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#THEY'RE ALL DIFFERENT BRIGHTNESS' HELP
yukipri · 4 months
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How did you come to find your art style? I've followed you for a while and adore your art 💕💕💕
Thanks for liking my work!
And as for "style," idk, I never really tried to find a "style"? Idk how long a "while" is, but if you've followed me for years, you've probably seen me go through multiple fandoms. My art has changed and grown, I've gone from not being able to do lineart to working so hard to be able to do clean lineart, I can't really NOT do lineart anymore? I went from doing flat color/generic lighting, to thinking gee that's boring everything I draw looks the same, and now i often do more dramatic lighting on most things I draw? ^ ^; Every art I draw, I try to draw what I like, try to improve parts I don't like, and slowly it shifts. Sometimes I go back to doing things I left but decided I actually like after all. I constantly vary how painted/flat I want my colors to be.
So yeah, idk if I really have a "style," what you see is just the accumulation of that constant ongoing exploration! I like to think I'm a wee bit more consistent about some things now, at least compared to before, because I pick at it less if I'm happy with what I've drawn. But it's still constantly evolving!
❀ ❀ Send YukiPri an Ask! ❀ ❀
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stormxpadme · 1 year
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“You really think I’m safer here, don’t you?” Her fingertips painted small circles over his shirt, her gaze turned to the sky, aggression darkening her expression. She wouldn’t have fought for him any less than the others. “That’s all I still can wish for,” Scott returned quietly, the joyous moment already overshadowed again by the menace somewhere far above. “Everything else probably won’t come true.” “Then that will have to do.” His surprise at her unconditional surrender must have shown, the fine lines digging a little deeper into her forehead, around the corners of her mouth. “Rationality says I cannot protect you, Scott, not from such a threat. I simply do not have the skills. I can stand up for good things like today, I can be there for the students, and that’s what I need to do right now. But against an enemy like Phoenix …” She took a deep breath and shook her head through tears. “I’m just not as capable as you guys. I only have my heart to fight for all of you. And my heart knows I don’t want to lose what the two of us have.” As if to confirm her own decision, she let her hand rest against his chest again, over that spot where her words made his heart beat painfully fast. “I don’t want us both to die senselessly. I’ve hurt you often enough. If there’s even the slightest chance you’ll come back …” She violently fought the next sob trying to choke her words at the very idea that this was exactly what wouldn’t happen, and gratefully nestled against Scott’s hand, letting her lips rest tenderly on it before carrying on. “… then I will be waiting for you."
Weathered I: FOR BETTER OR FOR WORSE (#10); a fanfic by StormXPadme; coming soon
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soy-sauce-and-mothra · 7 months
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Hey! Are there blacksmiths in your story? I'm a hobbyist blacksmith and I'm here to help!
Blacksmithing is one of those things that a lot of people get wrong because they don't realize it stuck around past the advent of the assembly line. Here's a list of some common misconceptions I see and what to do instead!
Not all blacksmiths are gigantic terrifying muscly guys with beards and deep voices. I am 5'8, skinny as a twig, have the muscle mass of wet bread, and exist on Tumblr. Anybody who is strong enough to pick up a hammer and understands fire safety can be a blacksmith.
You can make more than just swords with blacksmithing. Though swords are undeniably practical, they're not the only things that can be made. I've made candle holders, wall hooks, kebab skewers, fire pokers, and more. Look up things other people have made, it's really amazing what can be done.
"Red-hot" is actually not that hot by blacksmith terms. when heated up, the metal goes from black, to red, to orange, to yellow, to white. (for temperature reference, I got a second degree burn from picking up a piece of metal on black heat) The ideal color to work with the metal is yellow. White is not ideal at all, because the metal starts sparking and gets all weird and lumpy when it cools. (At no point in this process does the metal get even close to melting. It gets soft enough to work with, but I have never once seen metal become a liquid.)
Blacksmithing takes fucking forever. Not even taking into account starting the forge, selecting and preparing metal, etc. etc. it takes me around an hour to make one (1) fancy skewer. The metals blacksmiths work with heat up and cool down incredibly fast. When the forge is going good, it only takes like 20 seconds to get your metal hot enough to work with, but it takes about the same time for it to cool down, sometimes even less.
As long as you are careful, it is actually stupidly easy to not get hurt while blacksmithing. When I picked up this hobby I was like "okay, cool! I'm gonna make stuff, and I'm gonna end up in the hospital at some point!" Thus far, the latter has yet to occur. I've been doing this for nearly a year. I have earned myself a new scar from the aforementioned second degree burn, and one singe mark on my jeans. I don't even wear gloves half the time. Literally just eye protection, common sense, and fast reflexes and you'll probably be fine. (Accidents still happen of course, but I have found adequate safety weirdly easy to achieve with this hobby)
A forge is not a fire. The forge is the thing blacksmiths put their metal in to heat it up. It starts as a small fire, usually with newspaper or something else that's relatively small and burns easily, which we then put in the forge itself, which is sort of a fireplace-esque thing (there's a lot of different types of forge, look into it and try to figure out what sort of forge would make the most sense for the context you're writing about) and we cover it with coal, which then catches fire and heats up. The forge gets really hot, and sometimes really bright. Sometimes when I stare at the forge for too long it's like staring into the sun. The forge is also not a waterfall of lava, Steven Universe. It doesn't work like that, Steven Universe.
Welding and blacksmithing are not the same thing. They often go hand-in-hand, but you cannot connected two pieces of metal with traditional blacksmithing alone. There is something called forge welding, where you heat your metal, sprinkle borax (or the in-universe equivalent) on it to prevent the metal from oxidizing/being non-weldable, and hammer the pieces together very quickly. Forge welding also sends sparks flying everywhere, and if you're working in a small space with other blacksmiths, you usually want to announce that you're welding before you do, so that everyone in a five-foot radius can get out of that five-foot radius. You also cannot just stuck some random pebbles into the forge and get a decent piece of metal that you can actually make something with, Steven Universe. It doesn't work like that, Steven Universe.
Anvils are really fucking heavy. Nothing else to add here.
Making jewelry is not a blacksmithing thing unless you want jewelry made of steel. And it will be very ugly if you try. Blacksmithing wasn't invented to make small things.
If there's anything here I didn't mention, just ask and I'll do my best to answer.
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pikkington · 8 months
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I still think about the FNAF 3 minigames.
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fandom-go-round · 5 months
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Realizing They're in Love: Reader x BG3
Warnings: Implied Internal Trauma, Personal Relationship Issues, Gross Stuff like Falling in Love
Astarion:
            He argues with himself for a long time before love comes to mind. It’s bad enough that he’s starting to like you but love? That’s just going to make things even harder. Astarion feels like the more he tries to talk himself out of it, the worse it gets. You corner him after dinner one night and he smiles, turning up the charm. You ignore his nervousness, giving him a simple wooden box. He immediately fills with dread; you want something. Of course you do. He’s not expecting there to be a book inside, the next one in the series he’s reading. You assure him that you don’t want anything in return, giving him a gentle smile before heading to your own tent. His heart thunders in his chest, fingers trailing over the cover. He’s not in love, Astarion tells himself as he goes to start the book. He can’t be but… if he is, it’s not the worst feeling in the world. Not with you.
Gale:
            He’s not against falling in love per say, Gale just isn’t looking. Honestly he’s not. This is more social interaction than he’s had in years and he’s not trying to fuck it up, thank you very much. That doesn’t mean he can’t forget himself, especially when you start asking him questions about magic. Gale loves magic most of all and he only realizes he’s been ranting after twenty minutes. He winces, scolding himself mentally and turns to you. You’re both sitting on the floor of his tent, sipping tea in the early afternoon. He fully anticipates that you’re going to half awake, bored to tears and doing something else. Instead, you’re staring at him with rapt attention, eyes bright and small smile on your face. When he’s silent for too long you ask him to keep going, asking if he’ll keep explaining. Gale is more than happy to continue, something warm in his chest. He hopes that you’ll keep looking at him that way even after he stops talking. And you do.
Halsin:
            Loud barks and hoots draw Halsin’s attention, the druid looking up from his papers. You’re a bit away from camp, Scratch and the owlbear cub playing with you. The three of you are chasing each other and wrestling, the cub slamming into the back of your knees. Halsin watches you go flying before laughing and grabbing the cub as best you can. You half swing him around, Scratch barking as you send his friend flying. The owlbear cub gives a roar, rolling through the grass and you laugh, chasing after the dog now. Halsin can’t help but smile; you’re so kind of everyone around you and he enjoys that you can relax. He hasn’t been ignorant to the feelings developing in his chest, just focusing on different things. The warmth he feels only grows as he watches you and he vows to talk about it. Halsin is sure he recognizes the looks you send him; he just needs to find the right time.  
Karlach:
            She realizes she’s in love after a tough fight. Her blood is still pumping and she wants more enemies to show up so she can have an excuse to go wild. You’re joking around with Wyll on the other side of the battlefield, the warlock turning to say something to you. You offer a smile and begin to hike up the slope and trip. Karlach watches in slow motion as you land hard on your ass, sliding down mud straight into the river. Wyll is frozen on the edge of the bank and she quickly makes he way over, worried that you’re injured. By the time she gets over there, you’re laughing loudly, head thrown all the way back. Her heart skips a beat; you’re covered in blood and mud and all sorts of gunk but all she can see is the right smile on your face. She’s in love.
Lae’zel:
Lae’zel doesn’t call it love. It’s admiration, respect for your skills. There are very few people she would follow verses leading herself and she admits that you’re good at it. She also enjoys the sex and that’s always a bonus. The sun is just beginning to go down and you stop on the edge of a cliff to watch. Lae’zel turns to scold you (the group needs to get back to camp) but she’s struck by your figure. You look like a painting, noble and steadfast. Your face is determined but not tense, taking in the sunset. There’s something in your eyes, something softer than she expects and it takes her breath away. She swears to herself and turns away, missing the affectionate look you send her. She’s doesn’t call it love, even if deep, deep down she wishes she could.
Shadowheart:
            Night has finally fallen on a long, long day. Shadowheart is thankful that you’re the one with her on first watch tonight; your silence isn’t looming as she prays and the sound of sharpening blades is soothing. There isn’t the need to fill the silence with noise and it feels calm in a way that’s unfamiliar. Usually she finds the night comfortable but cold, like an winter breeze. You’re like the night but warm, a balm on an open wound. She smiles as she watches you, not looking away when you meet her eyes. You smile and she’s filled with affection, even as her hand throbs. The pain is worth it; you make her feel truly seen.
Wyll:
            You’re crouched by a small cave, voice low and arm outstretched. The group had just finished a fight, a camp overrun with bandits. Wyll scowled to himself, looking over the bodies strewed over the ground. The people had been innocent and he wished he had been faster. Movement catches the corner of his vision and he turns, watching as, slowly, a child comes out of the cave. They’re covered in dirt and blood but you smile and they take you hand. Wyll can’t the stop the soft look from coming onto his face as you begin the check for wounds. The world can be a dark place but you give him hope; it’s more than he deserves.
