#THE DOUBLE ENTENDRE TAGS

[fujii-draws]

Investing in your own guilt.

#pmd eos #pokemon mystery dungeon #pmd2 #dadnoir #Eevee/Ribbons #pmd Dusknoir #Eevee #Dusknoir #tfw your Eevee daughter wants to be held by you but you have to violently backstab her in the future #<<< ​(OH FUNNY DOUBLE ENTENDRE I DIDNT EVEN MEAN FOR THAT) #pmd art tag

[thegodwhocums]

Hymn to Pseudanor

Muses, hear me sing of Pseudanor, False-Man Dionysos, soft eyed and soft wristed, He of the Too-Ready Laugh; Bacchic lord of camp and mirth, I raise my uncoached voice to you in praise.

Butch Queen Bromios, Thundering Diva, realness has never been your strength, nor objective; you hold the sissies and the faggots tenderly in outstretched arms.

Your children know you by your casual reads, by your sharp excoriation, by your understanding grace, as we, too, approximate manhood and we fall, as ever, short, for Lord, you and I both know that we're not fooling anyone.

Like Pythia, we breathe the vapors, prophesize for you; we speak in tongues and tongue the cheeks of beauties and of beasts; for you we Rush, we bite and Bolt, your Liquid Gold spills into us, as we open consciousness and bodies to receive, receive, receive.

Enthousiasmos finds us on the dancefloor.

Brick-thrower, Plinthóbolos, we remember you in our holy hour of rage, when liberation calls unassailably and the Pentheus cops of the world lower their boots to our necks; we laugh and spit defiance in your name. You are alive in the airborne shot glass.

Divine Auntie, Hip-Swisher, Cocksucker, No-Shit-Taker, be with us, I pray, as we sing your praises, taste your nectar, throw our heads back cackling and rub our hair in the dirt; your madness liberates us from the madness of the world, defends us on the battlefield of ideas, preserves our sacred flames.

Dionysos Eromenos, Beloved of Many, bless your tender children as we learn to make our way: if ever I have hailed you, ekstatic or kathartic, and offered up delight, longing, heartbreak, or shame; if ever I have braved the haze to walk the streets in cocky pride, shorts too short and shirt too tight, affronting Manly Truth; then bless me and bless us with confidence, with gentleness, with toughness and the boldness to thrive in a world that would brutalize wildflowers to preserve the sanctity of dry grass. Fruitful Dionysos, let me burst into seed.

#queer #Dionysos #devotional #prayers #gay #femininity #epithets #worked hard on this one #personal #there are so so so many inside gay jokes in this prayer please let me know if you find them #the double entendres are bountiful and deliberate #xoxoxo #hail #also begrudgingly tagging this #slurs

[drumlincountry]

Every ✌️🏳️‍🌈💖queer vocab as gaeilge 💖🏳️‍🌈✌️ infographic I see has like aerach, maybe ait, and then the same list of terms that were directly translated from English by USI in like 2016. Cowards. Tell me the slurs.

#There's a serious conversation to be had about how terms for queer experiences can't be clearly translated across cultural and linguistic #Boundaries. B/c like. How does each culture define gender transgression? #What's a deviant sexuality? It depends on what the culture defines as normal #And EXTREMELY IMPORTANTLY FOR PPL WRITING THESE VOCAB LISTS #just importing English terms makes it seem like queerness is foreign and like. That Ireland didn't have queers #Until the Brits told us what bisexual and transgender were #So while I understand ppls discomfort with inclusing slurs. Well. They're proof that we've always been here. #I'm infinitely interested in the fact that dyke I.e. pejorative term for lesbian is the same as the verb to complain #That at least one person I know got called 'pale/white boy' growing up. Like that was how kids would call each other gay insultingly #And that 'queer ' is best embodied by words meaning strange and crooked #I want to know what queer Irish speakers called themselves!! I want to know how they were understood by their communities #Even when it was negative ! #I wanna know all the slurs and idioms and double entendres. Idc about leispiach #Unless! That was a term that was used! In that case i want to know the hows and wheres very badly pls!!! #queer tag #irish language #An ghaeilge #gaeilge #Irish shit #Gotta say trasinscneach is adorable tho :-) tras!

[midnightactual]

@darkseraphscorner replied:

Sera wants to pet.

"I tell you one time to pick up some color by getting in touch with nature and suddenly you're all about the pussy."

