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#Then we develop a black and white view of the world that let's evil take over because it's hiding itself
aydaptic · 3 months
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I think what gets me about Gavin is that why do people act like he is incapable of change.
Let’s bring up Hank. Hank hates androids. He treats Connor with disrespect, he insults him, he physically assaults Connor (regardless of the players choices) and in some options, he can kill Connor.
Gavin is the same. He hates androids, insults them, can assault/kill Connor blah blah blah but interestedly enough the last two can only happen due to the players choices, unlike Hank where regardless of player input, Hank will shove Connor against a wall and threaten him.
Now with these two being so similar, why the different treatment?
Because Hank gets development. Hank has trauma connected to androids. Hank is partnered with Connor and along with him, learns that androids are not machines but truly alive and by the end, Hank does not hate androids and he and Connor are friends.
That’s the difference. The story shows Hank changing. Also, and this is dependant on personal tastes I feel but Hank is nicer to his colleagues and more people respect him versus Gavin who doesn’t give two shits about people’s opinion.
So now I ask, why could the same not happen to Gavin?
Who says he doesn’t have some deep reason for hating androids? Hating them for taking human jobs is already a damn good reason in my books. I mean just look at how AI is already doing the same thing right now in real world.
Who says that Gavin couldn’t have spent time with an android, like Hank did and had his views changed by seeing their plight?
The only thing that separates Hank and Gavin is that the story showed Hank changing and growing and Gavin not and that’s fair. The story is about Hank, not Gavin.
But as a fandom, that’s the reason why we exist. To take characters, elements of a story etc and explore what the creators did not/forgot to.
Yet people have apparently lost any ability to do this when it comes to Gavin. You’re really telling me that these people can buy Hank changing throughout the story but can’t fathom Gavin, who hates androids just the same as Hank, doing the same?
You’re telling me these people can’t think, can’t delve deeper just a little, tiny bit?
I don’t know about you but that just screams so lazy and unbothered to me.
If people don’t care about Gavin, then don’t. I personally don’t care about characters that many love but don’t sit there and say “Gavin is so irredeemable and evil and there is no way that someone like him can change” because most of them will say Hank is their favourite character.
Most vocal ppl don't wanna hear this, but I'll say it plainly bc idgaf.
Modern society (immorally) encourages ppl to hate Gav bc he's a masculine white man -- one not confirmed to be gay which would land him far less criticism today -- that's conventionally attractive. Hank isn't considered attractive to most ppl out there and that gives him a pass. It's abhorrent.
Straight/gay, white/black, male/female, etc. It doesn't matter. Hatred towards a sexuality/race/gender, etc. is never okay. No "ifs" or "buts." Period.
The number of times I've heard ppl say Gav and Con, "are only popular bc they're attractive white men" is insane. I've encountered lesbian Gav fans, ace/aro Gav fans, Gav fans who find him ugly. So that alone disproves such a brain-dead statement that all Gav fans like him "bc he's attractive." It's plain racism, sexism/misandry, heterophobia, and hatred for good-looking individuals in general.
Anyone denying this is either delusional about it, unaware, or well aware that they're full of shit and lying their asses off.
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dcwnthercbbithcle · 20 days
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Hot take/bingo for Philip and Sally? I wish to know the takes. Give them!!!
Shipping Hottake Meme || OPEN AND ACCEPTING
ASDASDASD PIGEON YOU HAVE NO IDEA WHAT YOU'RE ASKING FOR. Mentally? I need you to know I'm doing the disappointed teacher coming back from a sick day pose. Sitting in the turned around chair, fingers steepled, head down. I have OPINIONS.
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Sally/Philip, we meet again... I can understand the ship, not to say I ship it, but from an outside stance, I can get it. Sally and Philip fill a lot of the same archetypes in Dead By Daylight in a way that's complimentary.
Sally is often associated with angel imagery or death, all black or white, flowing sort of dresses and Phil is the opposite, he has a deathly look, covered in black and soot, coming with a sound and disappearing again. They're both 'banshee's at least in the sense the Devs intended for them to fill the niche. They both have stories that follow long periods of exploitation and, ultimately, good people who are made accessories to crime until killing seemed like the only escape or means for redemption. They're both TRAGEDIES, I get it.
BUT THIS IS WHERE IS LOSES ME. They are united in the tragedy of their stories, but like, what else is there? Seriously, the Devs clearly ship it, but what is the substance? I don't think Sally/Phil is a ship that's doomed out of the gate. You just have to work for it and the devs aren't willing to do that, and a lot of the time, the fandom it seems doesn't do that either. Not just for Phil, who I've found often is subject to fandom racial caricaturing in the worst sort of way, but Sally too.
Sally, often, from my experience in ships with Phil is treated almost like a pet and given very little humanity or even development and it's not fair to her, her character or her personality. I won't go on a grand standing rant, but like, it's upsetting. It's really upsetting. Sally is a very important character to me, her grief and her rage ARE important and she deserves the respect of being given humanity more than the tiny dancer to Phil.
IT'S LIKE, THE POTENTIAL FOR INTEREST *IS* THERE, it could be GREAT! I would kill to see someone approach Sally and Philip in a way that touches on the night and day perspectives that shape each of them.
Phil is a character that doesn't see the world or humanity as this inherent evil, the evil however comes in the fact that no matter what he does, tragedy drags him back into the circle and cycle of war and suffering. Phil isn't ready to write the world off as 'evil', he needs to attach it to people, he needs to embody it. Sally meanwhile, she really has come to view civilization, at least to the parts that she's experienced (Sally is first to admit she hasn't seen the full world, only her part of the world) as evil. She doesn't see the people themselves as evil exactly, but it's the hivemind, it's the culture, its the way things are structured. To torture her patients, to leave women like her in the position of being exploited, to leave people unable to climb higher. Sally sees it, and she hates it. She thinks humans are capable of good, she sees innocence and love in the eyes of people, but, put too many people together, the love and innocence fades, it stops being individualistic, it becomes 'the greater good' and just !!!!! she hates it, she's not against organization, she's against capitalism, she's against the dissolution of the individual for a uniform, soulless idea of an ideal existence and an ideal humanity.
LIKE COMING TO A HEAD, TO MEET EACH OTHER, FOR THEM TO BE ABLE TO DISAGREE AND COME TO AN UNDERSTANDING OR HATRED OR W/E. THATS WHAT I WANT!!!! THE DEPTH!!!
But people aren't ready to give Sally and Phil that depth, the devs certainly aren't even ready to give Sally the respect of a respectful treatment of her story, let alone any identity beyond the small petite lady for big tall phil to swing around. And for that, Sally and Phil, I don't see it, it's not a notp, but you'll have to work hard for it and to redeem it from the treatment I've seen it get, both in the fandom, official material and like, in my heart!
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on-a-lucky-tide · 2 years
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We need to talk about the parameters of Eskel's bravery. He'll be brave when the options are life or death. A witcher is brought up to die (I am so going to use this line in a fic now that I've thought of it...). So of course he didn't bat an eyelash at Caranthir, he was either going to do his job and vanquish evil or die trying. What he was never taught was to deal with emotions. Picking sides, dealing with complex issues. He runs and hides. It's easier to not deal with the emotions, of feeling like he's let Vesemir or Lambert down by not siding with them. To him, the world is black and white. And when it's grey, or two whites or blacks in his life clash? He cannot cope.
Agreed, Non. And that's an amazing line! If it appears in the Eskel tag then I'll be sure to give you a thumbs up in the comments.
Emotional maturity is a really complex... thing, and I like how you've drawn a line between "managing" and "dealing", whether intentional or not. (I think you're already barking up this tree anyways, so feel free to take it with a sage nod.)
He's the heir to KM according to the games, navigating local politics and the social contexts of other people, recognising and managing his emotions effectively, is a necessary part of both being a witcher and a future leader. It's part of his job/training. He has the tools and cracks on with confidence and certainty.
I like to write Eskel as having full awareness of his emotions (and never having bought into witchers don't have emotions, but viewing it as a necessary rumour in some respects; he's pragmatic like that).
But, like you said, he's the embodiment of the "just put this fire over here with the rest of the fire" meme; he doesn't ever deal with anything, and when it looks like he is going to have to deal with it, he flees/avoids/claims neutrality. What if he makes the wrong choice? What if he lets down the people he loves?
I also like to headcanon that the reason Eskel paws at his scars when he's unsure is because they're a reminder of what his indecision and paralysis cost him. Not just his facial scars but also (if you go bad, bad ending) having to hunt down and kill Deidre to stop her rampage.
When he has the tools, Eskel is an unstoppable force. Without them, he's a scared little boy curled up in his bunk, hoping his best friend comes out of that laboratory alive. The holes left in his emotional development by what he endured at KM are vast.
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What is the zodiac sign for december
As a professional astrologer, people ask me all types of questions. Of the most common curiosities is "what are the best zodiac signs?" along with its evil twin, "what are the worst zodiac signs?" While I appreciate any and all astrological inquiries, including zodiac signs compatibility, let me set the record straight: In astrology, there are no winners or losers. In fact, when you enter the metaphysical realm (the world of stars, tarot cards, tea leaves, etc.), that black-and-white binary goes straight out the window. In this magical, mystical domain, we work with nuance.
What is the zodiac sign for december
Every sign is a powerful, vital piece in the puzzle that is the zodiac. The four elements — air signs, fire signs, water signs, earth signs — all work together to create a comprehensive whole, which shows up in your life as your unique personality traits. Although astrology is an extremely complex study, the most fundamental principle of astrology centers on the 12 familiar star signs of the zodiac. Over the centuries, each sign has developed its own associations — including myths, animals, and colors — and its own characteristics. Every sign is illuminated by its own point of view, complete with powerful strengths and exhausting weaknesses.
From an astronomical perspective, we know that the Sun doesn't move, as its stability anchors the entire solar system. But from our vantage here on planet Earth, the Sun is in constant motion. We can depend on its daily performance (including inspiring sunrises and dramatic sunsets), as well as its location in the sky. The position the Sun occupied at your exact moment of birth is known as your "sun sign" (sometimes referred to as "star sign" or "birth sign"), and it's the cosmic launching pad for both beginners and professional astrologers. (Your Rising Sign is another very important placement, and you can read about it here). Your sun sign is determined by your date of birth and represents your core personality, sense of self, basic preferences, romantic compatibility, and ways in which you move through the world. This astrological placement sheds light on your innate gifts, as well as your hard-to-see blind spots. Your joys, wishes, flaws, and fears make you special and, when your sun sign is combined with the other planets and placements in your birth chart, it creates a distinctive celestial profile that serves as your cosmic fingerprint. 
Got it? Good. Now let's take this to the next level. The twelve zodiac signs are also divided into sub-groups: four triplicities and three quadruplicities. If this seems a bit confusing, don't worry, there's a method to the madness. Triplicities refer to the four zodiac sign elements, of which there are three zodiac signs in each group: Fire Signs (Aries, Leo, Sagittarius), Earth Signs (Taurus, Virgo, Capricorn), Air Signs (Gemini, Libra, Aquarius), and Water Signs (Cancer, Scorpio, Pisces). Generally speaking, fire signs are passionate and exuberant, earth signs are practical and grounded, air signs are intellectual and curious, and water signs are intuitive and emotional.
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fantasy-costco · 3 years
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Bro dark academia is literally not that deep a bunch of people were like "old books and soft lighting and Oscar Wilde quotes are pretty let's look at those things to make us happy" and now a bunch of people are like that's classism? My man poor people can like argyle and brick buildings we all know that actual academia has major issues it's literally just an aesthetic relax
#Source im fucking poor dude I just like old books#Edit I think people also point out racism and sexism in classic lit as reasons why da is bad and if they don't they should#But like here's the thing#We aren't stupid. We know that writers from a hundred years ago were racist and sexist#Writers now are racist and sexist#We read it critically to learn if we're doing it correctly#Like if you're in to Da enough to be reading the books and shit you should also be reading critically#My favorite playwright is Oscar Wilde#I think the way he uses timing and dialog is excellent I think his humor is hilarious and I think I can try my best to use him to make#Myself a better writer#Was he antisemitic? Yes. He wasn't a nazi or anything but most people then were and he's no exception#NOT AN EXCUSE IT'S STILL BAD#I can say 'Oscar Wilde was a good playwright' and 'Oscar Wilde was not a good person' in the same breath that's not a contradiction#I'm reading critically. I'm understanding the things that were bad. I'm using his work to learn about his time#If we never look at works that aren't perfect art won't exist anymore#And if we don't understand that otherwise good seeming people can be hateful#That people can be complicated#That being gay or an artist or working on women's magazines doesn't stop someone from being antisemitic#Then we develop a black and white view of the world that let's evil take over because it's hiding itself#I got way off topic#Most folks with da blogs don't care this much they just like the brick buildings with gray filters and good for them they're fucking pretty
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sopafa · 3 years
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My problem with Rise of the titans.
My problem with Rise of the titans.
Okay, to this day, I guess that everyone had seen the movie. So, let’s talk about it.
first that everything: The title.
TROLLHUNTERS: RISE OF THE TITANS.
First word: TROLLHUNTERS.
I mean, I love the show, I have nothing against it, it's great, a nuclear form to start the franchise, and introduces us to a universe. The story, the plot, etc. What’s the problem?
We have seen Jim’s hero journey before. “The amulet did not make me a hero, I already was”, a great quote, but we already had listened to it during the show.
So, the movie did not give us nothing new, it’s literally the same plot of the show. “What does be a Trollhunter mean?”
With that pointed out…
WHAT THE FUCK A TROLLHUNTER IS GOING TO DO WITH THE ARCANE ORDER.
ROTT – TRAIN BATTLE.
Bellroc: “Trollhunter…”
Jim: “Nope. Now I hunt Wizards”.
First of all… the arcane order members are not “wizards”, they are demigods, which is completely different. It’s like comparing a Gnome to a Goblin. Not to mention that the only wizard present during that fight was Douxie, so-
Go Jim, hunt Douxie!
Just- No.
Literally, Jim has not a reason to fight them.
“Oh, but earth it’s my home and-“
Bulshit. The proper Merlin says it: “I create the Trollhunter to defeat Gunmar and destroy Gum-gums”. I mean, I have myopia but even with my bad vision I did not find a single Gum-Gum in the movie, so tell me if I am wrong, but the Trollhunter does not deserve to head this battle, instead, he had everything to be treated as the warhorse, or secret armor, not as the leather.
It would have been great to see a different dynamic.
In wizards we had the opportunity to see Douxie lead the team, talk to everyone and encourage them when there was no hope. Jim was not present during all the best of Douxie’s leather moments, because he was a Troll, but it would have been amazing to see him leaving the leadership to others, even when he is not used to it.
SECOND POINT.
The villain.
So, the arcane order is great antagonist. Their point of view, the grey moral, their designs and presence since wizard. Just amazing.
If they are so great: What’s my problem then?
The development.
PIRIOT.
A) To begin, their first apparency was on wizards, a MINI-SHOW with 10 episodes, where the arcane order are presented as the ones that are behind the main villains.
It's great to the how the power scales with each step our heroes take. It's more difficult to take the antagonist down because it’s not more WHITE AND BLACK characters, but a lot of grey zones. This forces the heroes to change their morality and question their ideologies.
But the short time we have to meet the order compared to other villains on TOA, makes them not feel powerful enough. It feels more like: They are bad, they are evil, they have a pretty good points to destroy the earth, but instead of giving them a chance to know them better, we are going to give them titans to kill and destroy the planet.
So, the problem is the titans and the mass destruction they occasioned, not the order as them. Or at least that’s what the title makes us think.
B) On TROLLHUNTERS, we have ANGOR ROT and GUNMAR as the main villains. We know that they fight Jim, and see their development through the series. Angor Rot wants to recuperate his should, he is following orders and after that, he is taking revenge over Jim. Gunmar wants to domain the world, but instead, he is confined to the Dark Lands, where we see him during Jim’s trip to that place.
On 3BELLOW we have MORANDO and area 49. The epic grows of Aja and Krel, their maturity, their decisions, the Varvatos' “treason”, and the change of role from Area 49, to become an allay at the end. A Great conclusion, that lets us open the opportunity to see the support of area 49 in future projects of TOA.
And on WIZARDS…
Who is the main villain?
Douxie does not fight an “antagonist” on the show. The whole adventure is “Go back to the present and help Merlin stop the order”.
We meet Arthur, and Morgana, peons of the order, that are going to become villains that MERLIN HAS TO FIGHT. Jim and Claire had their arc. But we do not see the MAIN ANTAGONIST to the PROTAGONIST OF THIS SHOW.
We meet the Arcane order, and we see Douxie fighting them.
He is a master wizard, he is the one that has the power to control the genesis seal, the Arcane Order’s goal. So, we can agree that they are the antagonist of Douxie?
That has sense.
On the show we see how they control Arthur and make him KILL MERLIN -The only parental figure and family Douxie had-.
They also are responsible to control Morgana (a friend and companion during his life on Camelot).
Not to mention that he became the guardian of Nari of the Eternal Forest, giving the order more reasons to hate him and destroy him.
In conclusion. THERE ARE A LOT OF REASONS TO BELIEVE THAT THE ORDER IS THE DIRECT ANTAGONIST OF HISIRDOUX CASPERAN.
So, the movie makes no sense having Jim leading the battle against the Order instead of Douxie!
