Do u think Ben is the only one who can say this and be semi right,,,
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I've been digging through my scrap files tonight, finding fun things. This one has zero context, and i have no idea where it's from or what fic it's supposed to be to. :)
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“Five?” Klaus said cautiously, picking his way through the bodies on the floor. “Five?” His voice was high with barely contained panic, but he still stopped dead in his tracks when Five finally looked over at them.
He didn’t look like himself. More than just how covered in blood he was, his eyes were wide and glittered in the low light, the dark splashes across his pale skin looked like gaping tears. His expression when he looked at them was wild and frightened, but in a way that felt more like a threat, a snake poised to strike.
It was more than that. He was staring at them like they were prey, just as much as the bodies around them had been. “Klaus…” Diego said in careful warning, but Klaus had gotten over the spine chilling warning in Five’s expression and started toward him again.
Klaus couldn’t die, thankfully, but Diego didn’t really want to put that on Five either. “Careful, don’t spook him.”
Five’s eyes flicked to him, lips curling up on one side in a mild snarl. His body was tense as a wire, shifting slightly as Klaus got closer. His expression smoothed out a little when Klaus finally stepped in front of him, back to the feral blankness.
“You see him too,” Klaus whispered, but his hands were moving up to Five’s face. He’d gotten so much better with touch, so much more accepting of it, so he didn’t flinch away when Klaus’s hands cupped his face.
He gasped a shallow little breath, eyes fluttering closed, and like a flood through his feet, all the tension bled out of him.
“Oh, thank fuck, you’re alive,” Klaus said, almost too softly to be heard.
“Your hands are cold,” Five said in response, muffled by the hands squeezing his cheeks.
“And you are feverishly hot right now.”
Five hummed then, the gravel in his throat turning it into a low, satisfied growl. Diego knew Five had had a little too much fun tonight, and he hoped he wouldn’t regret it later. Five was defending himself, it wasn’t his fault these idiots had poked a bear.
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Personally I think not giving Klaus telekinesis in TUA was the right choice (or at least not to give him telekinesis to the extent he has it in the comics) as it would just make him very OP and, in my opinion, it doesn't quite work with the direction they took his character. That said - I really love the image of Klaus conducting a ballroom of dancing clothes and laughed out loud at the punchline.
The differences I find interesting in the script are the bits that are actually closest to what we see on screen but not not quite there yet, like Luther and Diego's fight resulting in damage to Reginald's favourite tree rather than Ben's statue, or a random locket in Viktor's room that gets pulled across the room and pins itself to the wall instead of the locket Luther gave Allison.
Or Five simply saying 'that's unfortunate' in reference to Viktor leaving having originally been this -
I know it was likely changed as it undermines Five's line to Viktor later that he's the only one he can trust (which exists, though slightly differently in this draft also), but on the flipside it also adds a lot of weight to why it's Klaus that Five gets to pose as his father when he goes to meritech. Because you could just read it as Five choosing Klaus because he knows he'll agree to do it for money, but it is in fact that Five trusts him.
Also, if anyone else wants to read the script download link is here. I found it quite some time ago on reddit, I don't know how it got online or what draft of the script this actually is (I think I called it a first draft in another post, but that was an assumption, I tried looking it up and there's no info on how far into the process this script was written).
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i love when a character is a ghost but in a tragic way instead of a scary way. i love when a character has been dead from the beginning but is still holding on to stay in the narrative. i love when a character could choose to resent the living but ends up loving them instead. i love when a character drives the story but isn’t quite there enough to be at the center of it. i love when the ghosts are the protectors instead of the ones causing the harm. i love when a character is at the heart of the story because depending on where you began it, no matter how you told it, the story is about the ghost who struggled to keep their humanity
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he's a cult leader, he's a fashion icon, he's a war veteran, he's immortal, he dies all the time, he's haunted, he's high and he's sober, he's agnostic, god hates him personally. i didn't say his name but he popped into your head, didn't he?
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HAPPY BIRTHDAY GERARD WAY!!!1!1!11!1
GERARD YOU'RE NOT GOING TO READ THIS(at least i don't think so???!?!?1???112?1!?2?) BUT HAPPY BIRTHHDAY I LOVE YOU SO MUCH🙏🙏🙏
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