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80smovies · 2 years
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screamscenepodcast · 2 years
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For episode 250, your deadicated hosts take on THE BLOB (1958, Yeaworth) starring Steve McQueen!
What is star jelly and how did it inspire the film? Why on earth is there a Burt Bacharach Blob theme song? You're telling me THE BLOB made HOW much money?!
Context setting 00:00; Synopsis 41:44; Discussion 54:52; Ranking 1:21:42
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cultfaction · 10 months
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Cult Faction Ep. 100: The Blob (1958)
It is the 100th episode and to celebrate we revisit the 1958 classic The Blob! Directed by Irvin Yeaworth, and written by Kay Linaker and Theodore Simonson, it stars Steve McQueen, Aneta Corsaut, Earl Rowe and Olin Howland. All that plus for the 100th time you get to listen to our downtrodden discourse! https://cultfaction.com/wp-content/uploads/2023/06/Episode-100.mp3
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goldenagearchive1970 · 2 months
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The Blob is a 1958 American independent  science fiction horror film directed by Irvin Yeaworth and written by Kay Linaker and Theodore Simonson. It stars Steve McQueen (in his first leading role) and Aneta Corsaut and co-stars Earl Rowe and Olin Howland. It was distributed by Paramount Pictures as a double feature with I Married a Monster from Outer Space.
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fmp2maxleighton · 1 year
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The Blob is an American independent science fiction horror movie directed by Irvin Yeaworth and written by Theodore Simonson and Kate Phillips, released theatrically in 1958 and distributed by Paramount Pictures. The film follows a mysterious alien mass with carnivorous tendencies crashing down in rural Pennsylvania via an asteroid, regularly growing larger and angrier with the more it eats. The film has become a cult classic, regularly being played in drive-in movies around the time it released, and also garnering a sequel in 1972 and a remake 1988 with a much more sinister approach. The Blob serves as an inspiration for the FMP due to the poster, another classic mid 20th century poster, which can serve as an inspiration for how I do a poster for Aphrodite.
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docrotten · 2 years
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THE BLOB (1958) – Episode 123 – Decades of Horror: The Classic Era
“Beware of The Blob; it creeps; and leaps and glides and slides; across the floor; right through the door; and all around the wall; a splotch, a blotch; be careful of The Blob. *pop…pop…pop* Beware of The Blob!” Actually, these lyrics could be the film’s synopsis. Join this episode’s Grue-Crew – Whitney Collazo, Chad Hunt, Daphne Monary-Ernsdorff, and Jeff Mohr – as they discuss the film that spawned what The Black Saint called the scariest creature ever, The Blob (1958). 
Decades of Horror: The Classic Era Episode 123 – The Blob (1958)
Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! And click the alert to get notified of new content! https://youtube.com/gruesomemagazine
ANNOUNCEMENT Decades of Horror The Classic Era is partnering with THE CLASSIC SCI-FI MOVIE CHANNEL, THE CLASSIC HORROR MOVIE CHANNEL, and WICKED HORROR TV CHANNEL Which all now include video episodes of The Classic Era! Available on Roku, AppleTV, Amazon FireTV, AndroidTV, Online Website. Across All OTT platforms, as well as mobile, tablet, and desktop. https://classicscifichannel.com/
An alien lifeform consumes everything in its path as it grows and grows.
