not talk about what i do not see but in an effort to be better about discourse i went looking through discourse from before my time in the fandom and i also received some receipts and information from my followers and from some friends
keep in mind that the voices and thoughts of bipoc are not only incredibly important at all times but in this circumstance it is important that if a bipoc has something to add you listen and learn and be better
i admit that when this happened i wasnt aware of the extent of what occurred and im angry at myself for not doing more at that time and i want to work harder to make sure something like this doesnt go unnoticed again
im a hesitant to talk about months old discourse because i have been criticized for bringing up quote old new unquote but this is very important and i am willing to face whatever comes from to me
lets talk about this
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content from our local racist idiot that may be months old but its important
putting my thoughts under a cut to spare the dash but before i begin obviously this is awful
lets fucking unpack this folks
right out the gate op states that she supports artistic freedom but then within a couple words she goes against that statement
being entirely canon compliant isnt artistic freedom and even so if this person has so much respect for canon they wouldnt be out here erasing lydias obvious disgust for beetlejuice in the movie or ignoring lydias age for the sake of shipping that shit isnt canon either 
also we love the quick jab at the musical there hilarious we love it dont we because god forbid a licensed and successful branch on a media have any standing in this conversation but whatever
now lets scroll down and talk about the term racebending
the term racebending was coined around 2009 in response to the avatar the last airbender movie a film in which the east asian races of the characters were erased by casting white actors in the three leading roles of aang sokka and katara 
whenever the term racebending is used in a negative light it is almost always a case of whitewashing like casting scarlett johansen in ghost in the shell or the casting of white actors of the prince of persia sands of time instead of iranian ones
this kind of racebending erases minorities from beeing seen in media and is wrong
all that being said however racebending has also been noted to have very positive after effects like the 1997 adaptation of cinderella or casting samuel jackson as nick fury in the marvel movies nick fury was originally a white guy can you even imagine
i read this piece from an academic that said quote writers can change the race and cultural specificity of central characters or pull a secondary character of color from the margins transforming them into the central protagonist unquote
racebending like the kind that rae is so heated about is the kind of creative freedom that leads to more representation of bipoc in media which will never be a bad thing ever no matter how pissy you get about it
designing a version of a character as a poc isnt serving to make them necessarily better it serves to give new perspective and perhaps the opportunity to connect even more deeply with a character it doesnt marginalize or erase white people it can uplift poc and if you think uplifting poc is wrong because it tears down white people or whatever youre a fucking moron and you need to get out of your podunk white folk town and see the real world
the numbers of times a bipoc particularly a bipoc that is also lgbt+ has been represented in media are dwarfed by what i as a white dude have seen myself represented in media is and that isnt okay that isnt equality and its something that should change not only in mainstream media but in fandom spaces as well
lets move down a bit further to the part about bullying straight people which is hilarious and lets also talk about the term fetishistic as well lets start with that
this person literally writes explicit pornography of a minor and an adult are we really going to let someone like that dictate what is and what isnt fetishistic
similarly to doing a positive racebend situation people may project lgbt+ headcanons on a character because its part of who they are and it helps them feel closer to the character and there is absolutely nothing wrong with that
depicting lgbt+ subject matter on existing characters isnt an inherently fetishistic action generally things only really become fetishistic when the media is being crafted and hyped by people who are outside of lgbt+ community for example how young teens used to flip a tit about yaoi or how chasers fetishize trans people
but drawing a character with top surgery scars or headcanoning them as trans is harmless and its just another way to interpret a character literally anone could be trans unless if their character bio says theyre cis and most of them dont go that deep so it really is open to interpretation and on the whole most creators encourage this sort of exploration because it is a good thing to get healthy representation out in the world
as for it being used to bully straights thats just funny i dont have anything else on that like if youre straight and you feel threatened and bullied because of someone headcanoning someone as anything that isnt cishet youre a fucking idiot and a weak baby idiot at that like the real world must fucking suck for you because lgbt+ people are everywhere and statistically a big chunk of your favorite characters arent cishet sorry be mad about it
lets roll down a bit further about the big meat of the issue which was when several artists were drawing interpretations of lydia as a black girl which i loved but clearly this person didnt love it because they have a very narrow and very racist and problematic view of what it means to be a black person
and before i move forward i must reiderate that i am a white person and you should listen to the thoughts of poc people like @fright-of-their-lives​ or @gender-chaotic it is not my place to explain what the black experience is like and it certainly isnt this persons either
implying that the story of a black person isnt worth telling unless if the character faces struggles like racism and prejudice is downright moronic 
why use the word kissable to describe a black persons lips now thats what i call fetishistic and its to another extreme if youre talking about a black version of lydia on top of that
the author of this post says herself that shes white so clearly shes the person whos an authority on the black experience and what it means to be a black person right am i reading that right or am i having a fucking conniption
how about allowing black characters to exist without having to struggle why cant a black version of lydia just be a goth teenager with a ghost problem who likes photography and is also black like she doesnt have to move to a hick town and get abused by racist folks she doesnt have to go through any more shit than she already goes through and if you honestly think thats the only way to tell a black persons story you need to get your brain cleaned
you know nothing about the complexities about being a black person and i dont either but you know wh odo black people who are doing black versions of canon characters they fucking know 
lets squiggle down just a bit further 
so the writer has issues with giving characters traits like a broad nose or larger lips if theyre a woman but if theyre a man suddenly its totally okay to go all ryan murphy ahs coven papa legba appropriation when approaching character design like are you fucking stupid do you hear yourself is that really how you see black men like what the fuck is wrong with you
