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#TPN Spoilers
mikayesha · 2 months
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she keeps on growing,
slippin' through my fingers all the time.
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notelectrictigerart · 8 months
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Happy birthday Emma! Bringing back the chapter illustration for today!
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qweaenr · 10 months
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THE PROMISED NEVERLAND - Covers 1/2
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nerdysleepybunny · 1 year
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This TPN joke is pretty overused but I saw the “Ray’s birthday was pretty lit” joke and choked on my fucking water. 😭 It’s so wrong but so funny. 💀💀💀
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darklight-owl · 4 months
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Read "The Promised Burrito" and a switch flipped in my brain sorry
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fullscoreshenanigans · 3 months
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TPN 181 - WSJ Release vs Volume Release Differences
#wait what they changed the last few pages? have to look it up in my volume o.o (via @officersnickers on this post)
Yeah I've talked about it a bit before in this post, but the volume version adds nine pages on to the WSJ release of chapter 181 and tweaks some of the frames starting around page 17, besides the inclusion of this incredibly poignant side scene at the beginning of the chapter:
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The first is an expansion of Emma's speech to the demon god that spreads one panel's dialogue across multiple panels and adds on a bit of new text.
Pages 17-20, WSJ release:
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Pages 17-22, volume release:
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Pages 19-25 of the WSJ release and 21-27 of the volume release remain the same.
Pages 25-28, WSJ release:
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In the volume release, page 27 is the same as WSJ's 25, but page 28-29 adds a dream sequence/vision of Norman and Ray finding Emma on the shore they washed up on two years ago, as if she was always there, waiting for them to turn around and find her like in the chapter title art:
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Page 30 expands WSJ's page 26 dialogue out across more panels:
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Page 31 removes the "screw destiny" text in the panel next to Alex in WSJ's 27 and replaces it with a panel of Zack, Thoma, Gilda, Lanni, Rossi, Mark, and Jemima (the rest is the same):
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The "screw destiny" text is moved to the bottom of page 32 while the top is a mix of flashback panels that include a straight-up lifted one of the trio hug from chapter 27, a new panel of Emma and Ray running after they remove the trackers in chapter 33 but before Anna tends to their wounds, a new spread of some of the kids in the bunker during the Cuvitidala arc, and a tweaked version of Emma and Ray extending their hands to Norman in chapters 153 and 154; Emma wears a slightly different smile while Ray wears a more relieved smile on his face as opposed to his stern frown in the originals:
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The page 33-34 spread expands the scene on WSJ's page 28 to include more characters as well as alter the expressions of the characters who were on the original page. Notably, Don, Gilda, and Jemima can be seen crying now, Ray's smile is less intense and now softer and more fond, Norman is sporting a blush with tears pricking his eyes, and Emma's hint of a blush is stronger as tears prick her eyes as well, both in the group shot and in the panel of her by herself.
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Page 35-36 is an extended spread I've talked about before:
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This spread legit made me catch my breath for the briefest of seconds seeing it for the first time. Such a powerful statement conveyed in such simple concept: how after centuries of suffering on the grounds of Grace Field, that chapter of history closes as life blooms anew.
Page 37 shows what life is like for Mujika and Sonju as they lead the demon world into a new era (since Leuvis dipped lol)
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And the final page of the volume's version of the chapter shows Emma running off to join her family in front of Alex's home, now filled with plenty of laughter and life again:
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The anniversary picture from WSJ #36/37 2020 hints at the kids building more around it:
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that-one-raccoon · 1 month
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decided to reread the promised neverland manga after a few years when:
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Emma, what the actual fuck.
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thadeeliv · 5 months
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you know what, The Promised Neverland, it might as fucking well
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OH MY FUCKING GOD
I THINK I CRACKED THE CODE ON THE PREMIUM FARMS NAMES IN THE PROMISED NEVERLAND
Okay so something we all know is that the name of every Premium Farm starts with the letter G, and so far I have seen no explanations as to why. So I decided to do some research on the author (Kaiu Shirai) and his interviews in hopes of finding something, to no avail.
Or so I thought.
See, I found something important (in my opinion) that I easily brushed over. Shirai is a Christian. I at first just thought this was some interesting trivia or something but then I took a moment to think about it, and I quickly made the connection between his religion and Emma’s orphanage starting with the word grace (Grace Field) - an extremely important concept in the Christian religion.
So, I quickly decided to look up the significance of the letter G in the bible and found this:
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Also, gamol represents the caring of a creature until it is mature (which was taken from the sentence in Genesis 21:8:
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Knowing that the purpose of the Premium Farms is to nurture the children as best as possible until their shipment age, and that Shirai is a Christian, there’s absolutely no way this is a coincidence.