IMDb
  Directors: Irvin S. Yeaworth Jr.; Russell S. Doughten Jr. (uncredited)
Writers: Theodore Simonson & Kay Linaker (screenplay); Irvine H. Millgate (original idea)
Produced by: Jack H. Harris (producer), Russell S. Doughten Jr. (associate producer) (as Russell Doughten)
Theme song: “THE BLOB”
Written by: Burt Bacharach & Mack David
Performed by: The Five Blobs, arranged by and all vocals by Bernie Knee
Special Effects by: Bart Sloane
Selected Cast:
Steve McQueen (credited as Steven McQueen) as Steve Andrews
Aneta Corseaut as Jane Martin
Olin Howlin as Barney, the Old Man
Earl Rowe as Lt. Dave Barton
John Benson as Sgt. Jim Bert
George Karas as Officer Ritchie
Stephen Chase as Dr. T. Hallen
Lee Payton as Kate, the nurse
Hugh Graham as Mr. Andrews
Elbert Smith as Henry Martin
Audrey Metcalf as Elizabeth Martin
Vince Barbi as George, cafe owner
Jasper Deeter as Civil defense volunteer
Tom Ogden as Fire Chief
Elinor Hammer as Mrs. Porter
Ralph Roseman as Blob victim working on car
David Metcalf as Drunk at door
The teenagers
Robert Fields as Tony Gressette
James Bonnett as “Mooch” Miller
Tony Franke as Al (as Anthony Franke)
Molly Ann Bourne
Diane Tabben
The Blob is Whitney’s choice. It was recommended to her by her great grandmother after she had enjoyed “Flubber” (The Absent-Minded Professor, 1961) as a youngster. As misplaced as that comparison was, she was glued to this movie as a kid with the theater scene, in particular, sticking with her. Now she sees The Blob as a silly and fun classic with a really different kind of creature.
Chad also calls The Blob a classic with a very different kind of monster. Even though Steve McQueen looks nothing like a teenager, he loves this fun flick. A relative, this time an auntie, also turned Daphne on to The Blob and she’s thankful for her introduction to this cool part of B-movie history. She also points out some of the film’s legacy as she is reminded of later movies in the old-man-and-the-dog scene in Killer Klowns from Outer Space (1988) and “The Lonesome Death of Jordy Verrill” segment in Creep Show (1982). All of the scenes with the blob scared the crap out of Jeff as a child and have always stuck with him. Now he notices the abundance of exposition but still has a great time watching The Blob, a movie he sees as Rebel Without a Cause (1955) combined with a very unique SF creature feature.
Suffice it to say, The Blob never gets old for the Classic Era Grue-Crew. If you feel the same way about this classic, at the time of this writing, The Blob is available to stream on HBOmax, The Criterion Channel, Crackle w/ads, and Plex w/ads. In terms of physical media, it is still available as a Blu-ray from Criterion.
Be sure to check out these other “Blob” focused Decades of horror episodes:
Beware! The Blob (1972) — Episode 63 — Decades Of Horror 1970s
The Blob (1988) – Episode 126 – Decades Of Horror 1980s
Gruesome Magazine’s Decades of Horror: The Classic Era records a new episode every two weeks. Up next in their very flexible schedule is one chosen by Chad: The Mask of Fu Manchu (1932), starring Boris Karloff and Myrna Loy in a pre-code film seen now as decidedly politically incorrect. This one should make for a fun discussion!
Please let them know how they’re doing! They want to hear from you – the coolest, grooviest fans: leave them a message or leave a comment on the site or email the Decades of Horror: The Classic Era podcast hosts at [email protected]
To each of you from each of us, “Thank you so much for listening!”
Check out this episode!
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jerichopalms · 4 years
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#140: The Blob (1958, dir. by Irvin S. Yeaworth Jr., Russell S. Doughten Jr.)
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gbhbl · 3 years
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Horror Movie Review: The Blob (1988)
An acidic organism crashes down to Earth and devours anything in its path as it grows.
The Blob is a science-fiction horror film co-written and directed by Chuck Russell, releasing in 1988. It’s a remake of the 1958 film of the same name, albeit with plenty of changes. The plot follows an acidic organism that crashes down to Earth and devours anything in its path as it grows. A transient witnesses a sphere-like object crash to Earth. Within it he discovers a slime like substance…
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brokehorrorfan · 5 years
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4D Man will be released on Blu-ray and DVD on August 20 via Kino Lorber Studio Classics. The 1959 independent science fiction film is also known as Master of Terror and The Evil Force.
Irvin S. Yeaworth Jr. (The Blob) directs from a script by Cy Chermak (CHiPs) and Theodore Simonson (The Blob). Robert Lansing, Lee Meriwether, James Congdon, Robert Strauss, and Patty Duke star. Jack H. Harris (The Blob) produces.
4D Man has been newly restored in 4K from the original camera negative.
Special features:
Audio Commentary by Kris Yeaworth, son of director Irvin S. Yeaworth Jr.