So, if the writers wanted to make the order EVERYONE antagonists, it would be better to have a second season of wizards, focused on Hisirdoux and the defeat of a particular antagonist.
Continuing with the movie, a better title would be “TALES OF ARCADIA: RISE OF THE TITANS”, instead of “TROLLHUNTERS: RISE OF THE TITANS”. In that way, there would be more impact on the presence of other characters around the movie, instead of only focusing on Jim during the CLOSURE OF THE WHOLE FRANCHISE, FOR MERLIN’S SHAKE.
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kiingocreative · 3 years
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The Structure of Story is now available! Check it out on Amazon, via the link in our bio, or at https://kiingo.co/book
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I sure love a good villain. I love writing them, I love reading about them, I love watching them on screen, and I love unravelling them.
When writing No Pain, No GameI thoroughly enjoyed developing the character of Sean Cravanaugh, the evil mastermind at the centre of the plot. The whole process was extremely cathartic. So much so, in fact, that when the book came out and readers hated Sean for being so horrible and manipulative, I was almost taken by surprise.
This did get me thinking: was my love of strong villains uncommon? Did my ability to write a convincing villain make me a villain at heart? How did other writers feel about their own baddies, and how did they go about writing them?
I had to find out.
The Nuanced Villainy Trend
One trend that’s become more prominent in recent years, be it in literature or popular culture in general, is a shift on how we look at and portray villains. Nowadays, characters from the dark side are more nuanced, more complex and more intriguing than they used to be. We don’t just see what they do, but why they do it and the reasons that drive their behaviour take us on a rollercoaster ride. We’re no longer looking at the bad guys at a singular point in time, where they’re already at the apex of their villainy. We’re given a full 360 degrees view of what’s got them to that point — we see the world and their experiences from their point of view, and they earn some sympathy points along the way.
And that’s the thing. We hate what they do, and we can’t condone their actions, but we tend to hate them, as people, a little less. We wonder what we ourselves might have done when faced with the same circumstances. Through that new lens, they become almost endearing.
This blurs the lines, to a large extent, and the world seems to love it. Gone are the days of black and white as we’re increasingly exposed to the other side of the more traditional hero-focused stories. This is a good thing, according to author Sabrina Voerman, who states that ‘we need more stories told by villains because [she] believes we are all a little grey. No one is all good and no one is all evil.’
Where Villains are Born (or: are you a closeted villain if you can write a good villain?)
This all begs the question: why do we love this new trend so much?
My guess? Because it speaks to the darker, imperfect, highly flawed part of us we try so hard to conceal in our civilised day-to-day lives. When author Freya McMillanworks on villains for her own books, she admits she ‘thinks about the darkness in [herself] and ramps it up a lot, so it’s still believable’. And we love it because we can relate.
So, do you have to be a villain yourself to write a good villain? Not necessarily (and rather thankfully, I might add). I believe it’s more a reflection that we, collectively, are starting to embrace every facet of what it means to be human. We’re letting go of the typical and rather unattainable hero-in-shining-armour ideal in favour of the myriad impulses, idiosyncrasies and desires that make us who we are as a species.
Creating a convincing villain these days is no longer about handpicking a singular cause to justify someone falling off the rails of socially accepted behaviour — abuse, loss and trauma being recurring favourites on that front. Instead, it’s all about exploring the complexity of human nature, psychology and the full colour palette of human emotions.
For Sabrina Voerman, it’s a delicate balance, because ‘villains have to have reason, and that does not always mean some traumatic event pushed them into being bad. [She] likes a villain that has good intentions, but will do anything to get there’. In fact, she highlights that ‘understanding the villain is key, and giving them a few redeeming qualities humanises them, allowing readers (or at least [herself]) to see themselves in the villain.’
Are Modern Villains Just Normal People Doing Bad Things?
So, where does this land us, I hear you ask?
Are we all villains at heart?
Are good, modern-day villains just normal people doing bad things?
Yes and no. We’re at least leaning into the idea that those once crystal-clear distinctions now have blurrier edges than before.
Modern day villains often stand somewhere in the middle between right and wrong. They’re divisive characters which we can’t help but ‘sort of like’ and ‘sort of loathe’. And we’re undecided because we’ve come to realise that, in the world we live in, where things get amplified, blown out of proportions and re-tweeted till they get viral, it’s increasingly easy for anyone to be publicly perceived and pointed to as a ‘villain’. Heroes can become villains, and vice versa. It could happen to anyone. At any time. Almost overnight.
In her writing, Freya McMillan looks at it rather simply: ‘[she] doesn’t necessarily describe them to [herself] as ‘villains’. In [her] mind [she] writes about people who are victim of circumstance, or are affected by traits that are beyond their control.’
Author Tara Lake’s view is similar. Her approach is ‘comparable to any character: [she] considers their limitations, their desires and motivations, and how far they’re willing to go for those desires’.
What does that mean for writers?
The key takeaway for us writers is that we need to keep moving away from the traditional and now antiquated, overly simplified view of good versus evil. Gone are the days of irreproachable angels fighting stone-hearted demons, dark beings who were born bad and only ever did horrible things for all the wrong reasons.
Quite the opposite, in fact. They have layers. Forget black and white, or even shades of grey. Like kaleidoscopes, they’re made of a thousand shapes and brushstrokes from all the colours in the rainbow. They’re intricate and intriguing, and because this all makes them more humanised than they used to be, they can easily be hailed as the underdogs we want to back.
As writer, I find this trend fascinating. The prospect of getting to paint a whole different picture when it comes to villains is incredibly exciting. It opens up a world of possibilities that forces us to think beyond stereotypes, to gain (and portray!) fresh perspectives and to experiment with our characters in different ways. Something, I’m sure, readers everywhere will also appreciate!
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Snap Part 1
Read on Ao3 Part 2 Part 3 Part 4
Inspired in part by the lovely @random-snippets‘s post here
Warnings: roman angst and everything that goes with it. self-esteem issues, self-hatred, insecurity. sympathetic everyone
Pairings: roceit, platonic DLAMPR
Word Count: 5540
Most things in life are flexible to some degree. You can push and pull and bend them in certain ways and, to some extent, they will comply with you. There are some things that you can bend and bend and bend. Creativity is one of these things. Creativity, imagination, dreams...they can be shaped and changed into whatever you want.
Bend...and bend...and bend...until they snap.
Janus enjoys teasing.
He finds that it often reveals true intentions much better than simply taking someone at their word. Plus, the range of reactions he gets is endlessly amusing.
Patton will stutter and stammer adorably, or he’ll put on his Dad Voice™ and attempt to scold. Logan, depending on what sort of mood he’s in, will sass him back or give him a death glare. Virgil definitely isn’t the type to snipe back, keeping up with Janus blow for blow. Remus is…Remus.
But Roman…Roman is different.
Roman used to be the most fun to tease, puffing himself up in a fit of righteous princely indignation to defend himself, going red in the face only to be set off again moments later. Janus could spend hours just tilting his head this way and that as Roman muttered himself in and out of circles and paradoxes and contradictions. It used to be quite an effective way to shut the prince up, letting him stew in his own thoughts.
It’s still an effective way to silence Roman, but it’s changed.
It started after the wedding.
Roman had shut himself away in his room, much to the chagrin of the others. They expected a temper tantrum, they expected sulking. Logan and Patton were constantly on standby for the minute Thomas would start being affected by it.
They didn’t expect Roman to emerge a few days later and quietly ask to talk to each of them.
He apologized.
A proper apology; for mocking his name, for calling him evil, for dismissing him out of hand. Janus can only guess by the looks of pleasant confusion mirrored on the other Sides’s faces that they received similar apologies.
Janus hadn’t been surprised when Roman extended a nervous offer of having him and Remus come around to their side of the Mindscape more often, saying that they had…valuable insights to offer. He hadn’t been surprised to see Roman extend the olive branch to Remus, only for Remus to promptly snatch it up and hug his brother so tightly Janus winced in sympathy for Roman’s ribs.
Patton, as was to be expected, was overjoyed, throwing his arms around the princely side in what could only be described as euphoria. Logan had been surprised, saying he hadn’t expected Roman’s surprising amount of maturity regarding the issue, including the way Roman had promised to listen to him more often. Virgil had shrugged, saying it was about time Roman started doing that anyway.
He hadn’t thought anything of it, not really. And it had been pleasant, being listened to. Not being treated like a villain.
He should’ve known it wasn’t going to be only a few days for Roman to completely change his black-and-white view of the world.
Roman listened more, that was true, but he didn’t talk as much either. He stood quietly, occasionally asking softly for clarification.
“…L-Logan?”
Logan pauses mid-sentence, glancing over at Roman. Roman sits there, twisting his fingers together.
“Yes?”
“Can you…slow down a little bit?”
Logan blinks. He’d been talking about recent discoveries made in the field of quantum physics, just getting to the part about how SUSY particles could reconcile the different interpretations of the expansions of the universe. Roman had been the only one who volunteered to listen, and he half-expected Roman to dismiss the topic entirely or say he had some important thing to go to. He had not been expecting this.
Roman did not seem to interpret his silence in this way.
“It’s just,” he stammers frantically, “it’s not that I’m not interested, I am, I can assure you, I’m just…I’m having trouble keeping up with you.”
He balls his hands up tightly in his lap, staring at Logan with a frantic sense of urgency.
“It’s okay if you can’t or you don’t want to, y-you’re not boring me, I promise, and I don’t want you to stop, but can you please try and talk a little slower? I don’t…I don’t want to miss anything,” he trails off.
“It’s…it’s quite alright, Roman,” Logan says carefully, “I’m happy to slow down.”
Roman’s face breaks into a relieved smile. “Okay, thank you, I don’t know what’s going on with me today.” He taps the side of his head with a self-deprecating smile. “Not all here, it seems. Sorry, Specs.”
“You needn’t apologize, you haven’t done anything wrong.” Logan adjusts his glasses. “I would be more than happy to slow down. Are you quite sure I’m not boring you?”
“Absolutely not.”
Logan smiles. “…good.”
“C-can I say what I’ve gotten so far,” Roman asks hesitantly, “and then you can correct me where I’m wrong and then jump back in when we get there?”
“Of course.”
Roman had Remus share almost as many ideas as he did, but he didn’t share his own as much either.
“Roman? Do you have anything to add?”
Roman shakes his head, a small smile on his lips as he watches Remus bounce excitedly on the balls of his feet.
“I believe we have a solid idea,” he says, gently elbowing Remus, “and there is nothing I can do to improve it.”
“You know, Ro-Bro,” Remus says, shoving Roman back, “you’ve gotten so much less boring.”
Roman chuckles lightly, picking himself up off the wall. “I’m glad you’re happy.”
“Oh, I am!” Remus claps his hands. “But are you sure we can’t build in the part about—“
“We are not unearthing a roadkill corpse, Remus.”
Roman didn’t puff up when he was teased anymore, but he didn’t defend himself in any other way as much either.
“Could you be more extra,” Virgil sighs, nudging Roman, “really, Princey?”
Roman pauses, before slowly lowering his hands. “I am, aren’t I?”
Virgil’s eyes widen. “Guys! Guys, I got Roman to admit that he’s extra!”
“You did what?” Remus vaults over the couch. “You did it!”
“That is in fact a marvelous breakthrough,” Logan says, drinking his coffee, “especially for Roman.”
“Good to see you’re finally developing some self-awareness, kiddo,” Patton says with a wink, patting Roman on the shoulder.
Janus smirks, shifting in his chair. “Yes, because Roman’s observational skills have always been at the forefront.”
“Alright, alright,” Roman says finally, waving his hand, “I’m extra, I get it.”
It took far too long for them to realize that just because Roman’s behavior had changed, it didn’t mean he wasn’t still struggling with the ramifications of it. It took them far too long to realize that Roman still clung to the ideas of heroes and villains, the roles had just shifted. It took them far too long to realize that the ego, still hiding its black and blue skin, was still living in fear, waiting for the other shoe to drop.
It took Janus far too long to realize he wasn’t doing his job.
“Oh, come now, I’m only teasing.”
“And that’s supposed to make everything better, is it?”
Janus pauses, the sharpness in Roman’s voice killing the follow-up in his throat. His eyes don’t widen at how Roman looks at him. For the first time in a long time, Roman’s gaze is filled with fire as he stares at Janus. It gives him pause for a moment. Just a moment. Then his smirk is back.
Good. You were starting to get boring.
“You realize that saying you’re teasing doesn’t make it hurt any less, right?”
“Oh, sweetie, there’s really no need to get so worked up—“
“Don’t pretend that your intention has not been to make me uncomfortable.”
“Then why’re you letting it get to you so?”
“…so if Remus tries to knock me out with his morningstar, I shouldn’t get hurt because it’s his intention to hurt me?”
Janus blinks. This is absolutely the direction he thought Roman was going to go. “That’s not quite the same thing.”
“So I shouldn’t prioritize emotional and mental pain the same way as physical pain?”
“…I didn’t say that—“
“Oh, I’m sorry, is it frustrating to have your words taken out of context and applied in ways you obviously didn’t mean? Wow, I wonder what that feels like.”
Janus’s surprise is hidden quickly as Roman takes a deep breath in. He expects Roman to bite back, to push, to hurl acid-laced insults at him. Given how Roman has been taking most of…this lying down as of late, he expects it, even if he would be a little...disappointed. In some way, he doesn’t deserve it.
That’s exactly what happens.
“…I understand that you care and you help in your own way. And I’m grateful for it, really, I am. You…you make people look at themselves—really look and you make me think and it’s great but it’s exhausting.”
Roman buries his face in his hands, pressing his fingertips hard to his eyes. It doesn’t hurt to see him so…tired.
“I can’t—I can’t do this all the time. I can’t do this most of the time. You know that. As a matter of fact, it wouldn’t surprise me if that were the point.”
“…I do have a point.”
“You always have a point. That’s the problem. You are nothing but points, there’s nothing to you but—“
Roman stops, taking a deep breath and pressing his forehead with a fist.
“No, sorry, that’s…that’s not true. The version of you that you choose to present to me and to the others most of the time is nothing but points. There is no softness. No give. Not an ounce. It’s always a fight. I have to…double and triple check every single thing that comes out of your mouth, and I’m not…I…”
Another deep breath. Something softens.
“I respect you. I admire you. I like you. But I don’t know what you want from me.”
Janus isn’t shocked.
Not just at the fact that Roman is expressing all of this out loud, not just at what Roman is saying, but how the bitter taste slowly filling his mouth isn’t coming from any of it.
Roman isn’t lying. Not about this.
What happened in those days when you shut yourself away?
It takes him a moment to realize Roman is waiting for an answer.
“I don’t want you hurt.”
Roman huffs. No malice behind it, just exhaustion. “You enjoy putting me in situations that actively make me uncomfortable and you have enjoyed hurting me in the past. Try again.”
There’s a moment of silence. Then Roman sighs.
“Look, I don’t think I’m in the right space for this conversation and the last thing I want to do is mess this up any more than I already have, can we…can we do this later?”
He nods slowly, even though it takes him back to hear Roman ask for something. It doesn’t sting a little to know he isn’t the one that’s made it easier for him to do so.
“Thank you, I—you...you know I care about you, right?”
Not many things can take him by surprise, not many things can make him more surprised than this conversation already has, but this…this earnest confession, this does. He nods.
“Good.”
They don’t speak for days. They don’t even see each other for days. Then Roman has an episode.
The others are away, helping Thomas. Roman is alone. He rides the attack to its end but he’s still trying to recover. This one was bad. He needs to get up, he needs to eat, he needs to drink, he needs to but he knows if he stresses out too much about this, he’s just going to send himself into another attack. He’s trying to breathe but it’s hard. It’s so hard.
Janus wasn’t even looking for him. And yet there he is, sprawled on the floor, hunched over, hands trembling as he struggles to breathe. For a moment he worries at how much he can feel that Roman’s afraid. Afraid of Janus. Janus…he hasn’t exactly shown him his…full capabilities.
And, in his defense, really, Roman is so clever, so sweet, so open that he can’t help but play with him, test him, poke at his comfort zone just enough to see him squirm. And Roman is lovely, truly, he is. And yes, part of him was thrilled when Roman finally snapped at him, but he’s right. Janus is…he has not been good to him.
Time to change that.
He approaches slowly, crouching, and offering a hand. The suspicious look that he gets doesn’t hurt his chest. He does blame him. But Roman trusts, he trusts too easily sometimes and this wouldn’t be the first time Janus has ever taken advantage of it. He tries to convey that he won’t break it when Roman takes his hand. He tries not to think about how much of this is Roman going along with it if only to prevent himself from being hurt.
He leads Roman to one of the common spaces on the Dark Sides’ hallway. It’s almost never used anymore, not since the barrier between Light and Dark started breaking down. He looks at Roman to see such an unsure expression that he can’t help the soft noise when he guides him to sit on the couch.
Janus keeps Roman in the corner of his vision as he carefully shrugs off his cloak. He considers draping it over Roman’s shoulders but decides that might be a bit too much. Too much for right now, even as his mouth starts to taste bitter.
What does he want? Roman can’t stop thinking it. He’s three seconds away from another attack, what’s happening, what’s going on, I don’t know what to do—
A gentle hand cups his chin and he distantly thanks whatever higher power there may be that Janus’s gloves aren’t a bad texture. But then he has to make eye contact and oh it’s the worst. He doesn’t know what’s keeping this fragile peace. He knows Janus will see through any mask he tries to put on right now.  