none of the shit youre spewing takes bravery it takes ignorance and supreme levels of stupidity
do you really think you with your fic where a black lgbt+ woman is tortured and abused where you use the n word with a hard r to refer to her like that shits not okay its fucking depraved and yeah we know you love being shitty but like christ on a bike thats so much 
can we also talk about this
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what the fuck is this fetishistic bull roar garbage calling this black character beyonce dressing her up in quote fuck me heels unquote are you are you seriously gonna write this and say its a shining example of how to write a black character youre basically saying ope here she is shes a sex icon haha im so progressive and i clealry understand the black experience hahahaha fuck you oh my god
on top of that theres a point where this character is only referred to as curly hair or the fact that the n word is used in the fic with the hard r like thats hands down not okay for you to use especially not in a manner like this jesus christ
oop heres a little more a sampling for you of the hell i am enduring in reading this drivel
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oh boy lets put a leash on the angry black woman character lets put her in a leash and have the man imply hes a master like are you kidding me are you for real and what the fuck is with calling her shit like j lo and beyonce do you actually think thats clever at all are you just thinking of any poc that comes into your head for this 
also lydia fucking tells this girl that she shouldnt have lost her temper like she got fucking leashed im so tired why is this writing so problematic and also so bad
hold up before i lose my head lets look at some of her own comments on the matter of this character and what happens to her
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hi hello youre just casually tossing the word lynch out there in the wide open world as if thats not a problem that is still real like are you fucking unhinged there have been multiple cases of this exact thing happening in our firepit of a country in the last five months alone like how can you still have shit like this up for people to read how can you be proud of work like this in this climate
and also what the fuck is that last bit 
what the actual fuck
i dont speak for black people as a white person but you do!? im sorry i had to get my punctuation out for that because wow thats fucking asinine just because one black person read your fic and didnt find the torture and abuse of your one black character abhorrant doesnt mean that the vast majority of people not only in the fandom but in the human population with decency are going to think its okay because its not 
i started this post hoping to be level headed and professional but jesus fucking christ this woman is something else white nationalism is alive and well folks and its name is rae
if you defend this woman you defend some truly abhorrant raecism
editors notes 
in order to get some perspective on these issues more fully some of the writing by the author was examined and on the whole it was pretty unreadable but i want to just call back to the very beginning of this essay where the person in question talked about holding canon in high regard but then in their writing they just go around giving people magic and shit and ignoring the end of the movie entirely like are you canon compliant or nah 
the writing doesnt even read like beetlejuice fanfic it reads as self indulgent fiction you could easily change the names and its just a bad fanfic from 2007
also can we talk about writing the lesbian character as an angry man hater like its 2020 dude and als olets touch on that girl on girl pandering while beetlejuice is just there like here we go fetishizing again wee
i cant find a way to work this into this already massive post but
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im going to throw up
okay so thats a lot we have covered a lot today and im sure my ask box will regret it but this definitely should have been more picked apart when it happened
please feel free to add more to this i would love more perspectives than just my own.
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crowdvscritic · 3 years
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round up // JANUARY 21
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New year, not-so-new Crowd vs. Critic! It’s another batch of films, TV, music, and reads that were new to me this month and think you would enjoy, too. As we cozy up inside for the winter, nothing warms you up like a good piece of pop culture.
January Crowd-Pleasers
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Wonder Woman 1984 (2020)
Does this sequel reach the heights of 2017’s Wonder Woman? No, but I wish more superhero movies were like this one. I explain why at ZekeFilm. Crowd: 9.5/10 // Critic: 8/10
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21 Bridges (2019)
A solid action crime thriller with a solid Chadwick Boseman at the center. Crowd: 8.5/10 // Critic: 7.5/10
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The Lethal Weapon Series (1987-98)
I watched the first Lethal Weapon in 2017 for ZekeFilm, but now I’ve a decade’s pleasure of progressively over-the-top action sequences and progressively more absurd ways to destroy Roger Murtaugh’s (Danny Glover) house. The Murtaugh/Riggs bromance holds this progressively sillier series together, and an supporting cast of charismatic actors (Jet Li, Darlene Love, Chris Rock, Rene Russo) are game for whatever comes their way. Joe Pesci is the true MVP. Series Crowd: 9/10 // Series Critic: 7/10
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The High Note (2020)
Tracee Ellis Ross’s Grace Davis is a diva in every sense of the word. A high-strung and highly successful singer, she’s also highly demanding of her assistant Maggie (Dakota Johnson), who wants to step out of her shadow and become a music producer. This rom-com-adjacent flick is one of the most fun escapes I’ve had from a 2020 movie, and it’s perfect for a girls’ night in. Crowd: 8.5/10 // Critic: 7/10
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Double Feature—Rom-Coms With a Magical Twist: Just My Luck (2006) + When In Rome (2010)
Disclaimer: These movies are not good. In fact, they’re junk, but they’re my kind of junk. In Just My Luck (Crowd: 7.5/10 // Critic: 6/10), Lindsay Lohan loses her life-long lucky streak when she kisses schlimazel Chris Pine. And When in Rome (Crowd: 8/10 // Critic: 6/10), Kristen Bell attracts unwanted admirers (Will Arnett, Danny DeVito, Josh Duhamel, Jon Heder, and real-life future husband Dax Shepard) after she steals their coins from a wishing fountain. To their credit, both of these movies know they’re silly, which means you have permission to just sit back and laugh along with (or, honestly, at) them.
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WandaVision (2021)
I sometimes fear for the world of entertainment when I think of how much intellectual property Disney has gobbled up, but WandaVision is evidence the company is a benevolent dictator at least for now. This odd delight is a send up and a tribute to sitcoms like I Love Lucy, I Dream of Jeannie, and The Brady Bunch, and Paul Bettany and Elizabeth Olsen are so charming and weird I don’t need whatever mysterious sub-plot they’re building.