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inkskinned · 1 year
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something bad happened to you, and you died, and you came back wrong.
not wrong all the way. the little ways. you forget important dates, stopped going out with friends. it's harder to make you smile. you're apathetic towards things you used to love, afraid of places you used to go to cheer up. quieter. flinching. different.
you came back for love. you're still here for love. what pulled you back was a brightness so loud that even death couldn't outshout it. death heard the call and smiled at you and said okay. go home. somebody is waiting for you.
but you came back different. like lot's wife; you've turned into salt. you used to chirp through life in hops and skips; but now you lose skin just standing up. you have to move slower, skimming across this world without-touching-it. most things feel dull - until they're suddenly all-too-much. life, and being alive just rushes up and over you and you get hopelessly crushed.
you try to explain it to them: it is ugly, but this is what you are, now. the huge golden hoop of your halo now a little bronze ring. you are still watering your plants and wearing the same clothes. after all, you worked hard to come home. this life; so odd and off-color, now that you are wrong.
but they waited for you - it's just that they wanted the "you" that happened before this. the "you" that could sing in the show and hug people tight and look at a blade without breaking down to cry. the you with a smile in pictures. god, holyshit, it's like looking at a completely different person, isn't it. that other-you; the one they actually wanted.
you are the consolation prize. you are the body that forgot the ghost. you are the memory of the bad thing, and the death after; like you are wearing that memory as a banner. you are a fragment, an assembly. simulacrum. you don't make eye contact in mirrors, afraid the light will glance off and your true nature will flash back at you.
you hear them talk about it in their hushed, desperate whispers. sometimes they even admit it to your face; harsh and violent, acid thrown at christmas dinner. god, can you just fucking be normal again. you do not remember what normal is. you had to climb so far to get back here; you are far too exhausted. you want to open the glass door of your heart and show all the gears. can you help resolve whatever got messed up?
you try so, so hard. you came back for them. because you believed they would love you, even when you were so horribly broken. because you believed they would be patient. because you believed unconditional meant "without exception." you cannot do things the same way. you just get tired too quickly these days.
you want to put them on a couch and pour them the tea with hands that shake more than they remember. you want to line them up and draw them a map of where you have had to wander. you want to show every bruise in a backsplash; the little helpless ant of your soul carrying all that weight, over and over. you want to say: yes! it is different! but i did it for love!
you want to say: "i'm not the same, but i'm yours and i'm here. can that be enough?"
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Luffy X Reader: Love bites
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Only joined the One piece fandom recently and i'm already obsessed with Luffy ❤️
Warnings: Smut, public sex (they're asleep but still), biting, hickeys, oral (f reciving), cum eating, unprotected sex, penetration(p in v), fingering, handjob, kissing, fluff, luffy being luffy.
Word Count: 3,2K
The crew had just come back from a rather successful adventure and decided to celebrate over some drinks. Some drinks turned into many drinks and now you found yourself surrounded by your drunken crew mates, the moonlight shining against you. Usopp was passed out on the floor mumbling in his sleep, Nami and Zoro were having a contest to see who could do the most acrobatics without getting nauseous and Sanji was off to the side flirting with a statue you'd retrieved in your mission. You observed your crew with a small smile. You hadn't drank as much as the others so you were just a little buzzed. Maybe a little more giggly than normal but nothing too bad. You closed your eyes, breathing in the salt air.
You loved this life. The pirate life. Sure, you were constantly on the run and it seemed everyone had something against your crew but it didn't matter. You felt at home with your bundle of misfits. Your odd little family. You'd owe Luffy for the rest of your life for dragging you along. Without him you'd still be stuck on your little island withering away in boredom and loneliness. Luffy had this effect on him, this hidden talent of finding people who needed him without them even knowing it. Luffy was…. 
Where the hell was he?
You opened your eyes abruptly, searching the ship for your raven haired Captain. Nothing. Luffy was nowhere to be seen. He was probably in the kitchen you thought. Just as you were about to close your eyes again you felt something grab you. Your instinct was to fight but when you saw his familiar smile the fear disappeared. Luffy had wrapped his arms around you and dragged you over to where he was sitting. He'd dragged you across the ship like you weighed nothing. Even after knowing him for a while his abilities still surprised you. 
"Hi Luffy.”
“Hi!”
His breath smelled of alcohol and his words came out slower than usual. You couldn't help but smile at the way he looked, all blissed out and beautiful. Falling for Luffy was easy. Inevitable even. He just had this energy to him, this magnetic pulse that seemed to drag you to him. 
The rest of the crew felt it too. It was why they decided to join him on his adventure with little hesitation. But what you felt was different. You’d catch yourself admiring your Captain constantly. It didn’t matter if you were in a fight, running for your lifes or just hanging out on the Merry your eyes always seemed to dart in his direction. You wondered if the crew noticed it. You thought you were very discreet with it, sneaky even. Sure there were times when your gaze would linger for too long but no one had ever mentioned anything so you thought you were safe. It’s funny how oblivious people can be when they choose to believe something. 
“You okay Luffy?”
“Better now.”
Luffy’s arms wrapped around your thorax like an odd meaty corset. You gasped slightly when you felt him lift your body up and place you on his lap, your legs settling on the sides of his thighs. Luffy was an affectionate person. He loved  physical touch but this was another level of contact. One you weren’t used to receiving. You placed your hands on Luffy’s shoulders forcing him to release you slightly so you could look at his face. 
“Are you sure you’re okay Captain?”
Luffy closed his eyes, taking a deep breath in as he did. When he opened his eyes once again there was an odd look to them. You were used to seeing his bright eyes opened wide with joy or wrinkling on the sides as he smiled, something he did a lot. But now his eyes had a certain look to them. They looked a lot like they did when he was serious about something but there was a slight twist. A sort of seductive energy to his gaze. His eyes bore into yours causing you to swallow dry. Luffy tilted his head to the side a little before moving to look at his arms wrapped around you. You watched as he licked his lips slowly. You opened your mouth to ask him once more if he was alright but before you could do so Luffy pulled your chest flush to his and sank his face into your neck. You felt his nose move against your collarbone, your eyes fluttering shut at the feeling.
“You smell so good.”
You felt him take a deep breath in, the warm air tickling your skin. 
“Could eat you up.”
“Luffy, are you sure you’re-Ah!”
Luffy’s teeth sank into your neck without warning causing you to moan out. Before you could even process what was happening Luffy was already kissing the place where he’d bit you, his tongue lapping over the tender skin before sucking gently. Your head lulled to the side instinctively giving your Captain more access to your flesh. Your breath came out in short bursts as Luffy continued to lavish your neck in hickeys. You didn't expect this. Not from your Captain. Not from Luffy. Yet here you were. 
Your hands moved to the back of his neck grabbing the hair on the base and giving it a small tug when Luffy gave you a particularly rough suck. Luffy groaned at the feeling, his hips moving up to rut against yours. You felt the stiff outline of his dick against your clothed cunt. This is really happening. You weren't just imagining things. The thought seemed to snap you out of your lustfull daze. You grabbed Luffy's hair tugging him on your neck with force. Your Captain glanced at you questiongly calling out your name in a whisper.
“What's wrong?”
“You're drunk Luffy.”
“So are you.”
“Not as much as you are. I’ll remember this in the morning. I won’t regret it but you-”
“What makes you think I'd regret this?”
You opened and closed your mouth trying to come up with a good answer. The truth was you weren’t used to people desiring you. You’d grown up in a place where everyone made you feel like you weren’t enough. Not pretty enough, not smart enough, not good enough. After being told that your entire life it’s hard to believe it isn’t true. And Luffy was, well he was Luffy. Luffy your friend, Luffy your captain. Luffy the boy who had saved you. The boy you loved. Woah, first time you'd allowed yourself to admit that.
“Hey.”
Luffy seemed to sense your fears, his hands unlatching from your body so that he could hold your face.
“There are better people out there, Luffy.”
“I don't want better. I want you.”
Your eyes widened at Luffy's words, lips quivering slightly. You placed your head against his nuzzling your nose against his. Luffy grinned against your skin before placing a peck on your lips. You leaned back, glancing at Luffy's lustful eyes before latching your lips to his. The kiss was messy, the way Luffy liked it. He devoured your mouth, sucking at your bottom lip. You opened your mouth to him, tongues tangling with each other in a sort of desperate dance. Luffy's hands found their way to your ass grabbing onto the flesh roughly. You moaned against his open mouth, hips grinding down on his crotch. 
“Ah porra, isso gatinha.” (Oh fuck, thats it darling.)
You didn’t understand anything when Luffy spoke Portuguese but the sound of his voice when he talked in his mother tongue did something to you. You pressed your thighs against Luffy's legs trying to get some much needed friction. Your captain noticed your needs, his hands travelling down to your pants. His fingers toyed with the buttons before glancing up at you.
“Can i?”
“Yes please Luffy. Need you.”
The whine in your voice made Luffy growl, his hands working rapidly to gain access to your pussy. The moments his digits found their way to your folds you keened. Your body launched forward, head resting on Luffy's chest. He played with your folds, gathering up your juices in his fingers.
“So wet for me baby.”
“Only for my Captain.”
Luffy liked being called Captain in general but the way the title sounded slipping out from your lips did something unspeakable to him. He plunged a finger into your cunt grinning at the small moan that escaped your lips. He thrusted his finger into you for a moment before adding another one. You gripped onto Luffy's arm, your nails digging into his forearm. Your eyes fell on Luffy's arm as he fingered you, watching the muscles contract as his hand worked on bringing you to bliss. You didn’t expect it, the thought had never occurred to you but before you knew it you were sinking your teeth into Luffy's bicep. Luffy's hand stopped moving against your pussy, his whole body going rigid. Fuck. Did he not like it? Had you ruined the mood with your actions?
“Luffy i’m so-”
“Do that again.”
“Huh?”
“Do that again.”
Luffy's voice dropped an octave as he spoke, his eyes glossed over and his pupils blown wide. You looked at him hesitating for a moment before biting down on his arm again. The moan that ripped itself from Luffy's throat was feral. His hips bucked up into your forcing his fingers to go deeper into your pussy and causing you to let out a moan of his name. Your hand clasped around your mouth, eyes widening as you remembered where you were. You turned your body so that you could see where the others were. A sigh of relief left your lips when you realised that the rest of your crew were passed out. Completely unaware of what you and their Captain were getting up to. You turned your attention back to Luffy caressing his hair before placing another kiss to his lips. You bit his lip and tugged causing his skin to stretch a little as you did. You let out a giggle.
“Sorry!”
“It’s okay. I liked it”
“Oh yeah?”
You repeated your action this time grinding your hips down on his as you did. Luffy gritted out your name, teeth finding your neck once more as he bucked up into you. He removed his fingers from your cunt and shoved them in his mouth. 
“So sweet. Taste so good.”
Luffy's innocent eyes glance up at you.
“Let me taste you.” “You don’t have to Luffy.”
“I want to. Please let me eat it.”
“Oh-okay.”
Luffy manoeuvred you off his lap laying you down on the bench. You watched as he tugged down your pants exposing your cunt to him. Even in the dark you could see the smile that appeared on his face as he glanced at your pussy. He kneeled on the ground tugging you by legs. He placed either leg on his shoulders, his fingers playing with your folds. 
“Look at that. So pretty.”