Audio commentary by film historian Richard Harland Smith
Interview with producer Jack H. Harris
Interview with actress Lee Meriwether
Theatrical trailer
Science whiz Dr. Tony Nelson (James Congdon) has made an amazing discovery: he has developed a method of stimulating the molecular structure of solid objects so that they can be joined or passed through one another. Stumbling upon this incredible secret is Tony’s older brother, Scott (Robert Lansing), a fellow scientist who decides to take the experiment one step further—and soon finds himself able to pass through doors and walls. But his newfound freedom of movement has unforeseen side effects, for each time the power is used, Scott ages a bit, and only by touching other living beings and draining their energy (and thus, their lives) can he maintain his age. In addition, this incredible force is driving Scott quite mad... and he’s just noticed his beautiful would-be fiancée (Lee Meriwether) expressing an interest in his brother Tony.
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Chapters: 2/? Fandom: The Gifted (TV 2017) Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: Clarice Fong/John Proudstar Characters: Clarice Fong, John Proudstar, Sonia Simonson, Marcos Diaz Additional Tags: Adventure, OC’S - Freeform, slow-burn, eventual thunderblink Summary:
What happens after Clarice runs into Johns arms (1x03)?
An alternative story from that told by the gifted, so what happens next?
When John passed through the doors of the bank he noticed that it was unusually active. Marcos ran towards him, pausing long enough to blurt out that Sage had discovered the timeline of the prison transfer. John was running before the last word fell from Marcos’ lips, the two men sprinting to Sage’s communication room.
The communication room; the small area Sage had set up to process data, is a hub of activity. Caitlin flitting anxiously as she waits to find out what details they have on her husband. The Strucker kids hover just outside the door and Sonia is talking quietly with Sage.
As he entered, all eyes turned to him. They all looked to him to solve the problem and ensure their safety whilst doing it. John ignoring their looks, moved to the other side of Sage to look at the computer screen.
“What have you got?” He quietly asked Sage. Until he has the facts, there’s no need to give anyone false hope. Especially Marcos who looks ready to go head to head with the nearest Sentinel agent.
“‪Thursday at 6 am‬ there will be a convoy containing a transport bus, three follow cars and an armoured truck. It’s scheduled to deliver two prisoners; one man and one woman, to a military airport.”
‘Okay so that’s good news. A moving target is harder to protect.’ He thought, aloud instead he said “That doesn’t give us much time. We’ve only got one day to plan a rescue. Where are they most vulnerable?” He asked turning to Sage.
Sage scanned the map quickly before replying. “There’s an industrial district. Lots of warehouses-“
“-lots of places to hide.” He finished. “What are your thoughts?”
“Currently 75% chance of success, that will undoubtedly decline substantially.” Not the best odds but definitely not the worst odds they’ve faced. With the immediate facts collected he turned to Marcos and told him to gather everyone in the station.
Within the next fifteen minutes every person in the station is assembled across a variety of couches and chairs that decorate the second floor of the bank. As Marcos sat in a chair at the front of the assembled people whilst John stood behind him, so that he had space to pace. He sees Zingo laying on one of the couches, her head in Clarice’s lap.
When Marcos shifted in his seat the assembly quieted. The ex-marine waited until every person was silent before he spoke. "We know that Lorna is being held in a cell at the Sentinel Services regional headquarters, we believe that Reed Strucker is there with her. They’re being moved in two days to an ultra secure facility and we don’t know much about it, except that the people who go don’t come back. The short timetable and the threat that this new facility possess means that we’ve gotta move now.” John saw Lauren wipe away the tears that his blunt words had produced. “I’m not going to sugarcoat this, we’re talking about attacking Sentinel Services.”
“We lost six people the last time we went up against them directly.” Theodore reminded the station leaders.
“I know that better than anyone” John responded sadly, looking at the ground and remembering their lost ones.
“It won’t be like last time!” Marcos cut in.
“You’re right. Last time we just hit a relocation center with a fence and some gun towers. This time it’s a prison. Their systems have improved extrapolating from other attacks.” The man quipped.
“A prison convoy.” John corrected. “It’s severely more vulnerable. Sage found out the route and time of the transfer. We have a good ambush spot, there’s a real probability of success.”
“And if we do nothing,” Marcos added attempting to sell it, “then there’s a hundred percent chance we never see them again.”