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Robin Hood: Men in Tights (1993)
If you want to make the most of watching Robin Hood: Men in Tights, first watch Robin Hood: Prince of Thieves (1991), an action flick I saw last February and didn’t include in my monthly Round Up. This Mel Brooks spoof is a direct response that self-serious Kevin Costner adventure, even down to copying its costumes. While I wish I could find a Mel Brooks comedy with any substantial female character (in every movie I’ve seen so far, the joke is either, “She’s got a great rack!” or “Wow, she’s an uggo!”), I still couldn’t stop laughing at this 104-minute version of the Robin Hood scene in Shrek. Crowd: 9/10 // Critic: 8/10
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Aliens (1986)
Peak ‘80s action. Peak alien grossness. Peak girl boss Sigourney Weaver. Crowd: 9/10 // Critic: 8/.510
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Big (1988)
After talking about Laverne & Shirley with Kyla on SO IT’S A SHOW?, I had to check out Penny Marshall’s classic. While a few moments haven’t aged so well, its heart is sweet and the script is hilarious. And that Tom Hanks? I think he’s going places. Crowd: 9.5/10 // Critic: 8/10
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Unstoppable (2010)
I’ve laughed at SNL’s spoof of this movie for a decade, so it’s about time I got around to enjoying this action thriller very loosely based on the true story of a train that got away from its conductor. Denzel Washington (“You’re too old!”) and Chris Pine (“You’re too young!”) are our heroes in this over-the-top ridiculousness, and their chemistry is so extra it makes me hope they team up for another movie again. Crowd:  9/10 // Critic: 7/10
January Critic Picks
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Double Feature—‘90s Space Adventures: Apollo 13 (1995) + Contact (1997)
I have no desire to join Tom Cruise as he films in space, but I know I’ll be pumped to watch whatever he makes because I love sci-fi and space  adventures. Apollo 13 (Crowd: 9/10 // Critic: 9/10) tells the story of an almost-disastrous NASA mission in the ‘60s, and it taps into our hope for the human spirit to overcome obstacles. Contact (Crowd: 8.5/10 // Critic: 8.5/10) surmises what might happen if we received communication from extraterrestrial life, and it taps into our struggle to reconcile faith and science.
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McCartney III by Paul McCartney (2020)
I spent January catching up on the albums on Best of 2020 lists, and the one I listened to for hours and hours was Paul McCartney’s latest solo album. Catchy, thoughtful, and musically surprising, it ranges from pop to rock to folk in 45 minutes and still feels like it’s over too soon. Like Tom Hanks, this Paul McCartney guy is going places!
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The Thin Man Series (1934-47)
Like Lethal Weapon, I watched the first installment of The Thin Man awhile back, and Kyla and I even covered the series on our podcast. But thanks to a full series marathon on TCM earlier this month, I’ve now laughed through all five. When you talk about great chemistry, you’ve got to talk about William Powell and Myrna Loy, who make Nick and Nora’s marriage feel lived in and romantic as they solve crimes together. Witty, suspenseful, and jaunty, this series is still sexy cool over 80 years later. (Also, Asta? Still one of the cutest dogs in cinema.) Series Crowd: 8.5/10 // Critic: 8.5/10
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The King and I (1956)
Here’s your regularly scheduled reminder Hollywood works differently now, and many casting decisions of the ‘50s wouldn’t fly today. What has aged well in this film: The Rodgers and Hammerstein music and the sumptuous costumes and set design. I love extravagant musicals of yesteryear—perhaps it’s time for Hollywood to revisit and remake The King and I for modern audiences?
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Inauguration Day
In a year with no major televised events with celebrities in a room together, Inauguration Day felt like the most exciting cultural event in ages. We’ve been missing major fashion, but then we got Lady Gaga! We’ve been missing live performances, but then we got Amanda Gorman! And I got a lot of tears during that poem—not just me, right?
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Good Reads
Writing that made me think and smile this month:
Steven Soderbergh’s list of everything he read, watched, and listened to this year, Extension765.com (2020) – An indirect inspiration for these monthly Round Ups!
“My Year of Making Lists,” NewYorker.com (2020) – I made a lot of lists in 2020, so I feel this author’s #mood
“Betty White Says She Will Spend Her 99th Birthday Feeding Two Ducks Who Visit Her ‘Every Day,’“ CBSNews.com (2021) - “Betty is a treasure,” I say as I watch The Proposal for the 99th time
“A Sculpture’s Unusual Journey to SLAM [St. Louis Art Museum],” SLAM.org (2020) – With a casual mention of an attraction I never knew about in St. Louis
“The Culture Is Ailing. It’s Time for a Dr. Fauci for the Arts.” WashingtonPost.com (2020) – An idea that occurred to me a few months ago: Why don’t we have an Arts Cabinet?
“The Arts Are in Crisis. Here’s How Biden Can Help.” NYTimes.com (2021) – Partly in response to that Washington Post piece, a historical look at how artists have made it through difficult times in the past and how we can revive artists’ livelihoods mid- and post-pandemic
“The Right’s Message to Silicon Valley: 'Free Speech for Me, But Not for Thee,'” TIME.com (2021) – A more thoughtful and less reactionary take on a volatile moment in the history of modern technology
“'It Makes Me Sick With Grief': Trump's Presidency Divided Families. What Happens to Them Now?” TIME.com (2021) – A study on how politics has done damage to family dynamics in America
“Help, the Only Cinema I Can Handle Is Zac Efron Prancing Angrily in High School Musical 2,” Vulture.com (2021) - In a lot of ways, same
“50 Easy Things To Do When You are Anxious,” ShopTwentySeven.com (2021) – I especially endorse coloring, puzzling, and watching happy movies!
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Double Feature—Miss Marple Mysteries: Murder at the Gallop (1963) + Murder Ahoy (1964)
Remember when I was all like, “Watch these Agatha Christie movies so you’re not sad Death on the Nile is delayed”? Remember when I said I was just a few movies away from becoming an Agatha Christie junkie? Well, I think I’m there because I can’t stop with the murder mysteries! Margaret Rutherford is a treasure whether she’s solving a murder at a horse ranch or on a boat, and a cast of colorful supporting characters (including Rutherford’s husband) makes these breezy instead of heavy. Crowd: 8/10 // Critic: 8/10
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8½ (1963)
File this with 2001: A Space Odyssey—I don’t know if I really understood this film, but I think I liked it? Federico Fellini’s surrealist, male gaze-y drama blurs the lines between reality and imagination, love and dysfunction, and the past and maybe some future that involves clowns? What resonated with me was the story of a director with creative block, wondering if he’s already peaked and if he’ll create anything worthwhile again. Crowd: 6/10 // Critic: 9/10
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Sense and Sensibility: The Screenplay and Diaries by Emma Thompson (1995)
Sense and Sensibility is not just one of my favorite Jane Austen adaptations—it’s one of my all-time favorite films. One of the co-hosts of one of my favorite podcasts has raved many-a-time about Emma Thompson’s journals from the making of film, so it was only a matter of time before I read them myself. Witty, informative, and all-around lovely, Thompson’s journals are an excellent insight into the filmmaking process and how novels are adapted.
Also in January…
I reviewed the new-ish documentary Flannery for ZekeFilm, which is all about the writer Flannery O’Connor and feels a little like going back to high school English class.