But not wearing a mask…he’s not sure he remembers how to do that.
He tries.
I’m trying, I’m trying so hard, can’t you see? Can’t you see that if you just tell me, I’ll be good? Whatever you want, I can do it, I promise, I’ll be good, I can be good, but I can’t do it if I don’t know what you want and if you tell me I’ll do it, just tell me what you want me to do, I can’t figure it out, I want to be good, but I don’t—I can’t—what do you want?
Janus sees. He sees all of it and it doesn’t break his heart.
He lets Roman go, the ache getting worse when he immediately shuts his eyes. He crouches, waiting.
When Roman opens his eyes again, he tries to offer. What do you want? Let me help, if you want?
Too much, perhaps. So he tries smaller.
Roman’s unsure when he offers his hand again. He…Janus doesn’t like being touched. But would he really be offering if he wasn’t okay with it?
Janus smiles when Roman reaches a trembling hand out. Slowly, carefully, he takes it in two of his, playing with it gently. Running his fingers over the back, tracing the knuckles. Roman’s hand is so much more...worn than the others. There are calluses, scars, so many stories that Janus can’t help exploring, smiling a little when the light touch makes Roman twitch. Even here, Roman’s scared of doing something wrong. His fingers tremble, try and move to match the shapes he makes.
Keeping Roman’s hand in his, Janus stands, tugging in a gentle ask for Roman to come with him. Roman stands up too fast and a second pair of arms shoots out to steady him. He looks so small…smaller still when Janus sits them down on another couch, between his legs.
Stay with me, Roman.
Playing with his hand again gets his attention, the second pair of arms holding Roman close. He waits. Waits to gently tug that hand a little closer. Roman shuffles. His phone tumbles out of his pocket and Janus catches it with his third pair of arms, setting it carefully on the table.
He lays back, all six arms accounted for. Waits.
Is something you want?
Roman looks so apprehensive, reaching out with his other hand. He folds Roman in gently, letting him move at his own pace, easing his weight down on top of Janus like they’re afraid of hurting him. As soon as he’s all the way down, still propping himself up to keep the weight off of Janus, Janus embraces Roman tightly, smiling a little at the way he instantly goes limp, exhaling sharply. Part of him takes a little selfish pleasure at having Roman in his arms; he’s so warm, he’s just the right weight, he fits so perfectly. But he’s still so tense, poor thing…
Just as he did with his hand, he explores gently. He lightly traces up and down Roman’s sides, wiggles his fingers as he runs them along Roman’s spine. Smirks a little when he feels Roman’s muscles tense and shift as he squirms under the gentle attention. Sweet little thing is ticklish too, hmm?
Like Roman, he doesn’t want to risk breaking this moment with too much noise, but he has to really fight the urge to coo and fuss when he starts scratching his hands through Roman’s hair. Roman whines for him, completely involuntarily, and it’s so small and tired and hopeful and adorable that he can’t help seeing if he can make him do it again. He can.
They have no idea how long they lie there but an alarm on Roman’s phone breaks the silence. Janus barely glances at the label—‘stop and get back to work’—as he shuts it off. He laments its intrusive presence as Roman startles horribly, scrambling up. And he can’t help himself, he catches him.
Roman should get back. He should do so many things but Janus is being so kind and he’s not too warm and Roman has no idea how he’ll react and what if they never get this chance again and he’s holding him so gently and the way he’s looking at him…
Is this something you want?
Janus lets out a soft oof when Roman throws himself at him, wrapping his arms around him so tightly he’s sure it hurts. But it’s the thing he wanted and the thing Roman wants and it’s perfect.
He clings to Roman just as tightly until his own arms ache from it. Still, he holds on, until Roman slumps, burying his warm face into his scales without hesitation. Roman’s breathing stutters, he’s still so scared...so Janus softens, gentles his grip, goes back to the soothing touches from before. Tries to lull Roman back into that half-doze they were in before. It takes a long time, much longer than he’d like. Roman keeps jerking himself awake, his fists clenching and unclenching, unsure where to put his head, where to put his arms.
He breaks finally when his fingers hit a sensitive spot on Roman’s back and Roman gasps, Janus instinctively holding Roman closer and smoothing the hair away from his ear.
“Shh…shh…” One pair of his arms come up to hold Roman’s hands. “Shh… shh…”
I want you to calm down, Roman, that’s all I want right now. Shh…
It takes several minutes of careful shushing to get Roman to relax, several more before his breathing evens out and he dozes, right there in his arms.
They still need to talk. Roman’s carrying so much grief with him that, now that he’s looking, he can see the strain. Roman is so tired, he can feel it. And he desperately wants to know what happened to turn Roman into this frightened creature, constantly bracing for a blow, so confused in the face of any affection. But for now…
He’s self-preservation, protection when protection is needed most. Of course he can be caring.
He leaves Roman in Patton’s care, giving them the space they need to make sure he doesn’t push. Not now, perhaps not ever. He receives a gentle thank-you when they happen to pass in the corridor. And it’s…good. There’s a sweet aftertaste in his mouth when he talks for a few days.
A few days later, his mouth tastes horribly bitter again and he knows it’s time. He appears to see Roman sitting ramrod straight, staring at the wall.
“…well, you certainly look as calm as can be.”
“Oh. Hi, Janus.”
“Hello. What seems to be troubling you?”
“Oh, you don’t need to worry. I’m alright.”
The lie tastes sour. “May I join you?”
Roman nods.
“Thank you.”
“Did you need something?”
“Are you…in a proper enough headspace to have that conversation?”
“…yes. Yeah, I think so.”
He can’t quite taste another lie. This is probably what Virgil means when he says it’s important to trust people about their own boundaries.
“I have a proposition for you. I would like you to hear me out before commenting.”
“Of course.”
“…you lie quite often.” Roman nods. “You are not of the opinion that lying is inherently wrong.”
Roman shakes his head nervously.
“You use lying as a defense mechanism to protect yourself, don’t you?”
A new wave of bitterness.
“…do not be afraid,” he says quietly, “it’s quite common.”
Roman’s brow furrows a little.
“Your first response to any question that causes a heightened emotional response is usually a lie,” he explains, “because your instinct to protect yourself kicks in and forces you to say what you think the asker wants to hear.”
Roman’s mouth tightens.
“It also coincides with the need to make yourself as small as possible. If you…do not require many things, or if you do not actively contribute to things that require any extra effort, odds are you will not be hurt.” Janus tilts his head. “I believe Virgil calls it ‘being low maintenance.’”
Roman huffs a laugh and looks away.
“Does that sound about right?”
“…mhm.”
Janus fiddles with the cuffs of his jacket almost absentmindedly. Roman has developed a…particular style of dishonesty that intrigues him.
Roman is very open about vulnerable topics; speaking freely and without hesitation about how he feels about his looks, his mannerisms, his sexuality, pretty much every aspect of themselves that the Sides can think to ask about. But that’s not the same as actually being vulnerable. It’s hiding behind too much honesty, taking advantage of the fact that others don’t tend to talk about those types of topics in that much detail to let them mistake it for actual vulnerability. But it’s not. It’s just a different type of hiding.
It’s not a lie. Not even a lie of omission. Which means it’s harder for Janus to detect. Even harder for the others. So it’s easier for them to believe Roman is more honest than they are. Which let him get away with lying, let him get away with sacrificing his own needs, let him get away with hurting himself.
The pitch is the easiest part, Janus decides. Definitely.
“Virgil and I have an arrangement of sorts,” he opens with finally. “Logan helped us figure it out. If…one of us receives an answer they believe is untruthful, a second chance is offered.”
“A…what?”
“If I ask Virgil a question, or if Virgil asks me a question, and we don’t believe the answer we receive to be true, we say: ‘second chance.’ Then we have another chance to answer. There are never any consequences for lying, or choosing to take the second chance.”
“…so…”
“So if I were to ask you what’s troubling you—“
“It’s fine,” Roman says quickly, “really, it is.”
Janus gives him a small, sad smile. No, no it isn’t, but this will serve as a good point.
“Second chance?”
Roman’s mask slips. It’s a good mask. Right up there with Patton, and Logan, if he’s being evaluative. Perhaps even up there with his own. But it’s cracking.
“You know it’s unwise to try and lie to me, dear,” he pushes.
Ah. Too much. Fear swells up behind Roman’s eyes and he stammers.
“…I…”
“If you do not wish to tell me,” he soothes, “I will not force you too.”
“Then I would rather not say,” Roman says carefully, each word laid down for Janus’s inspection.
“And there are no consequences.”
The wave of pure relief that washes over Roman is enough to make Janus smile properly. There’s a horrible moment where he looks like he doesn’t believe it, he’s waiting for the punchline, but then it doesn’t come and Roman just slumps, a massive weight rolling off his shoulders. Janus can’t help but watch the corner of his mouth tick up higher and higher as he realizes it’s okay.
“Well, judging by that expression,” he says, “this certainly will be awful for you.”
Another thing about Roman is that for some reason, probably tied to his connection to the Imagination, is that he has this…field around him. Janus is sure Logan’s not interested in it at all and they haven’t spend hours upon hours talking about it. But he can feel the wave of care and love and relief that hits him, making his heart ache pleasantly in his chest.
It’s gone far too quickly and Janus isn’t saddened by it, his brow furrowing when Roman fidgets with his hands, obviously trying to work up the nerve to ask something.
“…why…when you said this was common,” he says eventually, “what did you mean?”
Ah. This won’t be difficult at all.
“The…sophistication of your coping mechanism indicates that it has been developed over a long period of time,” he starts.
“…okay?”
“Not uncommon in victims of abuse.”
“What…what are you talking about,” Roman stammers, obviously trying to laugh it off, “I—I haven’t been abused.”
Oh.
Oh, that’s…oh, Roman…
“We have ridiculed you for expressing vulnerability,” Janus murmurs, “we have ignored you when you express deep feelings. Sometimes, when you attempt to speak about them, we tell you that your feelings are not worthy of your reaction, or we are indifferent.”
Janus shifts, letting his regret bleed into his voice as he continues.
“We have manipulated you to get what we want. We have used shame to make you feel bad.” Janus clenches his fists in his lap. “We have led you to believe things are your fault when they aren’t. We have pushed you to question your sanity.”
There’s an awful silence.
“We’ve been gaslighting you, Roman,” Janus murmurs, “and worse. Tell me, what does that sound like to you?”
Any semblance of relief from earlier vanishes, replaced by denial, worry, panic, and so much anxiety for a moment Janus worries Virgil’s going to be summoned.
Then his mouth fills with an acrid taste, coating his tongue so much it almost chokes him.
“…I’m sure you know that I’m summoned by continuous lying.” Why I appeared in the first place.
Poor Roman barely hears him enough to nod.
“I know what the lies are when I hear them.”
Another nod.
“Which means,” he murmurs, reaching out and gently touching Roman’s temple with two fingers, “…I can hear these.”
Roman freezes.
“There. That.” Janus’s eyes widen. “Oh, oh no, sweetie, I’m not here to be cruel to you.”
Roman doesn’t hear him.
“Breathe, honey, come on…in for four, hold for seven, out for eight.”
Roman’s not breathing at all. Janus leans forward to try and help when Roman’s mouth opens, his voice sharp and determined.
“When people lie,” he says, “does it hurt you?”
“What?”
“Does it hurt you?”
He knows what Roman’s asking and he adores it, of course he does. He adores that Roman’s so worried about hurting him, not himself, Janus, that he’s willing to punish himself by forcing away a defense mechanism that he’s had for years because it might be hurting Janus. He loves it.
“…no. Not a direct correlation,” he says, “no. More often than not, I can tell or sense what the truth would be and…that is not often pleasant. But no, Roman, you are not physically injuring me when you lie.”
“And what about when you’re telling the truth?”
“…sweetie, stop. You’re going to hurt yourself far more that you’re going to hurt me.”
Roman’s face pinches as he looks away, so determined that it looks completely painless. It doesn’t hurt.
“Would you like a hug?”
“N-no, no, I’m fine.” Roman’s hands don’t shake. He doesn’t hunch around himself protectively.
“Second chance?”
“…please?”
“Come here.”
He’s warm, but not warm enough. His aura is relieved, but not relieved enough. He’s still, but not still enough.
The bitter taste in Janus’ mouth isn’t horrendously painful.
“No, sweetie, you’re not being inconvenient.”
You have hidden this so well, so well we never realized how much this hurts you.
“I’m not angry with you for trying to protect yourself.”
I will be the first to admit that I have…not acquitted myself well from the things I have done to you, please let me try now.
“You’re not hurting me.”
Don’t deny yourself comfort, especially when you need it so badly.
“And no, sweetie, I don’t hate being touched as much you think I do.” Janus does find it easy to cry, he does get overwhelmed easily. And yet the lies he can hear right now threaten to make tears spill over. “…must you be so cruel to yourself?”
“…sorry?”
Ah, yes, apologies. That’s a conversation for another time. Janus sighs, running a hand through Roman’s hair. “At any rate, it’s not like you’re nice and warm and much better suited than the others.”
Finally, the bitterness recedes, just a little. Janus swallows, washing away the last vestiges on his tongue, cuddling Roman closer. He looks down, seeing his mouth open and close. Laying a finger gently against his lips, he shushes Roman as he tries to speak.
“Hush, you don’t have to say anything, sweetie. I understand.”
“Okay,” Roman huffs, “I will say the whole…mind-reading thing is not ideal.”
Fair enough. “I am only paying attention right now because you seem to be having some difficulty speaking,” he murmurs, chucking him gently under his chin, “I will not be all the time.”
“Okay.”
“Or you could simply…not lie to yourself.”
“Unrealistic.”
It makes him laugh a little. “Something to work on, no?”
Roman nods, gently head-butting Janus’ hand. He smiles, cupping Roman’s chin, idly tapping his fingers. The smile grows when Roman closes his eyes, tipping his head back so Janus can scritch lightly.
“Perhaps it will help you with these,” Janus murmurs, lightly stroking his fingers over the shadowy bruises just below Roman’s collar, “hmm?”
“…Thomas, huh?”
Janus raises an eyebrow when Thomas summons him. “Well, this is entirely expected.”
“I need your help.”
“Then this can’t be serious at all.”
“It’s about Roman.”
Janus pinches off the rest of his sarcasm. “Tell me.”
“I, uh, I made a…discovery,” Thomas says, “about…things.”
“How remarkably descriptive.”
“You know the phrase ‘bruised ego?’”
Janus stiffens at Thomas’s words. “…I am familiar.”
“…turns out it’s a lot more literal than I thought.”
Oh.
Oh, no.
It’s Janus’s job to protect the ego.
What…what has he done?
“He doesn’t care for you at all, sweetie.”
Roman opens his eyes, peering up at him with poorly disguised hope.
“Neither, for that matter,” he continues, running a thumb over Roman’s jaw, “do the others. Virgil, for one, despises you for being able to make him feel so wonderfully safe.
“Patton thinks the absolute worst of you—“ he pats Roman’s cheek— “and the care that you give so freely to others.
“Remus, well, he of course doesn’t value you at all,” he drawls as he tucks a loose piece of hair behind Roman’s ear, “let alone your willingness to touch and interact with him as he’s so used to that.
“And Logan would definitely prefer it if you were to never be so clever and considerate ever again,” he finishes, stroking his thumb across his forehead.
“I don’t think,” Roman murmurs, “that I’ve ever been so glad to be pretty fluent in sarcasm.”
“Yes, your sarcasm is absolutely awful.”
“Yes, I know, I love you too.”
He expects a familiar bitterness to wash over his tongue. It doesn’t.
Oh.
Oh.
“You don’t have to say it,” Roman mumbles, almost about to doze off in his arms, “you don’t have to say anything. It’s just…it’s there if you want it.”
“I definitely won’t take it,” he says as he presses their foreheads together, “and you definitely can’t fall asleep right here.”
There needs to be another conversation. He needs to know what happened after the wedding. He needs to know how, or perhaps more accurately, why Roman changed in the span of only a few days. He needs to know how Roman got so good at pretending.
He tries not to think about how much worse he’s made it.
…he also would like to know exactly what Roman meant when he said he loved him.
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anonymouslyangsty · 3 years
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Been seeing a lot of taka lives au which is *chefs kiss* but it really does make me wonder just how difficult taka's physical and mental healing process would be if he survived the hit.
Chefs make out session more like it
But that's a really good question. Like, this boy has a horrible time. He makes his first friend in a death game, only to have said friend brutally murdered in front of him. Then he gets depressed, has a total mental breakdown that ends with him adopting his dead friend's personality, then gets bludgeoned half to death.
Yeah, Kiyotaka is going through it.
And yes, he's the Ultimate Moral Compass. But at that point, you really have to question if his upbeat, kind personality can endure. We already saw him break under the weight of the loss of Mondo, and I don't think he'll ever fully recover from that break.
I don't think he'd snap and break his morals, but I can't see him going back to his normal cheerful demeanor either.
Maybe he'd give up his title of Moral Compass. He failed to keep the students alive, he failed to save Mondo, he lost control and threatened another student, then he broke the rules to try to find an exit. After all that, does he really deserve his Ultimate? He's done nothing but fail the people around him.
Not to mention that Mondo's death in itself shattered his entire worldview. Because how could Mondo, a man he looked up to so much, be a killer? Taka has a very black and white view of the world, and Chihiro's murder utterly shatters that. I don't think he'd be able to pick up the pieces easily.