“I know we’re new here but please.” Caitlin Strucker pleaded.
“Lorna’s risked her life for everyone in this room. Harry, your parents would be dead without her.” Harry looked down as Marcos guilt tripped him. “Theo she pulled you out of a gutter and she got you clean. I mean she’s- she needs us.” The Mexican man continued.
“I’m sorry but it doesn’t change the odds Marcos.” Theo apologized.
“I don’t care about the odds, I care about Lorna. Who’s with me?” Marcos asked.
“I’m in.” Sonia whispered. Harry raised his hand briefly. Most shook their heads apologetically. Shatter looked down sadly but didn’t volunteer.
“Yeah I’m in.” Clarice spoke up, petting Zingo for comfort, no doubt remembering her time in the Sentinel Services detention center.
“Great.” Marcos muttered disappointedly.
With the meeting over the small party reconvened, with two new members, in the Communication room. Marcos leaned against Sages station huffing angrily. “Five people?” He muttered. “Unbelievable.”
“Don’t be so hard on them a lot of the lost friends the last time.” John placated.
“Five of us to ambush a convoy.”
“Um, six, technically.” Caitlin Strucker reminded Marcos.
“I’m sorry Caitlin but-” he quickly cut off at the look of disbelief that settled on her face.
“Two people,“ John cut in, capturing the other five’s attention, "are being moved to a military airport ‪Thursday morning at 6‬. The information collected decisively suggests it’s most likely Reed and Lorna. The best ambush spot is an abandoned industrial park off Peachtree.” John looks around, making sure everyone’s on the same page before continuing. “If we do this, it needs to be a rescue not a fight. We go in, get our people then leave.”
“If?“ Marcos interjects. “There’s no if. This may be our only chance. If we let them leave the area we may never find them again.” John shot a glare at Marcos, noticing Caitlin’s hands clutching roughly at the wall.
"Which is why we leave early.” John deadpanned, then he turned to the Korean woman. “Clarice, can you portal us inside the bus?”
“Maybe, if the driver can see out I can see in but if it’s moving, the situation can get a little….dicey.”
“Stop the bus?” He questioned. “That’s harder.”
“I could-” Marcos began.
“Melting their tires isn’t exactly subtle. I know I don’t have abilities but I do have ideas.” She shot at Marcos, who had told her that she didn’t count. “Besides what happens after that? A pitched battle, people die. Our goal isn’t just to get Reed and Lorna it’s to get them alive. We aren’t equipped for a fight with Sentinel Services.” Caitlin stated.
Lauren walked closer so her body was in the doorway, quickly moving from eavesdropping to participating in their war room. “Andy and I could stop it. We’ve been practising, we might be able to pop the tire.”
"Absolutely not.” Caitlin objected. She gave both of her kids a hard look as Lauren opened her mouth to object. "My kids aren’t going to attack a prison convoy.” She protested finality ringing in her tone.
John wanted to object, having seen what her children can do, but they are just that: kids. He respects Caitlin too much to object to her adamant wish. When no one spoke up to protest Andy stepped forward and begun whispering to his mum. John turned away, giving them the illusion of privacy.
After a few moments and whispered words Caitlin turned back to the leaders of the war room. "Can you promise there’s no danger for them if they were to be there?” He watched sympathetically as Caitlin hugged Andy to her.
“No.” He answered honestly. “But I can promise to keep them as far from the danger as possible.” He gave her a minute to think it over.
“That’s as good as it gets I suppose. Thank you.”
He nodded before turning to the group, both the kids fully joining the conversation, and slowly their plan began forming. It was decided the Strucker siblings would stop the bus from a rooftop, there’s a high rise they can be on that’s far enough from the action that the danger is limited. It’s also close enough that they have a birds eye view of what’s happening in case of an emergency.
"Clarice and I will be in this building. Which should have a perfect view of the broken bus. She will create a portal into the bus, I will incapacitate any guards and free Lorna and Reed whilst Clarice waits for a signal before creating a portal to bring us back. Marcos, Harry and Sonia, you three will create a diversion if needed to give us enough time to get away.”