“Luffy please…”
Luffy didn’t want you to beg. He had no desire to tease you. All he wanted was to make you feel good. And that was exactly what he did. Luffy ate you out like you were the last meal he’d ever have. You had to bite into your hand to keep yourself from moaning too loud and waking the others. The thought of one of them waking up and finding you like this scared you but in a strange way it also gave you a small thrill. You liked the thought of people seeing Luffy worshipping you like you were the only person in the blue sea. Luffy enjoyed the thought too but for a completely different reason. He liked the idea of the crew seeing that he was the one who made you feel like this. That you were his and his alone. You didn’t notice it because you didn’t value yourself but anyone in the crew would worship the ground you walked on if you’d let them. But you’d chosen Luffy and he wanted everyone to know it.
“Luffy baby-Uh ah-i’m close!”
Luffy wanted you to cum, he wanted to see the way your face scrunched and your eyes rolled back but he didn’t know if he could last much longer without being inside you.
“Can I put it in?”
“What?”
“Can i fuck you right?”
Your orgasm was clouding your mind and Luffy's fingers made it hard to think straight so it took you a moment to understand what he was asking. The second you understood you nodded your head enthusiastically.
“Please Luffy, need you baby. Need you inside.”
Luffy's arms wrapped around you once more lifting your limp body with ease before settling you down on his hips again. Your hands found their way into his pants grabbing a hold of his cock and making him hiss. You licked a strip down your hand tugging Luffy's pants down so that his dick could be free. You watched the pre cum leak from his shaft, your thumb moving to collect it before placing it in your mouth. You sucked on your thumb, eyes never leaving Luffys as you did. You gave his cock a couple of strokes, observing his Adam's apple move as you fastened your pace. Luffy's hand wrapped around yours stopping your motion. You raised your eyebrow in question. 
“If you keep doing that I'll cum.”
“Maybe that's what I want.”
“Well I plan on cumming inside that pretty pussy of yours.”
You paused, surprised at Luffy's words. You didn’t imagine something so naughty could come out of the sweet boy's mouth.
“If that's okay with you that is.”
“Oh sweet Luffy.”
You leaned down so that your mouth was near Luffy's ear before whispering. 
“I want you to stuff me full.”
That did it. Luffy's hands moved to wrap around your thighs, lifting you up so that he could line his dick up with your entrance. The both of you moaned as your bodies joined. Your walls fluttered around Luffy's dick making him bite down on your shoulder. You sank your hands into his hair, grinding your hips against him slowly.
“Luffy you have to move…please-ah uh- move.”
You started to set the pace, bouncing up and down on Luffy's cock with ease. After a while your legs began to hurt and your rhythm started to falter. Luffy could tell you were close to cumming, not being so behind himself, and decided to take over. He began pistolling into you using his arms as leverage. In a matter of seconds the two of you were seeing white. You screamed out Luffy's name as you came, feeling his seed paint your walls. The two of you stayed silent against each other trying to catch your breath. You heard someone stir behind you causing you to look back. You went to get off of Luffy but his hands held you in place.
“Luffy someone’s awake we have to-”
“Shhh wait a minute.”
Usopp appeared from the other side of the deck, his hands against his head as he stumbled over. He didn’t seem to notice where he was going but then his eyes fell on you. He called out your name and you ignored him, hiding your face in Luffy's neck.
“Luffy is she okay?”
“Yeah she’d just tired. I’m going to take her to bed.”
Luffy stood up his dick shifting against your sensitive walls. You moaned and Luffy hissed at the feeling. Luffy's arms were wrapped around your ass in a way that made it impossible to notice you weren’t wearing any pants. You could feel Luffy's seed running down your bare thigh. 
“Oh okay. I think I'll go to bed too. My head is killing me.”
“Goodnight!”
“Night Captain.”
Luffy watched Usopp pass by the two of you without doubting a thing. He even stopped for a moment and whispered goodnight to you, completely unaware of what was happening. As soon as your sharpshooter was out of view Luffy raced across the deck to his bedroom. When the two of you arrived he unwrapped his arms from you and placed you on his bed immediately tugging you to the edge and kneeling down. Luffy spent the rest of the night with his face buried in your cunt pulling orgasm after orgasm out of you.
You woke up the next morning wrapped around Luffy's sheets. A small smile found its way onto your face as you recalled last night's event. You turned to snuggle into Luffy but instead you were greeted with an empty bed. You got up, grabbing your clothes from the floor and putting them on. You smoothed your hair with your hand, yawning as you made your way out of Luffy's room. You walked over to the kitchen. Just as you had expected, you found Sanji and Zoro.
“Morning boys.”
You smiled at the cook who winked at you before glancing at Zoro. The swordsman had a smirk plastered on his face.
“What is it moss head?”
“Someone had a good night.”
You froze for a moment but then regained your composure. There was no way he knew. They had been fast asleep. Zoro was testing you and you weren’t going to fall for it.
“I have no idea what you're talking about Zoro.”
“Sure you don’t.”
“I mean it moss head. Nothing happened. I drank with you guys and then went to bed okay? Whatever you think happened must have been some drunk hallucination.”
“I’d believe you. If it weren’t for those.”
“For what-”
Oh shit. You glanced at your reflection in one of the pans eyes falling on the purple bruises littered all over your neck and chest. You looked at Sanji and then at Zoro.
“Shut up.”
“We didn’t say anything.”
“Hey it’s alright, everyone deserves a good time.”
“Yeah well at least I wasn't flirting with a chunk of rock last night.”
With that you left the kitchen ,the sound of Zoro's laughter being muffled as you made your way to the deck. You passed Nami and Ussop on the way, giving them a brisk good morning and not missing the way their eyes moved from your face to the hickeys on your body.
“Quiet.”
“Didn’t say anything.”
“Yeah yeah. Where's Luffy?”
Ussop pointed to the top of the Merry. You thanked him and made your way towards the straw hat pirate. Luffy was sitting crossed leg on top of the head of the lamb. You made your way over, calling out his name. He turned at the sound of your voice, greeting you with a smile. He got up and met you halfway.
“Goodm-uff.”
Luffy pulled you into a kiss which you returned. You pulled away after a while smiling wide as you looked at Luffy. 
“Sit with me?”
“Sure.”
You began to sit down but Luffy was quicker. He grabbed your body and dragged you onto his lap. You laughed as he nuzzled into your neck. He placed a kiss on the marks he’d made last night before moving to give your forehead a kiss. You grinned, caressing his hair lovingly. You could get used to this. Just the sea, Luffy and your crew. A good life. One you deserved.
3K notes · View notes
homunculus-argument · 7 months
Text
I know it would probably be a logistical nightmare to also make this accessible to the actual people represented, but I think it would be cool to have a game where the whole point is that every character has different limitations, that make it impossible or at least incredibly difficult to get past the whole game without switching them every once in a while, and the way you switch is by going to another character and asking their help with something.
Like you start out the game with one character and go "oh huh, the colour sceme of this game is really cool, really interesting use of such a limited palette", play through the puzzles for a while, and then encounter something where you're supposed to arrange some slightly differently coloured puzzle pieces to the right order by shade or something, and it's goddamn impossible. No matter how many methods you try, it's just not clicking, no matter how logical your solutions seem, no matter how clearly they can't be arranged in any other way that'd make more sense.
And maybe you go online to ask people "hey I'm stuck in the colour puzzle, what the hell am I supposed to do to get past this?" and someone tells you to go find one of the other playable characters and ask for their help. Which sounds patronising and stupid but you're stuck so you might as well give it a try. You go to one of the other characters, choosing the dialogue option to go "hey I need a hand with something, I can't do this on my own", and when they go "sure, let's go", your controls now switch to the other character.
And the colour scheme switches immediately. The aesthetic limited palette has changed to a far wider range, there's details in the environment that you hadn't noticed, like the muted faint flowers on the ground are actually bright red, the greyish shirt that your first character was wearing is actually striped with orange and green. The first POV character is colourblind, this whole time you haven't been able to perceive the difference between green and red. Solving the colour arranging puzzle with the other character is a breeze.
And this is the repeating theme of the game - every character has their own limitations, and while none of the puzzles are easy, you learn to think "maybe I should ask someone to help me with this" whenever you've been stuck for an unreasonable amount of time. You need to grab a buddy along for the quests, or you'll need to go back to get one eventually, and the way the game is structured somehow ensures that you can't just tactically dodge the limitation puzzles beforehand. Deaf character's POV doesn't have the audio clues that different pieces of the same puzzle make a different clicking sound, the puzzle with garbled numbers on it stops being garbled when you're not playing the character with dyscalculia.
You slowly get to know the whole cast, and occasionally help them out with things, too. You know which character could probably help with something you're stuck with, but while they'd be glad to come help, they're unfortunately stuck doing some task that could take you 20 minutes but is going to take them all afternoon, and you can offer help. Sometimes the helping-a-buddy-out minigames don't come with any direct transactional reward, you can just help a friend with something just because you can.
And the game's whole goal isn't to just illustrate how different people have different strengths, and sometimes things that are easy for you are hard for someone else, and vice versa, but to condition the player to think "maybe I should just ask someone to help, instead of wasting time struggling on my own."
3K notes · View notes
cupid-styles · 2 months
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renaissance (art teacher!yn x single dadrry)
Tumblr media
in which y/n is harry's son's art teacher and he develops a big dumb crush on her. or: kids art teacher!yn x single dad!harry
word count: 6.5k
content warnings: none, just kids! some mentions of different types of familial relationships/dynamics (death of a parent)
masterlist | talk to me
. . .
"Alright, kiddos, let's clean up our big, beautiful messes!" 
Y/N claps her hands three times to signify that class is slowly crawling to an end. Her hour-and-a-half art course for kindergarteners is one of the longest and, if she's being honest, labor intensive classes that she teaches. It's set at the end of the school day from 2:30 pm to 4 pm, designed specifically for parents that work late or need to place for their little ones to go after school is over. Most of her students' parents are single and working full-time, or have intense careers like nursing or... whatever it is they do. 
Y/N weaves her way through the small smattering of children ambling over to the sinks. She watches to make sure they're having an okay time with washing out their paint cups and rinsing their brushes, followed by using the correct amount of hand soap to scrub paint stains away.
(That one almost always requires extra help — to this day, she tries not to get frustrated when she thinks about Johnathan dumping an entire bottle of Dawn soap all over his clothes because he had a tiny bit of yellow marker on his tee-shirt. It was the price she paid to teach kids, though.) 
"Clementine, do you need a little help?" she asks, peeking over to one of her quieter students. With fluttering lashes and a slightly baffled look on her face (Y/N could always tell when she was getting stressed out by the way her little eyebrows wrinkled together), Clementine nods, and Y/N makes quick work to appear behind her. She gets down to her level, where her Mary Jane-clad feet are resting atop a stool to help her reach the sink. "What's going on, lovebug?"
"'s everywhere," Clementine whines lightly, her bottom lip forming a sad pout. "Paint all over my hands!"
"I see that, sweetheart! But you know what?" Y/N makes a show of pretending to look side to side to ensure no one else can hear her. "It's okay if we get a little messy sometimes. The cool thing about everything we play with in this class is that it's colorful and pretty, and if it gets on our clothes or our bodies, it can get washed away."
Clementine considers this for a moment. Her hands are still stuck under the lukewarm stream of water, where the caked on hues of bright pink and orange are slowly starting to fade away. "What about on my art?" she asks slowly. "Will that get washed away?"