In addition to the Lethal Weapon and Thin Man series, I rewatched all of the X-Men series this month. You can see everything I am watching on Letterboxd, including favorites I love returning to (i.e. X-Men: Days of Future Past) and the movies I try that don’t make my monthly recommendations (i.e. The Wolverine).
Photo credits: Paul McCartney, Zac Efron, Sense & Sensibility. All others IMDb.com.
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aion-rsa · 3 years
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How TCM Resurrects Plan 9 from Outer Space for Ghoulish Table Read
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UFOs are often visible, but not always. Sometimes they make noise, sometimes they are silent. If you’ve never seen a flying saucer, that is proof they are everywhere. This is one of the many amazing things we learn in TCM’s upcoming table read of Ed Wood’s masterwork, Plan 9 from Outer Space.
We once laughed at the horseless carriage, the aero-plane, the telephone, the electric light, vitamins, radio, and even television. But it took a while to get the joke about Plan 9 from Outer Space. Written and directed by Edward D. Wood Jr. in 1959, it was a little-known independent film with a direct line through directors who carried on the DIY-filmmaking spirit like John Cassavetes, Melvin Van Peebles and John Waters. The Cult of Plan 9 began when Ed Wood was posthumously awarded a Golden Turkey Award for Worst Director of All Time in 1980. Though this has been disputed.
Turner Classic Movies is the go-to channel for prestigious films. You can always count on a showing of The Treasure of Sierra Madre or The Public Enemy, or Citizen Kane. But top prize in the Golden Turkey awards carries its own prestige.
“This isn’t ‘Plans One Through Eight from Outer Space,’” Jerry Seinfeld proclaimed at the Chinese restaurant in a 1991 episode of Seinfeld. “This is Plan 9. The one that worked. The worst movie ever made.”
The SF Sketchfest presentation was adapted for the stage and virtual stage by former The Simpsons writer, and self-proclaimed Ed Wood superfan, Dana Gould. He and his Stan Against Evil co-star Janet Varney have been acting in live staged reads with a revolving cast of eager comic actors for over three years. The Zoom production also features Kat Aagesen, Bob Odenkirk, Bobcat Goldthwait, Oscar Nuñez, Deborah Baker Jr., Maria Bamford, David Koechner, Jonah Ray, Paul F. Tompkins, Baron Vaughn, and Gary Anthony Williams. The miniature visual effects, which are by no means just cardboard cutouts, were done by Mike Carano, and the sounds of musical accompaniment came out of Eban Schletter.
Laraine Newman is the narrator. She brings Gould’s adapted stage directions to such vivid life they can reanimate the dead, which is a key element of the actual plan at the center of the cult movie. Originally titled “Grave Robbers from Outer Space,” the film marked the last appearance of Bela Lugosi, who had also acted in Wood’s 1953 feature Glen or Glenda.
Lugosi’s footage for Wood’s unmade film “The Vampire’s Tomb,” was repurposed for Plan 9. Lugosi died of a heart attack on Aug. 16, 1956. To complete the film, Wood cast his chiropractor, Tom Mason, who in spite of his professional familiarity with the human skeletal structure, somehow believed he could mask the fact that he was much taller than the horror icon by pulling his cape over his face.
The table read of Ed Wood’s Plan 9 from Outer Space is part of TCM’s Classic Film Festival weekend, which runs through May 9. For easy comparisons, the original film will air directly after the event. Dana Gold and Janet Varney spoke with Den of Geek about refurbishing the low-budget cult classic, and how, like their predecessor, they proudly spared every expense on its new décor.
Den of Geek: I watched the table read a second time while playing Plan 9 in another window, and I just have to say, recreating those sets must’ve cost a fortune.
Janet Varney: Yeah, just like it cost Ed Wood a fortune.
Dana Gould: That’s the genius of, of Mike Carano. All those things were this big. You can see, I have the Bela Lugosi statue and the saucer. What he did was so amazing, and it really brought [the production] up to be better than it had a right to be. When Janet and I discussed doing this on Zoom, we were like, “Well, how do we take the limits of Zoom and turn them to our advantage? Why is it on Zoom?” By doing it, one, it allowed us to get a cast that we might not be able to get. Got people in different places. Maria Bamford was in Minnesota. Bob Odenkirk was in Vancouver. So, we could get people that normally we couldn’t get. Doing it in black and white helped. And then what Mike Marano did, it made it something unique.
Janet Varney: I would just also add, as a tribute to Ed Wood, we’ve never had anyone that we’ve asked to do the show who hasn’t wanted to do the show. Whether or not they’ve been in town for the live version, every person that we love that we’ve asked to be a part of the cast at one time or another is like, “Oh, my God, I need to do that. I want to do it. When is it? Please say it’s not a date I’m out of town. Please say it’s not. Will you ask me on the next one?”
Everyone knows this movie. And the idea of getting to step into its shoes in any kind of iteration is really exciting for every single person that we’ve ever asked.
Dana Gould: And it’s great to see how different people play different parts. Joel Murray plays the General different than David Koechner plays the General. Bob Odenkirk plays Eros differently than Patton Oswalt plays Eros. It’s always great. And Janet and I, we don’t want to know what you’re going to do. Just do it.
For this production, you assembled the all-star team. But were you ever tempted to use the same kind of players Wood used: wrestlers, tap dancing accordion players, chiropractors, and radio psychics?
Janet Varney: That’s a great question. I feel like we also have pretty good access to all those folks. So maybe that will get the next variety version. Because our friend, Jim Turner, is just about to do a fundraiser for the kind of variety acts who have been struggling in this last year, because of the many myriad things that they do.
So, I actually love that idea, Tony. And you’re right, it would be a totally different experience. That’s an interesting idea too, because we do come at it with a bunch of people who love the movie, but there’s also some major winking going on, as all the comedians and actors try to lean into being: “It’s my first time on stage, maybe my first time saying words,” really playing that up.
In the future, do you hope to see this performance eviscerated on Mystery Science Fiction Theater 3000?
Dana Gould: That would be great. If they did this.
Janet Varney: Especially because Bill and Kevin have done it. They have been in our production of Plan 9. Bill had been what Laraine [Newman] did. Bill did the narration at a show, at SketchFest, and it was great.
