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joycrispy · 7 months

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One thing I love about Crowley --never stated, but consistently shown-- is that he is, at heart, an engineer.

I have a few different things to say about that. Let's unpack them.

As the Unnamed Angel, we see his designs for the Pillars of Creation are millions of pages long, comprised of cramped text, footnotes, diagrams, schematics, etc. It's very...Renaissance polymath, in the way it implies a particular intersection of artist and inventor.

Also: in the naked romanticism with which he views his stars.

We already knew he made stars, but in s2 we learn that he did NOT sculpt each of them by hand. He designed a nebula ("a star factory," he says) that will form several thousand young stars and proto-planets, and all --aside from getting the 'factory' running-- without him lifting a finger. We also learn that these young stars and proto-planets stand in contrast to those made by other angels, which are going to come 'pre-aged.'

...I'm reminded of Hastur and Ligur's approach to temptations. Damning one human soul at a time, devoting singular attention to it over the course of years or decades, and how that stands in contrast to Crowley's reliance on, quote, 'knock-on effects.'

Ligur: It's not exactly...craftsmanship. Crowley: Head office don't seem to mind. They love me down there.

Hm.

I'm also reminded of the M25.

The M25 may not be as grand as a nebula (sentences you only say in GOmens fandom...), but LIKE his nebula it's an intricate, self-sustaining engine that does Crowley's work for him, many times over. Again.

That's some pretty neat characterization --and so is the indication towards Crowley's disinterest in victimizing anyone tempting individual people. It takes a considerable amount of planning and effort (and creeping about in wellies), but in accordance with his design the M25 generates a constant stream of low-grade evil on a gigantic scale.

Cumulatively gigantic, that is. Individually? Negligible.

But no other demon understands human nature well enough to parse that one million ticked-off motorists are not, in any meaningful way, actually equivalent to one dictator, or one mass-murderer, or even one little influential regressive. That's the trick of it. Crowley gets Hell's approval (which he NEEDS to survive, and to maintain the degree of freedom he's eked out for himself), and at the same time ensures that any actual ~Evil Influence~ is spread nice and thin.

It's some clever machinery. And he knows it, too:

The Unnamed Angel and Crowley are both proud of their ideas.

(musings on professional pride, Leonardo da Vinci, the crank handle, and 'the point to which Crowley loves Aziraphale' under the cut)

In the 1970's Crowley gives a presentation on the M25, projector and all, to a room full of increasingly impatient demons. Maybe the presentation was work-ordered; the 'can I hear a WAHOO?' definitely wasn't.

Before the Beginning, the Unnamed Angel can barely contain his excitement about his nebula. Aziraphale manages a baffled-but-polite, "....That's nice... :)"

11 years ago, Hastur and Ligur want to 'tell the deeds of the day,' and Crowley smiles to himself because (according to the script-book) he knows he has 'the best one.'

(Naturally, his 'deed' has nothing to do with tempting anybody, and everything to do with setting up a human-powered Rube-Goldberg machine of petty annoyance. Oodles of 'Evil' generated; very little harm done.)

Hastur and Ligur don't get it, of course. That's also consistent.

Nobody ever knows what the hell he's talking about.

It didn't make it on-screen, but, in both the novel AND the script-book, Crowley was friends with Leonardo da Vinci. The quintessential Renaissance polymath. That's where he got his drawing of the Mona Lisa --they're getting very drunk together, and Crowley picks up the 'most beautiful' of the preliminary sketches. He wants to buy it. Leonardo agrees almost off-the-cuff, very casual, because they're friends, and because he has bigger fish to fry than haggling over a doodle:

He goes, "Now, explain this helicopter thingie again, will you?" Because he's an engineer, too.

(It is 1519 at the latest, in this scene. Why the FUCK would Crowley know about helicopters, and be able to explain them, comprehensively, to Leonardo da Vinci?

...Well. I choose to believe he got bored one day and worked it out. Look, if you know how to build a nebula, you can probably handle aerodynamics. And anyway, I think it's telling that this is his idea of shooting the shit. 'A drunken mind speaks a sober heart,' and all. He probably babbled about Aziraphale long enough to make poor Leo sick)

Apart from Aziraphale, Leonardo da Vinci is the only person Crowley has any keepsakes or mementos of.

Think about that, though. Aziraphale's bookshop is bursting with letters, paintings, busts, and personalized signatures memorializing all the humans he's known and befriended over 6000 years (indeed: Aziraphale has living human friends up and down Whickber Street. He's part of a community).