"Nope," Y/N shakes her head. "That stays forever. But on your clothes and body? It doesn't stand a chance."
"Oh. Okay."
And just like that, Clementine's minor stressed out moment floats away. Y/N smiles to herself as she pours a bit of soap into her small hands and helps her scrub them together, the lingering paint forming a pretty swirl down the drain. 
"There you go, lovebug," she murmurs as she stands back up, giving her head a light pat, "Don't forget to grab your painting when mommy picks you up, okay?"
Clementine nods and scampers away to her table. She chuckles, placing her hands on her hips as she takes stock of the kids. She has about 10 minutes until it's officially time for dismissal, and most parents are good about picking them up right at 4 pm. She thinks about playing a game with them to keep them occupied, until she sees it. 
Riley Styles. With globs of red paint in his curly, brown hair. 
"Oh my god," Y/N mumbles to herself, rushing over to Riley's table, "Riley! Can I ask what happened here?"
She tries to keep her voice at a measured, not-freaked-out level, but it's kind of impossible given the child standing before her is dripping with paint. 
"My cousin has red hair." Riley answers simply before shrugging his shoulders. "I think she uses paint, too."
"Ohhhh, I see," Y/N replies, pressing a gentle hand to his back, "Well, Riley, I think it would be best to clean this up. It look like it feels a little messy and icky." 
Her stomach is bubbling with anxiety as she glances up at the clock. There's now eight minutes to dismissal time, and Riley's dad is never late. 
"But you told Clementine that messes are okay—"
"Messes are always okay!" Y/N exclaims in an embarrassingly high-pitched voice, "Um, why don't you come with me to the bathroom, Riley?" 
She doesn't give him an opportunity to reply before she's looping his hand with his and making quick steps to the faculty bathroom. Realizing she's just left 15 kindergartens in a room unsupervised with a plethora of art supplies, she peeks into Lea's classroom. 
"Lea! Hey, um, Riley and I need to go to the bathroom to clean up a little mess! Can you keep an eye on my kids?" 
Lea, who already has her jacket zipped up and looks like she's about to walk out to her car, furrows her eyebrows. Her eyes widen when Y/N backs up slightly to give her a view of Riley, who has been trailing red paint with every step they take. 
"Oh my god!" she all but squeals, and Y/N's jaw clenches, "Yeah! Sure! No problem! Good luck with that mess, Riley!"
Y/N resists the urge to roll her eyes at her friend as they finally make it to the bathroom. She glances down at her watch, which tells her that took a whopping three minutes of their time. Swallowing tightly, she tries to figure out the best plan of attack, ultimately deciding that it would be best if she just attempted to wash his hair with soap and water while he stood there. 
"Alright, Riley, can you try and stand still for me?" she asks, already pumping an absurd amount of hand soap into her hand, "I'm going to try to help get this mess out of your hair. Don't you miss those pretty curls you have?"
He shrugs as she begins to lather the soap between her hands. "I thought my cousin's hair was pretty."
"I'm sure!" she replies, massaging the foamy liquid into his hair. She's never been so thankful for washable paint before as the tints of red that latched onto his strands begin to wash away. "She probably didn't use paint though, and it's important that we keep the paint on our projects instead of our hair."
"Messes are okay, though. You said it."
She grimaces. Why do kids remember everything?
"You're right, messes are totally fine! But those are accidental messes. It's alright if we get it on our shirts or hands, but paint doesn't go in our hair. Does that make sense?"
His hair is completely saturated with hand soap now. She doesn't have a better way to wash it out (other than dunking the poor kid's head in the sink, which definitely feels unethical), so she's simply getting her hands wet and washing out section by section. It's going moderately well, especially since Riley's hair is on the shorter side, until the bathroom door bursts open, followed by angry footsteps.
"Riley!" 
Y/N turns, her mouth forming an embarrassed o-shape when her eyes make contact with a seething Mr. Styles. 
"Daddy!" Riley exclaims, rushing over to his dad. He latches his arms around his leg, giving them a squeeze, and getting the watered down red paint everywhere in his wake. Y/N winces. 
"What are you doing alone with my son in a faculty bathroom?" He demands, jabbing his finger in Y/N's direction. 
"I'm so sorry! H-he put red paint in his hair and I needed to wash it out, this was the only place I could do it since the kids' bathrooms aren't big enough—"
"And you didn't think to take another faculty member with you?" He spits angrily. Riley's now running around in circles, shaking his hair out like a dog. "How do I know you weren't doing anything—"
"I would never do anything inappropriate and you know that, Mr. Styles," Y/N cuts him off, feeling rage bubble up in her chest, "You've been sending Riley here for two years and this is the first time anything has ever happened. Until now, both you and him have only ever been happy with your experience here."
Mr. Styles clamps his jaw shut, his gaze falling to Riley, who's now pacing back and forth with his hands behind his back. 
"It's washable, then?" he asks through a clenched jaw. "The paint?"
Y/N swallows, then nods once. "Yes. Everything we use is washable and water-soluble. It was coming out fine before."
He straightens his posture and runs his tongue over his two, slightly overlapped front teeth. "Okay. Riley, come on, we have to head home now."
Mr. Styles stretches out his hand and Riley takes it happily, his smaller one clutching his dad's fingers. The sight makes Y/N's stomach squeeze, but she quickly diverts her gaze and clears her throat. 
"I can grab his backpack and jacket," she says, boots clicking against the tiled floors as she walks out of the bathroom. Her face is warm and she feels tears lining her eyes, but she refuses to let herself cry in front of a parent. What she said to Mr. Styles — it's true. She's been working at the studio for five years and nothing has ever happened. She supposes a fuck up was overdue, especially since she works with kids, but it doesn't lessen the sting any.
She's surprised when she hears footsteps behind her, realizing that they're following her. She swallows the lump of tears in her throat and flashes Lea a small, forced smile when she returns to her classroom. The rest of the kids are gone already, their belongings and paintings with them. 
Y/N walks over to the cubbies, where Riley has his jacket and backpack hooked. Gently, she removes them, and turns to hand them to Mr. Styles.
"Again, I apologize for today. I was helping another student clean up and I must have missed this entirely," she says, trying her best to keep an even tone. 
Mr. Styles nods awkwardly, taking Riley's stuff into the crook of his arm. "I, um, apologize for insinuating that you'd do anything... unsavory. I know you wouldn't. I just panicked."
"I understand completely." she replies, and she means it genuinely. 
"Daddy?"
They both look down to see Riley tugging at his dad's pant leg. 
"What does usavory mean?" 
Mr. Styles and Y/N's heads both snap back up, eyes wide as they stare at each other.
"...Nothing," he says with a small smile, making Y/N's own lips curl into a grin, "I got you dino nuggets for dinner. Doesn't that sound yummy?"
Mr. Styles waves goodbye to her as he pulls Riley out of the classroom, chanting dino nuggets! dino nuggets! on his way out.
. . .
When Riley doesn't show up for class the following week, Y/N sincerely contemplates poking her eyes out with paintbrushes. 
She feels stupidly embarrassed. It took her two full days to move on from the whole red-paint-in-the-hair thing, in which she replayed every single moment of Mr. Styles staring her down like he wanted to pummel her across the city. And while she thinks things ended on a relatively decent note, she wonders if he was just being polite and now he was pulling Riley out of her afterschool art classes. 
She's never had a parent unenroll their kid for reasons that weren't out of her control. Moving? Sure. Wanting to try a new activity? Understandable. Parents wanting to spend more time with their child? Y/N wouldn't dream of getting upset over that. But Mr. Styles, who always showed up at 4 pm on the dot in his neatly pressed slacks and crisp button downs to retrieve Riley from class? 
She didn't know much about him. Unlike other parents, Mr. Styles didn't care much for idle chatter or small talk. For most of her students, she knew at least something about their personal lives or home dynamics — Reese's mom was a pediatric nurse, Tyler had a twin sister who preferred playing soccer after school, and Sabrina's dad passed away when she was a baby, so she lived with her grandparents and mom. 
Anything she put together about Riley's home life was from pure speculation: His mom never picked him up, so she wasn't sure she was in the picture. (She doesn't think Mr. Styles is married, either, considering he doesn't wear a wedding ring, but that's neither here nor there.) He alway showed up to the art studio in professional work clothes, which led Y/N to assume he came straight from wherever he worked. Riley never spoke about having any siblings, so she thinks he's an only child.
And that's about it. 
She spends the entirety of class holding her breath and mentally preparing for her boss to ask to see her once all the kids were picked up. Nina would probably start out by thanking her for all of her hard work over the past five years, and then before Y/N even realized it was happening, would switch over to her lack of care for Riley and the complaints made on Mr. Styles' behalf. She could envision the words leaving her mouth now: And so, we have no choice but to let you go, Y/N. 
Except... to her surprise, that doesn't happen. Nina doesn't come in after dismissal and she even tells her to drive safe on her way out of the building. There aren't any meetings placed on her schedule in the week that passes by before Y/N's next course with Riley's group, and she's damn near shocked when her students come bustling in seven days later, the curly haired boy included. 
Today, Y/N teaches them about working with oil pastels. She breaks the medium down to a very basic, understandable level for kindergarteners and lets them go wild after her usual 15 minutes of instruction, instructing them to let their creative minds run wild. It's one of her favorite parts of teaching art to kids — they rarely overthink it, instead just allowing whatever flows to come through to the paper. 
Unsurprisingly, oil pastels aren't as messy as paints, so there's less clean-up required than their previous unit. At 4, the parents arrive in quick succession, though when her eyes flit to the clock, she's surprised when Mr. Styles still hasn't picked Riley up by 4:07. 
She doesn't like to bring attention to late parents (she's found that some kids get all knotted up about it, worrying that something happened), so she usually has a few busy activities prepared for this very event. She grabs her folder of coloring pages to bring over to Riley's table, who's busying himself with peeling glue off of the worn, messy table. 
"Okay, Mr. Riley, what are we in the mood to color tonight?" she asks, flipping open the folder, "We have a garden, a firetruck, or a puppy!"
Riley silently contemplates the pictures in front of him and for a moment, Y/N feels like some childhood psychiatrist analyzing his decision. She has nothing to examine, though, beyond the fact that she's hoping he opts for the puppy or firetruck so she can work on the garden as they wait for Mr. Styles. With his small tongue poking out from the side of his mouth, Riley taps his finger decidedly on the puppy.
"This one, pwease."
She smiles and nods, stuffing the firetruck back in the folder and keeping the garden and puppy out. Riley always expressed good manners, and his sweet "pwease" and "tank you"'s always warmed her heart. 
"Sounds like a plan," Y/N pulls the cup of used Crayola crayons so they're within easy access. She buys a new pack every semester because, as she expected from her very first year working here, kids love to destroy crayons, even if they don't always mean it. Even from just a few months of use, the current 64-array is in rough shape. "Do you have a puppy at home?"
Riley shakes his head as he immediately grabs a teal color to color in the fur. "No. I want one, but Daddy says no."
"Puppies are definitely hard to take care of," Y/N nods as she pulls out a light pink for the flowers on her page. "I have a cat. Her name is Biscuit."
"Biscuit?" Riley giggles. Y/N grins. 
"Mhm. She loves to jump up on the kitchen counter and eat whatever food I make," she leans in closer and lowers her voice. "It's pretty naughty, if you ask me."