Dana Gould: I would like to see Jonah making fun of himself.
Janet Varney: Yeah. Let’s get meta. Our fans can handle it. Fans of MST3K can handle it. Plant 9 fans can handle it. Everybody could handle it.
I know I’m paraphrasing Seinfeld, but as the person who’s trusted with Plan 9 and all that comes with that, did you get to see the first eight plans from outer space?
Janet Varney: And are you allowed to talk about it if you did?
Dana Gould: Exactly. What were they?
Janet Varney: So many questions.
Dana Gould: So many questions.
Were the first eight plans rejected?
Janet Varney: Or were they all executed? And I use that word purposefully. Were all of those plans executed and they didn’t have great results?
Dana Gould: That’s a drunk man at a typewriter, “Plan 9 sounds good.” I remember showing Plan 9 to somebody who’d never seen it before. And they turned to me afterwards and said, “Did he not have any friends he could have shown this to and gotten notes?” He didn’t have those kinds of friends.
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What are some of your favorite mistakes from the movie?
Janet Varney: Oh, God. I was going to say Dana had mentioned that the first time he saw the movie was on a video cassette that Tom Kenny and Dan Spencer, and Bobcat Goldthwait showed him. And I was actually going to ask, did you think it was the tape glitching at the end when the monologue goes from, blip to [makes a noise]? And you’re like, “Wait a minute. Back that up, hold on. Is somebody going to fix this?”
That’s definitely one. That’s a spectacularly new, weird problem in a movie that was not a consistent problem. So, you’re like, “Wait, how did that happen one time, in this very, very overt way?” So good.
Dana Gould: From the very beginning, it’s like the first time you saw William Shatner do “Rocket Man.” I remember, I had a party at my house, and I was working on The Ben Stiller Show, and everybody was there. And back then, there was no YouTube. You would just have these cassette tapes with all of the weird stuff that you had collected on it, like the farting priest and all these weird things that you had, and “Rocket Man.” And I remember showing “Rocket Man” at this thing and Bob Odenkirk just shouting at my television, “You’re a grown man. You’re a grown man.”
I always thought Shatner gave the same line reading for “Mr. Tambourine Man” as he did for “Kahn.”
Dana Gould: Yes, he did. He did. He had a couple of tricks, and he used them. Yeah. There’s one direction he doesn’t get a lot, “You want to just try one big? You want to just see how it goes?” “Take the chains off and let it rip?”
Was some of the background music in this reading, especially the oxidation bit, inspired by The Simpsons?
Dana Gould: That’s all Eban [Schletter, the musical accompanist], you have to ask Eban. But again, that’s great, especially the Solaronite song. Necessity being the mother of invention, that is a brutal chunk of dialogue for anybody, a thankless, brutal chunk. And every time I give it to Paul, I say, “I’m apologizing ahead of time. I give it to you because I don’t want anybody else to do it. Because if it was anybody else, it would be death.”
Eban came up with that. And we were just like, “Maybe we can break this up. Maybe there’s a way to break this up.” And then Eban came up with that kind of thing. And it is one of those things that I love, that it’s like a mutant. It’s grown into its own weird thing to solve its inherent problems. You can’t describe it to anybody. It’s just like, you have to see it.
I used to remember describing Kevin Meaney, the comedian. I used to just tell people, “I can’t describe what he does. You just have to see him, but then you’ll know. You only need a minute, and you’ll get it. But I can’t describe it to you.” That’s really a good analogy.
Laraine Newman, I believe, steals this as the narrator. How much of that is improvised and how much of that is written by you? Because I know that you wrote the stage directions.
Dana Gould: It’s written, but Laraine, I call it “newscaster flat.” Laraine knows how the notes need to be played. It’s like the Wrecking Crew, you have a guitar behind you. I don’t know what Tommy Tedesco is going to play, but I know it’s going to be good. I don’t know what Carol Kaye is going to play, but I trust it. It’s the same thing. It’s a murderers’ row, and I wouldn’t have the gall to tell them what to do.
Janet Varney: It takes a very specific kind of confidence as a performer to be that deadpan. It’s such a specific skill. And it’s a skill, I think, born out of a type of bravado and expertise that’s all just tightly contained in this tiny space, where she’s not trying to sell any of it. And that is the genius behind what she does is just letting it lay out there like that. I mean, it’s hard.
When you have something that you know is funny and you would be laughing yourself, if you were listening to someone else read it, it’s so hard not to want to sell it. Like, can I make this even funnier? And she’s like, “No, I need to take it all the way back, to the back of the house just like, who me, who me? I’m just reading these things.” And it’s just so brilliant.
Dana Gould: This is a person that did sketches on live television with John Belushi and Bill Murray. So she definitely knows where her center of gravity is.
Janet Varney: That’s right. Well said.
Dana Gould: And yeah, again, unflinching. And that takes, as a performer, just like a little inside baseball, a lot of control and to really, to have control of your own ego, to know that I’m going to get what I want by stepping way back. I mean, Sterling Hayden is the only person I’ve ever seen blow Peter Sellers off the screen. And he does it just by, he’s like a statue, but there’s so much weight to it.
In the original movie, I love the “Criswell Predicts.” So I wanted to ask, Janet, do you get asked to do bathroom readings?
Janet Varney: I would if asked, I would love to. That’s one of the things that’s great about Ed Wood in general too, is just having this a sort of fascination with the occult and that kind of thing. And the way that it fits into camp is so appealing. And so, yeah, I would very happily jump back into some bad psychic practices if I could. Hopefully, I will someday.
Dana Gould: And an unerring dedication to Wicker furnishings.
Janet Varney: That’s right. Always that. Paula and her wicker.
Because the table read is done during COVID and everyone feels an immediacy to Zoom calls, were you ever at all concerned about an Orson Welles’ scenario, where the residents of San Fernando Valley will believe they’re under attack by flying saucers from outer space?
Janet Varney: If only.
Dana Gould: Yeah. That’s the least of our problems out here. I don’t know when you visited last time, but the walking dead, they’re around.
The table read of Ed Wood’s Plan 9 from Outer Space airs on Friday, May 7 at 8pm on TCM. Plan 9 from Outer Space airs at 9:30pm.