#In Character #Character: YORUICHI #darkseraphscorner #Muse: SERA #Verse: BLEACH MAIN #Era: HALCYON #Suggestive TW #[ only generally tagging out of courtesy for what is ] #[ very much a double entendre ]

[get-back-homeward]

Ram Revisited

Paul and Linda record their album Ram from October 1970 to March 1971, and it is released May 17, 1971. By May 26, John already had his infamous response, recording How Do You Sleep. This song gets a lot of attention for how cruel it seemed. One of John’s defenses by the album’s launch was that Paul had written special messages to him on Ram, only Paul didn’t print the lyrics so you couldn’t hear them. He mentions it a couple times, in print...

and at St Regis hotel press conference for the album release:

JOHN: But... I was laughing at [Ram] later, but first, I was saying, “Oh! Hmm. Oh, I see. Oh, that’s what he thinks,” huffing and puffing. That’s the first thing I heard on his album, was all this – this message, you see. [x]

JOHN: It’s just a moment of anger. But I just put it down on paper. And also, I’m answering Paul’s last album, which mostly because he didn’t hand out a lyric sheet, [people] don’t know what he was saying [on it]. [x]

JOHN: You mightn’t hear ‘em, but I can hear ‘em, and I know Paul. [x] 

and during live interviews, where he gets cut off from finishing his point every time. But he seems particularly bothered by the lack of printed lyrics.

JOHN: Little messages that Paul sent to me on Ram. Which, funny, I publish my lyrics you see. He doesn’t, so you have to listen. [x]

It’s tempting to laugh at this, if you think it’d just an excuse for HDYS, or call him kookoo, if you think he’s just obsessed with Paul and reading things that aren’t there. But I find the comments rather curious in light of idea that the Beatles, particularly John and Paul, had a shared language that dates back to when they were kids in Liverpool and was used as late as 1969 as seen in Get Back. By design, the language is used to protect and exclude, so any analysis by outsiders will probably be utterly meaningless. But I thought I’d take it on face value that John was hearing something the average listener couldn’t without printed lyrics to try to understand the root of the anger that drives HDYS.

As a thought experiment, I decided to relisten to Ram for the first time while reading the lyrics, with an eye for words I couldn’t hear (or misheard before) along with album themes. Full disclosure, I’ve always listened to this album while working on something else, so while I may be have seen looked up lyrics for a song or two independently (Too Many People, Back Seat), I didn’t read them while listening to the song or consider them in the context of the full album, all of which create a different experience. I used Spotify’s lyrics function while listening to the 2012 remastered album, so any lyric variations may be Spotify’s fault.

Starting from the top. The album begins with Too Many People, which opens with an indiscernible line that’s a play on words.

Piss off cake-->piece of cake. I had no idea that’s what he was singing at the start. For 20 years, I heard this line as “this I got to say-ay-ay”. That said, “piss off cake” still doesn’t tell us much. I’m with this guess that this phrase is an in-joke turned nasty, like a firing shot John heard right at the start.

Two “mistakes” are mentioned here. The first mistake gets a lot of attention (”going underground”, “took your lucky break and broke it in two”) and is generally attributed to John asking for a divorce/leaving the band, though I question it (see below). But the last mistake is the hidden dagger I never heard without looking up the lyrics:

“I find my love awake and waiting to be...” followed by the stinger chord is an unfinished sentence. The verb ‘be’ is doing all the work, suggesting a missing past participle left unsaid. John is no stranger to using simple verbs to stand in for prohibited ones, as Norwegian Wood and Don’t Let Me Down show. Paul stops just short of making it vulgar, but the implication is there. By making the arena in bed, the suggestion is inherently sexual--not only in the unfinished sentence but also in the 1-minute guitar solo climax that follows, complete with dog howling. This makes the dagger a sexual taunt, and I keep trying to hear other interpretations, but I only hear one: Literally this could have been you in my bed but you blew it and now I have her. Not ever but never again. It’s a closed door. Slammed in your face. Now what can be done for you? as the guitar goes wild. Suggestive of bedroom fun you’re shut off from.

Okay, I can see how that could ignite someone’s anger, especially one prone to jealousy.

The trouble I have with this is timing. If “first mistake” is the divorce meeting (Sept 20) then what is the “last mistake” that deserves this sexual taunt? Paul always talks about the divorce meeting as if John declaring he’s leaving the band and wanting a divorce (from him) as the same moment. Maybe the “first mistake” is mislabeled, as John’s “going underground” wish begins in 1968 with Yoko and his controversial public actions from nude album covers to bagism events (not to mention private actions like covering personal debt and bringing outsiders into the recording studio) that caused a schism at Apple at its crucial first few months. Paul talks about summer 1968 as a difficult time for him, where he felt like everything was falling apart. Dick James their publisher is watching all of this and making business calculations. By March 1969, in the middle of their honeymoons with their wives, he decides to sell Northern Songs.