Crowley doesn't have any of that. It's just the stone albatross from the Church (for pining), the infamous gay sex statue (for spicy pining), the houseplants (for roleplaying his deepest trauma over and over, as one does), and this one piece of artwork, inscribed, "To my friend Anthony from your friend Leo da V."

To me, at least, that suggests a level of attachment that seems to be rare for Crowley.

...Maybe he liked having someone to talk shop with? Someone who was interested? Someone engaged enough to ask questions when they didn't immediately understand?

...Anyway.

There's also the matter of the crank handle.

This thing:

This is one of the subtler changes from the book. In the book, Crowley knows Satan is coming and, desperate, arms himself with a tire iron. It's the best he can do. He's not Aziraphale; he wasn't made to wield a flaming sword.

The show, IMO, improves on this considerably. Now he, like Aziraphale, gets to face annihilation with what he was made for in his hand. And it's not a weapon, not even an improvised one like the tire iron.

He made stars with it.

[both gifs by @fuckyeahgoodomens]

If you Google 'crank handle,' you'll get variations on this:

Crank handles have been around for centuries. Consisting of a mechanical arm that's connected to a perpendicular rotating shaft, they are designed to convert circular motion into rotary or reciprocating motion.

Which is to say they're one of the 'simple machines,' like a lever or a pulley; the bread and butter of engineering. You'll also get a list of uses for a crank handle, archaic and modern. Among them: cranking up the engine of an old-fashioned car... say, a 1933 Bentley. That's what Crowley has been using his for, lately. But he's had it since he was an angel and he's still, it seems, very capable of it's angelic applications.

Stopping time. For instance.

(This is conjecture on my part, but, I like to imagine that Crowley has the ability to stop time for the same reason I can --and should-- unplug my computer before I perform maintenance on it. Time and Space are a matched set, after all, and in his designs in particular, one feeds into the other.)

I know everyone has already said this, but: I REALLY LIKE that when he needs to channel the heights of his power, he does so not with a weapon but with a tool. Practically with a little handheld metaphor for ingenuity. One from long-lost days when he made beautiful things.

(And he loved it. Still loves it --he incorporated that metaphor into the Bentley, didn't he?)

Let Aziraphale rock up to the apocalypse with a weapon: he has his own compelling thematic reasons to do exactly that. Crowley's story is different, and fighting isn't the only way to express defiance. And if you've been condemned as a demon and assumed to be destructive by your very nature, what better way than this?

He made stars. They didn't manage to take that from him.

Neither Crowley nor Aziraphale are fighters, really --they have no intention of fighting in any war. They'll annoy everyone until there's no war to fight in, for a start. But between the two, if one must be, then that one is Aziraphale. Principality of the Earth, Guardian of the Eastern Gate, Wielder of the Flaming Sword... all that stuff. Even if he'd prefer not to, it's very clear that Aziraphale can rise to the occasion, if he must.

Crowley was never that kind of angel. He wasn't a Principality. He doesn't have a sword.

...And yet.

It's Crowley who protects. He's the one who paces, who stands guard, who circles Aziraphale and glares out at the world, just daring anyone else to come near.

In light of everything else I've said here, I think that's interesting.

Obviously part of it is that Aziraphale enjoys it and, you know, good for him. He's living his best life, no doubt no doubt no doubt. But what about Crowley? What's driving that behavior, really?

Have you heard the phrase, 'loved to the point of invention'? Well, what if 'the point of invention' was where you started? What if where you end up involves glaring out at the world, just daring anyone else to come near? What is that, in relation to the bright-eyed thing you used to be?

What do we name the point to which Crowley loves Aziraphale?

...Thinking about how an excitable angel with three million pages of star design he wants to tell you all about...becomes a guard dog. Is all.

#good omens #ineffable husbands #aziracrow #Crowley #Aziraphale #good omens 2 #good omens meta #unfortunately I do not have trains of thought #only long meandering strolls of thought #sorry about it #anyway tl;dr Crowley is a nerd #also I have a strange emotional attachment to the idea of 1500's Crowley...#...facedown in a pile of Mona Lisa sketches; drunkenly info-dumping about Aziraphale #and Da Vinci is just like. 'Ahhhh mio amico Antonio. You fucking simp.'

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verstappen-cult · 3 months

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GETTING CAUGHT MAKING OUT WITH THE BOYS | F1 GRID

INTRODUCING THE BOYS. lando norris. charles leclerc. oscar piastri. max verstappen. alex albon. daniel ricciardo. mick schumacher. logan sargeant. BONUS. . . lance stroll.