And honestly? I could see this segwaying into him actually making friends that aren't Mondo. Because to be honest, it's clear that Mondo was his only friend there. Makoto and Hiro were also pretty nice to him, but besides that, he’s kinda disliked or tolerated at best.He's not very popular, and a part of that is because he's so strict.
But if he gives up on his title? Then he doesn't need to be as perfect. He doesn't need to carry the burden of taking care of everyone. And sure, he'll frame it as "I'm not worthy of such a role" rather than "I shouldn't carry the weight of every life here", but the end result of him taking on way less responsibility is there.
Without that strong need to take care of everyone, Taka would feel less obligated to lecture everyone. Plus, he can be less strict with both his classmates and himself. Because let's be honest. Taka deserves a nap and a hobby that isn't studying or working out.
(Dang, now I wish Hifumi was still alive in this situation: I want him to try to show Taka some anime)
Slightly off topic here, but I don't think the title of Ultimate Moral Compass is doing Taka any favors. Yes, morals are important. Yes, working hard is vital. However, Taka is so extreme that he denies himself the ability to relax and also seriously hinders his ability to socialize.
Without the burden of that ultimate, Kiyotaka would have a much richer life. Which is ironic in a way. Kiyotaka thinks that one cannot succeed without hard work, which is true. But can one thrive without a life outside of work? No. And it's only through giving up, something Taka would normally never do, that he can start really bonding with the other students.
Also, if Kiyotaka gives up his Ultimate, then he can be mean to Togami. He doesn't need to take the highroad anymore. Taka gets to punch the hell out of Togami because his bro never got to.
This can all lead to a new Kiyotaka by the end of the game. One that is still trying to help everyone, but is far more open to different points of view. One who is more flexible, and thus more resilient. One who doesn't carry the weight of the world on his shoulders.
Because no, he is not fit to lead them. He's already failed them time and time again. But that doesn't mean he has to give up either. Mondo wouldn't want him to.
So I mainly talked about character evolution, but there's still the physical to consider. He got freaking bludgeoned over the head. And yeah, I hear that head wounds bleed a lot even if they aren't bad, so it may look worse than it is. But still. He's not walking away from that without a concussion.
And I love the idea of that being an excuse for him and Sakura to hang out more. Because of all the group, she and Hina probably have the most experience with injuries, so it'd make sense for those two to take care of while he's healing.
I feel like that situation has so much room for character development! Because let's be honest here, it would've been so cool if Hina and Sakura actually tried helping Taka after Mondo's death. It seems in character for them, because both are very kind people. So this gives the chance to make this happen.
Plus I just think those 3 would have a great dynamic. Both Taka and Hina are loud, expressive, and passionate. With Kiyotaka abandoning his ultimate, he'd have no reason to refuse Hina's indulgent attempts to cheer him up. They can eat doughnuts together <3
Sakura and Taka are both strict, determined, and moral. So I think they could both get along really well! Let them drink tea together, and Sakura can give him some wisdom. She can help him realize that good people can make bad decisions, and that bad decision doesn't immediately make them evil. Good advice given Mondo's death, plus foreshadowing.
Also! I love how this could lead into Sakura's death! Sakura being the traitor would once again fit into that whole "oh no my friend who I see as morally good did something horrible" thing. But now, without the weight of his talent and a more flexible worldview, Kiyotaka can withstand that type of blow.
I can see him and Hina being the ones to vouch for Sakura, to look for solutions rather than attacking her. And when Sakura does die, and Hina has her breakdown, Kiyotaka can be there for her. He knows all too well what it's like to lose a friend to the death game.
Just...let Taka and Hina be friends. Let them be part of the "I made a buff friend in the death game but they became a blackened and died. Also fuck Togami" club together.
So basically: Taka gets a more healthy level of depressed (not comatose) and abandons his talent. That lets him explore more things about life, even if they aren’t related to school. He makes friends with Hina and Sakura, who help him with balancing work and fun (Hina), and having a more flexible view on morality (Sakura).
Then Sakura dies, and Kiyotaka is better equipped to be a comfort to Hina.
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writing-in-april · 4 years
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Russian Roulette
Spencer Reid x Female Unsub Reader
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Thanks to my beta readers! @definitelynotkatesblog and @clean-bands-dirty-stories
WARNINGS: NSFW, SMUT, MAJOR TRIGGER WARNING
Includes: Suicide, Attempted Suicide, Toxic Relationship, Gun kink, Angsty smut -There is no specific dominant person in the smut-
A/N: Please do not read if you are easily triggered or under the age of 18. This was really difficult to write but I am really happy the way it came out! I have a playlist I made for writing this if anyone is wanting it just ask! My requests are open for basically any character you can think of, I want to branch out and write lots of characters!
Word count: 3.2k
Masterlist
——
The warehouse that I had found myself masking my location in was in no doubt the most ghastly place I had chosen yet. I wasn’t sure what drew me to the abandoned depository, maybe I had subtly acknowledged to myself that I was at the end of my rope-I knew I couldn’t run forever. The smoke colored walls matched the ashes dropping from the cigarette I had lit to alleviate my anxiety. The cat and mouse game I had been playing with the team that was on my trail was coming to an end. They had an extra vendetta set out against me since I cruelly betrayed the trust built between us. Polluted air swirled around me as I dug my nose in a book, trying to distract myself from my impending doom.
A noise drew my thoughts away from Catcher in the Rye that I had been reading while sat on a shitty mattress, practically the only furniture in this hole in the wall. My manicured nails snuffed out the cigarette into the bed and discarded the paperback, knowing that this was the start of the end. The double doors swung open as the recognizable silhouette Dr. Reid, his shadow was tall and lanky, with noticeable wild curls that looked as if he had rolled out of bed. He finally graced my eyes with the details of his figure, every step he took had lingering hesitation. It had been weeks since I had last seen him, he looked considerably more tired since he had last graced me with his presence, purple dark rings sat under his eyes, his hair even more disheveled then normal, and his clothes lacked the crisp ironing that he usually sported. I hated that I was the one that had caused his disheveled state, I had found a kindred spirit in Dr. Reid. It seemed like we were made for one another, our interests were exactly aligned, the only major thing that separated us was my penchant for murdering people. He was the first person I had felt connected to since my mother and it pained me to see that my betrayal had obviously weighed heavy on his mind.
“I see you finally found me.” I stated nonchalantly as I stood up, he was standing as far away as he could, from my observation it was evident he was disgusted with me but he was still drawn to me like a moth to a flame. He nodded solemnly, the words that he wanted to speak seemed caught in his throat, so instead his eyes bored into my soul. We stood in contemplation just staring at each other, we were only a few feet away from each other but it felt as if we were worlds apart.
“Was it ever real?” He finally spoke up in a shaky voice, his lip quivering in either anger or sadness. “Did you feel what I felt?”
“I hadn’t been real to anyone in a long time until I met you.” I spoke honestly, though I wasn’t sure if he believed me.
I felt the memory of our first meeting flash before my eyes, a murderer had crashed into my hometown, killing important people with checkered pasts. Politicians, lawyers, and police officers- no one was safe. My job as a therapist put me straight into the cesspit of what I viewed as the worst of humanity, slimy high ranking fixtures of the community. I often felt my skin crawling as sick human beings put on a facade of perfection hiding their nefarious deeds behind closed doors, so I began taking care of them by slitting their throats in the dead of night.
When the BAU rolled into our city they immediately put everyone connected with the victims into protective custody. There wasn’t an immediately obvious motive so the team had collected anyone with an important role putting each person with a specific team member. I had been put with the genius of the team Dr. Reid. The stay in the safe house with him made our relationship blossom, we shared interests, hobbies, and even our backstories (I had edited mine a bit so they wouldn’t catch on). Usually I viewed the world as black and white good or evil and until I met Dr. Reid I hadn’t felt grey before just a dark cesspool of no emotion.
I had never even spoken his first name, I had told him that- “Someone who earned 3 PHDs should have their achievements recognized all the time.” I still couldn’t deny these strange feelings that welled up inside of me, no matter how hard I tried to distance myself.
When I had been spotted by the doctor running from the scene of a crime I could practically hear his heart break and to be honest mine did too. I never wanted him to see this side of me that I kept buried, I had wanted to stop for a while even after that first kill but what had first started out as vigilantism turned into a compulsion to kill.
His screams broke me out of my reminiscing my eyes snapped up to see the doctor holding his gun, pointing it straight at my heart.
“WHY?! Why you?” He broke out of his previous calm facade, letting me in on the anger I had stirred underneath.
“You know the profile Doctor you tell me” I asked, though no answer was given.
The gun was shaking in his hands, his fury boiling over, steam was practically coming out of his ears.
“Pull the trigger Dr. Reid. It’s what we’ve both been waiting for, isn’t it? Let’s skip the reminiscing. So go on. Pull the trigger.” His grip faltered, he wasn’t sure where to go from here, should he take you in? Or completely screw regulation and take out his unbridled rage on the woman who had cruelly stolen his heart by shooting her.
The weapon was lowered, his hands still shook in fury as he put it back snugly in its place. I already knew he had called his team, no matter what he felt for me before there was no way he would risk his career to let me go. Even though I had accepted the cards that had been dealt I wasn’t going to let them take me alive. Tentatively I stepped forward, wanting to gain a semblance of closeness between us before I sacrificed myself, his body was rigid in its place as our chests touched.
I pulled the gun from his his side holster, it was an odd gun for an FBI agent to carry, a revolver to be exact. My fingers gripped the curved cedar handle, dragging it across Dr. Reid’s clothed collarbones, his arms were stiff at his sides unmoving. He was unsure of my intentions with the weapon. He knew logically that I was cornered in this abandoned warehouse with no escape, and obviously I couldn’t do much with a single revolver, that’s why he had only put one round in, reserved only for my heart if the trigger was needed to be pulled. Then I softly, with uncharacteristic tenderness, grabbed the good doctor’s hand with my free hand to guide his large palms to envelope my hand over the gun. He seemed flustered, which was odd to me, his resolve of hatred had never weakened around me until now. Our hands were clasping the gun in unison, the clammy palms of Dr. Reid cradled my own as I reached over and spun the chamber to land on a random spot.
I prided myself on the ability to read people but I couldn’t ascertain the reason behind the evident hesitation in his eyes as I encouraged him to carefully set the revolver snug against my jaw. Was it possible he had developed a care for me or did this just boil down to fear of having an unsub handle his gun. His breathe was mixed with mine, I held my pattern evenly while his had become ragged, strong enough to whisp my hair away from my face. With a flick I unlocked the safety and a genuine smile graced my face, if these were my final moment I was glad I got to spend it with Dr. Reid, he brought me a strange sense of comfort that I had never known before. His whole body was shaking as my forefinger moved to the trigger- he almost looked as if he was going to cry. A resounding click echoed off the dull gray walls of my hiding place, I had momentarily escaped my fate.
Dr. Reid suddenly smashed his lips onto mine breaking me out of the brief relief. My body had grown rigid against his movements, I wasn’t used to emotional connections with anyone and they certainly were never romantic. Just the delicate touch of his hand on my hip was more care then I had ever been shone before.
My cold exterior that I had carefully constructed was now in ruins because of Doctor reid. He was the only one who truly saw who I was, past my trauma and the trauma I caused. I melted into his forceful kiss, the unspoken tension that we had created finally was boiling over. It was full of tongue and teeth, our noses bumping as we poured our feelings into the kiss, speaking without ever making a sound. My back collided with the nearest wall, dust flying off to coat our bodies, his knee parted my legs and rested between my thighs. His spare hand left my hip to cradle my cheek practically engulfing my face with his large palm, raking the soft pads of his fingertips across my skin.
The silver barrel still rested under my chin being held precariously by our joined grip, Dr. Reid’s hand left my cheek, snaking its way down to the waistband of my pants. The tips of his fingers danced at the edge building anticipation in my veins.
He suddenly pulled the gun out from under my chin and set it under his own, my eyes widened in confusion my desire vanishing by the second. I tried to pull our unified hold away from his jawline but unfortunately he was stronger then me.
“I don’t know if I can live without you” he choked out, he had used his profiling skills deducing that I was going to sacrifice myself. He spun the wheel setting the bullet in another indiscriminate position, resetting the stakes all over again.
“It’ll be ok.” I begged desperately trying to talk him away from the ledge, just because I had wasted my life didn’t mean he had to as well. I brought my available appendage and covered the outside of his hand continuing my efforts to pull the gun away from his grasp. He shook his head, tears were freely falling from the both of us, mixing together to form a salty pool. His fingers slipping underneath my encased hand finding the trigger with ease, he pulled it quickly a sickening click resounded through the stale atmosphere. Once I was satisfied that he had survived air quickly left my body releasing the breath that I had held tightly in my lungs.
Mimicking his reaction from earlier I submerged us into another kiss, this one was tinged with my anger from his reckless move. I voiced my displeasure surrounding his actions by biting into his lip, bruising the plush tender skin. A groan escaped from him, the salacious kiss was now tainted with blood from his lips mixing together in gory harmony.
Undulating my hips onto the thigh that still sat between my legs, desire snuck itself back inside of me, rebuilding what had been banished. I suddenly had the urge to remove every cloth barrier that remained between us, I needed him now. Dr. Reid clearly shared the sentiment as he started pulling on the clothing covering my body. I did my best to shuck off his plum colored blazer with my available phalanges while he attempted to snap open the front of my pants. Our hands still were glued the wooden hilt of the gun that was rooted in its spot at the edge of the doctor’s jaw. The buttons of his dress shirt popped around us as my painted nails dug into the cotton, tearing the offensive fabric from his body. With frantic inelegant movement our outer clothing was ripped off our forms, the only barrier that lingered was our undergarments. His nimble fingertips wound around to the clasp of my bra tugging forcefully the clasp broke, freeing me from its confinement.
The lace was discarded in hast revealing my breasts to him he surged forward capturing my nipple in his mouth as my hips ground into his thigh. Circling my bud he glanced upwards, taking in the sight of my flushed cheeks, hair slicked with sweat, and the gun that I had swiftly moved to my temple removing it from his mandible. Excitement prickled in my core as he meandered down to where I craved him the most, he fisted the mesh- the last remaining remnant of clothing covering my body. A tearing noise filled the space, reverberating around us as the mesh separating us was torn away from me, revealing my full form.
His deft fingers gathered the building excitement between my folds, then he brought them to make contact with my clit. He rubbed slow harsh figure 8s against my pearl, I could feel myself getting wetter- which I didn’t think was possible. The ministrations continued for a while, but I was antsy to get his fingers inside of me. A beg almost fell from my mouth when all of a sudden with no warning his fingers plunged into my heat making my body convulse around him. He curled them expertly, nudging them perfectly at my g spot making the pit in my stomach grow and spread throughout my entire body.
Our hold had started to loosen on the gun so I clutched around the revolver tighter tugging our entangled fingers to rest the metal shaft perfectly against my temple. Upping the stakes further I rapidly clicked the trigger, the gun still had not administered its bullet into my brain, making the obscene act even better then before. His eyes held fear for a moment but couldn’t help his reaction to the clicks, a deep seated groan from deep in his chest. The sensations flowing through my body almost became too much to bear as he moved his thumb to my clit. My back arched against the wall as he sunk the blunt edges of his teeth into my collarbone while flicking against my clit with his thumb, sending me closer to bliss. He must have discerned that I was close to the edge and pulled his fingers away, his knuckles bumping against my g spot one last time which pulled a pathetic whimper from my throat while screwing my eyes shut.
I heard the tell tale sign of a belt buckle clinking causing my eyes to snap open, his full body was finally on display for me. My eyes drank in the sight before me, the doctor was just as I had imagined in my dreams, not too thick but long enough that I thought it might not fit. I reached forward to pump his length spitting into my palm as I jerked him off.
“Jump.” He whispered desperately into the shell of my ear, with careful precision my legs wrapped around his naked torso as I locked him in. The gun was the only barrier that remained between us as he lined himself up to my entrance and thrusted in one swift motion, breaching my walls for the first time.
“Fuck.” The soft expletive fell from his rose hued lips on the column of my throat making my toes curl.
His hips snapped into mine starting a pace with deliberate deep thrusts, my free arm wrapped around his neck trying to pull him in as close as possible. My fingers then wound through his messy curls yanking back so I could pepper kisses along the nape of his neck earning a sharp grunt from Dr. Reid as he picked up the pace. I bit the inside of my cheek in concern as he moved the gun to be placed under his jaw again. Tears started to fall again from my eyes as I silently pleaded for him not to pull the trigger, he ignored my pleas and reset the bullet to a random position once more. His rhythm faltered as the gun clicked for the fifth time, I knew we were testing fate too much at this point and that our luck was running out.
He kept the gun in its position while he picked up his momentum resuming his previous pace. My blood red nails dug into any part of him that I could grab onto leaving red streaks down his chest, back, and biceps as he reached parts of me that I didn’t even think existed. Our eyes locked together as his cock brushed against my g spot causing me to clench around him, we both moaned at the sensation hurtling us both closer to release.
I reached my hand down to rub harshly on my clit as I felt my climax coming just around the corner, my eyes rolling back in response to the added titillation. I then dragged our encapsulated hands away from Spencer pulling the barrel inside my mouth, his fingers flexed around mine anxiously as he soft whispers into my ear attempting to save me from myself. We both had somehow sensed that it was the end, I thought it was very fitting to end my life in the arms of the only person in the world I could find myself caring about. He didn’t stop his thrusts but they were now at a slow languid pace trying to savor every last moment he had with me.