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365days365movies · 3 years
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April 10, 2021: The Graduate (1967) (Recap: Part One)
Some Like it Hot got Oscar-stiffed. So did this film!
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This film got seven nominations at the 1968 Oscars, and took home Best Director and NOTHING else. It was nominated for Best Picture, Actor, Actress, Supporting Actress, Adapted Screenplay, and Cinematography, and got NONE of them. Hot damn! That surprises me, because this film is RIDICULOUSLY iconic.
I mean, hell, The Simpsons has homaged it at least twice, which I know from the above GIF and the following GIF. And in that one, the teacher in the background is Dustin Hoffman, HOMAGING HIMSELF
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There’s been a stage adaptation, AFI called it the 17th best movie of all time in 2007, while also putting it on 5 other lists, and but it on the Movie Quotes list TWICE! Leonard Maltin’s seen it before he dies, the Library of Congress has it in their collection, and it launched Dustin Hoffman’s career into the goddamn atmosphere!  And that’s not even mentioning the one thing I’m looking forward to the most:
The music.
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Look, I’m not exactly a big music nerd, by ANY means. I’ve heard songs, but can rarely identify the band or person playing them. I was in an acapella group, a steel band, and chamber orchestra, so I’m no foreigner to music. I’m just...not a big music nerd. But I DO know Simon and Garfunkel, and the more I hear of them, the more I like them.
Scarborough Fair/Canticle, Bridge Over Troubled Water, Mrs. Robinson, Cecilia, I Am a Rock, ALL of them are good classic folk rock songs that are easy to remember. AND I KNOW IT’S LAME TO LIKE FOLK ROCK I DO NOT CARE SUE ME IF YOU MUST. Oh, and I didn’t even mention the most famous of their songs, whose fame was aided by this film’s success. But, uh...I’ll hold onto it for now.
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In fact, for now, let’s just jump into the film in and of itself! The Graduate is a classic, and it’s been on my list for a while. It’s more of a romantic comedy, but it’s primarily a comedy (from my understanding), so it’s fitting that I throw it in here. Let’s go!
SPOILERS AHEAD!!!
Recap (1/2)
We start on a plane as it lands, joining Benjamin Braddock (Dustin Hoffman), as he leaves the plane and walks through the airport. We also start right away with a BANGER, and the most iconic song on this film’s soundtrack: The Sound of Silence.
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Classic. CLASSIC! One of their best! Not my favorite, but one of their best for sure! But OK, after that, we get to know Benjamin a bit more. He’s a recent college graduate and in a state of melancholy, not quite knowing what to do or how to feel about his new situation. This is to the confusion of his father, Mr. Braddock (William Daniels) and his mother, Mrs. Braddock (Elizabeth Wilson).
Urged to attend the party in his honor, he reluctantly goes downstairs, where he’s absolutely accosted (nearly assaulted) by all of his parents’ friends. One of these friends, Mr. Maguire (Walter Brooke), somewhat awkwardly pulls him to the side, and brings him out side. He wants to say one word to him. Just one word.
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After that...interaction, Ben takes the opportunity to escape, as all of his accomplishments are being read out loud to the throngs. And I have to say, you can feel just how overwhelming all of this is for him. It’s a palpable anxiety. He goes back to his room to get away from everybody and just look at his fish tank. Just a celebration of the introvert’s experience right here, and I can dig it.
But this private reverie is interrupted by the barging in of one Mrs. Robinson (Katharine Ross), who pretends to have mistaken his room for the bathroom, but sits down and smokes anyway, despite his protests. She asks what making him upset, and notes that’s it’s more of a general feeling than a specific one. She understands and readies herself to leave, but not before asking him to give her a ride home. He reluctantly accepts, and takes her home. She invites him in through some subtle manipulation and...well, you know where this is headed.
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An absolutely classic line and classic exchange, and I’m kind of surprised that it happens this soon into the movie, to be honest! She denies the accusation...kind of, and he asks her apology. But she brushes it off, and asks if he’d like to see the portrait of her daughter Elaine, which he’s quite enthusiastic about. But while there, in her room, things continue to get awkward as she basically undresses in front of him.
Mrs. Robinson continues to deny that she’s trying to seduce him, but it’s all basically gaslighting to get him to admit that he wants to be seduced. Damn, Mrs. Robinson, what the fuck? And it’s actually made WAY FUCKING WORSE when she tricks him into getting into a sealed room, where she traps him and tells him that she’s interested in sleeping with him, whenever he wants to. Ben is OBVIOUSLY frazzled as fuck, especially considering the basically near-rape situation he’s currently in.
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Thankfully (maybe), the sound of Mr. Robinson’s car pulling up allows enough distraction (and adrenaline rush) for Ben to GET THE FUCK OUT of there, and he runs into Mr. Robinson (Murray Hamilton) in the process. Noticing how frazzled he seems to be, Mr. Robinson tells Ben to relax in his youth, and having a few flings with the ladies while he can. He brushes off all of this, and gets out as soon as he can.
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Soon after, summer begins, and not really in Ben’s favor. He’s used again as a prop for his parents and their friends, as his father got him a SCUBA suit that he demonstrates in their pool, despite his protests and wish to be heard. And people...people don’t listen to Ben, huh? I genuinely feel bad for the kid, because it really does seem like nobody attempts to listen to what he wants for how he feels, his parents included. But he seems to get the solitude he’s been seeking as he sits beneath the pool. But that’s overlaid with the realization that Ben actually WAS seduced by Mrs. Robinson, and he gives her a call to meet soon afterwards.
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They meet at the Taft Hotel, where Ben is his typical nervous and awkward self, and goes to get a room for the two of them. And it’s now that I should mention that this dude is EXTREMELY twitchy, like goddamn. I know they were saying that he’s “the kind of guy who was to fight them off”, but I DO NOT see it, not gonna lie. 
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After a bit more awkwardness, they meet in a room at the hotel, where the clearly still quite nervous Ben struggles with the whole affair (pun intended), including the fact that she is one of his parent’s friends, and that this is a fast start to their relationship. But, Mrs. Robinson being Mrs. Robinson, she once again manipulates him into just getting on with it...and it works.