“We could use fireworks.” Harry suggested. “Firecrackers, bottle rockets and firework chains; they practically sound like gunfire. It’d be enough to startle the agents and nobody could get hurt. Marcos could even light them from afar.”
“It would make the agents think and react like they’re under attack.” Marcos responded dubiously.
“It would keep them from going in the bus before our people are out.” Harry corrected.
“Where would we even get fireworks?” Marcos questioned.
“I know a guy.” Trader supplied.
“We could even go as far as to Maltov the street so they can’t pursue the cars.” Sonia suggested. “If the asphalt is boiling their tires will melt. We can get away without being pursued by vehicles.”
“They’ll probably have drones.”
“Drones?” Andy piped up. “I can handle drones.”
“No.” John stated. “You’re leaving as soon as the bus is disabled.”
“But I can help!”
“And you will have helped by that point. Everyone’s got their own roles to play. Trust us.”
They sit/stand there for over an hour, fine tuning the plan and considering alternatives. When it comes down to it these plans are just the framework, everyone knows that there are contingencies and where to run to if the situation changes.
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THE BLOB (1958)
As teenage couple Steve (Steve McQueen) and Jane (Aneta Corsaut) enjoy an evening alone, they witness a shooting star fall from the sky. Noticing how close it was, they decide to see if they can find it. They are beaten to the scene by an old man (Olin Howland), who discovers a meteor. When he tries to inspect it with a stick, it cracks open, revealing a strange, goo-like substance within. When the old man touches it with the stick, it quickly latches onto his hand. Steve and Jane take him to Dr. Hallen (Stephen Chase), then return to the old man's cabin to search for clues. Unfortunately, while they're gone, the mysterious blob consumes the old man, Dr. Hallen, and his nurse Kate (Lee Payton), growing noticeably larger in the process. As the blob continues to devour the townsfolk one by one, Steve, Jane, and their friends try to convince the police, led by Lt. Dave (Earl Rowe), that something is wrong. Though the police don't believe them at first, the blob finally makes its presence known as it descends upon the town's movie theater...
Though The Blob appears to be nothing more than a random 1950s B-movie at first glance, it's actually one of the most iconic and influential monster movies of all time. The trope of young people trying unsuccessfully to convince their elders and the authorities of the monster's existence would go on to become a staple of countless horror movies to come, imitated just as many times as the corrupt politician ignoring the threat from Jaws, or the monster being attracted to the heroine from King Kong. It also features one of the silver screen's most memorable monsters: The Blob, an amorphous glob of translucent goo that soon becomes stained red with the blood of its victims. Whereas most movie monsters of the era were simply oversized insects or other ordinary animals mutated by radiation, the Blob was an entirely new type of beast, a shapeless mass able to slide and squeeze into even the tiniest of places, making escape from it all but impossible. Sure, it's slow (though it can manage the occasional burst of speed), but if it corners you, you're done for. The effects used to bring it to life are surprisingly effective as well. Created out of colored silicone, the Blob's creepy rolling and sliding was achieved with simple gravity. For such a simplistic concept, it's surprisingly frightening. The movie also featured a rather memorable title theme: "Beware of the Blob." Written by a young Burt Bacharach and performed by The Five Blobs, the song is a fun, catchy number that would become a staple of Halloween for decades to come.
This film is also notable for being the leading man debut of screen legend Steve McQueen, but unfortunately his casting can't help but incite a few chuckles right off the bat. Steve's character (named, uh, Steve) is supposed to be about seventeen years old. However, McQueen was twenty seven at the time of filming, and he looks roughly forty, resulting in one of the oldest looking teenagers in cinema history. Steve is a good character, refreshingly not represented as a stupid, irresponsible teenager (though he does have a brief bout with irresponsibility when he races against his friends near the start of the film). For about the first third or so of the movie, Steve has a tendency to pause and stammer a lot during his dialogue. It's a nice little natural tic at first, but it becomes a little annoying as he continues to do so even as things start getting bad. Thankfully, though, he drops this once he and Jane sneak out to hunt the Blob down. Aneta Corsaut (later known for her role on The Andy Griffith Show) as Jane turns in a decent performance, but like Steve, for roughly the first half of the movie she's honestly a bit of a drag. Any time Steve starts showing any personality, Jane simply hangs her head and gives him a disapproving look. It's never really said why, either, which is odd. Like her boyfriend though, her quirks end once they sneak out for the third act.