“Spencer” I moaned in bittersweet symphony as I let myself kiss his bruised lips for the last time, our tears were falling giving our kiss a salty taste. A feeling of bliss suddenly overtook my body as I came in glorious crescendo. I rode out my high before I accepted my fate, my blood pounding in my ears for the final time. The wall was painted with blood as I pulled the trigger, ending my life with a bang.
*****
The shot rang in Spencer’s ears, it took him a minute to realize what had happened and that the object of his desire was gone. He was still holding the gun as the body of his unattainable love slumped onto him in death, his face speckled with scarlet. Finally the offending object slipped through his fingers clattering on the floor as he cradled her body.
His sobs echoed the empty rooms bouncing off the the walls mixing with the police sirens in the distance.
“He loved and he loved and he lost her, and it hurts like hell”-Fleurie
Tag list for Russian Roulette:
@zhuzhubii​ 
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thattimdrakeguy · 3 years
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I think something that makes Tim’s first miniseries “Robin” extra great is it’s focus on morality and what’s right and wrong, while being surprisingly mature about it in a very specific way by showing how differing lives and events can lead people to feel different on what’s right and wrong.
Because on one hand you have Clyde who has gone into a deep depression and wants to kill King Snake out of his own vengeance, and Shiva who’s completely desensitized to killing that it’s her natural instinct, and then there’s Tim, this little boy who’s views are so black and white on good and evil that it really shows just how in the deep end he was thrown before he yet knows how to swim.
Tim’s very naïve, and child-like on his beliefs, and is too young to really understand where Clyde is coming from. He thinks he understands, but because he’s so little and sheltered still (a main plot point of the series is actually how he doesn’t have enough street smarts. So Tim canonically struggles to understand others with things like this), and focused on the moralities he’s learned from very likely Super Heroes and cartoons, that it phases past him. He doesn’t know better yet to get it. But because he himself is a person dealing with depression, and had his mother passed away very recently, thinks he can handle from the urges of vengeance, thinks Clyde is such a morally bad man. Showing just how childish and unknowing Tim is about the world, which is the theme of the miniseries.
Like I would say the main theme of the miniseries is something along the lines of “You think you know, but no, you do not know.”
Which leads to conflicts between all of them, all of them are after the same person for their own reasons, they need each other to find him, but yet they’re also becoming against each other in little ways. Namely Tim who’s focus on doing what’s right is so strong that he becomes bratty, very childish (in a way, he’s still talking about mature things, but he’s handling their differences like a child to the point he gives out childish insults) and stand-offish to Clyde, who’s doing his best to be Tim’s father figure in this very rough situation, even if Tim does keep arguing with him.
But what makes the series always work so well is that, despite it taking serious turns, angsty turns, and lighthearted turns, it always makes sure to keep the tone balanced within it. Mainly through Tim’s dweebishness and general demeanor, with his childishness allowing a particularly angsty moment turn to lighthearted in the next scene potentially because of his own character being such a way that lets it happen naturally.
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It sort of shows how good of a protagonist Tim is, when he’s the heart of the series, the perspective that we see the series’ depth be highlighted through, also as a lot of the depth himself, as well as the main force of it going the way it does, yet somehow still being the cute kid at the same time, and comedy relief. Timmy ends up pulling off a feat that not many protags can do while still remaining consistently in-character and having it all feel natural, because all of the nuances Tim has allows him to be able to do so.
Between his origin story and this, one of the reasons that allowed Tim to be so easy to be attached to, is just how well developed he is. He is a fully engaging and third dimensional character in such a short time frame, especially considering this miniseries is the first time Tim was the lead.
When you properly read him, you also get him, and understand the person he is, so every story moving forward is a giant plus and is better in quality because of Tim being a lead with so many nuances and different sides to him that all mesh so naturally, that it offers up a whole lot of story opportunities to tell of different tones. When you put an in-character Tim into any situation, the story will become much more interesting because he is there because he offers a unique perspective and nuance, and depth that you typically wouldn’t get with other characters like him.
It makes it very obvious why Tim Drake was genuinely considered one of the best comic characters for quite a time until DC lowered it’s quality standards, and later deciding that he needed a change that lowered his popularity into his current near-obscurity as far as actually being in comics.
Which is a dang shame considering how he could so easily be thrown back in as a lead of his own comics if they had anyone that truly understood him to write him, and was competent.
Tim Drake is just honestly so great.
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sadoeuphemist · 3 years
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Stories I thought about writing, but didn’t:
my voice is poisonous, a gift from a strange god my parents once befriended. I’m careful not to speak, but I know they’re afraid.
A poison-voiced girl is born to deaf parents, but falls in love with a hearing boy. Their courtship is marked on her end by a thrilling restraint, biting her lip, knowing she could kill him with an indiscretion; he, on the other hand, longs to see her act without inhibition. He manages to make her laugh, sigh, gasp out in wonder - each time he falls ill from the poison of her voice, but is undeterred even in his convalescence, returning renewed in his goal to tease another sound out of her.
Her parents tell her to break it off; she’ll kill him. She reluctantly agrees. He refuses, pleads with her, grasps her hands so she can’t sign. In anguish she cries out his name — but lo! he does not sicken, does not die. It turns out his repeated exposures to her voice have mithridatized him against it. She can speak around him freely! They both agree that this development has taken a lot of the excitement out of the relationship, but it has been replaced with a greater casualness and intimacy that balances it out.
I can see the angels in their true form, a thousand splendid eyes and all. They think it’s funny, and have taken to hanging around my apartment 
The angels start making excuses to keep showing up at my apartment, in the manner of the annunciation, but for increasingly trivial reasons. They come bearing tidings about how I should definitely get the turkey wrap for lunch, which brand of fabric softener I should buy, how that quarter I’ll find on the sidewalk is a sign that I am favored by God. They come bearing bad tidings too: The Lord has heard of all the evil in your printer, and has sent us here to jam it. Their presence becomes completely overbearing, but they are insistent. There’s a reason you see us in our true forms, they say, all their splendid eyes shining. Is it so hard to believe that the God that formed every atom of you in the womb should watch over you always, that every mundane moment of your existence in this world is shot through with the divine?
There was a body in the river, ice cold and snow white. Sometimes it was all the way dead. Sometimes it sat up and talked to me.
A king has declared that whoever can complete the following tasks shall marry his daughter: 1) to recover a lost treasure stolen from his family hundreds of years ago; 2)  to name the start of the pact between men and horses; and 3) to find a cure to the plague ravaging the land.
Our plucky folk hero helps an old lady who sits by the river; she tells him of the snow white body within, who has sat up and spoken to her at odd times throughout her life. It is the spirit of the glacier: the glacier melts, and forms the river; layer by layer the past frozen in it is uncovered, parts of it living and parts of it dead. Our hero builds many bonfires and melts the glacier faster; the body lives and dies and lives many times over and tells him the three answers. 1) The thief fell into a crevasse and was frozen over; the ice is melted now, and the treasure can be recovered. 2) Iron horseshoes frozen in the glacier reveal the pact is many thousands of years old. 3) The plague is an old one, frozen and released anew with the glacier’s melting; it is carried in the livestock, and they must be slaughtered.
The hero solves the king’s tasks and marries his daughter. Presumably the new king is then faced with the challenge of the rising sea levels; no idea how that plays out.
“We’re all nice to each other here,” they told us, “we’ve got angels in the hills. They like it when we’re nice. And they see everything.”
This one’s tough to summarize adequately. Two men are going door to door, seemingly taking a survey of the religious beliefs in a small town. They finish, sit together in their car. People have been very cooperative. One of the men remarks that the local religious beliefs are disappointingly unremarkable: yes, they believe in angels watching from the hills, but most people believe in an omniscient God watching over them, and whether it is God or his intercessors, does it make a significant difference?
They sit in the car. Perhaps they smoke in the lazy sunlight. They have finished their survey ahead of time. One of them proposes: Suppose we have a picnic lunch up in the hills?
They park at the base of the hill and walk up. Lovely day. They spread out a blanket from the car, stretch their legs out on the grass, take off their coats, loosen their ties. They’ve brought their packed lunch, sandwiches, a thermos of lemonade. They talk about how pleasant all the people were. Their kind of religion seems so ... brittle, one of the men remarks. If I thought there was someone waiting to punish me the moment I stepped out of line, I’d want to do something horrible just to get it over with.
You think so? says his partner. I think just the opposite. The grand problem with religion is that there aren’t enough consequences for wickedness. I know if I saw the wicked being smote down on a regular basis, I would very satisfied in my religion indeed.
Well, of course you would; you’re a sadist.
Me? A sadist? Hardly.
You’re a sadist, his partner says teasingly. A sadist and brute.
They smile at each other. Idle conversation. There is a suggestion that they have visited many such towns and cities, asking the same question, but have yet to receive a satisfactory answer. At one point one of them notes that there’s something in the trees, but this remark is ignored and nothing is ever made of it. The conversation turns back to whether the angels in the hills are real or not. The ‘sadist’ stands up, declares his intent to do something wicked to test them. He marches around, swinging his arms, then looks around at the trees and puts his hands on his hips and laughs.
You know, up here away from society, he declares, I can’t think of a single wicked thing to do!
(Maybe a conversation here about how he could tear branches from trees, despoil the scenery, find an animal to kill; but then again animals in nature strip bark from trees, kill each other bloodily all the time, tear each other to bits, so how wicked could that be, really?)
He looks down at his partner still lying back on the blanket. Unless, of course, I were to do something wicked to you.
Whatever happens next, it is very leisurely. The scene is easy, very relaxed. Lovely day. Calm. Bright blue sky. Clouds float across it, white like feathered wings, and then pass, leaving not a trace behind.
None of us can imagine what life was like before the Clocks came, before clockwork cities, and all their technology. They rebuilt our crumbling society, in perfect, mechanical order. 
Brief musings on a hypothetical pre-Clock society. A society built around the sun, all buildings roofless, everyone’s necks craned upward. Cities built running north to south so as not to block anyone’s view of the rise and set. A society built around hourglasses, everyone judging the passage of time by the sand puddling around their feet, knees, waists, clambering up onto growing dunes, waiting for the flip, for the sand to slowly drain away and the furnishings of their homes to be uncovered. Perhaps this was our unimaginable life before the Clocks came: sands stretching far away and bare, the hypothetical counterpart bulb of an hourglass reflected invisible above us, empty and vast with unrealized possibility, waiting to be reset.
When I was very young, I met a bear at the edge of the woods. Before I could play dead, it bowed to me.
Jokey little fic where a child is instructed on the etiquette of bears: when to bow, when to curtsy, when to raise your hands and make yourself as large as possible, when to climb a tree, when to play dead. (Note that grizzlies are territorial, so if they attack you and play dead they’ll leave you alone because the threat is neutralized; whereas black bears are not territorial, so playing dead will do no good because a black bear will only attack if it deliberately wants to fuck you up.)
I was given very specific instructions. Go to the rosebush on a clear night. As the moonlight turns the roses silver, feed them three drops of blood.
After years of trying for a child, a couple turns to an old witch to help. The woman is instructed to eat a rose from a magical rosebush. If she first pricks her finger and stains the rose red with her blood, then she will have a son, ruddy and robust and bold in battle; if she visits the bush on a clear night and eats a rose painted silver by moonlight, then she will have a daughter, as pale and graceful and elegant as the moon.
The woman is uneasy with the implications of this binary, and says so. The witch smiles and gives her a new set of instructions. So she pricks her finger at night, her blood painted black by the moonlight, and nine months later gives birth to a child as black as a rose, who is neither boy nor girl.
Never manged to come up with a plot for this one. The kid grows up to have a career fulfilling all those “Neither man nor woman” prophecies? Eh. Kinda corny. There’s something about gender roles in fairy tales here, but I couldn’t put it together.
Not for the first time, the company time loop drill had gone very, very wrong.
I did actually write a response for this one, but it got too long and I gave up on it. Summary of the rest of the idea I had:
Time resets. Nagle confirms that it is both an actual time loop and a drill; the company is doing a controlled time loop to prepare them for the real thing. People complain. What’s the point of a drill when an actual time loop would let you keep doing things over and over until you get it right? Nagle points out that could take years, subjectively, and that this is a controlled experience where he has a code to abort the exercise if anything seriously goes wrong. He insists they try to make it work.
They go through a bunch of loops. Don’t succeed. It’s highly technical stuff that none of them are trained for. Morale drops. People start complaining, they’ve spent hours at this, they should be off duty by now. Nagle points out there’s a ruling, established with VR training, that companies don’t need to pay their employees according to their subjective experience of time, and officially they’ve only spent 34 minutes at this.
More loops. Morale drops further. People start demanding Nagle use the abort code, threatening to quit. Nagle points out that while they’re in this time loop, their actions are consequence-free, but once he ends the loop they’ll have to live with their decisions for the rest of their lives. Are they sure they really want to quit?
At that point someone loses it and kills Nagle. Shock. Panic. Some satisfaction. He’s reborn the next loop, starts screaming about it - someone kills him again. Complete social breakdown. Eventually some people decide, fuck it, let’s just live in this loop forever. Killing Nagle becomes a standard thing they do at the start of every loop, so that he can’t input the abort code. They go through various reconfigurations of their social group - orgies, riots, open paranoia where everyone colonizes a different part of the building, regressing to primitivism, open warfare between various sects, rebuilding of society along different axes of thought. Everyone starts thinking of themselves as immortal, they start calling themselves things like ‘Chronobog of the Infinite Plane of Despair’ or whatever; the narration gets increasingly surreal.
After god knows how many cycles of this, everyone finally achieves an equilibrium of perfect enlightenment. They know what must be done. They leave Nagle alive, he watches as they move in perfect unison to unlock the server room and overcome all the obstacles and repair the tachyon servers, loop is finally terminated, normal flow of time resumes.
Nagle stands up, gives a speech, starts congratulating them on completing the drill. As he talks, everyone can feel the rapport they’ve built start to slip away - they no longer understand each other perfectly outside of the context of those 34 minutes. Time is moving forward again, and with it introducing unfamiliarity, uncertainty, an impossible onslaught of variables that they cannot predict or prepare for, and they are all moving inescapably further from each other even as they glance around and try to catch each other’s eyes and keep holding on to that feeling of perfect unity - but it’s too late now, they are strangers behind familiar faces, all of them heading in their own directions, going to be returning to their own separate lives; that moment of solidarity they had is past.
And then Nagle claps his hands at them and says, “OK, drill’s over, everyone back to work!”
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becuzitisbitter · 3 years
Text
All Cops Are Bad
The last of the essays i will be posting that I wrote for school, this one is an attempt at an approachable ACAB argument (my professor said that she was persuaded, at least)
    There is an old slogan with roots at least as far back as the 1920’s and is yet becoming more and more popular across the globe today: “All coppers are bastards.” Of course, most people just say “cops” these days.  The extensive history of the slogan might even make one stop to wonder why the police have been the object of such long-standing antagonism, if one isn’t the sort to grasp the slogan’s truth intuitively.  The reality is that all cops really are bastards, not in a literal sense, of course, but in the derogatory usage which communicates despicability.  The goal of this essay is to convince the reader that the police are bad and that policing should be done away with entirely.  After all, the police present themselves as the vanguard of the state’s repressive urges and as the guarantors of an order defined by deprivation and violence.
    Olivia B. Waxman, writing for Time Magazine, points to economic forces as dictating the development of the means and aims utilized by policing institutions in the U.S.  She writes that businesses had already been hiring private security to protect the transport and storage of their property, and that, “These merchants came up with a way to save money by transferring to the cost of maintaining a police force to citizens by arguing that it was for the “collective good.” (Waxman) In other words, America’s first publicly funded police force was simply picking up after the work of private businesses to protect their own property, but with the cost foisted upon those who were being kept out. She continues this economic argument as she traces the lineage of the modern police force back to its forerunners in the Southern runaway slave patrols. She writes, “the economics that drove the creation of police forces were centered not on the protection of shipping interests but on the preservation of the slavery system”. Thus, the primary policing institutions in the South were the slave patrols, the first of which was formally established in 1704. (Waxman)
    The police developed historically to enforce property rights rather than to ensure the wellbeing of the populace.  If it is understood that white supremacy encodes human skin with either privilege or dispossession, it should be understood that, as Mariame Kaba writes in an opinion piece published by the New York Times, “when you see a police officer pressing his knee into a black man’s neck until he dies, that’s the logical result of policing in America. When a police officer brutalizes a black person, he is doing what he sees as his job.” (Kaba) Kaba is an organizer against criminalization and a self-described police abolitionist because she believes that “a ‘safe’ world is not one in which the police keep black and other marginalized people in check through threats of arrest, incarceration, violence and death.” The police, then, are not focused on creating a safe world. They are interested in preserving the world as it is, which demands a tacit defense of misogynistic and white supremacist institutions.
    Regardless of personal attitudes or goals, the undeniable outcome of two hundred years of policing in America has been an uninterrupted avalanche of mostly arbitrary violence aimed at preserving the rule of law, that is, the sanctity of private property. In just the last year, the discourse about the role and place of police in our society has exploded with new questions and new ideas. What makes this conversation so powerful is that the police are considered so essential to the functioning of the modern world that the abolitionist movement must necessarily carry indictments on many other institutions and ways of relating that are bound-up with policing.