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Once again, The Sound of Silence plays, as summer passes on and he lazes about the pool during the days, then goes to sleep with Mrs. Robinson in the nights. But he doesn’t seem to enjoy any of it, as the two halves of his life are so separate, and he separates them in his mind. And that’s done by some very clever camera work and production design, honestly.
This transitions into a version of the folk rock duo that I hadn’t heard before: April Come She Will, as the affair continues forth. This is interrupted by the frustrations of Ben’s father, who asks what he’s going to do after his collegiate career, tired of his lazing about and doing nothing for...a few weeks. Really? JESUS, DAD, LET ME RELAX!
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His time with Mrs. Robinson is also a bit awkward, as he’s craving some sort of relationship outside of specifically sex, and she’s entirely uninterested in that kind of relationship with him. As he tries to start any form of conversation, she reluctantly enters one, which reveals some parts of her relationship with her husband. Specifically, they don’t really love each other, and were forced to marry because she became pregnant with Elaine. It also reveals that Mrs. Robinson is a somewhat broken woman, emotionally.
It’s also revealed during this conversation that Mrs. Robinson DOES FUCKING NOT want him to take Elaine out on a date, but won’t explain her reasons for that. After prying, she says that she doesn’t believe he’s good enough for her (although I don’t quite believe that, personally). This makes him upset, and leads to an argument that almost causes him to leave. But still, she forbids him to go out with Elaine.
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That’s made even MORE complicated by the fact that Benjamin’s parents force him to ask her out on a date, and he does so reluctantly, which makes Mrs. Robinson VERY upset. And I gotta say...I don’t think I like anybody in this movie. Like...at all. I only kind of like Ben, although I really only feel bad for him because he has no agency in his life. Not a big fan of Mrs. Robinson, who’s upset by a situation she’s entirely responsible for, and is cheating on her husband. Ben’s parents are annoying, and Mr. Robinson...I dunno, sort of puts off these sleazy vibes, but that’s just a feeling I’m getting.
Elaine seems nice, though, as the two go on a date together. But in order to please Mrs. Robinson, Ben does his absolute damndest to sabotage the date. Starts off with reckless driving, then transitions into ignoring her almost entirely, and then takes her out to a strip club for the date. Which is all understandably extremely upsetting; again, it’s not exactly endearing me to Ben, and it’s not working on Elaine either, who’s convinced that Ben is doing this to punish her specifically, and I don’t fucking blame her!
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She runs off crying, and he goes after her, realizing that he’s been a dick and that he really doesn’t want to be. They go get food at the A&W, which is making me both hungry AND nostalgic now...fuck, I really want some food from A&W. But with that, they actually have a good time when he opens up to her about how he’s felt since college ended, and she does something nobody else has: she listens to him.
OK, I’mma get some food, but this is a good place to pause for now! See you later for Part Two!
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agl03 · 4 years
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Can you do a breakdown of everyone few episodes of season 7 like big things you think will happen
Hi Anon,
Not much has changed since I did the big breakdown when we were able to find the ‘leaked’ titles.  However, please bear in mind the only two we are 100% confident on are 1 and 13.  I’ll repost it here and add anything that might have popped into 
1. The New Deal
Aired at D23.  Cliffnotes Mack, Robo Coulson, Daisy, and Deke have to save Freddy Malick from being kill by the Chronicoms.
2. Know your Onions
Well this is one of those weird titles that makes little sense.  There is a song by The Shins  But its also a saying for being very knowledgeable about something.  So this is where we’re really going to see Robo Coulson really showing how invaluable to this.  Also might speak to the learning curve the team is facing with all the new stuff.  Also a good chance we at least get a glimpse of FItz here before he disappears for a bit.
Written By Craig Tiltey AKA the OUT OF THE BOX dude.  He’s given us great episodes like 4722 Hours, Uprising, personal fave Hot Potato Soup, Rewind, and SPACE VEGAS!
3. Alien Commies from the Future
Well the Chronicoms take over some Russians or they think they are Russian, people were pretty paranoid back then.   And I’ll put the time period they visit here anywhere between the 50′s and 80′s due to the “commies” reference.  Good chance we’ll see lots of Military here based on who is already in IMDB.   This may also be when we see Enver show up…or two…depends on where they go after saving Freddy. Also trying not to think of Killer Clowns from Outer Space here.
I throw in this could be where we could see Stoner.
Written by the Zuckermans have given us episodes Lockup, Boom, A LIfe Spent, Option Two, Code Yellow, and This Sign.  They do have a decent amount of Philinda under their belts so this could be where we see May on a mission with Robo Coulson for the first time.
4. Out of the Past
Well something from someone one the teams past is likely going to come back to haunt them here.  And it also might tie into the 1947 movie bearing the same name about a small town gas station that has his life turned upside down when figures from his past return.  So they’ll be going for someone who ‘got out” and now is being pulled back in.
This would be the first opening I see for Afterlife and those involved in it to come into play.
Written by Mark Leitner, relatively new to the writing team he did Inside Voices and Toldja.
5. A Trout in the Milk
Guys I swear my google history for this show.  Another title based on a saying.  The meaning is that although you did not see the dairy farmer do it, he most probably dipped the milk pail in the stream to water down the product. It’s not direct evidence but a very strong circumstantial case.It is attributed as follows: “Some circumstantial evidence is very strong, as when you find a trout in the milk. ‘ (Henry David Thoreau)  
So the team will have strong evidence on something but can’t be 100% on it.  This could speak to who they feel the Chronicoms are after, if there is a traitor in their midst (its an annual tradition after all), or this could be where something could be wrong with Fitz and Jemma is starting to worry more/pick up on it.
Written by Iden Baghadadchi also relatively new she’s done Rise and Shine aka Hale’s Back story and squee inducing we are invincible and Collision Course Part II.
6. Adapt or Die
Raise your hand if this SCREAMS when we are gonna see Ward/Hydra again!   Because he said that a few times when he was discussing why he followed Hydra.  I just have no idea WHAT Ward we are dealing with…preturn Ward, Hydra Head Ward, Squidward (yay I got to use it again).  
If not Ward someone has to adjust to the new situation and fast in order to survive.  This could speak to someone being captured, gone under cover, or something out of left Field.  Knowing who the writer is…could me buckle up for some Fitzsimmons feels people.