Riley's giggles erupt into full-fledged laughter. Y/N can't help but chuckle, too, but it's almost immediately cut off when Mr. Styles rushes in, looking frazzled with a bouquet of flowers in his hand. 
"Oh! Daddy's here, Riley," Y/N announces, standing up from the little table. Riley turns around with a grin, excited to see his dad as always. 
"Hey!" Mr. Styles greets loudly, though his tone teeters on nervousness more than excitement. "I'm so sorry I was late. I had to, um... make a stop, and there was a lot of traffic. Rush hour."
Y/N nods understandingly, "That's alright. Riley, do you wanna show Daddy what you made today?"
"Actually, uh, one sec bud— why don't you keep coloring that... blue puppy, huh?" Mr. Styles's eyes peer over the page he's diligently working on, an expression of confusion making Y/N press her lips into a small smile. Completely content, Riley continues on, and Mr. Styles darts his eyes back over to Y/N. "Um, do you have a moment?"
She nods, swallowing harshly. She assumes this is it — the moment when he tells her that he's pulling Riley out of the program because of her unprofessionalism. It kind of hardens the blow a bit more given the massive flowers in his hand, which he assumes are for a girlfriend at home, maybe Riley's step-mom to-be. Or maybe he's trying to work things out with his birth mom. It's none of Y/N's business, but for some reason the thoughts swirl around in her brain, making her feel all the same — anxious, worried, self-conscious, and even a little down.
She leads him to the corner where her desk is so they're able to speak quietly and freely, out of Riley's earshot. Mr. Styles doesn't say anything for a brief minute. He's always been quite kind to her, so she figures he's trying to figure out the nicest way to say, "you're the worst art teacher and I never want my kid to be around you ever again."
"These are for you," he says, stretching his arm out to hand Y/N the flowers. Her eyes go so wide they feel like they could pop out of her head. It takes a second for her brain to compute the words and he looks at her expectedly, waiting for her to accept them. Finally, she does, hand clutching the brown wrapping around the excessive bouquet of stems. (Seriously, there's at least 25 in here.) "I wanted to apologize for last week. Again. It was... so rude of me to say anything even remotely close to that. You've been nothing but a bright light in mine and Riley's lives and I was just having an awful day already, and... kids are kids, they do silly things, and I shouldn't have taken it out on you."
Y/N's eyebrows still feel like they're glued to her hairline. She's beyond surprised. In her years of working with kids, she's had parents say way worse things to her, and she never received an apology for any of it. 
"Oh... Mr. Styles, this is—"
"Harry." he cuts her off, a wrinkle forming between his brows. "You can call me Harry."
She nods slowly, still processing the information. "Harry, this is very kind of you, but so, completely unnecessary. I didn't— I love Riley, he's a great kid, and I was worried you didn't want him to come back when he wasn't here last week."
Harry quickly shakes his head. "No, no. He had the flu. Ever since he started kindergarten, he's been getting sick left and right."
"Oh," Y/N says dumbly, beginning to realize that she worried herself sick for a week over quite literally... nothing. "Oh. That makes a lot more sense."
He chuckles and stuffs his hands into the pocket of his slacks. "Yeah. So, anyway, I hope you accept my apology, and even if you don't, I understand. Just know that I'll have Riley try to dye his hair blue next time or something," he teases, his face instantly falling the second the words leave his mouth. "That was a joke. I'd never do that."
Y/N laughs. "See, and I think pink would fit his complexion better."
Harry grins widely, and she realizes she's never noticed the cute little dimple that pops out of his cheek when he does.
She secretly hopes she gets to make it happen again sometime soon.
. . .
"How was Riley today?"
Y/N smiles knowingly at Harry as she wipes off one of the empty tables. "You know the answer to that. You don't have to ask."
Harry shrugs, putting his hands up in mock defense. He still has one of the Clorox wipes in his hand, quickly returning to cleaning off the crayon- and paint brushed-filled cups. 
"I just like to make sure he isn't a complete menace, that's all."
"He's never a menace," Y/N replies, tossing the wipe in the garbage, "He's always very well behaved and well mannered. Kind of wondering if you built him up in a lab."
Harry chuckles. "Nope. Not quite how those things work."
Y/N's cheeks warm so she turns on her heel to glance up at the clock in the front of the classroom. It's edging closer to 4:30, which is about as long as she likes to stay after work. She always makes quick work of cleaning up the floors and tables, de-sanitizing them little kid germs for her 11 am disabled adult class tomorrow morning. 
Ever since she and Harry had that chat with the enormous bouquet of flowers (they're all nearly wilted by now, but Y/N refuses to just throw them out), Harry comes to get Riley a few minutes after 4. By then, Riley's the only kid left, save for one or two on days with bad weather. Y/N will have them set up with their coloring pages and, instead of immediately helping Riley pack his things up to leave, Harry just... sticks around. Riley doesn't mind because he adores the different print-outs he gets to choose from, and Y/N can't help the way her heart hammers in her chest as Harry offers to help her clean up or ask about her day. 
It's been nearly a month of this — once a week, dancing around tiny tables and conversations accompanied by the scent of Clorox — but Y/N secretly hopes that it's because Harry wants to spend time with her. She doesn't see any other reason why he'd do it, but she doesn't want to seem cocky, either. 
"Okay, let's get you two out of here. It's already dark." Y/N announces as she unlocks her small closet in the corner, pulling her coat and bag out. 
"Is it alright if we walk you to your car?" Harry asks. 
She turns around to see Harry helping Riley zip his jacket up. The sight makes her chest tighten. The love he has for his son is so incredibly sweet that it makes her feel crazy some days. 
"Um... sure, if it's not too much," she eventually replies, swallowing harshly, "I'm just a few rows back."
Harry nods and stands up from his place on the floor. He reaches down, a silent request for Riley to fit his smaller hand in his. 
"Ri, what do you say to Ms Y/N for all the cool coloring pages?"
"Tank you!" he exclaims, his free hand in a tight fist, wrinkling today's coloring of a dinosaur.
"You're very welcome, cutie! I love that you made the dinosaur purple today." Y/N says with a grin. She follows them out, but not before turning all the lights off and locking the door. 
"Daddy puts all my pictures on the refrig—refig—refigerator?" 
"Refrigerator," Harry says as they walk down the empty hallway, "But close. Good job, bud."
Riley looks up at his dad with a grin. "Yeah! Daddy puts them all up. He says they're pwetty."
"They are pretty." Y/N nods, agreeing with a smile.
"He says Miss Y/N's pwetty too, and that's why we always stay late now—"
"Ah!" Harry yelps, cutting Riley off with an embarrassed flush. Y/N presses her mouth into a line nervously, trying to hide the excited smile curling at her lips. The conversation ends after that, though Y/N has trouble ignoring the butterflies flapping in her tummy. She clears her throat when they approach her car, her mitten-clad hands pressing the 'unlock' button on her keys.
"This is me," she says, pulling open the passenger's seat door to put her bag in. 
"I'm so sorry," Harry rushes out. "I— that's not why we stay. Well, it is. Well, I mean, I think you're very nice and I like being around you, and I do think you're pretty, however I'm not trying to do anything that makes you uncomfortable. I just— I, um. Sorry."
"Don't be sorry," Y/N replies, this time allowing the smile to flower over her face, "We can always... we don't have to just hang out here. Like, we can get a coffee or something. Not in the company of your very sweet child."
He scoffs playfully, nevertheless pulling his phone out and opening his contacts. Hesitantly, he hands it to Y/N, who pulls off her mitten before accepting it and putting her information in.
"Text me when you wanna get together," she says as she gives it back to him. "Also, for the record. I think you're pwetty, too."
. . .
Harry texts her the following morning: I haven't asked someone out on a date in a long time, so I'm a little rusty... would you want to get dinner with me on Saturday night?
Y/N, who learned the whole wait-10-minutes-before-you-text-back thing back in college, doesn't even let her screen go dark before she messages him to say that Saturday sounds perfect, and he did a great job. 
On Saturday evening, he picks her up at 7 pm on the dot. She's not sure what she was expecting, but she definitely didn't anticipate him getting out of his car on such a dreary, cold evening, ringing her doorbell, and bringing her yet another bouquet of flowers. She tries her best to hide the fact that she's shocked by his presence on her doorstep, her boots clacking against the wood floors of her rental, as she promises him she'll be back in a second once she puts them in some water. 
Gentlemanly as ever, he escorts her to his car, a sleek, black sedan. She's not sure what he does for work and assumes he'll tell her tonight, but it's apparent that he has money — she doesn't think she's seen Riley in the same outfit twice and he's always showing up to pick-up in a stylish suit that may cost Y/N's entire biweekly salary.
They make slightly awkward, first date small talk on the way to the restaurant, which feels silly for both of them considering they know each other outside of this. 
"What did you do today?" Harry asks, and Y/N's not quite sure how to say "I stayed inside all day doing nothing" without sounding like an elderly woman. 
"Um, caught up on some TV. Painted a bit. Nothing too exciting, really. How about you?"
"Riley and I went to a kids science museum. It was fun, he enjoyed it," he replies, tapping his thumbs against the leather of the steering wheel. "Do you do a lot of art outside of work?"
Y/N nods, "Oh, yeah. I went to school for it. I actually wanted to be a museum curator."
"So how'd you end up working with snotty-nosed brats like my kid?" he asks teasingly. Y/N laughs. 
"It was supposed to be a side gig until I found something more permanent, but... I started five years ago and got too attached, I suppose."
Harry hums. "Well, you're great at what you do. I've only seen you work with kids, obviously, but I'm always impressed with you."
Y/N shrugs, trying her best not to seem slightly overwhelmed by his compliment. He had a habit of doing that — making her feel dizzy and melty, all because he looked at her for a beat too long or said something she wasn't expecting. 
"Thank you. It's nothing special, though," she says softly, swallowing tightly, "What do you do? I don't think I've ever asked."
"I'm in finances. It's incredibly boring," he replies almost instantly, as if it's a knee-jerk reaction. "But, um... pays the bills. You know how it goes."
It feels like an add-on, but nonetheless, Y/N nods understandingly. It seems like it does a lot more than pay the bills, but she doesn't question it.
The rest of the drive is on the quieter side. It makes Y/N's stomach bubble with anxiety, wondering if she's being too boring and attempting to come up with talking points that fall flat — every time she thinks of a question, she talks herself out of it, assuming it would sound silly leaving her lips. 
Thankfully, Harry pulls into a parking spot not 10 minutes later. They're in a quaint part of town and, despite the holidays coming and going, the streets are still lit up with pretty snowflake displays. It's on the quieter side, which Y/N also appreciates — considering the fact that she already assumed Harry was fairly wealthy, she had worries that he'd take her somewhere far too fancy. 
He looks slightly dejected for some reason when Y/N gets out of the car, burying her hands in the pockets of her jacket. He hurries over to where she's standing on the sidewalk, locking the car with the key fob.
"You look like you're freezing, I'm so sorry," he mumbles, wrapping an arm around her shoulders. It's an act he wouldn't do under any other circumstance if she wasn't all but shaking. "I should've dropped you off at the restaurant."
Y/N shakes her head, "No, don't be silly. Where are we going, anyway?"
He gives her shoulders a small squeeze as he guides her down the sidewalk. "Well, you mentioned not being able to find a decent sushi place nearby. This has been a favorite of mine for a few years."