    Of course, many readers will be quick to react defensively.  Most disagreements with the argument presented here will take one of two forms: the claim that the argument over-generalizes police, and the claim that the police fill such an essential role that society couldn’t hope to provide an acceptable standard of life in their absence.  Both will be addressed below.
    The former argument comes in many varieties.  One might even say, “It is unfair to judge such a large group by the actions of a few bad apples,” without being aware that they were reversing the meaning of the idiom they are attempting to make use of, which actually originated as “A rotten apple quickly infects its neighbor,” according to Ben Zimmer, who is a linguist and language columnist for The Wall Street Journal. (Cunningham) Regardless of the backwardness of this idiom, many would maintain that it is wrong to generalize police or stereotype their actions based on our perceptions of a few bad actors.  Some police may abuse their power, or harbor prejudice, many readers would contend, but most police officers are decent people doing their best under difficult conditions.  The truth, however, is that literally all cops bring about harm simply by doing the jobs that they signed up for.  To go a step further, even if every police officer were to act in good faith, the task of maintaining a status quo defined by inequality would still force officers into the position of beating the cold, poor, and hungry back from the resources they need to live comfortably. This world of deprivation is not worth defending, and yet every cop has signed up to defend it.  Some readers might still say that to pain the police with such a broad brush, is to commit an act of prejudice on par with the attitudes the police are criticized for, but they are grasping at straws. No one becomes a police officer by accident.  By switching careers, they could avoid such judgement entirely.  One wonders if they would feel the same about criticizing other groups which are entirely opt-in, such as MS-13 or the Taliban.
    Could there ever be such a thing as a good cop? No.  Here is one example that I think demonstrates a larger principle: even if a given police officer is a dedicated and educated anti-racist, the logistical deployment of police departments across the US places more officers in poor neighborhoods and communities of color than in wealthy or majority-white areas. This means that even the most kind-hearted police would be more likely to detain or arrest poor people and people of color than affluent whites.  This is only one facet of a fundamentally unjust system.  The development of police departments as racist and anti-working-class institutions across History means that they are structurally and institutionally racist and anti-working-class in the here and now.  Police departments continue to defy reform because the problem is intentionally encoded into their purpose. They must be done away with entirely.
    When a protestor or graffiti artist echoes the old slogan that, “All cops are bastards,” it is an expression of a tautology.  Like the phrase “All triangles have three sides,” the slogan contains its own truth.  All triangles have three sides because it is part of the definition of triangles to have three sides.  We can’t even conceive of a triangle with four sides because by having four sides, it would cease to be a triangle.  Despicability is written into the definition of policing because the aims of policing are themselves despicable.  Any cop that ceased to work toward the aims of policing would cease to be deplorable, maybe, but he would also cease to be a cop as surely as a triangle with four sides would cease to be a triangle.
    The second primary counter argument to criticism of the police is that the police are a necessary evil, essential to protecting us from a rousseauian war of all against all.  This assumption that humanity could not get by without police seems silly, after all, the police are only a modern institution, hardly a blip in humanity’s story.  It has already been shown that the police were not created to protect the average person from harm, but to protect private property rights.  In any case, a counter argument from consequences is not the same as a refutation.  One need not know the correct answer to a problem to recognize a wrong one.  When asked, “What would you do with the psycho serial killers?” one should be unabashedly honest about not knowing the answer because there is no one answer.  The answer to each problem can only be located in the context in which the problem occurs.  This reflex to reach for a one-size-fits-all answer for all of life’s problems, along with its concomitant desire to preserve the tedious “peace” of the status quo, do a lot to explain the psychology of pro-police arguments.
    Neither the means nor ends of policing are acceptable.  The forces that shape and control our world, be they corporate or political, tower over us such that we only ever meet with their basest appendages.  The police are their piggy-toes, pun-intended.  Admittedly, the arguments presented here will be significantly weaker in the mind of anyone who really feels good about the state of the world which police maintain, however little is likely to be gained in dialogue with someone who could maintain a positive view of concentration camps, needless and ceaseless killings, the continuation of slave labor in the prison system, mass food-insecurity, etc.      
    It is incumbent upon each of us to improve the world around us.  The police are an impediment to a better, safer, freer world.  They are antithetical to equity, autonomy, and community; that is why all who fight too hard for a better life eventually find themselves faced with the police, one way or another. Nevertheless, while so much hangs in the balance, we can’t let the bastards get us down.
    Works Cited
Olivia B. Waxman. “How the U.S. Got Its Police Force” Time Magazine, https://time.com/4779112/police-history-origins/ Published: 5/18/2017, Date of Access: 12/2/2020
Mariame Kaba. “Yes, We Mean Literally Abolish the Police” The New York Times, https://www.nytimes.com/2020/06/12/opinion/sunday/floyd-abolish-defund-police.html Published: 6/12/2020, Date of Access: 12/2/2020
Malorie Cunningham. “'A few bad apples': Phrase describing rotten police officers used to have different meaning”
https://abcnews.go.com/US/bad-apples-phrase-describing-rotten-police-officers-meaning/story?id=71201096 Published: 6/14/2020, Date of Access: 12/2/2020
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crystal-moon-101 · 3 years
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Y and U? For the unnamed ask?
Y - What are your secondhand fandoms (i.e., fandoms you aren’t in personally but are tangentially familiar with because your friends/people on your dash are in them)?: I familiar with shows like Troll Hunter & Miraculous Lady Bug through a friend of mine, and I have been meaning to get into them, just a little busy and have a lack of energy 😅. I am also familiar with Yugioh (At least the earlier series), mostly because of the abridge and because I’m really into Season 0 stuff, as it’s more my kind of thing.
U - Three favorite characters from three different fandoms, and why they’re your favorites: Given you gave me three, I think it’s only natural for me to pick from The Secret Generator 10 trio, as I always up to talk about these three and what they mean to me. Of course, they’re hardly perfect character, but they all are special in their on way for me, and I thought I’d discuss why.
Rex: My favourite out of the three, with his show being my all-time favourite. Development, interesting background, mystery, angst, tragic, fun to watch, mostly consistent, amazing powers, and gets so much found family stuff going on, he hits a lot of marks of what I love to see in a character, and the same does do good enough of a job with him. Rex is a character that plays well with the concept of being a child soldier, having amnesia, and being the key to the larger story at hand, and the show still treats him like a real person, living and breathing, and not just a means to screw over every time they want to plot to work. 
He has many layers to him, at the start seeming like a cocky, daredevil, rule-breaking and rebellious teen, who you sometimes question he understands the weight of what is happening to the world and himself, but then you learn that he does understand, so much more than he lets on. While he is naturally charismatic and a jokester, you can tell he often puts up this mask of joy and playfulness just to make a dark world around him feel a little lighter, along with hiding how alone and scared he actually feels. Because well, who wouldn’t be when placed in a role like that? He knows very well he has powers tied to saving the die, even if he doesn’t fully understand them. He knows the danger the nanites and EVOs pose, but also knows the danger that humankind can pose if they’re not willing to listen to reason. When things do get tough, he knows when to cut the crap and be serious. He’s someone who knows the world isn’t black and white, even if he hates to admit it at times.
While we didn’t get to see much of it, I’ve always seen Rex as a part of three worlds. He works closely with normal humans, like Six and Holiday (As normal as you can be at Providence), and he understands how scared the world is, how scared every day people are that any second they or someone they love could turn into a monster and go on a rampage. And sometimes that hurts for Rex is that he often tries to connect to this part of the world, because he knows he was once part of it, and he thinks it can make him happy, but the obstacle blocking him is that he isn’t human anymore, and that many people are scared of him, even if he saves them. And yet despite all the harsh things people have said or done to him, Rex always comes back to be the hero, because he knows he can help and that there are people that need his help, and it’s commendable that he’s willing to put aside those issues to save the day, even if he doesn’t get a thank you out of it.
His second ties are, of course, to his EVO world. It’s interesting that, at the very start of the show, Rex use to have this view that everything EVO was wrong, most likely something he picked up at Providence, despite being one himself. He’s hesitant around them, and while he’s not one to kill, he’s often quick to think they’ll be a danger. And while he can be right about that most of the time, he does start to learn it’s not all that it seems. His Hong Kong friends, Circe, Breach, even someone like Biowulf eventually. He even eventually learns that, while he’s not normal, he’s not a bad person for being something not human. And it’s an interesting thought that while he’s one of the most human-looking EVOs, he can be considered one of the most dangerous, even more so than EVOs that look like overgrown monsters. His ties to the EVO world are what make him start to see the world isn’t black and white.
And then his third ties, kind of, are to his nanites and history. Despite how human looking Rex is, and that he is an EVO, he’s very much something different to both sides, a middle ground thanks to his connection to the nanites. It’s always fascinated me that something about him, out of anyone in the world, he has this tie to nanites that no one else has. That can be explained by a number of things, but I also like to think it’s also because of the person he is. I mean, you get someone like Black Knight who got similar powers to him, but you never see her have a level connection with them like Rex does. And that can be explained by poor writing, but again I like to tie it back to who he is as a person, and how the nanites have evolved to be around him. And with how long he’s been tied to him, they just feel like a natural part of him, even if he may reject it sometimes. And to have him be once part of the past that involved how the nanites came to be, it adds a whole another layer to this boy. I will admit the writing can get to him at times, sadly, especially around season 3, and we don’t get certain answers to question about him, but he’s still a great character in my eyes, with so much potential for the stories and ideas you can play around him. I respect him for his hope for wanting to do things a better way, and yet knowing that sometimes you have to do the hard and logical things to do good, even if it’s not easy to do. I could ramble on more, but I got to move onto the next one. 💙
Zak: Ah, my sweet cryptid boy, have season 2 gave you crippling anxiety. Zak I would say, out of these three, is the most consistent with his writing. He’s still the same cryptid loving, cool kid, with a passion for his job back at the start of things, but he also grows in a believable way over time, especially when learning what he really is. The twist with making Kur adds such a spin on who he is and how he feels in a great way that I love, because he was someone who was building up to be the hero of the story by everyone around him, only to learn that the supposed villain he was meant to fight was himself. I think one of the interesting things that The Secret Saturdays does is that it never really answers the question if destiny is real, and if Zak is meant to kill all humans. It’s a question left up in the air, and while there seems to be facts that say otherwise, the idea that this boy could kill all humans makes people scared or eager, making everyone say that his destiny is real, even if there is no proof. And because of this, it makes Zak fear and believes that it’s real too, that he is bad just by simply being Kur’s reincarnation, even if he hasn’t done anything that makes him bad. And yet, as easy as it would have been for Zak to just accept this, he doesn’t, he still plays the hero and goes out of his way to help those that need it. Because whether or not destiny is real, Zak is willing to fight it, and that makes a noble character. And while we don’t get clear answers about destiny and Kur, many of us get to play with the idea of what it means for Zak and this world he’s in. I personally thing that Kur’s history is more complicated than him being ‘evil’ as I’ve written before, but Zak is his own character, his own person, and it’s fun to see who he is, how he reacts and how he grows. I also love that, while he’s pitched as one of those classic kid/teen boys during the 2000s action cartoon eras, he does things you wouldn’t expect. While he can get into fights and combat and have fun with it, if he knows the fight endangers someone or a cryptid, he will always take it seriously. Like when they found the cryptid fighting ring, he was always disgusted by it and keeps repeating the notion that he wanted to stop it as soon a possible, even hating to have to put Fisk into the fight just to stall and get info. He clearly as a loving passion with cryptids and the world he’s in, and is always out there looking to see more to the story than others may see. He’s not quick to label someone as a monster unless he’s 100% certain that’s what they are.  And his family relationships are just golden, I love the Saturdays. It’s adorable how, instead of calling them pets, he treats Fisk, Zon and Komodo like his siblings. He respects them as equals, and while he can argue with them, he’s willing to listen and understand that they have their own needs and wants, and the four of them are always by each other’s sides. Drew and Doc, being one of my favourite couples of all time, have different relationships towards Zak, but both love and respect him very much. Even when they find out Zak is Kur, not once do they ever turn their back on their own child, and do everything they can to help him see he’s not a monster. Zak clearly looks up to them, and it’s great to see the growth they have by letting Zak spread his wings, and stop trying to be over-protective with him. And, of course, Uncle Doyle is great, in that he’s always respected Zak, even if he’s a child. He’s willing to be level with him, and push him when he knows Zak needs it, and the fact that Zak was the one in the family to be so quick to have him join is just so well done, as he never had a doubt that Doyle could be a better person. Zak love the world he’s in, and the beings and secrets that lay within it. Despite how it might push and hurt him, he’s often willing to get back up and show who he really is, that the labels that people put on him don’t define who he is. Despite how his world turned upside down with one sentence, he’s doesn’t give up.🧡
Ben: Oof, right...*Cracks knuckles* Time to get into the more iffy ones of the trio. Right away, I have no trouble saying that Ben has a lot of issues and flaws as a character. I have no issue denying that he can be an ass, and has done many dumb things. However, I’m not one to hate or fault characters when it’s the writing that screws them over. Because at his concept and core, the person he was meant to be, Ben is quite an interesting character. He’s not the standard hero with a cape, he’s very much flawed, can sometimes be a jerk and cocky often, and has been shown to be young and naive. But that doesn’t make him a bad person, in fact he adds an interesting element to the normal hero archetypes. When written well, he’s quite fun to follow and has quite the concept to play around with. Despite his outgoing and witty outside, Ben does go through a lot of crap ever since he got the watch. His teen years and parts of his childhood are mostly just dealing with the foes he’s made, and the troubles that comes with being the main hero of the galaxy, which is defiantly not an easy task to take. And yet he does it, he goes through all the dangers just to help people and the worlds around them. He’s often willing to stand back up and crack a smirk because he’s not one to give up. He sees hope, he sees potential and light beyond the darkness, and he wants to give others the chance to see that. And while his cocky nature can get in the way when written wrong, I do think it’s a trait that makes sense. People across the galaxy praise him since he was young, which can cloud his judgement, it’s a natural flaw that fits him as a character, and it has been shown he acts this way to hide how scared he really is. Cause I mean, with all that he has to fight, it is actually quite a struggle, so it is amazing to see just how much he takes and never backs down. He’s not a boring character to watch, he’s not a perfect hero that gleams in a golden light, he’s flawed and hows so many issues to tackle, but have a noble and bold side to him that you can respect. He’s been shown to bring people up, to teach and to guide, to take on the hassles of others just so they can get by in life. And while he does like the praise he gets out of it, you know deep down he does this because it’s good to just do good, even if it doesn’t benefit you always. He could have easily given up the watch and hand it back to Azmuth, but he never does. And his connection with alien and the watch have always been a personal interest with me, even if canon doesn’t delve much into it as they should. The thing with Ben is that he’s perfect for the watch, because he has no problem shaping into another being. And while it’s still Ben underneath, he does change parts of himself for the time being. And the reason he’s fine with this is because he sees life and potential with all the aliens he can be. He sees the different powers they hold and wants to show just what they can do to help, what the galaxy could build if they worked together. It’s funny that the omnitrix was build for peace purposes, and while Ben took it a different way than what Azmuth wanted, he found a way to make it work. I know other characters wouldn’t be able to handle the watch like this the way Ben does, even Albedo proves this by how he acts with his aliens, seeing them as nothing but tools while treating himself as the higher being, while Ben accepts what he turns into, and understands what makes certain aliens special.  Sadly, Ben is a tragic character when it comes to the poor writing and constant switch in series, as Cartoon Network can’t seem to understand what to do with him. But that does make him a fun character to work off of and write, and I’ve seen some amazing things in the fandom with what they’ve done with him. So I've seen hated Ben, because I often see his as wasted potential for the character he could have been, and he does have great moments that are canon that I love. 💚
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purplerose244 · 3 years
Text
I don’t care
Hi!! This is my fic for the @ninjago-valentine-exchange!! Thank you so much for organizing this, I really had fun writing this! 🥰
Special thank also to @nightlybirdie for the lovely fanart I got to respond to! It’s such an adorable little comic! 😍  I thought making a songfic about the same song you choose would have been fitting, since it really is very Lava like ❤🖤❤🖤
Here we go! Enjoy!! 😊
Summary: It's just another celebration party after all, Cole should be used to feeling left out.
Turns out, someone is very not okay with that.
Also on the AO3
We’re at a party we don’t wanna be at
Trying to talk but we can’t hear ourselves
Red your lips I’d rather kiss ‘em right back
With all these people all around I’m crippled with anxiety
 It wasn’t that Cole hated parties.
Although it wasn’t that he loved them either.
“… so thank you again, ninja!” Tipping his hat, the police commissioner finally finished his speech, one that after such a long time spent with them fighting crime and evil beings – like ten years or something? – was starting to sound vaguely repetitive. “Now, without further ado, let us begin this celebration party! To honor our saviors!” The crowd cheered, all the police members bowed at them, and it was finally time to forget about the danger and relax.
… right.
Alright, the black ninja wasn’t a party-pooper – he wasn’t never going to give Jay that satisfaction. There were of course great pros about being here after all, starting from the fact that the very reason there was such a big event in the first place was because they had saved the city once again – he needed to remind Lloyd to bring the sign ‘days Ninjago City wasn’t attacked’ back to zero. This was a celebration in their honor, a thank you for their determination and commitment and for keeping their world safe every time. He could see familiar faces into the crowd, having fun, enjoying the peace that once again so difficulty they had managed to regain.
