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#This is a story of a girl
sportsandlaughs · 1 month
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emma roberts’ street style ⋆ ˚。⋆୨୧˚
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goldensunset · 5 months
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people who go through the main tags of big and tumultuous fandoms looking for new fresh good posts to reblog are essential to any circle. they’re like true hunter gatherers leaving the safety of settlement and braving the unknown wilderness to find food for the flock. they risk their lives every day and will come back with a few scratches at best and severe psychological damage at worst
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emilyaxford · 7 months
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i love the extras of dungeon meshi in how it fleshes out the world because they make it so much more evident how race affects every part of the story while avoiding the zootopia racism problem. like obv a main theme of the story is like, humanity and desire, 'to eat is to live', etc, but since the majority of it takes place in the dungeon isolated from society and thru the lens of laios, the racial aspects play out more like shadows on a wall for most of the story.
then in the extras we get comics like this
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which at a glance fleshes out the racial aspects via a character explaining the racial rules of universe - humans have x amount of bones, while orcs and kobolds have more. however, if u take it less straightforwardly, it points out how the concept of 'human' is a constructed concept in the world. the fact that there are different categories of human in different parts of the world based off of what types of humanoids occur there is already a demonstration of this. in response, the bones explanation seems to kabru and the characters as an objective way of measuring humans vs nonhumans.
but obv, when the culture was deciding what humanoids were humans and nonhumans, they weren't blindly analyzing skeletons and then deciding. just visually, one can glean that orcs and kobolds look less like the ingroup of tallmen, elves, dwarves, gnomes, etc. the bones explanation appears as a justification for that immediate prejudice under a scientific guise - I'm sure that one could come up with the same number of physical differences between a gnome and an elf that they would find between a tallman and an orc. it sounds a lot better to say 'well, an orc has 230 bones while a human has 206' then 'well, an orc looks ewwww yucky yucky to me while a human looks normal'.
and what i like abt the comic is that the characters take the explanation at face value for the most part. when a contradiction is brought up in the oni, kabru can neatly slot them into the predetermined number of bones framework. bc that's kinda how it works irl - there r cultural prejudices that we can posthumously justify, and if we find something outside of it, we can twist it to fit into our predetermined binary. however, since the reader does not live in a world where there are orcs and kobolds to be prejudiced against, we can see that flaw in the cultural logic. when the party encounters the orcs, the number of bones has no bearing on their humanity. They r shown to be cliquish and distrusting of outsiders, but not any more than the elves are later in the story.
tldr dungeon meshi worldbuilding is so good
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lylahammar · 1 month
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Ryoko Kui posts these characters on her blog a lot and I am so desperate to know what they're all about
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amu-says-hav-says · 9 months
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I can’t believe I went through all of Season 2 assuming Nina was the stand-in for Crowley when you actually pay attention it’s so CLEAR that she’s Aziraphale. I was tricked by her spiky, sarcastic, cynical outer shell and lulled into a false sense of security by Maggie’s bubbly optimism and wholesome goodness, because on the surface they reflect the ineffable husbands perfectly, in their personalities, their aesthetics, even many of their actions and morals. but not, and this is the real key, when it comes to their “relationship”. but those first impressions really had me damn fooled. 
I missed the blatantness of Nina’s “we’re just friends. actually we’re not friends. we barely know each other.” the same thing Aziraphale said in season 1.  the way he still struggles to quantify their friendship when Nina asks. Nina’s sarcasm when Crowley asks about rain and awnings because it worked for him (we all know it LMAO). hell, that whole convo the girls have in the rain is so AziraCrow (“I know. I’m not your type” “...You have no idea” hits so much harder the second time, help meeeee.) “Lindsay” maybe being symbolic of Heaven and Aziraphale’s toxic relationship with them and their abuse? (the handwritten text messages in red pen make me think of angry notes on paperwork, anyone else?) because Crowley has never actually cared about what Hell thinks of him, just not getting into trouble (or him or Aziraphale getting hurt). Maggie is always chasing Nina. NINA NEVER GOES IN THE RECORD STORE. Just like Crowley always goes to the bookstore, to Aziraphale, Zira NEVER WENT TO THE FLAT (apart from The Swap but that doesn’t count imo). Crowley has always chased Zira, not the other way around. Always there to rescue him, always going to him for company, always relying on their shared connection, always US. OUR SIDE. All through season one, he comes to Zira every time to work together, never trying to work alongside Hell in any way that isn’t to save their skins or Earth, while Zira hides things from Crowley because he STILL thinks Heaven is ultimately good and will do the right thing if he can just show them. fix it from the inside. 
Maggie working up the courage to finally say something, to put herself out there, while Nina is utterly oblivious and then when she does realise Maggie has feelings, becoming standoffish, putting up that barrier, fighting it, denying it, ITS SO CROWLEY AND AZIRAPHALE IN THAT ORDER. the way I was fooled into thinking Nina’s trust issues are Crowley because he does have trust issues ofc he does BUT Crowley has ALWAYS TRUSTED AZIRAPHALE. has always relied on him. has always been hurt when Aziraphale doesn’t immediately reciprocate the way he expects (the holy water request, the bandstand, the “off in the stars” etc). he’s always the one putting himself forward. Aziraphale has always been the one to second guess everything, to fight their connection, their similarities, their friendship. the girls really made me think it was going to be okay when they sat Crowley down, even as my inner sirens were going haywire about Metatron interfering, they were telling Crowley he just needs to open up and it’ll all work out BUT HE’S ALREADY AT THAT POINT. he may not say it, and by gosh is that part of their damn problem, but he’s always SHOWN IT. he’s not Nina who needs time to heal and recover from her broken trust, he’s always been Maggie believing it doesn’t matter, they’ll end up together in the end anyway AND I WALKED RIGHT INTO THE TRAP THAT THIS MEANT THEY WERE GOING TO BE OKAYYYYYYYYYYY
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mirefireflies · 1 year
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“the ending is always the same”
war of the foxes - richard silken / waterloo - ABBA / euripides’ medea - the little theatre / anne carson / the three fates - luca cambiaso / the oresteia - aeschylus / road to hell II - hadestown / when i met you - mira lightner / andersen’s fairy tale anthology
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carm3n-carm3n · 9 months
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so excited!!
🝮 made by me 🝮
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chiekodivine · 2 months
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to tell a story in the form of flowers, what would i say?
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theirisianprincess · 5 months
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I love it when gender bender stories include stipulations like this
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eggsploded · 4 months
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heiress eternal
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bl00dfroma-fairy · 25 days
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putridcowboy · 2 years
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the most important step in the hero’s journey is the gay sex
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