Would John pinpoint his "first mistake” as Yoko? IDK. He’d know when his relationship with Paul got rocky, at least professionally. They seem to be arguing about this underground direction as early as May 1968 (NYC), perhaps even earlier. In interviews, Yoko seems to focus on this part, which may indicate her feeling it was about her.

But if the “first mistake” is May 1968 and in the realm of music/business/professional, then the “last mistake” is the final straw and it’s personal.

Don’t let them tell you what you want to be

Paul recounts September 20 as if John betrayed him, getting him to sign the EMI contract before telling him he wanted the divorce. Paul felt tricked, like the rug was pulled out from under him. The hidden dagger in the song works the same way.

The second track, 3 Legs, begins innocently enough (When I walk on my horse upon the hill). It seems like empty nonsense until this accusation:

It’s a explicitly John-directed lyric: Paul’s emotional state is caused by John’s actions. I still hear “you let me down” (recalling Don’t Let Me Down) even though the original lyrics sheet says “left” and these printed ones say “laid.” So it’s worth taking a closer look at the rest.

This is a weird lyric taken literally. Paul’s doodling a three-legged thing and a three-legged dog on the lyrics sheet for this song. The dog doesn’t look like any of the dogs they had at the time to my knowledge. Dog could be a stand-in for another word John understood.

I enjoy @jobey-wan-kenobi’s​ idea of “three leg” as surrealist imagery that suggests an off-kiltered scene and reflects the writer’s state of mind. Both John and Paul spoke about being inspired by surrealist art and using it in lyrics to mask.

Didn’t John talk about having a reoccurring dream of flying above the clouds as a kid? I believe he used it to justify his whole egocentric interpretation of Strawberry Fields. But this flying seems the opposite of an ego trip:

He’s so unstable, the listener could knock him down from his flight with a feather.

But you know it’s not allowed

Ram On is the nearest to the title track but only a wisp of a thing, so it gets lost in the attention to Too Many People. I swear every time I hear it, I hear it another way.

Is it about needing love quickly? You’ll take anyone who appears next around the bend? Or is it about the unpredictability or impermanence of love? The someone round the bend coming to take the somebody you just gave your heart to? It shapeshifts, depending on how you approach it. But the second one reminds me of what John says later about love slipping away as soon as you look at it directly, as soon as you try to possess it completely. And hey what was that in 3 Legs?

When I thought, when I thought you was my friend... But you laid me down Put my heart round the bend

That lyrical link suggests the latter option. The earlier question in 3 Legs also fits with this theme of the unpredictability of love.

When I walk, when I walk On my horse upon the hill... Will my lover love me still?

But it may also suggest freedom. To do your own thing outside and then return home with a lover waiting. Like Too Many People. She’s waiting for me...

Big Barn Bed (not released til 1973) is first recorded with other 1970 Ram home recordings. It starts as a coda for Ram On and later becomes its own song. It has a similar “round the bend” line: Who’s that coming round the corner? Will it be my friend?

Which suggests more anticipation than worry but gives the same feeling of unpredictability toward the listener who is also the friend who let him down.

Bug lore is that John thought Dear Boy was for him, though I’m having trouble finding a source on that. I always found it pretty hilarious, as I do think it fits best with Paul’s story that it’s Linda’s ex-husband. The “When I stepped in” part makes sense with that interpretation. But it’s funny to think about John thinking it’s about him:

What’s John hearing Paul say here? I loved you and you didn’t even see it! And you know what, maybe Paul knew John would hear it like that and it was half the fun. It’s not hard to see that Paul identified with Linda’s feeling of being unappreciated in her prior marriage. And it’s common for Paul to start a song about one person or idea and then it becomes transformed into being about something else. Layers are possible in all their songs. John talks about the layers he hears in their old songs in Jan 1969, layers that he didn’t hear when they wrote them. So it’s possible John heard this connection. It may have just made him angry because John suggests elsewhere that he was the one who felt unappreciated and neglected.

However, even with Paul’s interpretation, John still shows up as the reason Paul’s heart was down and out and positions Linda as an antidote:

Oh what a tangled web we weave

When first we practice to deceive

I always filed away Uncle Albert/Admiral Halsey as a simple character mashup. But looking at the words, I started to question that. Could Uncle Albert, a real uncle of Paul’s, also act as a stand-in character for someone else? The theme of no one left at home is echoed in Little Lamb Dragonfly, which is home recorded with RAM songs but held back until 1973 Red Rose Speedway.