The music was nice. Nowhere near his usual choice, and he knew he was going to grab his headphones and blast soft rock at full volume as soon as they were back at the monastery, but nice nonetheless – relaxing too… oh… oh, no, no dozing off. His friends were all there, dancing, talking, perfectly in tune with the festive atmosphere.
Oh, there was also a buffet, that was nice. It was also an extremely generous one, with tarts, sandwiches, shrimps and so on, one that could make even Zane’s nindroid mouth water. The black ninja himself had finished his recognition at the table, even though he had ended up with a glass of whatever while standing on the side of the ballroom. All he knew was that it was sparkling and slightly bitter. Not really his taste.
Nothing felt like his taste right now… but that went beyond his beverage choice.
He tried to widen his collar, for the fifth time in the last hour. He should’ve known better than borrowing a suit from his father, besides their obvious different sizes. Even beyond the blatant reality that being the master of earth pulled out muscles that a dancer just didn’t have, it was the most irritating reminder of the time he had spent trying to meet his pa’s expectations by joining a quartet. It had been a while since that matter had been solved, there was no point into sulking over it. There were more important matters ahead.
His finger went to his collar. Sixth time. Great.
Was he the only one holding on instead of having fun? Again?
One impressively loud laugh shook his from his thoughts, and he didn’t have to look to recognize Jay, near their latest used-to-be-enemy-but-now-they’re-our-pal. Great, someone must have asked what happened during their adventure, there was no way Motor Mouth would have missed the opportunity to vent – as long as his obnoxiously talkative nature didn’t bring their new friend back to the evil path. Right next Zane was showing off his dancing skills, that familiar endearing view that probably involved his famous funny switch. Or not, that nindroid was lovable no matter what after all. From the resigned but fond smirk of Pixal, leaning against the wall not far while watching the robot making a spectacle of himself, he wasn’t the only one thinking that.
Lloyd had been kidnapped by a few reporters of the NGTV, although despite the awkward atmosphere he looked like he could handle himself – which wasn’t new, man that kid was indestructible. And even though he was confident that Nya was not the biggest fan of formal clothes just like himself, like the pro she was she knew exactly how to deal both with her dress and the people crowding around her. Besides, she deserved a bit of spotlight.
His friends were having fun, that made the master of earth happy unconditionally. Although he would have liked to share that light-heartedness, or simply being willing to let himself go for once. Well, they were doing fine, he could end this and finally go home by himse-
Wait. No. Something wasn’t right.
Where was that? Where was the crowd of people getting consistently louder and more insistent the closest they got to their red hero? Where was the never-ending flirty attitude that was almost a main characteristic of the master of fire? Where was the improvised meeting of the Kai fan club happening every single time they ended an adventure, like these screaming admirers had been silently waiting for the end to end just to see their diva?
A shiver caught him. Surprise? Confusion? Relief? Cole wasn’t quite sure, he just knew that there was no massive amount of chocolate hair nowhere in the ballroom. A pinch in his chest made his back straighten up. He took the slightest sip of his drink, grimacing at the taste.
Then, someone shouldered him. Wow, silent as a ninja. Then again, it wasn’t hard at this point recognizing his teammates without looking.
Especially someone as warm as him.
“Apologies my good sir, but it looks like we’re in quite the predicament over here.” Yep, he could see Kai’s smirk in the corner of his vision, moving up his mouth with that little dimple on the corner. “This is very clearly a party-fever, non-sulking area. You better correct your behavior, or I will be forced to take drastic measures.” Kai stuck out his tongue as he cracked his knuckles, despite himself Cole couldn’t help half a laugh.
Only half, because this guy could be very irritating when trying to push his reasons on others – the cow yak predicament between him and Jay was never going to be forgotten and was actually brought up again every once in a while. Only half… because there was something mesmerizing at seeing the reckless master of fire getting cleaned up in a classy and refined suit. White immaculate shirt. Perfectly stirred jacket. That little red bow over his neck, because if this guy didn’t like to show off that red was his color on every occasion then the Overlord was a good guy.
You could say a lot about the red ninja, really a lot.
Not having style? Not between that – of course his ego didn’t need to know this.
The black ninja huffed, catching himself before he let his eyes lingering on him for too long – thank you master Wu, poor unaware sensei probably didn’t know his meditation lesson were being used to hide a crush.
“Drastic measures as kick me out? Because first, I would like to see you try.” Kai was strong, but not earth strong, thank you very much. “And second, I can leave on my own, thank you.”
Another shoulder. Much quicker than the other.
“Nah huh, this is also a very restricted non-ditching area.” Now he was cornered. Which wasn’t much because it was only Kai and his mischievous look. Also it was Kai and his mischievous look. “You either have fun and enjoy yourself, or security will escort you to prison in a conga line.”
“Really?” The hothead dared to shrug, like this made-up nonsense was a fact and these ‘laws’ were beyond him. “You don’t have to be a bringer of justice here too, just leave me be a solitary public figure for five more minutes before leaving.” A little frown moved his scarred eyebrows, which looked a little too knowing for some reason. “Besides, don’t you have a fan club to return to? I’m not seeing brown wigs twice your head moving around, that’s worrying.” A third shove, this time the black ninja let out a proper laugh. The red ninja’s hair only got crazier and crazier since they met, and it was always funny.
Endearing, too… dang it feelings!
The master of fire crossed his arms over his chest, pouting yet smiling.
“I can have a party without getting assaulted by my fans, you know? Besides, it’s been a while since we had a proper celebration, I wanna be with my team for once.” It was surprising and also very not. Kai was that much of an egomaniac, he loved the attention; but he loved his family even more, and it was true that they didn’t get much time to enjoy simply be united – trying to survive a villain while experiencing discoveries and development didn’t count as a relaxing bonding experience.
Cole gave a look at the crowd. The others were all still there.
“I’ll give you that, should we call up the others then?”
“No no no, you don’t get out of the radar that easily!” Again with the grin, what was that dangerously pretty head of his plotting? He looked focused too, it was scary. “Cut loose, will ya? You always end up in the corner at these things, you could at least pretend like you wanna be here.”
The black ninja winced.
“Gosh, you sound like my dad.” He definitely didn’t want to think about his dad in front of his crush. “We’re not all social butterflies, okay? I’m fine being myself.”
“Oh that’s not it, you’re okay. You being you is amazing.” Was that flirtatious? Was that a random compliment? Dang it, Cole had known him for too long, he couldn’t tell the difference anymore! “But whenever we get to an event like this one you always look like you would rather go back fighting and it sucks. Not being much of a party person is fine, I just want you to have some fun that’s all.” Ah. There it was. Underneath the mocking, the arrogance and the flirts, was a guy that could fire up a group of ninja with the power alone of his blatantly sincere words. Being against the next reason Ninjago City needed to be rebuilt, or while trying to give a random party some meaning. “Besides, speaking of fans, I know you have some. You could improvise a convention too.” He gestured towards him with both hands, like he was presenting him for a talk show.
The master of earth grinned. His chest felt warm, as always. Curse this guy for being cute. Curse him for being here instead of somewhere else wowing some random guest, blessing him with his company. He was right about not being together enough. Cole did miss having peaceful times with his teammate… he had missed spending time with Kai.
 But I’m told it’s where I’m supposed to be
You know what?
It’s kinda crazy coz I really don’t mind
When you make it better like that
 He took another sip. Grimacing. He shook his head.
“My fan club is nowhere near as wide as yours.”
“It’s not a challenge you know… although if it was, we all know who would win…” The red ninja flexed his arm. The jacket moved accordingly, showing off results of a training that even without involving massive rocks looked still impressive.
Cole swallowed over a sudden dry throat, only to frown.
“Huh… Lloyd?”
Kai blinked and sulked down altogether.
“Lloyd indeed.” They looked at each other and laughed.
The previous song slowly faded, a new rhythm took over. To Cole’s relief, it was something less ballet-like and more vivacious, capturing a few couple and individuals into the ballroom to enjoy the music. Jay was showing off impressive dancing skills, although him coming out of nowhere with a new ability wasn’t unheard of – roller skating, skiing, how did he even have free time to learn where he would always invent and eat junk food? Nya wasn’t too far behind, crossing path with Zane and improvising something together, laughing all the way. Lloyd was about to shake his head with a snicker and step away, only to have Pixal push him in with a little grin.
It was so peaceful. Them having fun, enjoying themselves, doing something other than risking their own lives and protect the land. They were the moments the black ninja loved the most.
Kai was humming himself, smiling just as widely. Cole chuckled warmly.
“You look like a very proud father.”
The red ninja arched an eyebrow and smirked.
“Wouldn’t you like that, honey.” Oh dang it, was he for real?! Was that a flirt?! Was that a little blush or for the master of fire having red over him was as natural as igniting flames?? Was he going somewhere with this, help, abort, something, anything! “We should chime in and join Zane and Jay, make a reprise of the Blade Cup Tournament! I remember the choreography still, bet we could show it to Nya, Lloyd and Pixal too.” Alright, never mind, false alarm… possibly, again, it was confusing.
Cole took another sip. It possibly tasted worse at every try, he didn’t even know why he was holding the glass still. At least he looked refined… or something.
“No way, I’m not going through that again.”
“Oh come on, I thought you got over your dancing complex with the Triple Tiger Sashay.” Kai shrugged, looking at him right into the eyes. “You dance good too, it’s a waste.” Was he in vain of compliments today or he was silently mocking him through an elaborated plan?
… nah, he wasn’t one to make complicated plans. He was a pretty face, and an airhead.
Cole shrugged.
“I don’t mind dancing, not as much as I used to at least. I even like it nowadays.” Having a hobby besides saving Ninjago was kind of important to not completely lose it – and playing videogames became a little too competitive once Jay or Lloyd got in the zone. “But it’s a little too connected to what my dad used to expect me to be and sometimes I don’t wanna even brush that thought.” They were good now, of course they were. But they spent time apart because of it. It was still hard to think about it. “… I don’t like to think that it would’ve been easier to just bear and go on. It makes me wonder what I would have become in that case, through tedious dancing lessons and failures.” Wow, his insecurities were put under a test, and there was no menace in sight for once.
Urgh, nope, not tonight, not after the mess they had been forced to fix for their city. Tonight it was about feeling light, thoughtless and happy. He needed a joke, a mockery, something, and while their official jokester wasn’t available Kai was the next best thing.
Any moment now… any moment now…
… okay now he was deliberately teasing him with those pretty eyes of his. He looked even sappy now, their shoulders were touching. He was so warm.
“It’s… kind of a scary thought, you know. Thinking of a you in a reality in which we haven’t met.” He smiled, one enigmatic, slightly worried smile that Cole couldn’t remember to have seen before. “But master Wu would’ve found you anyway, right? I don’t want to think of a world where we don’t know each other.” Because he was a precious teammate of his. “That’s not right in my head, I kinda hate it really.” Because they were too close as friends to even conceive it. “I’m just happy to have the strong, kind, incredible Cole by my side for this life.” Because he… cared. Because Kai cared about all the people in his life, all the precious members of his family.
That included him. As a… as…
The master of fire was staring at him, lips pressed tight together, burning cheeks and glimmering eyes. His face radiated heat, beyond the temperature itself; it was like an image so hot it got blurry, yet the beauty of it was nitid and flawless.
Cole was mesmerized. Then he slowly took a step back from his condition, finding the energic music fading away around them, and the red ninja still froze with his eyes on him.
It made him smile.
Having his attention always made him smile.
“Oh my gosh, it’s Kai!!” Because it wasn’t for granted and it wasn’t as easy as it was, back when they had started their legend as the ninja team. Now they were celebrities, and having a group of fans jumping excitedly in front of the brunette was ordinary administration. “Kai! You’re so cool, thank you for saving us again! You are our favorite ninja, can we get a picture? And a photo? Possibly both, if you can!” There were a couple of girls, one guy and a kid jumping from one foot to the other. All looking at ease and confident with their dresses and manners, addressing one of the heroes of this island.
Huh. The party had started to get nicer a few minutes ago, now it was back at being dull. Awkward. Uneasy. Solitary. Once again the too tight suit became very vivid, especially around his arms and chest. Once again the music, that had gone back at being slow and classic, got at his nerves. Once again he was being a spectator, looking at the scene like it was airing on television.
Kai was smiling naturally, he was more than used at that kind of attention. But his eyes were quick at focusing on him, and another little frown moved his forehead.
“Thanks for the support guys, but I’m a little busy right now…”
Cole rolled his eyes. He hated pity, so much. It felt like a slap right now.
“No you’re not idiot, come on, show your fans some respect. They get to see you without the city falling apart for a change!” The group nodded eagerly, eyes brightening the room. The red ninja wasn’t looking at them, his eyes were fixed on his teammate and it was even more irritating. “I’ll be at the buffet if you need me, have fun.” He looked hurt. What right did he have to get hurt? From what even? The master of earth was the one casted aside, for a change!
He walked away from the scene, losing Kai’s voice between excited shouts and squeaks from the group. Like that was new, it was always the serious, uncharismatic, downer of the team the one getting less recognition. He had known that when he had met this band of crazy people that he had started to call family. He had known that when Lloyd had taken charge and lead them towards one victory after the other. He had known that when Nya had been called into action, showing off once and for all that she was the real deal. There was always someone before him, brighter, to capture the attention. Being a robot, being an inventor, being the most handsome guy in existence…
… and it was fine.
Cole wasn’t stupid not unrealistic. He knew who he was, he knew his skills and his pros. He knew there were many people cheering for him too, he knew that Ninjago City loved him. Having less focus didn’t mean he wasn’t going to do his best to give back that support. But moments like these made him feel like it was unfairly easy to be pushed away in favor of something better. This really wasn’t what he was used to. The party, the attention… him.
It wasn’t about the attention after all. It was about feeling inadequate. Unlike others, he wasn’t born for the attention. Others were ready to burn to catch everyone’s eyes through their beauty. Cole only wished the difference wasn’t always this upsetting.
The guests were walking around him as he passed through. He didn’t actually want to go back to the table, he had simply said the first thing that had come to his mind – with that one girl so close to Kai thinking had been very difficult. Then the police commissioner had called the attention upon the impressive cake that was being brought in by a carrier. Shaped like the monastery, with their faces on the base. Wasn’t he the absolute dessert lover that he was, he might have found the cake too cute to even attempt a bite. Then again he really was, which was no secret at all. The chief of the police department was more than happy to give him the first slice.
White chocolate and blueberries. He hated himself for being so irritated, he would have wanted to enjoy his cake without bothering images into his head. He knew it wasn’t that big of a deal. Whenever there was a party, his mind just liked to remind him how uncomfortable he felt. It was only a matter of waiting for it to be over. Then he could share a bag of candies with Lloyd, or pull some weights with Nya, or meditate with Zane, or train with Pixal, or destroy Jay at videogame. Or do anything, absolutely everything, that involved spending time with Kai.
Just for the sake of having him near… ah, dang it, feelings again!
He swallowed a bit harshly, all of the sudden he couldn’t have more. The slice was half eaten – yeah he liked to have that big of a first bite –, and even after spending the night munching over those little snacks that couldn’t contain more than one or two calories each. He felt full. He couldn’t even enjoy his dessert now, might as well leave before anyone noticed him. He had planned on leaving much earlier so it wasn’t a problem.
Cole looked down at that forsaken drink, arching an eyebrow. Maybe it was good with sweets? Maybe that was what made it good? He drank, grimaced and grunted. He moved to put the drink on the table once and for all.
A quick ninja hand snatched the glass. A second later it was emptied.
“Finally, you were driving me crazy with this thing!” Kai, smiley and innocent, almost knocked down another glass as he let the empty one fall over the table. “All night sipping and hating!”
The black ninja’s mind was empty. From nothingness, only one doubt emerged.
“… you’ve been watching me?”
 Don’t think we fit in at this party
Everyone’s got so much to say
When we walked in I said “I’m sorry”
But now I think that we should stay
 That wasn’t probably the question to ask, no matter how much the master of earth was stubborn over the idea that nothing was a big deal at the moment. Something like ‘what are you doing here’ would have sounded out of place though, and teasing directly about what happened to his fan club didn’t sound better. Besides, the handsome master of fire finished his drink putting those perfect lips right where Cole’s had been just a second ago, and the black ninja’s strategic leader brain that had many times got him out of a bad situation wasn’t working.
Or maybe it was? There were very few things that could really, actively melt his heart like this. The red ninja’s blush was one of them. It had to have something to do with his element, the reddening was absolute and total. Like watching a thermometer reaching the maximum.
“J-Just a little! One or two times!” Liar, Cole had been doing this sip and regret thing all evening. The thought alone was an injection of giddiness. “Not up for cake? That’s new.”
Oh. He felt a little more in vain for cake. Two bites later it was done.
“I was taking a breath.” It was easier with him around. Did he know that? “You’re done with the fans? That was quick.” Kai huffed with superiority, but the black ninja was no fool: he could see the girl from before sighing a little, like she didn’t get nearly as much red ninja as she had been expecting. “You didn’t have to leave them behind for me.” That came out exactly as badly as he thought it. Why did he say it anyway? Why was the master of fire this shocked and fearful? “Kai I’m not some special case that you have to take care of, you know that. You don’t have to hang around me just because.” Huh. It came out like that.