To be fair, it could likely also be a reference to God or Genesis, but the more common way to refer to gods in Japanese would be 神 or 神様 (kami or kamisama). Though, the Christian god can be commonly referred to as ゴッド (Goddo) so the point still still stands. I doubt it is a reference to Genesis though since TPN and the Book of Genesis don’t really have much to do with each other and it’s also called 創世記 (souseiki) which doesn’t even start with a G.
Anyways I just found this really interesting and I needed to share with everyone!
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autistic-katara · 5 months
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look from what ive heard tpn s2 is bad but damn this op slaps
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arceus-insanity · 3 months
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Media Issues "The Protagonist is Right!"
Now when I say The Protagonist is Right! I'm really referring to two different problems I see a lot of media, mainly series, tend to fall into. While both can show up at once, the two are usually separate. I'd also like to be clear I'm talking about media that agrees with their protagonist, not the protagonist is meant to be wrong and that's the point like Fight Club
I will be using two series I like to explain the two versions. The Promised Neverland & My Hero Academia (both manga, TPN finished, MHA up to chapter 411). I'll try to be vague but spoilers, this also means some oversimplifications be warned
TPN - The Protagonist is Right! because it's the right answer
On a math test this one forgot to show their work. The Protagonist has come to an answer most can see as right (either the audience and/ or the rest of the cast), how they got there however is either not shown, or not there to begin with.
After escaping Grace Field, Emma very quickly decides to be as pacifist as possible when it comes to the demons, along with those she escapes with. While she is briefly exposed to nonviolent & friendly demons, she also gets exposed to some of the most sadistic. Outside of it's technically possible, we don't see much of why Emma is to the point of protective over the demons
A few ways they could of better shown Emma's logic would be for her to see how average demons suffer in this system with no alternatives due to the government. Having her meet one of the every few humans she never met in the manga, who had a deep familial connection to a demon. Or even (at least partial) disbelief that genocide against the demons would work, even if just in the long term. To simplify: humanize the demons directly, have her influenced by another, belief that other methods wouldn't work. Combinations and other solutions are options but these ones were easy to express
While less effective for the audience she could have also argued her reasonings instead of just her final point. It is an option to reference things happening outside of what is directly shown to make things feel more real. It is also a particularly potent issue as after escaping the farm the story relies on Emma being around for almost anything to get done despite not previously having this issue
MHA - The Protagonist is Right! because they are the protagonist
This is where even if the work is shown (this one is more likely to take elements from the former) there is a large amount of evidence against the Protagonist's answer. This often comes from creators being unable to let their protagonists be wrong, and thus either be treated as wrong, or change perspective and/or goals etc
From the very start of the series MHA has had strong references to inequality, and issues in hero society. The protagonist Izuku Midoriya was originally a minority (quirkless) and we see that at the bare minimum he faces a lot of discrimination in his school for it, and implication that there is a lot of discrimination outside of it. Due to circumstances he gets a quirk and in no longer a minority, and the discrimination he faced is never addressed or brought up in any critical way again. It effects his ability to use his new quirk, but his outlook is never challenged by it
We see numerous types of discrimination, and corruption both directly from hero society and as a consequence of it as the series progresses. What we don't ever see is Midoriya, or anyone else the story frames as right, thinking anything needs to be done to the system. Most of the solutions we see him 'proving' that he is a good hero is doubling down and wish really hard, without ever changing anything of course.
A huge part of this issue comes from and is demonstrated by Endeavor. Who is guilty of child & spousal abuse and neglect, over getting second place in an ongoing contest, out of thousands. At the start he is shown completely in the wrong but once he starts his 'atonement' arc (it is treated like a full redemption more often than not) than it's like the narrative became allergic to calling him bad, constantly softening what he did, and glorifying his minimal improvements. This is seen in both the framing of the story on its own, as well as the other heroes, most of his family and hero students, that is including Midoriya, knowing full well what he's done. Those who do criticize him after his 'atonement' are framed as stubborn at best to outright wrong for it
In short we see reason after reason that the system isn't working. But we never see this reflected in the heroes we're supposed to be rooting for, not even a 'things need to change'. He keeps saying he wants to help but he and everyone else is unwilling to address the current issues as they are, or what led to them.
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wouldtheybecomekira · 2 months
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norman (the promised neverland)
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Please read the rules + option meanings!
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notelectrictigerart · 3 months
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The Promised Neverland: Season 2 Episode 6
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puppygirldanhowell · 1 year
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levmada · 7 months
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my heart is ACTUALLY BEING RIPPED OUT OF MY CHEST GODDDD
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darklight-owl · 2 months
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I think about this every day of my life btw.
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