if any of you are still feeling weird about that infamous interview, here is what alex said about it (and why that ashley girl doesn't like him). i really want to point out that what alex says here is the exact same thing us, miles fans have been saying since forever. so, if you are a fan of alex, but throw shit at miles, just remember that your favourite also supports him. and maybe think twice before starting arguments with miles fans and keep in mind that alex has the same opinion about it all.
Alongside Arctic Monkeys, Turner has a long-term side-project called The Last Shadow Puppets with his best friend, the Birkenhead singer-songwriter Miles Kane. During the promotion for their last album, the two did an interview with a female journalist from the music webzine Spin. Turner was being his usual unforthcoming self, so Kane attempted to break the ice with some groan-inducing banter. This included inviting the journalist up to his hotel room when she asked what he was doing after the interview, which, in hindsight, was pretty stupid (he realised as much the next day and emailed her to say sorry). The result, though, was a lengthy op-ed calling out Kane’s unprofessionalism and the misogyny of the music industry at large. Personally, I found some of her complaints against him a tad flimsy — holding eye contact for too long, high-fiving her, “yanking” her in “for a not entirely consensual kiss on the cheek” as she said goodbye, and not least the idea that interviewing a rock star is ever supposed to be an exercise in professionalism.
What did Turner make of it all?
He sighs. “I think he made a joke he shouldn’t have made and realised he had misjudged the situation.”
I thought it was a bit OTT, I tell him.
“Yeah, I’m not sure it was deserving of that response honestly, but you just can’t make a joke like that.”
(from 2018, this interview)
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Chapters: 14/?
Fandom: A Court of Thorns and Roses Series - Sarah J. Maas
Rating: Teen And Up Audiences
Warnings: Graphic Depictions Of Violence
Relationships: Elain Archeron & Nesta Archeron, Nesta Archeron & Lucien Vanserra, Elain Archeron & Lucien Vanserra, Elain Archeron/Lucien Vanserra, Nesta Archeron/Cassian
Characters: Elain Archeron, Nesta Archeron, Lucien Vanserra, Cassian (ACoTaR), Azriel (ACoTaR), The Lady of the Autumn Court (ACoTaR), Helion (ACoTaR), Feyre Archeron, Rhysand (ACoTaR)
Additional Tags: Lucien actually gets the story he deserves, Nesta and Elain: the Most Competent, Archeron merchant family legacy, ACOMAF AU, Who runs the world? Nesta and Elain, Archeron sisters who knew about the War before Feyre told them, Lucien Spring Court Traitor Vanserra, Found Family, fake engagment, ride or die means you can't fucking die, a very different take on the Hybernian war, Fix-it fic, Older Archeron Sisters & Lucien centric
Summary:
So bleeding and burning, lost and found, Lucien Vanserra staggered into human lands, and found he wanted to live.
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maybe it's because I'm in the "I'm so obsessed and hyperfocused on my little guys I will make any song seem like it's about them even if it couldn't be any father from actually relating to them at all" stage of my Theon and Asha hyperfixation but like...
I feel like 'I bet on losing dogs' by Mitski is about them.
it's about Asha and her relationship with Theon.
he's her baby brother. the baby brother who looked up at her smiled when she had gone in his room, intent on strangling him to stop his cries. he's her losing dog. the dog she keeps fighting for when no one else will. she never gives up on him, not truly, even when he is so clearly doomed, because she loves him, she won't give up on him.
and Theon is, in so many senses, a dog. he's been passed around from owner to owner, home to home, trained and beaten and domesticated, made to behave how his owner at the time sees fit. he's a good dog, a good beaten dog.
and now, in a way, he's Asha's dog. she doesn't want him to be her dog, she wants him to be her brother, and Theon's trying, he really is trying, she knows he's trying, but part of him will always be doomed to be a dog waiting to be hit, waiting for a command, waiting to be trained.
he's her losing dog, she knows it, knows he's doomed, deep down, there's little hope, he'll die a damned dog, but fuck it she doesn't care, he's her blood, her baby, he will be by her side no matter what. she'll always go back for him, she'll always fight for him, she'll always tell him to stay, she'll always give him a chance, she'll always try.