She glances up at him, a look of confusion on her face. "I said that?"
"Yes," he chuckles. "A few weeks back."
She knows it's true — she gets a mean sushi craving at least once a week but has yet to dine at a spot that she dubs her go-to. She tries to think back to their conversations over the past month or so, but it's a fruitless effort, especially once he holds the door open for her, his large hand pressed against the small of her back. Immediately, the warmth of the restaurant is a welcomed sensation, but the feeling of his touch feels even more delicious. 
"Reservation for Styles." he says to the hostess, who, without even looking down at the book on the podium, grabs two menus and walks them over to their table. Y/N's thankful that they're placed in a back corner, where she can cozy up and, perhaps slightly unattractively, stuff her face with spicy tuna rolls and sashimi until she can barely breathe.
"This place looks incredible, Harry," Y/N says softly as she looks over the delicate menu. "You come here often?"
She only says it because the prices are on the more expensive side, so it's difficult for her to imagine casually ordering in from here. She glances up to see him shrugging his shoulders lightly, eyes still glued to the menu. 
"Every now and then." he answers vaguely. 
As if on cue, a waiter approaches their table, placing down a bottle of wine. 
"Your usual, Mr. Styles," he says, and Y/N swears she watches Harry's jaw clench, "Shall we do another tasting menu tonight?"
Her eyebrows furrow and a zap of anxiety electrifies her chest. Clearly, he does come here often. Why would he lie to her then? Was this where he took all his first dates? Y/N clears her throat uncomfortably, shifting on her bum as she starts to let her mind spiral. Suddenly, she feels like just another pawn in a man's game.
"Give us a few minutes, please. No tasting menu tonight, we'll be ordering entrees." Harry says curtly. The waiter nods with a smile and leaves them be.
Without thinking much, Y/N leans over the length of the table, the bones of her elbows pressing into the bright red tablecloth. 
"Do you always take girls here?" she demands, a bite to her tone. Harry's head snaps up with wide eyes.
"What? No, why would you—"
"Because you said you come here 'every now and then', but the waitstaff knows your wine order and asked if you wanted a tasting menu again," Y/N replies briskly, blinking at the man in front of her. "You know, I'm not just some girl you can mess around with—"
"Y/N," Harry breathes, shaking his head. "No. No. It's not like that at all. I take my employees here quite frequently and do business dinners here. I'm aware that it's on the expensive side and I just... money is an awkward subject."
"Well, it's even more awkward when you pretend like you don't have any—"
"I wasn't pretending," he mutters, swallowing tightly. "I know you're not like that, but I haven't dated in a long time. Partially because of Riley, but also because people I've been with have only cared about the money. So I just try not to let it be a focal point, especially on the first date. I'm sorry if I didn't do a good job of that."
Y/N's stomach plummets. She feels sick — she hates that she assumed the worst out of him, letting her own dating traumas get in the way of him just trying to protect himself. God, she was the worst first date ever.
"I'm so sorry," Y/N breathes out shakily. "I'm being an asshole."
"You're not." Harry mumbles as he looks down at his lap. "Just... first date jitters, maybe?"
She smiles gently. "Can we start over?" Harry flicks his eyes up at look at her. "I like you, Harry, and I really, really want this to go well."
She watches as his throat bobs, a smile curling at his lips.
"So, Y/N. What is it that you do for work again?"
. . .
Harry feels like he's known Y/N for his entire life. 
When they leave the restaurant (she attempts to put her card down and he can't help but snicker at her before explaining that they already have his on file), her hand curls around his as they walk back to the car. It makes his entire body erupt into flames as their palms press against one another's, intertwining their fingers tightly. Their shoulders bump into each other's with lopsided, goofy smiles on their lips. 
"Tonight was fun." she says as they approach his parked car. He gives her hand a final squeeze before unlocking the doors. 
"It was," Harry echoes her sentiment. They separate briefly to get into the vehicle; Harry immediately turning it on to crank the heat up. "Would you wanna do it again sometime?"
"Yeah. That would be nice." She nods, grinning. "What did Riley get up to this evening?"
He chuckles, "He's with the babysitter for the evening. She's used to my late nights with business dinners."
Y/N hums, peeling her hands out of her jacket pockets now that they're a little less chilly. "So you're not in a hurry to get home, then?"
Harry's chest dings with a bead of nervousness. He swallows and flexes his hands in his lap. 
"Sort of. Riley has swimming lessons in the morning."
It's not a complete lie. Riley does have swimming lessons, but Harry wants to stay out with Y/N more than anything. He's not in any kind of rush — he's just anxious about what she's thinking about proposing after not dating anyone since his son was born.
"Oh, sure," she smiles, and Harry's surprised by the way her face maintains its happy composure. "Well, we can just end the night here if you need to get back. No worries."
That makes Harry feel bad — the fact that she's just so incredibly understanding, even if he's feeding her excuses based on his own insecurities. He clears his throat awkwardly and attempts to shift in his seat to face her. 
"I haven't done this in a long time," Harry blurts out. "And I'm very nervous."
Y/N's face crinkles into an adorable smile. "The date is over, Harry. I thought we established that we had a good time."
"We did!" he rushes, lifting his hand to run it through his hair, "No, we did. I had an incredible time with you. I really like you."
"So what are you nervous about?" she asks softly, reaching out to take his hand into hers.
That.
That's what he's nervous about.
"It's just... it's been awhile since I've liked anyone. Since I've... touched anyone." His throat bobs and his eyebrows shoot up as he realizes the insinuation of his words. "Not like that! Well, yes, like that, but— I meant, not just sexually. Holding hands. Kissing. We don't have to do a single thing anytime soon, but I haven't done this in years."
"You're nervous about physical touch?" Y/N says gently, her voice soft. He nods. "That's fine, Harry. Like you said, we don't have to do anything anytime soon. We can go at your pace, whatever that means."
"I... I want to kiss you, though," he admits in a raspy tone. "I just don't know... how."
Y/N's heart feels like it shatters into a million pieces. With a thumping chest, she leans into his side over the middle console and gently takes his cheek into her palm. His face feels cold from the chilly winter evening and he can't help but press into the warm, comforting feel of her touch. His eyes flutter shut and she smiles, nibbling on her bottom lip as adoration fills every inch of her body. 
"Can I?" she whispers, punctuating her question with a nervous swallow, "You can say no. I just... I'd like to try."
"Please."
She's hesitant in her movements, not wanting to overwhelm him as she slowly inches closer. She tilts her head ever so slightly and presses her lips to his raspberry ones, eyes flittering closed as fireworks explode between their chests. It's perfect — it's slow, and it's leery as both of them try to find a comfortable pace, but of all the first kisses she's ever had, she's positive this is the best one she'll ever experience. 
They sit in Harry's car kissing until Y/N's breathless. Neither of them know how long it's been but eventually, she breaks it apart, panting quietly through spit swollen lips. He keeps his forehead pressed against hers with a dopey smile. 
"'s good," he mumbles, and she mimics his grin, "That was... yeah. It was so good."
She giggles and her tummy feels like it's filled with butterflies and carbonated bubbles and excited tingles. 
"So good." she echoes.
He's surging forward with a grin to reconnect their lips not a moment later, and they're both positive they've never been so content before.
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yawnderu · 6 months
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Perfect Life — Dad!Simon "Ghost" Riley x Mom!Reader
The first night the baby is home, Simon is so elated, mind racing 100 miles per hour. He glances at you and the sleeping baby between both of you, afraid he would crush her in his sleep despite knowing he sleeps like a rock.
What if this time is different? What if he has a nightmare and accidentally hurts either of you? What if someone breaks in? He doesn't have nightmares as often anymore, sleeping with you helps keep them at bay and you both have a fancy security system, yet he'd never forgive himself if anything goes wrong... so he does what he does best; be a guard dog for his girls.
"I love you." He whispers to both of you, laying on his side and looking at you both as if he was examining you in a lab, your breathing pattern he memorized years ago is still the same, and now he's memorizing the one of the little girl in front of him, carving it in his brain just in case if anything is wrong, he'll be able to tell.
It's been almost two hours and Simon isn't sleeping, staying up late and having a bad sleeping pattern became a part of him after so many years serving yet this time he isn't watching an enemy or a facility they're targeting, no, he's watching something much more important. He's watching his wife cuddle the baby in her sleep, her touch delicate yet protective, just as he imagined it would be ever since he found out you were pregnant.
He moves carefully around the bed, hand grabbing his phone and turning the brightness all the way down. Simon looks at you again just to make sure you're asleep before unlocking his secure folder, the corners of his mouth tilting up when he sees the contents of the folder.
It's full of pictures and videos of you, starting back in the day the 141 was formed, until you were heavily pregnant. The latest picture was of all three of you, holding the newborn in the hospital room, happy smiles on both of your faces and pure pride in his eyes. A small chuckle escapes him when he remembers how the nurse he approached seemed scared of him until he asked if she could take a picture of him and his girls, looking around one more time to make sure you were still asleep despite being able to hear your soft snores.
I'm so proud of you. His lips curled up into a soft smile, eyes starting to sting as they did every single time he remembers how far you've come. You look so different from the first time he met you—in fact, you both do, yet you're as beautiful as ever; fresh out of the hospital, no makeup, messy hair, and a peaceful look on your sleeping face while you hold the baby.
Thank you so much. In the quietness of his room and in bed with his two girls, Simon allows the tears to escape his eyes for the first time in years. I didn't even know I could cry anymore.
He plants a gentle kiss on your forehead and does the same for his little girl before laying back down, an arm protectively wrapped around your waist and over the baby, setting a safe distance between him and his little girl in fear of crushing her in his sleep. With one final look at his pride and joy he drifts off to sleep, his behemoth frame used as a protective shield for both of you in case something happens. Deep inside, he knows you're all safe.
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cy-cyborg · 8 months
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Tips for writing and drawing Wheelchair using characters: Your character's wheelchair can tell us a lot about them
When you first start learning character design, you'll often be told something to the effect of "use your character's outfit to tell us more about them" - and this same principles can be applied to a disabled character's mobility aids.
Mobility aids like wheelchairs, to many disabled people, are a part of us. They can be an extension to a person's body and chances are, if you're going to be using this piece of equipment every day for the foreseeable future (or at least for a good amount of time for the foreseeable future), it's going to start reflecting some aspects of your personality, your interests, your passions, especially when you remember, a lot of people get their wheelchairs custom built for them.
You can use your character's wheelchair to tell us a lot about them without ever needing to show/describe them directly.
Let me show you two examples:
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Take a look at these two wheelchairs. they're similar in shape and build, but still pretty different to each other. Can you make some guesses about their users based only on what's shown here?
intended answers below:
Please note, the following points are all generalisations and the real world is rarely this simple. This is to demonstrate how to use disability aids to contribute to your character's design, not how to make assumptions about real people in real life.
So here are some similarities between the chairs:
Both wheelchairs have ridged frames, this means the wheelchair can't be folded in any way. These kinds of chairs can imply a few different things depending on the person. They are typically lighter, sturdier and more durable, and indicate the person probably will be using the wheelchair for a long time and/or has the money to get something built to last (or lives in a place where cost not an issue due to universal/subsidised access to healthcare). They are also typically better to travel with when flying, as they are less likely to be broken by airport security/staff.