Huh. Kai looked one with his element, burning from his forehead to his neck, looking almost sunburned. Adorable. So adorable, even while Cole was waiting for whatever was going to come from this situation. Which was, beyond his expectations, the red ninja’s rough and long hand slowly reaching for his, holding it tight.
Warm, so warm, so unfairly warm.
“I… I hang out with you because I want to. I want you to have fun because I…” He swallowed, hardly, and it felt like a light was switched on in the black ninja’s mind. “… I like when you have fun. When you s-smile, too.” It was so different from the usual flirty attitude that this guy used. It would have sounded like a mockery to any other. “I like being where you are too, that’s all I need… I-I mean it!” But Cole knew this guy, he knew him too well not to know that flirting was a show.
This awkward, embarrassed, red gorgeous person was the real deal. One that came out only when the time was right, and the person was right.
Cole was right. He was… right?
“I… I don’t know what to say.” He really didn’t and it was the worst possible answer. But it was true. What did you say to someone you harbored feelings for that showed interest back towards you? Thanks? Same here? I love you?? It was true but it was out and everything felt unnecessary and uneasy again.
The hold tightened. Kai was still blushing, but he was smiling with that special energy into his eyes. The one that usually meant a very bad plan coming, or one heck of an idea.
“No need. Just come with me.” Not like he could resist him right now.
Right on cue the music had changed, slowing down. The master of earth had a suspicion the one holding his hand was behind this – not like bribing Dareth currently at the console was particularly hard, especially with a couple of Puffy Potstickers in hand. Then again, the one holding his hand was this handsome fella that was leading him towards the center of the ballroom, between fanciful people and a couple of eyes in awe at seeing their heroes there. It was easier to ignore the comparison, the feeling of inferiority, while feeling Kai’s fingers clenching around his palm, shaking firmly. It was cute. So very cute. Cole could barely see in front of himself between all these people, yet it felt like nothing was really shouldering him as he passed through.
There were lights above them. Were they always there? Cole didn’t notice before, which was silly since it was all dark outside. His head was lighter, he didn’t have control over his strength even if he had wanted to break free from that hold. He didn’t. Not when the red ninja had that familiar determination making his entire body tense. Not while he turned around, smirking.
Still blushing. Still holding his hand. The master of earth looked down. Two pairs of feet staring at each other. Memories of the dance lessons came flooding back.
He looked up. Those glimmering embers made it much better.
“You brought me here to dance?”
“Impeccable deduction, Rocky.”
“Do you even know how? Dancing in couple is not the same as in a group, and we both know you have awful balance.” It was the only thing that made him regret throwing the battle against Jay back at the tournament of elements: losing the possibility of seeing this klutz making a fool of himself on roller skates. Confident Kai? Goofy and charming. Energic Kai? Attractive and brave. Angry Kai? Literally hot. But man, clumsy, adorably unsteady Kai? A wholesome force strong enough to break every single mountain he had ever climbed in his life.
The master of fire huffed with superiority, which was already promising. Around them a few couples were getting together, slowly moving with the rhythm.
“Please, I defeat evil lurking behind our backs on regular basis. I can handle a dance.” His eyes went down on his feet, while he unsurely grabbed his other hand. “You just gotta work with me, first you move the left… right… no left, left!” Left went right over his partner’s foot, and it was gone right away ironically almost as it got burned. “D-Don’t laugh, I got this!” Screw everything, the master of earth was very glad Ninjago had been in peril just to arrive at this specific moment.
Ah, but he was the responsible one, wasn’t he? Snickering right in front of the brunette’s face while he was doing his dang best at not stomping onto his feet would have not been very mature.
… continuously at least, he could take one giggle.
No one could call one giggle immature. Or two.
“I can hear my father’s pleas from here.”
“Shut up, I’m getting there! Right foot, sorry, then left…” Wow, it was almost impressive considering Cole had managed to see him before almost gracefully practicing spinjitzu with them. Then again, it was so like him it hurt. “There there’s the… huh… casket?” Oh dear, he meant the casque? Yep, definitely good pa wasn’t here. The black ninja almost blacked out he was laughing so much – pun not intended –, wiping away a single tear. Then he looked up, embers were staring. So focused and bright they were too much to look at. Kai grinned. “At least your smile is back.” The softest curve ever.
It was impossible not to look at it. It was baffling how many people were attracted to the master of fire solely for appearance and superficial charm. Yet this part, this tender side of him was the most lovely part. The most hidden too, reserved only to those who got close enough to the fire to get burned, without regretting a single moment.
Cole giggled again, stepping forward. Automatically he took charge, assuming the position that had been sculptured into his mind by years of dance lessons. Kai’s hand was still shaking as he took it, his eyes were trembling too. It made the black ninja smile more.
“It’s easy to smile when I’m with you.” Another incredible thing about this guy, it made all the people around him more confident. Stronger. Him included.
Kai gaped. He stuttered, looking down, up, at him and not.
Then he sighed, whining weakly.
“I was trying to properly confess, Boulder Brain.” It would have been such a shameless, anticlimactic moment for anyone. Gosh if it hadn’t dissolved all the anxious anticipation the black ninja had. “Why did you have to one up me right now?” Maybe it wasn’t only Kai that made him feel this at ease, maybe it wasn’t only them knowing each other so well. Maybe there really was one and only, for life, and the master of earth knew it by instinct.
A pretty good instinct too.
Cole grinned, stepping closer because dang if this didn’t feel immensely good.
“Force of habit, you’re just that slow.” Dang if this easiness between them wasn’t the most comfortable feeling he had ever felt. “You should really put your mind into training a little more, prove that you can keep up with me, Fireball.”
Music was changing, people were moving, the party was continuing and neither of them was looking anymore. Who cared anyway? What was important right now?
Warmth was.
Kai’s hand on his cheek was. Kai’s softened eyes on him were.
“I can do that. You know I never quit in front of a challenge.” One blink of an eye later, their noses were brushing. Another blink, their breaths were caressing each other’s lips. One last, the master of fire turned that kind of serious. The one that put everything on the table, because he considered a moment that important. “… I hate when you ditch a party.” Cole held together a little gulp. “And it’s not about you not being a party person, or wanting you to have fun, or even for you to get the credit you deserve. It is in part, but it’s not all.” He smiled, his thumb tracing gently his cheek, so very careful with him. Him, the lifter of their team. Him, the mighty master of earth. Him, the one that could manifest an earthquake with a punch. “It’s just that I miss you every time. You make everything better for me… I want to be with you as much as I can.”
It was never about that after all. It was never about who he was or what he represented, for either of them. It was just about two guys, two friends that had been lucky enough to get closer to each other reciprocally. In comparison to this, everything felt so meaningless.
The room was empty, the music was gone. It was just them.
Cole closed his eyes.
“You could convince me that parties are cool, you know. Then I won’t ditch anymore.” His closeness, his heat, his presence. The black ninja wanted to take in everything about this moment and never letting go. “I feel like I’m on the right path right now…” Wow, they weren’t even together yet and his flirty tendencies were already rubbing on him. Was he really that gone already for not minding it one bit?
Ah, who cared, Kai was so close he could hear him swallow. His thumb was still shivering, and it made his heart flutter. Then he laughed, low and sincere.
“Let’s see if I can be convincing.” He whispered.
Kissing the red ninja was exactly how he had imagined. It was warm, a little clumsy, so very sincere and vigorous. It reflected how he moved, how he acted, how he fought, how he protected. Yet it was nothing like he thought. It was so sweet it made his eyes pinch, it was delicate and even a little uncertain. It was him on the inside, the him that didn’t always want to make an impression, the him that had so much love to give to his most precious ones. It was him. In every possible way, it was him.
Cole smiled, kissing back, holding onto him as he was held back.
He liked parties. And he loved Kai.
 ‘Cause I don’t care when I’m with my baby, yeah
All the bad things disappear
And you’re making me feel like maybe I am somebody
I can deal with the bad nights
When I’m with my baby
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winxlava · 3 years
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Where Fate: the Winx saga fails
As a winx fan of 14 years (in and out), this fate thing is really scandolous. I’ve seen lots of ups and downs the winx fandom. As I’ve watched all of the development that fate had, I've had some thoughts, but I’ve waited until I watched everything.
This is going to be a reaction to all 6 episodes of Fate the Winx saga. This is coming from a fan of the og show so expect lots of comparisons.
If this bothers you, please don't keep reading. A lot of this is only my opinion. If you like it and think its great, that’s good! I’m not here to ruin it.
There is a list of what I liked most near the bottom of this post. Spoilers Ahead!!
Anyway, back to the post.
What made the Winx work
Lets start with the basic idea of Winx. Bloom, a normal girl, finds out that she has magic powers and is from another dimension. Seems like a simple concept? Well, Seasons 1-3 (and 4?) expanded this idea to the max.
Likeable characters galore and lots of fun, fashion, and magic.
For a lot of us that’s what sold the show. 
So lets talk about tone and why its so important 
The idea that teenage girls were exploring a world we could never see or experience. And the darkness that came with it.
Remember when Daphne, bloom’s dead sister, clung to life to help bloom figure her life out? When bloom became evil and nearly killed all of her friends? When Flora drowned to save her sister, only to get enchantix? (Actually all of enchantix was like this). When Musa gave up seeing her dead mom to save the world? When nabu died?
The show was full of these small, intense, dark moments. That’s what made winx special. The light came with dark.
By making the show dark and “eDgy” it takes away the impact of the dark moments. I’ve been saying this since the beginning. 
Point of view and how Stella is affected 
Stella was very misunderstood in the remake and it shows. The thing is, Stella was the first entry point into the magical world in the original show. She carried Bloom and her parents to Alfea. She was the transfer point to a whole world for the audience.
Her spunk and optimism and snark made her a fan favorite, but that’s not what made her character work.
She was Bloom’s first friend, and because of the that, we saw her in a good lens. She was reckless, but a pure heart nonetheless. She was confident, cunning, and powerful. 
It was because we saw the good in her first that made us like her. She was good before she was bad in our eyes.
The remake takes all of that away. She’s just a generic mean rich girl now. To be honest, Stella is accurate, but the way she was introduced put her in a whole new light. In this version, she is annoying and trifling, seemingly taking the place of Diaspro in her liking for sky.
Also she hates her mother? Stella would never! She loved both of her parents dearly and was mad simply because she felt they never loved her as a result of their divorce; they never talked to each other and she felt split between the two of them. (See Stella’s nightmares sequence season 1 :https://youtu.be/wuvyw0OHA6A?t=129). She was lonely and her father, though he loved her, spoiled her with gifts instead of the love she desired. 
You see this side of her when Chimera comes in and tries to take her place in season 3. Her worth is tied to what she has and looks like. Her title as a princess rules her.
Not only that, Stella learns about “commoners” through her friends. She was spoiled and never saw people who couldn’t afford things; it was new and she was a bit rude about it, but can you blame her, she was always put above everything else in her home country.
https://www.youtube.com/post/UgzCfOQ696rvwa51Z_J4AaABCQ?lc=UgzCDSxfcNaP9XogBSB4AaABAg
https://www.youtube.com/post/UgzCfOQ696rvwa51Z_J4AaABCQ?lc=Ugxl_sOsUSGBXEwagxJ4AaABAg
^^ These are comments of people saying similar things.
Stella also vents to Sky a lot in the remake. She seems like she is chasing him pitifully, something og Stella would never do.
Edit: Check the “liked” section; she has been upgraded to sort of like in episodes 5 and 6.
Aisha
They did Aisha dirty as well. (Just like Bonnie from Vampire Diaries, why am I surprised?) I would write a lot here, but someone else summarized it well:
https://rainbow-whitewashing-jar.tumblr.com/post/639787632624369664/its-just-there-is-so-much-background-on-aisha.
https://www.youtube.com/post/Ugx4WL5rIPTS1suGOed4AaABCQ
Tldr: Aisha was a very lonely princess of Andros. She only had one friend growing up but then they moved away and she was lonely all over again. She copes with her princess duties by being great at sports and even beating some of the men! She stood up to her parents when they wanted her to be arranged married, until she fell in love with Nabu HERSELF. She decided her own future from that point on.
Also, her relevance to the plot has been dwindled to being Bloom's right hand man; the black best friend sterotype! What a let down for one of the PRINCESSES of the original!
She had her own goals, drive, and motivations in the original! She did things for all of her friends; she definitely wasn't only driven by one person!
And she was closer to Musa than Bloom that's for sure!
Bloom
The fact that bloom transforms before everyone else gives bad vibes, considering that one of the reasons she was insecure about magic was because everyone of her friends was better than her and could transform. Why would she feel insecure when they are all around the same level?
The theme of sisterhood
Ever notice that none of the girls had the same taste in guys?
Bloom liked goody guys like Sky and Andy. Stella liked guys who were fun and flirty like Brandon.
In fact, none of the girls ever fought over a guy, they fought over things that actually mattered like someone being rude or a mission gone wrong.
That's what made them relatable. They weren't petty about guys and they mostly respected each other's relationships.
https://www.youtube.com/post/Ugz6TEOmGRV2Cfqy12F4AaABCQ?lc=UgwhLsToVbhLDYpFphB4AaABAg
^^ Look at highlighted comment
Not only that, but the winx represented a positive sisterhood. They stood by each other and respected each other; they never let men come between them and shared their power with each other.
Only the trix, the bad sisterhood, fought over men and power. The trix were foils to the winx and what they stood for! That's what made them some of the best villains in the series!
Instead of that, we get useless relationship drama! 😒
And that brings me to...
Stella/Sky/Bloom & Riven/Dane/Terra
What was the point of Dane? I'm still asking myself that question. He doesn't really do anything except act as relationship fuel for a love triangle.
Don't get me wrong, the representation is needed. But he adds nothing to the real plot at all except that Terra thinks he likes her, and he has a crush on Riven.
In terms of the Stella and Bloom love triangle with Sky, apparently she BLINDED someone because they flirted with sky. What?!? Stella isn't that cruel at all. The show clearly flanderized her to a cruel mean girl so....
Edit: Check the “liked” section; she has been upgraded to sort of like in episodes 5 and 6.
Lets not forget about “diversity”
Male fairies did exist before Fate:
https://www.youtube.com/post/UgziTWMf44kv0fkDt8x4AaABCQ
https://www.youtube.com/post/UgxWAFZRmqt_k3iBMhZ4AaABCQ
Flora/Terra, Musa, and Whitewashing
Terra and Musa are wonderful! Their actress' do a great job; their personalities are so similar to the original (except for musa's mind abilities and Terra's talkative personality)! Whenever one of them interacts with the other main cast, you feel actual friendship chemistry between them!!
But there is an elephant in the room: the whitewashing. If these characters were the correct race, they wouldn't be in this critical review.
Terra isn't flora, but her character was clearly based on her! Also, she has a cousin named Flora, so Flora is clearly in this universe.
??
Why change her race and swap her out! The personalities are spot on, which makes it even more disheartening to know that they would rather replace two POC characters with white characters who essentially are the same people and have the same plot importance.
What a shame and low blow that is! Especially since I am a black woman myself!
Sky and Riven
Them being bros make no sense really. Before they were more like enemies who were forced to work together.
Why are they friends?? What's the backstory?
Other than that, sky is pretty spot on. He's the pretty boy with good intentions. Not interesting but not very boring either.
Riven is cringy like I feared. He was also sort of cringe in the og but because of the darker setting in the remake he just feels even more so.
Other Criticisms:
- we gets some pretty cringy dialogue (mostly from riven). Some of the clingy dialogue (not from riven) ironically could have worked in a lighter setting and become "campy".
- The fact that there are no wings for 5 whole episodes, just makes the entire thing feel like Witches or something...
- why does everyone have the dead parent trope??
- no tecna
Things I do like:
- bloom missing her parents and feeling left out
- Musa and Sam before Musa and Riven (hopefully)
- Terra in general
- Terra’s dad and brother
- Musa in general
- Stella funny quips
- the scenery is gorgeous
- Stella's clothes are so fashionable! She has great outfits!
- Sky and Bloom taking during the party and/or being friendly with each other
- the magic cgi looks good 👍
- the rooms of the girls dorms and the castle looks great on the inside
- Aisha's personality
- Farrah Dowling is good as well
- Bloom is pretty spot on
- Stella's mom's powers are awesome
- imagine the genocide plot but with the happy fun show vibe and with the trix. The trix want to get revenge on faragonda for killing their cult, who wanted to revive the ancestral witches or something💥💥💥
- Stella in episodes 5 and 6 is cool
- the inclusion of the witches of aster dell (Beatrix said she was born there = witch)
- the inclusion of musa’s mother’s death
-Her transformation was lackluster to me, but I appreciated the effort to include it.
Conclusion
The pacing was all over the place to me; it felt like some episodes lasted forever and all of them seemed to have the vague theme of : be careful who you trust.
By trying to separate the winx from the og and have them have "their own lives" (which they already had), they ruined the intriguing backstories the characters already had in the og. Some were somewhat kept, but others were kind of left in the dust *cough*Aisha*cough*.
They took away with made them special: the teamwork, love, and friendship that brought them together and made them stronger. *They try it in episodes 5 and 6, but to me it just falls sort of flat.*
That said it isn't completely bad, it's mediocre at best, but it isn't Winx and that's that.
Edit: I know that it’s not supposed to be winx per say, but it has characters from the og and even the “winx” name in the title!
Credits: WCD channel on youtube, rainbow whitewashing jar on tumblr, and Youtube videos by the official winx club youtube channel.
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