wet cat this wet cat that. maybe watch some classic silent era comedy reels and then youll see the original wet cats at work. pathetic wet little men fighting for their mf lives and its like you dont even care
(ID in ALT: buster keaton in the blacksmith, the frozen north, the gold ghost, the scarecrow, the haunted house, the love nest, the navigator, and the cameraman)
tbh i kind of think the whole Thing about buster keaton's "stoneface" is that he figured out acting for the camera before a lot of other ppl did. i can't say before anyone else did, because we've lost so much early film that it's impossible to know, but like. audiences and critics in the 1920s grew up with stage acting, which is very large and expressive, and early film actors usually came from/were influenced by the stage, so that was what ppl expected. but then buster keaton toddles onscreen, with his instinctive Understanding Of Film, and his acting is incredibly subtle—not at all like the stage. and ppl didn't know wtf to do with it. especially when you factor in how wildly expressive he nevertheless is—here's some guy who's a freaking forerunner in modern acting, but his contemporaries were still like "his face never moves! witchcraft stoneface!"
but of course when king vidor does it with 1928's "the crowd," suddenly naturalistic acting is all the rage. meanwhile poor buster's stuck with his reputation for being unmoved at all times.