If it is heavy Fitzsimmons, this could be the where we learn more about “we had time” and possibly the Secret Child Theory gets some legs.  Adapt or Die could also speak to Fitzsimmons having to drastically change their lives in order to survive and move forward saving the others and the world.  
Written by DJ Doyle…and a favorite with Fitzsimmons fans as he has given us some of the most iconic Fitzsimmons moments.  Past credits include The Things We Bury, Melinda, Purpose in the Machine, Many Heads on Tale, The Team,  Deals with Our Devils, INESCAPABLE!!!!!Also worth pointing out the sixth episode of each season has a history of being big FItzsimmons Episodes.
7. The Totally Excellent Adventures of Mack and the D
OMG are we getting a Bill and Ted esque Mack and Deke Team up. EEEEEEEEE!!!!!  I do believe this is where we are going to get “The closest thing to a Musical Episode the show will ever do” and Deke in the Red Leather pants Chloe talked about.  
Bring on the 80′s/90′s nostalgia folks.  I don’t even care what is happening this one is gonna be awesome.  Also considering the writer we need to be on the lookout for a FItznapping….this is the dude who has written most of them.
Written by Brent Fletcher who has done some major major episodes.  The Dirty Half Dozen, Closure, Broken Promises, Farewell Cruel World (IE thank goodness we are FINALLY out of the Framework), FUN & GAMES, Space Vegas, and New Life.  
8. After Before
I wanna lean flashback here and this could be another option where we get some answers from Jemma as to what happened during “we had time” and the fallout from that.  It could also speak to a comparison or a change in someone, a play on a “Before and After” King of Reveal.  Once again the writers lean towards something happening on the FItzsimmons front as they are the other resident Married couple with Jed/Mo on the writing team.
Also worth noting this is the first episode that Enver is in IMDB in so they’ll need to go back in time to meet up with him and I think they’ll find him at a point well after Agent Carter had ended.  Meaning there could be some critical early days of Shield backstory here as well.
Written by James and Sharla Oliver they’ve done Paradise Lost, The Patriot, The Honeymoon.
9. As I have Always Been
Episode LIL Directed…YAY!  
Clark said this was one of his favorites of the season.
Lil directing means Jemma will be light in both it and 8.
This screams something to do with Enoch to me (like i hear him saying it when i read it), its pretty much what he said to Fitz before he gassed him.  In the trailer we see Enoch seemingly getting left behind as the the Zephyr Jumps away, stranding him in time.  It also means if we lose sight of him for a bit we might need to be concerned about him getting co opted by the evil Chronicoms and used against the team.  It should also be said that Enoch was on the planet for centuries, it could be only a matter of time before they come across his past self.
I feel this could also speak to Robo Coulson doing some soul searching about who he is now and coming to terms with the whole LMD thing.
Written by Drew Greenberg, another one of the long time heavy hitters.  Dirty Half Dozen, Who you Really Are, Absolution, Wake Up, All the Comforts of Home, and Leap.
10. Stolen
Well this screams someone getting kidnapped and/or having their memories messed with.  It could also speak to an item stolen or stolen time.  This is the point where we really could see Fitz coming back into the mix more.  This is also the point in the Season where everything typically starts to go to poop and the team suffers a major loss.
Targets for kidnapping for me are Robo Coulson as he’s what Shield has been using to keep ahead of the Chronicoms.  Fitz because well it’s Fitz and he’s in hiding for a reason.  Enoch to be used against the team.  
Also worth noting this is the last episode that Enver is listed in IMDB for.
Written by Mark Leitner who is completely new to the writing team.  However vet George Kitson (yes the one they named Kitson after) did the screenplay.
11. Brand New Day
So I think that just like in Season 6, Episode 10′s Stolen is going to be a real kick in the teeth to the team.  In Leap they lost Davis, Piper shot her had, Sarge’s true self really got released, Izel escaped with the “monoliths”, and Mack and Elena were kidnapped.  Out of the Ashes was the team picking themselves back up and starting to fight back.  
Brand New Day also represents new beginnings and a fresh start.  So after suffering a major loss in 10, they are gong to pick themselves up, regroup, and fight back.  But this all but confirms someone is getting kidnapped in 10 for me….looking at Robo Coulson and Fitz still.  
Written by Christopher Fryer he’s another new writer but based on IMDB has been on the production team for a bit.
12.  The End is at Hand
Yeah that is not ominous at all.  And just like The Sign this season hold onto your hats because its going to be a major run up to the end.  I’m fully expecting a two hour series finale event.  
The Chronicoms and if a new baddie is in the mix will have their plan in full motion (I fell like the we need to save this point in history kind of thing will be abandoned in favor of something bigger and scarier), the team will be scattered, some could be prisoners, and my stress level will be through the roof.  
Expect it to end on an insane note just as The Sign did (with May being killed).
Written by Jeff Bell.  As doom and gloom and generally no fun he can be in interviews he has given us some amazing/huge episodes and his last one shouldn’t be any exception.  It may be worth nothing he has a knack for putting Fitz/Fitzsimmons in danger.  Previous credits include 084, Ragtag, What They Become, SOS 1, Maveth, Good Samaritan, World’s End, Real Deal, and Collision Course Part 1.  
13.  WHAT WE’RE FIGHTING FOR
Pause for screaming with @eclecticmuses because this THIS is what we wanted from that first tease!
It’s the PERFECT title for a final episode and all cards are going to be on the table here.  I feel like not only will the team be fighting to save the world as usual but every single one of them is going to have a more personal stake in the game.   
They are literally going to be fighting for THEIR futures as well.   Perhaps even their Past, Presents, and Futures depending on horrible plan they are trying to stop.
There is only one I am willing to theorize on right now because I don’t know what character arcs are coming and how things could change over the season for a lot of the characters.  FItzsimmons. They are going to be fighting for their future, their family, their happily ever after.  Come on Secret Kid Theory!
This is going to be action packed, major fight scenes, emotional as all get out as 7 seasons come to a close.  Their will be wins, their will be losses.  Mack is going to give an epic speech before he falls (sorry still don’t think he makes it) and Daisy will rally the team after he does.
Piper is back!
Written by Jed who has had his hand in every episode and penned some of the biggest ones.  
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