Both wheelchairs also lack anti-tip wheels, which are a third set of wheels that extend from the back of the chair. Them not being present could indicate the person is likely pretty confident in their ability to use the chair without worrying about tipping out. It could also indicate they are in an environment where the anti-tips could be more of a hazard than a help, such as on rough terrain.
So lets look at some specifics for the green wheelchair:
Take a look at the wheels. The front wheels are pretty small and appear to be solid, while the back wheels appear to be quite narrow (compared to the orange chair anyway). This indicates the user likely lives somewhere with decent accessibility like a (well funded) city where they are unlikely to encounter unpaved/dirt roads/grass. Small front wheels and thin back wheels are good for manoeuvrability and a smooth ride over even terrain, but they will get stuck as soon as bumps appear, so this probably isn't an issue for this person.
While its a bit hard to tell unless you have seen other similar wheelchairs, this wheelchair is very long in the front, meaning the footplate and front wheels are further away from the seat than most. There could be a few reasons for this. One either indicates the person has very long legs, or a lack of motion in their knees, making it harder to bend their legs. This is moves the chair's centre of gravity forward by a decent amount, making it harder to tip back, which could indicate the person's legs are very light. You tend to see this most often in the wheelchairs of bilateral leg amputees, who are at a greater risk of tipping backwards due to a lack of weight at the front of the chair (even if they wear their prosthetics).
The colour of the chair is bright. This could simply be the character's favourite colour, or maybe this colour has some significance to them?
There are stickers on the side of the chair relating to the Paralympics. This could indicate the person is a fan, or perhaps had some involvement in the games?
The wheelchair has handles on the back, but they are able to be folded down. This is a popular feature for people who are independent enough to go out on their own, but still want to have the option for some help. folding down the handles also deters random strangers from grabbing at you (an unfortunately common experience for wheelchair users).
There is some mild paint scratching to the front of the wheelchair, but nothing too noticable. This is typical of older chairs and people who are a little rough on their chairs. Maybe they've had a few stacks and falls throughout the years, probably going a decent speed.
Ok, now let's look at the orange chair
This wheelchair has very large, inflatable front wheels, and very thick back wheels. This will make the chair slower and less manoeuvrable on flat/even surfaces, but much, much easier to push on rough terrain. This is supported by the amount of mud on the wheelchair.
The seat on this wheelchair tilts upwards slightly. This is called a bucket (or according to an old basketball teammate of mine, a dump-truck lol). This is a feature you typically see in wheelchairs made for people with spinal injuries who are unable to move their legs and engage their lower bodies or core to help keep them stable.
The back of this chair is very low, indicating that if this wheelchair user has a spinal injury, it's probably pretty low on their spine, likely fairly close to the hips, making the person a low-level paraplegic. Higher-level paraplegics and quadriplegics usually need a higher back to help support them and keep them from flopping over, since all the muscles below their place where their spine broke either doesn't work, or is significantly weaker. Higher backs though can get in the way of pushing and reduce mobility, so people who need less support will likely opt for a lower back rest.
This wheelchair has no handles, which indicates the user is probably very independent and doesn't need a lot of help getting around.
The paint on this wheelchair is very scratched up, showing the person is very tough on their wheelchair and doesn't care to get the paint touched up.
This wheelchair has no breaks. This is very common on chairs with larger tiers as they don't tend to be as effective, but also on many outdoor wheelchairs, for two reasons. One is because they are made for rough terrain, so chances are, you aren't going to go far without a big push to get you moving. The second reason is that to get over large bumps and obsticals in a wheelchair, it can be helpful to do very large pushes using the top and front of the wheel. When pushing a normal chair, most people will only use the top section of the wheel to push since it's closest, but these big pushes that use the front of the wheel make it easier to push, since you can benefit from downwards momentum. However, this is also where the breaks are located on most wheelchairs, which can create a hazard. I've lost entire fingernails by them getting snagged on the breaks when pushing this way. So if you live somewhere where the breaks are not going to be helpful to you often, it makes sense to not get them.
And here are the characters who own these wheelchairs
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The owner of the green wheelchair is an amalgamation of a few people I knew from when I played wheelchair basketball. They're a bilateral leg amputee, and judging by their outfit (The Official National Wheelchair Basketball uniform for Australia), they're an elite athlete. This wheelchair is not the one they play sport in, but it still needs to be durable enough to withstand the rough treatment of airport staff when traveling, as well as heavy day-to-day use that comes with being an active person. While it needs to be rough, the person also seemed to want to prioritise speed and manoeuvrability, and likely doesn't need to worry about rough terrain too much, so they probably live in a major city.
The owner of the orange chair was inspired by a family friend of mine. They live on a farm, and need a chair that can handle life in those conditions, rough terrain and all. This comes at the cost of speed and manoeuvrability on smoother terrain, but honestly, anyone who's lived in the country knows you won't find many of those around there anyway, so that's not too big of a sacrifice. They are paraplegic, are very confident in their ability to use their wheelchair, and probably doesn't need help too often, but still benefit from some extra stability support from the raised seat on their chair.
Conclusion
Once again, these are generalisations, and in real life there are always exceptions, but I hope this helped demonstrate what I meant when I said you can use your character's wheelchair to tell us more info about them if you're smart about it.
I originally planned to do a whole series of these, showing a wider variety of wheelchairs and the people who they belong to, but I guess I kind of forgot because they've been sitting, abandoned on my hard drive for the last 2 years 😅. If that's something you folks would be interested in seeing though, let me know, I'd happily revive the series lol.
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theambitiouswoman · 3 months
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Green Flags in People 💚
They speak clearly, listen to you carefully, and are honest when they talk.
They understand and respect your personal space and limits.
They show they understand and care about your feelings and what you're going through.
You can count on them because they do what they say they will.
They know what they're feeling and handle their emotions well. They also understand how you feel.
They have their own hobbies, friends, and things they like to do.
They help you and are excited when good things happen to you.
They stay calm and solve problems without being mean or avoiding them.
You both like some of the same things and believe in similar ideas.
They admit when they make a mistake and don't blame others all the time.
They generally look on the bright side of life but are still realistic.
They are open to new ideas and want to keep getting better.
You feel happy and full of energy after spending time with them.
You don't have to act differently; you can be who you really are.
When you're with them, you don't worry and feel secure.
You don't have to be careful with your words; you can say what you think.
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ew-selfish-art · 7 months
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Dp x Dc AU: Bruce has a 'if you can't beat them, join them' mentality about the tabloids claiming he adopts too many kids- Developing foster homes that are paid for through the Wayne inheritance, personally vetted by the Bats, they're the leaders in the space for child health outcomes and family placement. Insert Danny.
---
Bruce has too much wealth, too many rumors and not enough reach into the abhorrent foster homes around Gotham to improve them. Tim ends up being the one to suggest it- He's the one who buys up their real estate for their safe houses after all- and Bruce is more than ready to pull the metaphorical trigger to get new clean welcoming spaces, Bat-background checked fosters and a new era of adoption in Gotham underway.
He's lobbied the state and the federal government for reforms of course, but this is a project he can micromanage. He spends time with every kid that comes through, talks with all the families that want to adopt and makes sure that these miniature homes are provided only the very best. Alfred personally hires all the staff, and with Barbara more than happy to help relocate the unhoused children she spots while they patrol, the project is a glowing success.
Occasionally, spots in their houses fill up, and those are the weeks were Cass takes on the Cowl of Batman- Bruce Wayne will personally invite a child in need to his home. He always has one of his kids present (they rotate on a pre-determined schedule) and he does his best to try and get them to understand that they deserve the world, have all the potential that anyone else has and can achieve a bright future. That he will personally aid them in their ambitions.
PR goes crazy for it of course, but Bruce and all of his children know its genuine. Almost too genuine, because a betting pool 'WILL THEY BE ADOPTED' regularly circulates between the siblings and the entire JL when someone spends time at the manor. And not just the black-haired, Blue-eyed kids get picked as favored outcomes- but obviously the running joke gets passed around.
It's a Thursday night when Bruce gets the call that the houses have once again filled up, and that there is a child in need of a home. The social worker (he knows her as Marsha and he has flowers planned to be sent on her birthday next week, like he does for all of his employees) (Say micromanaged one more time) explains that the kid is a bit cagey but has opened up with some humor. She explains that he has a few strange... mannerisms. She's not sure what to make of him, a non-gothamite for sure but something is, well, distinctly 'not from around here' about his energy.
Danny arrives at the house, meets Duke and Alfred, and by the time Bruce meets him at the dinner table it seems as though Marsha had it all wrong. This kid was laughing, he was teasing, he was totally playing along like he'd gone through nothing. Bruce is glad he's in high spirits but its just so... so different from all the other children he's taken in.
Bruce re-focuses on the conversation when Duke mentions something flashing, and its the first time that Danny goes quiet. Entirely still.
"...you noticed that?" Danny quietly asks, a bit of disbelief in his tone.
"You don't have a flashlight on or something do you? It was super bright whatever it is that you had in your hand a second ago?" Duke tries to sound chill but he's looking very much not chill. Bruce saw nothing, and that puts him further on edge.
"Look... I uh, I've been though... I've been through a lot lately. And the last lab I was in kind of, messed with me. I'm normally much better at dealing with it all, I promise." Danny sounds nervous, and the room seems to chill.
"Ah shoot, sorry." Danny notices something and frantically apologizes.
"Sorry for what Danny? You've done nothing wrong but I am worried about you- You said you were in a lab?" Bruce is desperately trying to calm him down while not slipping into Batman interrogation mode.
"Uh, yeah, like a lot of labs. It should get warmer in a second, its just cause I startled, I promise."
"You're a meta." Duke speaks softly and with hope in his voice- Danny is looking between them with wide eyes filled with fear.
"I mean I don't technically have the gene-"
"Danny, have you told any of your case workers where you were? Do any authorities know what you've been through?" Bruce needs to know, desperately, that who ever gave this young boy super powers is brought to justice. Danny goes quiet.
"I'm really sorry." He says softly, but he doesn't leave them.
Duke and Bruce try to ask a few more questions but the silence that meets them declares the conversation over, even with Duke admitting he himself is a meta. Danny didn't even look up from his plate. They watch a movie after dinner, and Danny seems to get back to the smile-y happy guy he had been before dinner.
Each of the bat-fam have their own interactions with Danny- And even if they're getting along amazingly, Danny won't open up. He doesn't open up to his provided therapist. Doesn't talk to Alfred. No one knows what's up.
So when Marsha calls Bruce back explaining they now have a spot for Danny and he can move out of the Manor... Bruce replies that he'd like to get started on Adoption paperwork, so long as Danny is fine with it.
---
Turns out, Danny is fine with it. he's both the newest Wayne and their newest case. (And godamnit, his new family is going to avenge him. If only he'd let them try.)
Danny figures out that Duke= Signal early on because of that dinner, and if he's going to keep his parents out of jail, he needs to be as close to the investigation as possible. He knows that he shouldn't protect the Fentons, but he feels the upset in his core at the thought of letting them befall any harm. He has to protect them. Has to protect Jazz and her hiding spot as a mole within their lab. Has to.
Even if it meant lying to his new family who loves him, and who he loves in equal return. Even if it means lying to The Bats.