But the line that follows is a peculiar one. I always thought I was hearing it wrong, surely it is it’s gonna rain. But the lyrics tell me it’s I’m gonna rain:

So could it be a metaphor or stand-in for an emotion like sadness or a visible reaction like crying? Or is it like 3 Leg? More surrealist projection of instability when charting new waters.

The second section, Admiral Halsey, has nautical themes that suggest more than meets the eye. Remember both John and Paul talked about the Beatles as a boat, with John talking about leaving the Beatles as jumping off Paul’s boat and onto Yoko’s boat.

Paul’s delivery of “berth” sounds like “bath” to me, so I can’t see how anyone could pick up this line in full before, except maybe if you knew that’s how Paul pronounces -er- sounds. But it certainly is a suggestive of a metaphor for a significant event. Perhaps about the day that Ringo as the messenger notified Paul about the McCartney release date change (to make room for his own album)? Or more personally, about Paul having to back away from John to make room for Yoko?

But what on earth is butter pie? Wiki tells me it’s a Lancashire-based savory pie of onions and potatoes (so meatless). But my mind goes straight to Penny Lane (finger pies), so I’m just gonna assume it’s something dirty.

Hands across the water, hands across the sky

Linda’s harmonies and backing vocals are just so cool. It had to have gotten to John that she so easily fits into this vocal role next to Paul, especially in the more silly moments featured here. Especially considering humor was such a large component of John and Paul’s relationship.

There’s limitations to printing lyrics though and I get Paul’s right to not print them earlier because sometimes it take away from all the wordplay and double meanings inherent in the sounds of the words. For example, I always heard some of these “smile away”s in Smile Away as “it’s my way,” and so I’m surprised that phrase is never printed in the lyrics:

However, given the double meanings elsewhere, I think it’s worth still considering because "it’s my way” fits into the album theme of not blindly following along and finding your own path.

Don’t let them tell you what you want to be

A lot of focus is on Too Many People as the trigger for How Do You Sleep. But it’s a question directed a line from Heart Of The Country.

I’m gonna get me a good night sleep

It’s the one respite on the whole album and I can see how the image of smug Paul could send John in a writing fury.

Monkberry Moon Delight plays with “ketchup” and “catch up” and both of these appear in the lyrics. But is it beretta the gun or biretta the hat? Or something else? Ram sessions include Oh Woman Oh Why with gun sounds that gets left off the album, and photos from the session show Paul holding a prop gun. There’s also a gun-like object drawn on the Ram back cover. So maybe he did mean the gun. Inclusion of that song would have turned the tone of entire album, from jaunty taunts to serious violence, so it’s the right choice to keep it off. John would only hear the beretta line here with “banana” and the gun on the back cover:

and i don’t get the gist of your letter

Considering John and Paul are sending letters back and forth across 1970, this line sounds like a taunt for John alone. Along with what follows:

don’t get left behind

which makes this...

...another sexual taunt like Too Many People. Haha, look at what you’re missing!

If you’re doubting that, the track order clears it up fast because it’s followed immediately by....

Eat At Home. No explanation required.

It is an outright banger. No way John wasn’t a tad impressed by it. Even if it exudes those aggressive “I am having so much fun with my wife right now and not even thinking of you” vibes that left John shook.

Am I the only one that thought some of these “little lady”s were “lad”s? Paul stresses the -d so the -y sounds silent except for Linda’s backing. The result is pretty...ambiguous at times.

So I’m left thinking it’s a bit odd how this song ends on the negative: don’t do that. If the sexual connotation starts it, it ends with something that sounds unwanted, like it goes too far. A revoking of consent. But is it the lad(y) going too far? Or someone else?

Don’t let them tell you what you want to be

Long Haired Lady is an ode to Linda that starts with a jokey call and response between Paul and Linda and builds into a section that channels The Mamas & The Papas with lush, blissfully layered harmonies:

I’m good up til “win or lose it” but I don’t know if anyone could have heard “into the soul”. I’m not so sure it matters much, but the suggestion seems to be that love continues whether or not you “win or lose” love. That no matter if you are wrong, love is stable, constant. Wait, where have I heard that before?