~~~~
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hear me out y'all, byler orpheus and eurydice au.
kind of like all those "mike following will into the upsidedown" fics, except the upsidedown is, well, the underworld.
like mike already canonically has a guitar in his room and there's more than a few byler band aus so clearly we're all up for musician mike wheeler, and then just like, the tragedy of it. the tragedy of that myth, I'm obsessed with it.
like??? following your lover beyond the end, desperate to bring them back because they are what makes life so worth living, and you do the impossible, striking a deal with death itself, where you and your lover are allowed to leave, so long as you do this one simple thing? you walk out and you can't turn to look back at them, you have to trust that you aren't being tricked. and you almost get there. you almost make it. but in a singular moment of weakness, caused by the same love and devotion that led you down under in the first place, you cannot bear the unknowing, the uncertainty of whether they are really accompanying you out of the darkness. so, despite it all, you cave, and you turn back. and as you look at your lover, fading quickly, as you realize they were with you this whole time, there's grief, but there's no blame or resentment. only a final understanding that this is how it was always going to turn out. like it makes me so insane sorry.
anyway the concept of will dying and mike following him, dedicated to getting him back, only to, in the end, fail? because in the end, he couldn't keep himself from looking back at who he loves??? tell me that doesn't fucking slap you can't
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Soulmates AU in which when your soulmate is in a situation that can result in their death you get to see through their eyes. Like, I don't know how to explain this- it kind of flashes between what you see and what your soulmate sees. You know those edits where there's a scene going on and there's another one faded in the background happening at the same time? Similar to that. The idea is that you get to see what your soulmate sees too, on top of what you're seeing.
Now, this AU but JeanMarco. With Marco asking the others where's Jean, just for him to start seeing a corpse right in front of his eyes not even a second after asking. Seeing through Jean's eyes as he's trying to get hold of that gear and stuff. And once Jean's safe, once it clicks that you know his best friend is his soulmate Marco can't wait for them to graduate so he can you know tell him that.
Then, you know. That happens. And Jean is so fucking confused because he keeps seeing Annie crying, looking down on him. Only when Annie starts getting off the gear, when his soulmate starts moving around trying to get away he starts panicking, starts moving around faster than before. And maybe he's too late. Or maybe he shows up in time and kills the titan. I don't know. That's not where I'm trying to get, but to the second option AKA Marco pulling an UNO reverse on Annie because he's a smart sneaky bastard like that and being like 'Hey you can't kill me, my soulmate will know it was you' which makes her stop trying to take off his gear. Reiner keeps telling her to do it, Bertholdt keeps yelling about that titan coming closer, but Annie... she has seen things, at some point. Flashes of moments that weren't hers, happening right in Trost- right in that moment. And she didn't give them too much thought until that moment, until it got confirmed that it has nothing to do with her titan powers.
'What do you mean by that?' she asks, because she needs to know more. Because she wants to know more. And Marco starts explaining how it works. Tells them that he has found his soulmate, that they will put all the blame on them for his death. Reiner doesn't believe him, keeps insisting that he's playing them around - he, and anyone born and raised on Marley, has never heard of something like that before, it doesn't exist - but Annie tells him to shut up and to let Marco go. Cue to the plot of any fic in which Marco doesn't straight up die after finding up their secret.
Anyway I don't know man, just,,, We need more soulmate aus for JeanMarco. That's an order.
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talking abt wigfrid and critisism but the further you go the less coherent it becomes. no i will NOT simplify it. read my flop analysis boy.
Something very interesting about Wigfrid that I don't really see in characterizations a lot is the concept of her having... I don't really know what to call it. Not 'a thinner skin', but I suppose the concept of her being wary of how people perceive her.