The supporting characters range from good to annoying. Earl Rowe does a solid job as the sensible Lieutenant Dave, who doesn't immediately tell Steve and Jane off when they come to him with trouble, and in fact supports them the instant there are some serious signs of danger. John Benson is amusing as Sergeant Bert, the paranoid cop who essentially distrusts all teenagers. He'd rather believe that every teenager in town is 'bugged' by his war record and are testing his patience than that there might be an inhuman threat roaming the streets. Stephen Chase does a good job as Dr. Hallen, as does Lee Payton as his short-lived nurse Kate, both perishing in one of the film's more memorable sequences. Elinor Hammer plays the effectively annoying neighbor Mrs. Porter, who Dr. Hallen had previously asked to watch over his house during the night. Mrs. Porter enters the scene as Steve, Jane, Dave, and Bert examine Dr. Hallen's home for clues and serves no other purpose than coming up with a seemingly unending series of reasons as to why nothing has happened to Dr. Hallen, how he left on a business trip hours ago, and how Steve and Jane are wrong. It's an annoying scene that really accomplishes nothing but delaying the plot. Another such scene takes place near the start of the film, where Dave catches Steve street racing his friends and gives him a stern talking to. While not a bad scene (it helps develop Dave as a kind, reasonable person), it still feels like padding of the highest order. Such scenes feel unnecessary considering the rest of the town doesn't become aware of the Blob until essentially the end of the movie. Finally, we have Jane's little brother Danny, played by Keith Almoney. While not a terrible child character (except for the very end where he nearly gets our heroes killed), Danny is clearly written as if he was five or six years old. Unfortunately, Almoney appears to be roughly ten or eleven, which can be fairly laughter inducing as he spends the entire movie in footie pajamas clutching a teddy bear.
When The Blob comes to a close, it ends on an iconic "The End... ?" as the amorphous beast is air-dropped into the Arctic, never to be thawed again. However, the film was a surprising hit, earning a whopping $4,000,000 at the box office. And so, even though it would take nearly twenty years, we had not seen the last of the Blob, as one tiny piece would eventually find its way back to civilization...
Rating: ★★★★
Cast: Steve McQueen ... Steve Andrews Aneta Corsaut ... Jane Martin Earl Rowe ... Lt. Dave John Benson ... Sgt. Jim Bert Robert Fields ... Tony Gressette James Bonnet ... 'Mooch' Miller Anthony Franke ... Al Keith Almoney ... Danny Martin Stephen Chase ... Dr. T. Hallen Lee Payton ... Kate the Nurse Elinor Hammer ... Mrs. Porter Olin Howland ... Old Man George Karas ... Officer Ritchie Elbert Smith ... Henry Martin Hugh Graham ... Mr. Andrews Tom Ogden ... Phil the Fire Chief Vincent Barbi ... George - Cafe Owner
Director: Irvin S. Yeaworth Jr. and Russell S. Doughten Jr. (uncredited). Producer: Russell S. Doughten Jr. (associate producer) and Jack H. Harris. Writer: Theodore Simonson and Kay Linaker (screenplay); Irvine H. Millgate (original idea). Music: Ralph Carmichael; Burt Bacharach, Mack David, and The Five Blobs ("Beware of the Blob"). Special Effects: Bart Sloane.
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80smovies · 5 years
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badgaymovies · 4 years
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The Blob (1988)
Today's review on MyOldAddiction.com, The Blob by #ChuckRussell starring #KevinDillon and #ShawneeSmith, "as exploitative remakes go, is actually more than decent"
CHUCK RUSSELL
Bil’s rating (out of 5): BBB.5. 
USA, 1988 .    TriStar Pictures, Palisades California Inc..  Screenplay by Chuck Russell, Frank Darabont, based on the earlier screenplay by Theodore Simonson, Kay Linaker, story by Irvine H. Millgate.  Cinematography by Mark Irwin.   Produced by Jack H. Harris, Elliott Kastner.   Music by Michael Hoenig.   Production Design by Craig Stearns.   Cost…
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