Generally, I find Back Seat of My Car to be the strangest one for John to think was directed at him (and Yoko?). It’s just so big and sweeping and wasn’t Paul and Linda the one who did the joyriding? But that whole we believe that we can’t be wrong really got to him. He mentions it a lot, sometimes attributing the line to him and Yoko and other times to Paul and Linda about them (”well I believe that you could possibly be wrong!“). It’s a real hangup for John around this time, the idea that Paul is always right and he is wrong. Seeing Paul’s predictive powers, I can see how infuriating it would be after a while, and how comforting it would be to have people around you who counter that, to tell you “no, you are right and he’s wrong.” How it’d make you dig your heels in and work hard to get people off the McCartney bandwagon.

There’s a whole gibberish sounding section not picked up in the printed lyrics that sounds like “everyone’s tried to love her” or “i’m gonna try to love her” sung at an auctioneer’s pacing. You could possibly read something into that depending on what you hear.

Here’s another mention of “my way” after “highway”, suggestive of the idiom “my way or the highway”. The second half of the “looking for a ride” lines I can’t hear even with the lyrics:

“and all I found” would have been my guess.

But if you’re taking everything else as a sexual taunt, looking for a ride could hold a double meaning.

The climatic ending of the song and album is the height of choosing your own way and building your own world:

We believe that we can’t be wrong

A brash assertion of confidence in your own choices? A mocking condemnation of someone else’s choices? Or aggressive positivity to vanquish agonizing about whether you’re right or wrong? Like others on the album, it depends on how you look at it. But the first option fits with the overall album theme, with the third behind it as another layer.

There’s a snowglobe imagery to the feeling of this ending. Swirling and wondrous and heady but also contained and protective and isolated by design, living in this world you’ve built for yourself. You control it to a point while fearing what’s outside, the unpredictability of the future and the unknown of what’s waiting for you around the bend. 

Wrapup

Overall, there’s a story in the album themes. Starting with a declaration of independence and naming mistakes and ending with the denial of wrongness, suggesting your own. From John’s comments, we know he got that part. In between a conditional: if you choose wrong, love is long. Throughout, the main theme is strong, finding your own way and building a new life to push forward, which makes the cover less of a joke and more of an apt metaphor for a precisely crafted album. The pronouns look fairly consistent too, which is a big surprise to me: you are sending hearts around the bend, but she waits for me. There’s double meanings galore with possible sexual taunts as hidden daggers. But, above all, there is the repeated need for love that’s in alignment amidst confusion and miscommunication.

Will my lover love me still? (3 Legs)

Bring the love that you feel for me in line with the love I see (Eat At Home)

Do you love me like you know you ought to do? (Long-Haired Woman)

The trouble with any shared language is what may get lost from the communicator to the listener. If you get 9 out of 10 things but the 10th thing was important for understanding the other 9, the risk of misunderstanding is still huge. So I’m left wondering whether John listened to the album enough in those first 9 days to hear these lines before recording HDYS. He may have regretted venting his anger in more obvious public daggers than Paul’s more hidden ones the more he listened. By September, he knows the album well enough to sing an exact match on the spot.

Undoubtedly, John knew just where to hit because he knew Paul’s weaknesses. He shows that by dragging it into the public sphere. If Paul’s messages are directed at John but subtle or hidden, John’s messages are blatant as neon lights about Paul to the world. There’s an unevenness there that makes us uneasy.

By focusing on John brandishing the dagger so obviously in one song, it’s easy to miss the hidden daggers in Ram along the gems. A concealed dagger can do the same damage. But the overall theme of needing a constant unwavering love is one they ultimately shared, signalling a place where they could find common ground once the anger cleared.

#no idea what to tag this as too long dont read #there's song wars and then there's this whole declaration of independence album #my text #ram #long post #album listen #i started this almost a month ago #it was a simple exercise when i started but it grewwwww #this album really does get better and better with repeated listens #never thought i'd have this much to write about #its really wild this album got dismissed and buried as some square thing #its so fresh its like its from yesterday #double entendres included #still never heard where john might have been hearing 'documentary my dear datsun' #(which i assume is an in-joke on the sherlock holmes quote) #give a shout if you can find it #thought experiment #song wars #john pov #1971 #1970 #too many people #i guess i have to tag it mclennon but its paul mccartneys fault #eta the links #my idea when i started this was to link up all the bits and pieces ive collected but there's so many #the breakup

[howlhawk]

collab with @cowboyvillainz who did the lineart here, i did colors

(alistaire is biting charlie’s sunglasses) (charlie did not know this was going to happen) (next photo: blurry shot of charlie yelling and chasing alistaire who is running away, sunglasses still in his mouth)