★ — LANDO NORRIS (4)

it stared with a couple of innocent kisses in lando’s driver room before the race. you don’t usually engage in that kind of behavior at least until after a race, but lando was feeling a little under the weather and while you were only trying to comfort him, he had other plans. and, well, if that makes him feel better you won’t deny him a little bit of fun. now, you’re straddling your boyfriend’s thighs, it’s hot and you want to rip your top and his fireproofs off, and lando, as always, is one step ahead of you. his hands slip under your shirt, the pad of his fingers softly caressing your skin as his lips find the pulse point on your neck. you don’t know if the whimper you hear belongs to you or lando, the only thing you know is that the race can wait a few minutes.

“lando it’s time to g–” you don’t hear the end of the sentence because lando’s race engineer it’s too stunned to finish speaking. you’re quick to jump off of your boyfriend’s lap, but you’ve been caught and it’s impossible to deny what you were doing, there’s evidence on yours and lando’s face. the man just laughs and closes the door, saying something about keeping his head clear of any distraction.

★ — CHARLES LECLERC (16)

you were just trying to help charles clean his shirt after you spilled your drink on top of him. but he was so close to you, his breath tickling your cheek and sending a shiver down your spine, and it just happened. the kiss was shy at first, both of you uncertain of what you were doing. but then you were being lifted up by charles and sat down on the sink, legs immediately parting to make room for him. you didn’t care that you were in dani’s guest bathroom and anyone could walk in on you, you also didn’t care when charles’ hands found your thighs, squeezing the soft flesh while his mouth kept the assault in yours, neither did you care when those same hands lifted your dress up, up and up until you could clearly feel the effect your kisses were making on him.

you were ready to ask charles to do something when the door opened startling you both. charles stepped away and you jumped off the sink, trying to brush your hair and looked presentable to the owner of the house who was now looking at you, surprise written all over his face before bursting out laughing. “guys! you won’t believe this!” it only took a panicked looked between you and charles for the boy to sprint down the hallway to try and shut his friend up.

★ — OSCAR PIASTRI (81)

you don’t know if australia has something in the air or if being in oscar’s childhood bedroom is making you feel a certain way. but the second the door closes, you’re leading him to the bed. oscar is a little uncertain at first and looks like he’s about to say something, but the words die in his throat the moment your lips find his. he doesn’t wait a minute in taking control, and lays you down on the bed, his body on top of yours. then your impromptu kissing session it’s not enough, you need to feel him closer, you want his hands everywhere.

“would you like some lemonade?” it’s too late for you to pretend to be doing something else than being in an intense making out session when oscar’s mom, the woman you’ve just met that same day, opens the door. when she sees the scene, she quickly closes her eyes, hiding behind her hands. it would make you laugh if it were any other situation. oscar doesn’t move but looks like a deer caught in the headlights. “i did not see a thing!” you would pretty much prefer for the earth to swallow you whole than to face the woman again.

★ — MAX VERSTAPPEN (33/1)

it’s not max’s fault that you look so, so good in that damn dress that all he wants is to rip it off of you. if the FIA gala wasn’t so important—it’s not. not for him, at least—he would get out of there immediately. instead, he has to settle with crowding you against a wall in a secluded corner of the building when he finally has some time for you. he can barely keep his hands to himself, and is touching you even before you can feel his lips against yours. max whispers sweet nothings as his lips go from your mouth to your neck and then up again, making you feel dizzy. he lifts your dress up around your thighs, and you allow him access in a heartbeat, not caring about anything but how addicting his kisses are.

“ejem,” a cough makes max pull away, and doesn’t hesitate on shielding your body with his, giving you enough time to fix up your clothes. “we’re next.” christian horner tries to look at anywhere but you, and you don’t know if you’re supposed to laugh or feel ashamed. both, probably. max dismisses him with a simple nod of his head, and once you’re alone, max goes back to what he was doing before. you still have a few minutes to spare, he says.

★ — ALEX ALBON (23)

you were having the time of your life choosing an outfit for a party next week, your boyfriend waiting for you just outside the changing room; you actually were focused on trying to zip up a beautiful black dress you had chosen when the door opened, revealing alex with a mischievous smile on his face. as quick as he opened it, he closed it behind him. you didn’t question him, it’s definitely not the first time he’s done something like this, so, you, more than happy, welcomed him with open arms and a set of pink and plump lips. and alex is immediately swiping his tongue across your bottom lip and kissing your properly—kissing you so slow while gently cupping your face, trying to take as much as he wants from you, and you’re ready to give it to him freely.

