Over the years, due to the six shows I've been in the room for and my 19 years of entertainment industry experience, I have been a guest lecturer at NFMLA, Girls Write Now, NY Times Film School, and NYU - Tisch School of the Arts.
I'm in this group because I was a writer's PA and Writer's Assistant, but I was not promoted on the shows I was an assistant on. I optioned a pilot as an assistant and became a staff writer on a show I was completely unconnected to with the power of just my writing sample.
Over the years, many have pushed me to teach a course in order to share my unique take on "writing what you know" and writing a successful pilot script that will get you repped and staffed.
Here's the link: https://learntowritetv.teachable.com
I hope you'll check out my teachable course and I hope it will be helpful.
-N
In the course, "TV Writing For Beginners", experienced television writer Naomi G. Davis will introduce students to the fundamental principles and techniques of writing for television.
Whether you aspire to become a TV writer or simply want to explore the art of storytelling through this medium, this course will provide you with the tools and knowledge you need to get started.
From understanding the structure of a TV script to developing compelling characters and storylines, you will learn the essential skills required to craft engaging and entertaining television content from understanding story structure to crafting compelling dialogue and character arcs to elevate your TV writing skills.
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it really is insane to me how in the mid 2010s netflix had a reputation of making cool, inclusive series as well as saving tv shows after their networks cancelled them, and now here we are today with every halfway decent netflix original show getting cancelled after 1-2 seasons and a bajillion episodes of bigmouth
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I'm honestly surprised there's never been a Netflix-specific strike. But I do think there's was a lawsuit that was settled or won, so there's that.
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It was so ahead of it’s time
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