#oc art #human art #superhero oc #supervillain oc #collab #stanley does art #charlie grimms #always feel weird adding the superhero / villain oc tags when they're just being normal and not costumed #but hey! they're still superguys! anyway #more stuff that doesn't fit in the desc: this is 6-7yrs in the future #charlie forgot to put on sunscreen. adhd king. #alistaire got him that shirt btw. it took him a second and then he thought the double entendre was really funny #a reminder: his superpower is shooting energy bullets from his fingertips #alistaire's is electricity which is why the sun on his ??? shirt ??? his top. has lightning bolt rays #and umm last note. surli based the pose off a blurry picture of two guys from mcr i think. the vibes were so strongly Them #it was supposed to be a funny meme image and then it turned into an actually nice fun summer image. which is also still a meme but i digress #stupid as hell ride or die best friends who hate each other who woudl kill each other who would kill FOR each other

[grosslyoversimplifiedpolitics]

[ID: they're a fucking power couple]

#ao3 #ao3 tags #they're a fucking power couple #((gotta love a double entendre))

[emblazons]

so it's your birthday

and your husband matt duffer asked me to give this card to the b-day gyal whenever you woke up, bc he's been up since dawn making you breakfast and getting everything perfect for your special day—not to mention preparing for the 'show-don't-tell' later on

so marie?, there you GO. oh - and matt says the breakfast tray is coming in a minute—

marie, my dear friend, my mage!

wishing you a very happy birthday ⭐🎂💕hope all ur wishes come true and that you have an even better next trip around the sun and that all your free bday things are beautiful and taste great and that you and ur husband enjoy being HUGE bitches and give immaculate side-eye today.

(and yes, indeed, this is very unhinged. i promise i did not know where i was going when i started a matt themed card LMAOO) lots of love from ur zoomer ! 🥳💕

I HAVE NEVER LAUGHED HARDER AT ANYTHING IN MY ENTIRE LIFE OH MY GOD?!??! P L E A S E I’M DEAD DYING SCREAMING & IN LOVE WITH BOTH OF YOU LMFAOOO IM CRYING REAL TEARS RN

(Thank you so much Zoomer. My life is so much better with you in it. I would definitely piggyback from a pizza dough freezer to save you from Vecna from across the continent. Matt HIMSELF even approves) 🎉🥰💜💚

That “show don’t tell” jsndkdkdnf bitch I’m crying

#I need you to understand that waking up to Matt duffer innuendo in my asks this morning was NOT EXPECTED #ALSO SHOW NOT TELL DOUBLE ENTENDRE THANK YOU I LOVE IT IM OBSESSED HELLP #iconic show stopping never the same fr #magentamee #matt duffer #all time faves #the come back tag #asks

[davnittbraes]

Affirmations:

A Summary, in Emoji

Part One: 😩🥺🥹

Part Two: 🥰🥵😌

Part Three: 😈😈😈

#part three coming this weekend #there’s a double entendre there but it’s hard to express in tags #you know what I mean though 😉 #okay there’s probably also a 🥰 in part three

[redfurrycat]

The Man from U.N.C.L.E and Top Gun Fusion - Hangster & Icemav [part 5]

[Before the GunTop Agency Debacle –unofficially called the Wingvorce by Ice and Mav's colleagues–, when they were still partners.]

Agent Iceman invites his partner, Agent Maverick, to dinner. It’s supposedly to celebrate the latest accomplished mission, but it’s in fact a date. They’re in a cute little Mexican restaurant, eating spicy food.

Maverick is talking excitedly about what happened during the mission, when both agents were separated, and Mav ended up in a fight with a MiG agent. Iceman is listening, a bit distractedly, to his love partner while drinking a lemon juice. (He’s not particularly fond of spicy food, however, he’s fond of –t–his spicy-loving dumbass.)

Mav: …and we were in the men toilets, smashing the doors and everything. And then I did him good, Ice, very good. I double-fisted him real hard!

Ice is doing a very good impression of a spitting alpaca on a poor waiter who came to ask them if they wanted a dessert.

Ice: YOU DID WHAT?!

Mav: Yeah, you know, the double-fist move. I got tone and knocked him out quickly after that.

Ice, relieved: Yeah. Of course. Thank fuck… Well done, Mav. Do you want a dessert?

Mav: Sure. I want the fried thingies with the milk jam.

Ice to the server: dos raciones de churros con dulce de leche y chocolate, por fa.