A lot of interpretations of Wig that I see tend not to go beyond the surface of her persona, that being a confident and overzealous warrior. And to an extent, that is what she is. But I also feel as though it's very important to her character to consider how she got to embracing that persona the way she has to begin with.
'Wigfrid' the actress- whoever she may have been- was clearly incredibly concerned with how she was perceived by others... Most of them being complete strangers to her- people who she'll never meet or get to know, who will never know her in turn. Hell, the opinions of those strangers were the driving force to her accepting Maxwell's deal to begin with! Yes, she wanted her popularity back, but were it not for the people who tore her down with their words alone, she never would have lost it to begin with!
I think the snake motif in Curtain Calls was a very interesting choice for Klei, if only because to me it feels deliberate. The giant serpent she fought within her fantasies manifested itself from her newspapers... The term 'snake' is frequently used to describe individuals who are deceitful and dishonest. To me it doesn't really feel like a coincidence that- of all the beasts, that is the one they choose. A creature who's very title is a double meaning, used to represent the critics who so viciously tear her down, fangs dripping with venomous lies that she can only fight against within the safety of her mind.
"Oh, Savvy-" I can hear you cry, "-Savvy, I think you're reaching a little bit here". Normally I would be inclined to agree. Very frequently I find myself grasping for straws to prop up Klei's otherwise sparse characterizations. However, if the snakes = liars = critics theory isn't enough on its own, I would also like to remind you of what happens after Wigfrid defeats the snake in Curtain Calls. She falls back into reality at the sound of a disembodied voice, and from the newspapers manifests a silhouette of Maxwell. A direct parallel to her fantasy, the news has yet again taken the image of a 'snake'... Of a deceiver. To me, that seems incredibly intentional.
NOT TO MENTION that if the theory is true that MAXWELL MADE UP THE NEWSPAPERS TO BEGIN WITH in an attempt to emotionally manipulate her, then the snake metaphor would make EVEN MORE SENSE because he is LITERALLY making himself tangible out of HIS OWN lies. but i'm NOT GETTING INTO THAT RABBIT HOLE right now because i'm ALREADY DIGRESSING!!!!!
So, now that we can ALL AGREE that Wigfrid's hatred of snakes stems from a bit of self projecting, we can bring up Wigfrid's current, in game hatred of snakes, and perhaps draw a couple of conclusions about how criticism may be effecting her now, as opposed to how it was pre-Constant:
Her unabashed hatred is visibly obvious. She goes about engaging with snakes in a VERY unique way she does the rest of her quarry. She takes great pleasure in their destruction, and goes so far as to label them her enemies, specifically. I looked it up, and as far as I can glean this wouldn't be a pre-establised trait of her persona. This vitriolic snake hatred is entirely stemming from the person underneath.
So. With the context we previously gathered that implies that maybe the reason she sees snakes in such a way is due to the fact that they are practically synonymous with critics and 'liars' to her, I can safely conclude that. um. No, I really do not think she has grown any more of a hide against criticism than she had before accepting Maxwell's deal.
Wigfrid's hatred of snakes was a big part of her character from even before Curtain Calls (obviously, bc shipwreck released way before her refresh did), but I feel like them taking this specific facet of her character- one that's lesser known from her, buried behind her more stereotypical motifs- and adding such important context to it was a intentional act. I refuse to think otherwise.
Even outside of the whole. Snake Thing I spent two hours describing, though. To me it still seems plausible for Wigfrid to act all tough, but take insults very poorly. Yes, in a prideful sort of way- where she feels the need to actively defend herself and her 'honor'- but also just in a... regular way. I don't think it'd show up much in the Constant because. i mean, there's more important things for the survivors to do. but i really do feel like scathing insults would bite her more than someone would expect it to.
Also I just think it would be funny and help flesh out her nuance. Is that a crime. To want to give my girl some nuance. Is that a sin.
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