“is someone there?” a girl’s voice startles you both, but before you can think of hiding alex or saying something—not that you can with your boyfriend’s mouth against yours—she’s opening the door. neither you nor alex know what to do other than to stay very still and very quiet, as if that would make the girl forget what she saw.

★ — DANIEL RICCIARDO (3)

you told daniel that hiding in the airplane bathroom to make out wasn’t a good idea, but you still got up and went voluntarily when he gave you the signal. waiting for him to knock was torture, you were pretty sure you were going to get caught. but when you opened the door and your boyfriend pulled you in to finally kiss you, you forgot about everything. the way daniel kisses should be illegal—how he lets you take the lead until your kisses become sloppy and your head feels dizzy and you can’t keep up with it because it feels so good. then he takes control, gripping your waist with such force it’ll leave marks; the mere thought makes you weak in the knees.

“open up! you can’t do that in here.” a huge knock on the door makes you pull away, but daniel doesn’t let you go, chasing after you until you give up and kiss him again. this time the kisses are more intense and the tiny bathroom it’s too warm and you’re wearing too many clothes. the person behind the door is forgotten the moment daniel gets so close that you become one. you’re already in trouble, so, it’s doesn’t matter if you stay a few more minutes in there.

★ — MICK SCHUMACHER (47)

kissing at clubs is not something you would’ve done in the past, not even when lights are so low and no one cares what the person next to you is doing. but ever since you started dating mick, there are a lot of things you’ve already done that you never thought you would do. and making out in a corner of the club with mick pressing against the window, his body molding into yours just in the right spots is definitely one of them. mick is practically knocking the air out of your lungs with the way he’s kissing you, and you have to hold onto his shoulders afraid of melting to the ground. you don’t know where you are, and you really don’t care as long as mick keeps kissing you like that, so you don’t push him away when you feel his hand making its way up your thigh, getting closer to where you need him the most.

but then you hear people laughing. mick pulls away first, groaning for being interrupted, but then you look around and you’re right next to the bathroom from where a group of girls are walking out. you feel all the blood in your body rushing to your face, they look amused but you want to disappear. you hide your face in your boyfriend’s chest and don’t look up until mick is the one lifting your chin up to kiss you. this time he takes your hand while saying something about going home to finish what you started.

★ — LOGAN SARGEANT (2)

it’s childish. and all of you are adults. you definitely should not be playing truth or dare in a party like thirteen years old. however, you don’t say anything when oscar dares you to spend seven minutes in the closet with logan. it’s true you both have been dancing around each other for a while now, what you didn’t know it’s that it was so obvious for everyone around you too. the cheering from your friends dies down when the door closes and you and logan are alone. you look into each other’s eyes for a minute, pure silence in the secluded space, then logan glances down at your lips and you suck in a sharp breath when you realize he’s asking for permission. your eyelashes flutter as you take a step closer, and he wraps his arms around your waist without a trace of hesitation. you’re gasping into his mouth the next second, his lips warm and soft. his fingers brush along your jaw and, in that moment, you decide this won’t be the last time you’re gonna be tasting his lips, you want to do it every hour of every day.

but then the door opens and you immediately pull away as if you’ve been burned. there are a lot of eyes looking between you and logan for a moment before someone shouts “fucking finally!” and everyone’s laughing and cheering. when you look at logan again, he has a lopsided grin plastered on his face.

★ — LANCE STROLL (18)

lance made sure you two were alone in his parent’s house before taking you in his arms and sitting on the couch. he smiles at you with the same bright and pretty smile that stole your heart one time two years ago as you run your hands through lance’s hair, down his neck and over his shoulders, letting them rest on his chest. lance grabs onto your waist and meets your lips halfway, all his body relaxing immediately. he kisses you so softly but determined, licking into your mouth when you give him access, like it’s his last day on earth and he needs you to keep breathing, surviving. you let his hands roam freely over your body and you can feel your heart pounding so hard, almost as if it’s gonna jump out of your chest and you can’t do anything about it. when your boyfriend’s hands graze your lower back for a second before grabbing your arse, a tiny mewl escapes you.

and as you’re about to grind down, “oh my god!” lance’s sister screams in surprise. you both look at her, more embarrassed than afraid. you know your cheeks and ears are as pink as the shirt you’re wearing, and you feel like your skin is actually burning. ”well, i guess we had the same thought.” she says stepping aside, her boyfriend coming into view with a shy smile on his face.

requested by @biancathecool. . . The boys (individually) Nd fem!reader getting caught making out, with the driver having thier hands shoved down their gfs pants or up their shirt 🫠❤️ Alsin if you could please add lance in this one.

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