[part 1] - [part 2] - [part 3] - [part 4] - [part 5]

#TMFU au #with top gun characters #tom iceman kazansky x pete maverick mitchell #icemav #tom iceman kazansky #pete maverick mitchell #The double fist scene is obviously inspired from Mission Impossible Fallout #Thank you for this gift Henry <3 #The colleagues from GunTop Agency are the '86 TopGun class #Wingvorce - aka the Wingmen Divorce - coined by Mav and Tom's friends #The cause of the divorce could be Goose-related...but I'm unsure still...I don't really want him dead in this verse #Mav speaks Spanish but the fact is that he lo-ves listening to Ice when he speaks foreign languages #Those two are oblivious! #I feel the need...the need for mutual-idiotically pining! #The poor waiter received a big tip from Ice ;) #Mav is a master of double entendres :P #Poor Ice is suffering <3 #🐈red🐈furry🐈cat🐈tag🐈

[jasontoddssuper]

Rn i'm really wishing we lived in the dimension where instead of getting shitty star wars sequels,we got John Boyega playing live action Jason Todd like he wants/wanted and giving my man the justice he deserves and turning a bunch of people bi/gay in the process

#yes he actually said he wants/wanted to be jason!!if you want proof send me an ask and i'll dm you♡ #also the turning people gay part is double entendre bc of how i hc artemis and sometimes rose as a lesbian HFJFIFJFJG also that many irl #lesbians love him!! #jason todd #john boyega #black jason todd #batfam #ditf #utrh #rhato #wfa #rho #i'm black tag #letters from summer

[aconflagrationofmyown]

jw she is a prostitute right?

in Somebody’s Daughter? Yes she is/was

#SD asks #ok but that tag is just sick #is that gonna be my tag for this? someone stop me from double entendres #elvis fanfiction #regarding Delores

[luckyfiona]

“ you can’t or you won’t? ”

                  ❝ ——  Oh. Hm. ❞

                                          ( Uh-oh. )

Lawless Lucky talked a big game around the bonfire last night. She wasn't too oblivious to pick up on the fact that her being scandalized and upset by the boys' violent sides was beginning to grate on them. So, when all of the boys were talking about the gruesome things they'd like to do to the people who made their lives hard in The Other Place, she forced herself to laugh along, and even took the opening to spin a tale about how she was planning to poison her old employer's food. And, oh, those rotten pirates? Well, she would do the same to them if she had a chance.

So busy seizing on the moment, she didn't consider that she would actually have to put her money where her mouth was.

It would shatter the illusion of Neverland as her luxurious, peaceful, happily-ever-after paradise if she had to see any real carnage with her own two eyes, much less deal any of it herself. But here was dear Peter, ever the altruist, granter of all her wishes, suggesting she come along to their next raid of the Jolly Roger. Lucky's pretty sure he knows this is out of her comfort zone, if he's paid any attention to her — and he does, of course he does. Why else would he go through the trouble of bringing all of these troubled souls to the island if he didn't empathize and care about all of them, right? She can't imagine any motive but love and sympathy. — It's funny, considering how anxiously, meticulously sensitive she tries to be to his boundaries. There was something maybe endearingly boyish about his disregard for hers.

She reasons that she should be grateful for his investment in keeping things fresh and interesting. This is what a sensible, healthy relationship looked like, right? Balancing energies was a major tenet of Celtic magic— it was the key to harmony and prosperity. A passive, supportive person worked best with a person who was a little more... challenging. It would be too stagnant or too chaotic any other way. She gives a fond half-smile to her love, her true love, convinced he's only looking out for her best interests. She would find a way to explain to him that this doesn't really interest her... another time.

               ❝ Well, I suppose I would... ❞ 

Lucky? Morally opposed to it? No sir, you've got the wrong lassie. You must be thinking of that prude from Chicago, Fiona Comisky, who used to dote and cry and sermonize Nate Larsen any time he got injured in a fight with some low-class brute he should've run away from. She had no qualms with clodhopping bullies who started barbaric fights. Didn't find it tasteless in the slightest.

She was opposed to tagging along for much more modest, supportive, team-playering reasons, to be certain. The same reasons why she declined Nate's offer to teach her how to use a bow and arrow: why would the Princess of Neverland get her dainty, dignified, not-at-all-labor-calloused hands dirty learning how to hunt when her boys got such a thrill out of slaying those innocent animals?