---
Tabloids go crazy about the black-haired blue-eyed thing of course, but no poll was ever taken by the batfam or the JL who know the whole story.
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stevesbipanic · 2 months
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@steddielovemonth Day 11: Love is secretly studying up on the nerd shit he’s into @sparklyslug
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If you'd have told Eddie of a year ago that the Steve Harrington, King Steve, swim team and basketball captain, and known laundry basket thrower, was a nerd he'd have laughed in your face.
Honestly, he'd have believed you more of you'd told him Steve was bisexual and would soon be Eddie's boyfriend, both facts that threw Eddie for less of a loop than learning Steve knew the difference between Star Wars and Star Trek.
"I work at a video store Eddie, it would be hard not to know."
Eddie would believe him but his darling boyfriend knew a lot for facts he didn't expect from the beautiful brunette. Like how he knew what an owlbear was when he was rambling his campaign plans in bed one night.
"I knew the kids before you, some of it must've stuck."
Or how he knew what Metroid was when the machine came to the arcade that summer.
"The kids are always talking about new little things they want Max to try and win."
Or when Eddie was telling a story about stargazing and Steve mentioned Halley's comet from earlier in the year.
"It was on the news, Eds, not gonna miss a thing like that."
Steve had lots of explanations but now here Eddie was, unpacking boxes in Steve and Robin's new apartment and staring at work copies of The Hobbit and the Lord of the Rings books. He lent over checking the side again, no that definitely says Steve's Room in big bold letters.
He placed the books on the shelf with a small smile on his face. Later, curled up in the new bed in the new room he asked, "I thought you didn't know what Mordor was, Stevie. Have you been hiding nerdy shit from me all along?"
Steve had a soft blush forming on his face, "I didn't know, at the time..."
Eddie was now more intrigued, "Wow, getting book recommendations in the middle of the end of the world, baby, priorities."
Steve laughed, the sweet smile still on his face, "No, um, I bought them cause of you but not because of that."
"Oh yeah? Why?"
"They're your favourite books and I wanted to know what you were talking about anytime we hung out and mentioned it."
"Steve did you actually study just to try and impress me?"
"There's a monster manual on the shelf too."
Eddie giggled and pulled Steve closer, "Mmm talk nerd to me baby, so it wasn't just the kids you got it from."
"Oh they definitely helped, I think Dustin was going to scream when I asked him to explain the dice of your game."
Eddie looked at his boyfriend softly, no one had taken an interest in what he liked, unless they already liked it, Steve went out of his way to know Eddie, inside and out.
"I guess I should confess, I totally asked Wayne to explain to me the rules of any of the games you two watch on tv before you come over."
A brightness twinkled in Steve's eyes at the confession, "I love you."
"Love you too, baby, nerd or jock as long as you're mine."
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writingwithcolor · 3 months
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Black woman’s skin turns blue from powers; is this whitewashing/erasure?
Anonymous asked:
I have a character in a comic I'm hoping to write one day. She's a light skinned black woman(she's half white if that helps!) living in New York City during an 80s themed post nuclear apocalypse. The comic's main characters are all rock stars, so a lot of the character design elements revolve around the different rock genres. The character in question is in a glam rock band, so there's lots of bright, saturated, crazy colors involved in her design. The problem I'm having involves this one story beat where she gets mutant superpowers that give her electricity and sound based abilities. Her skin turns cotton candy blue as a result of the mutation. I'm hung up on whether or not this might fall under some kind of skin lightening or white-washing trope since it's a fairly light shade of blue. I designed her mutant look before her human look, so this was well before I'd even figured out what race she was, and I simply thought the shade of blue would compliment both the electricity powers and the fact that her hair is dyed pink. Is there a way I could still make this work? Or am I worrying about nothing?
Ideally, it would be nice to keep her brown skin tone. There’s a common comic and supernatural trend where Black people’s skin is covered up by a suit or Black-coded characters are an unnatural color (blue, green, purple, etc).
This is more of an issue when: 
There are no other Black characters of those identities besides the covered up/ ones with unnatural skin colors.
The creator adds this change to make them "special" because they do not believe Black characters, with features commonly associated with Black people like dark hair, skin and eyes, are acceptable enough for the character to stand on their own.
The supernatural special Black people are treated well by the story. The "non-special" Black people have unhappy stories and misfortune.
Other races of characters do not get their skin covered up or changed. Only the Black ones and/or BIPOC in general.
I think a quick fix for this would be for her skin to turn blue when she’s actively using her powers, at random, or other specific times, besides constantly. If she needs to be more consistently “mutant looking” Are there other ways she could change without her skin color changing or changing completely?
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People with glitter on skin, light surrounding their face, and blue braids. Images from pexels.
More ideas that keep her skin brown
Hair
Her hair color changes blue or your color of choice (which could include body hair too, which would give her a more “otherworldly” appearance).
Note: If her hair is curly or natural, please keep it so! At least, the powers shouldn't change it straight.
Eyes
Her eyes glowing brighter or colorfully during power-use.
Note: If they're usually brown, they could stay brown when powers not in use, like Marvel's Storm in some versions.
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Storm by Marvel Entertainment//20th Century Studios.
Skin and body
Blue patterns appear on her skin.
Blue glow or sheen to her skin without fully changing the color.
Her skin projects color and light.
New growths or changes to body, such as ear shape, wings, etc.
No matter what you decide, please make clear in your tale that she’s a Black mixed race woman. And have fun!
More reading:
How Special is Too Special? The Politics and Characterization of Stacking Special/Abnormal Traits on Mixed Race Characters
~Colette
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rene-darling · 7 months
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SEA CREATURE- genshin men
Genshin men but they're different types of sea creatures! How do they court you if they can't walk on land?...credits [m.neuvillette on insta]
...scaramouche...xiao...neuvillette...
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Xiao
Xiao was never interested in mortals, let alone those who walked the land.
But there was just something about you that drew him near.
When you went swimming he would keep an eye out for you, watching you from a distance- just in case you were attacked! Not anything creepy...
He always found humans trying to swim funny-looking but when he observed you...he felt something different.
So when once a big wave had pulled you under preventing you from resurfacing he didn't think twice before guiding you back to shore.
He panted heavily, he'd never swam that in his life!
And when you woke up and looked at him he wondered what you would say..or think, would you call him a monster? An ugly creature? Like all the other humans- "are you...an angel?"
His breath hitched in his throat before he let out a scoff "hmpf. Foolish mortal."
He grumbled diving back deep into the ocean before you could say anything or ask him further questions.
This was getting rather tiring... Everyday since then you would come to the beach and scream your lungs out, and he'd blush at all the nicknames you had given him since he'd had not told you his name
"yoohoo~ angel!, my mermaid savior!, my-" "Stop it." you froze..he finally appeared before you, tired of hearing the arsenal of nicknames you had for him.
He glared at you with those sharp eyes of his, but when you looked at him and gave him a bright smile shouting "it's you! You're back! Hah!" he can't help but let his gaze soften...just a bit!
After that, it became routine for you to meet him by the seashore.
Once he started developing feelings for you, he wasn't quite sure on what to do.
He was flustered..you were a land animal, while he was a merman..
He came to the conclusion that the two of you could not be together in any capacity...
But that didn't stop his feelings from growing. Nor did it stop his biased behavior towards you.
He would bring you many sea shells from the ocean depts
One's that could not be found near the shore.
Once he saw that you liked them he started trying them together making cute accessories for you
Necklaces, rings, bracelets etc!
Scaramouche
Scaramouche is a siren. A deadly one at that.
He doesn't care for humans until it comes to his meal time and he doesn't give a fuck about them in a romantic sense either.
He was doing his usual, singing his lovely melody to attract nearby sailors so he could feast upon them.
But once he had gotten in a bit of trouble with some pirates whom he was trying to kill. Which resulted in him being caught in a net his tail all tangled up
His tail is his best asset! It's the easiest way to lure victims in! With just a wave of his tail he'll have his pray swimming to him
But now he's helplessly stranded on shore. He's half expecting for some humans to come along and kill him by this point..and they might as well since he feels as though he might die of hunger.
And then this human does come along. He's expecting his death but not without a fight!
He tries scratching you, hurting you. But to no avail, you don't back down as you keep approaching him not backing down from his fights
He winces when you bring the knife closer, that's it. This is the end for his miserable life...
Suddenly all those tight ropes around his body drop to the floor and he gets free. In instinct, he quickly swims off not bothering to talk to you.
It's been a while since then, and he convinces himself that he doesn't care...but, he can't really explain why he swims up to the shore every day, watching with sharp eyes to see if you would make an appearance.
And when you finally do, he feels relief spread out his body..you're safe- wait. No, he's a siren. He doesn't care for you!
After weeks of just watching you, he finally makes an appearance throwing a rock at your head to get your attention. When you look at him he swims behind a large rock gesturing for you to come closer. And when you do follow him without question he thinks to himself
Stupid human! I'm siren for archons sake!! What if I was trying to kill them!!...i mean I'm not, I would never. But still!
From that day on it becomes a tradition for the both of you to meet behind the big rock slightly offshore.
He doesn't know why he feels this warm feeling spread through his chest..he's a cold-blooded siren for god sake!
Still...he can't help it so..he tries impressing you.
He shows off his colorful tail, flapping it around and sticking it out of the water for you to observe.
He also makes sure to dive deep down into the ocean and grab rocks that he finds nice from the ocean floor to give to you.
He's sure you'll be impressed by his rocks! You probably haven't seen them since he got them from the depts.
Neuvillette
He's a sea otter!! With a fluffy little tail
Meeting you was definitely a stroke of luck.
You were on a scuba diving expedition with some friends and had lost your way in the depths of the fontain ocean
Neuvillette took all measures to stay away from humans of any kind, he didn't trust them, especially with how they polluted the waters!
But he had gotten his nose stuck in a plastic cup! He was only a bit curious about this strange plastic! He hadn't expected to get stuck!
This is why while in his attempt to get his nose out of the cup he felt his body press onto someone warm
Snapping his head back he saw you! His first instinct was to run, humans were nothing but trouble!...but.
Before he could've ran you had grabbed the plastic cup and had freed his nose
He's really grateful so he decides he'll show you the way back to your friends which you got lost from.
He tries to make you understand but you don't so he wraps his fluffy tail around you and pulls you to where he saw your friends.
From then on whenever you would go on a scuba diving expedition with your friends he would always seek you out. He's still not good with humans so while your scuba team is distracted you'll slip away unnoticed and find him.
You don't need to search far, it seems he's always around the corner when you seek him out
His eyes sparkle as he swims circles around you his fluffy tail brushing against you as he looks at your swimming gear
He'll ask you questions about it, and he'll be absolutely fascinated by the gadgets you have.
He'll get really sad when you have to leave soon to not worry your swim team. He insists you must stay at least a little while longer!
He'll start developing feelings for you, but he doesn't know how to act them out
He wouldn't have ever expected to fall for a human being! A mortal!
But he feels this overwhelming desire to be near you and to protect you from any harm you might face.
Being an otter, they usually hold hands while they sleep, that being the only affectionate thing he knows how to do, He never leaves your hand! Clinging onto your arm as if you're about to die!
He swims up to shore to watch the stars with you, and as you slowly fall asleep, he holds onto your arm to not drift away from you as you both sleep under the stars.
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