                ❝ But why bring a girl along to steal all of the attention?                        I'm not as strong or as sneaky as you. I may ruin the... Element of surprise. Or... distract everyone when they have to keep me out of harm's way. And there’s really— there's so much I could do back here. I thought I should make some sort of victory banquet for the boys to come back to. ......Besides... ❞

Lucky's fingers sidled over to his, tips brushing over his knuckles, as if timidly asking permission to show tenderness before making any sudden moves. Peter was a bit strange about physical touch. She could never tell if he was enjoying it, or if she maybe wasn't doing it right. When he didn't immediately swat her away, she gingerly placed her palms in his, intuitively careful not to scare him away like a baby deer too shy for human touch, or startle him like a scorpion ready to plunge a stinger into her at any moment. She has experience with his type. She has nothing if not patience and willpower to break through to them. She has hope that one day she'll be able to fully embrace him. If she's really as lucky as everybody says, maybe she'd be able to fully-fully "embrace" him.

                ❝ I love when you tell me all about your thrilling adventures. You get such this 𝓅𝓊𝒸𝓀𝒾𝓈𝒽 𝓉𝓌𝒾𝓃𝓀𝓁𝑒 in your eye... It's the same one you had when you first found me— the one that I saw and thought, 'Oh, there it is: my 𝐥𝐮𝐜𝐤𝐲 𝐬𝐭𝐚𝐫. At last, I can see it!' ❞ 

She boldly ventures to show a little more affection while she pleads, but not enough to push him too far, just enough to remind him that he can touch her back any time he's ready. (If he's rallying her to come out of her comfort zone, maybe this is a good time to encourage him to be a little more adventurous, too.) Her fingers, ever-so-lightly cupped over his hands, gently lace themselves into the spaces between his. She's not naïve enough to believe she's going to get out of raids forever. She just wants to experience feeling truly loved and close to him, just one time, before she has to see him at his absolute nastiest.

           ❝ Oh, Peter, won't you please let me see my 𝐥𝐮𝐜𝐤𝐲 𝐬𝐭𝐚𝐫 again when you fill me in later? ❞ 

( Won't you please let her be so lucky as to skip out on this? )

╳ — 𝐐𝐔𝐄𝐒𝐓𝐈𝐎𝐍 𝐏𝐑𝐎𝐌𝐏𝐓𝐒 ! // ACCEPTING.

#(set when she was still peter's latest model Wendy-bot 2000) #i like the gifs from this movie cus she has a Visible irish accent in them and i love that for fiona :') #if u look real close and havent gotten any in a while you'll notice there's like three different subliminal message double entendres in her #jus know that every time u think a line in a post abt peter sounds like an innuendo it 100% is because lucky is thinking it too #｢ ʟᴜᴄᴋʏ ▓ 🐞 — the lost girl. ｣ #｢ ʟᴜᴄᴋʏ ▓ 🐞 — ❛ ft. peter pan. ｣ #｢ ɪɴʙᴏx ᴄᴀʟʟ ▓ 🕯️ — answered. ｣ #the nature of drabbly askmeme prompts is that you want to write a complete vignette based on the one line someone sends you so you end up #writin like 99 words of dialogue in response to the 5 syllables someone sends u and it makes it look like ur muse Does Not Shut The Fuck Up #so. ignore that. i wanna say fiona would've picked up on the fact that he doesn't like to listen to broads rambling for too long #this is also kinda my first ic post tho (baffling that it took me this long i am sorry) so! wanted to write a good intro scene #and rly set up what fiona's mentality was like in this time cus it's gonna make a lot of her present day chocies make more sense #also sorry that you all have to find out this late but i Am a broad who rambles for 5 paragraphs in the tags of everything i post Sorry!!

[stewyonmolly]

hard at work🫡

#the double entendre made me laugh #want two tag

[nighthawkes]

forgot to show this off. at the concert they were giving away different colored bracelets with lyrics on them to everyone lined up ahead of entry time

these lyrics are from “Leave the Engine Room” lol

#once we got in the venue they also passed out name tags with KEVIN handwritten on all of them. loved. #everything everything #2023 #can’t believe I got a bi pride one :’) #however I can believe I got a bi pride one with lyrics that are a double entendre. very beautiful very powerful. #those dark beads are very much blue the lighting is just bad

[orecchietta]

does this small local academic publisher know that they’re the second website i look at when my paycheck comes in?

#research #history #the joys of researching history of one tiny location that you live nowhere near #like. worldcat doesn’t even list some of these books #worldcat! i thought worldcat was magical and infallible #and all my interlibrary loan options have failed me bc libraries are usually unwilling to send internationally #cowards #also i think i don’t have a personal tag on this blog yet? #i kinda wanna call it ‘orecchiacchiera’ but that is. a lot #but it’s kinda growing on me #orecchiacchiera #hope that’s not a weird double entendre in italian i don’t know about