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gwydionmisha · 9 months
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movieseverymonth · 7 months
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Missing (2023)
dir. Nicholas D. Johnson and Will Merrick
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moviemosaics · 10 months
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Missing
directed by Will Merrick and Nick Johnson, 2023
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reppyy · 7 months
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simonbakeralbum · 8 months
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The Mentalist 07-01
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sweetsmellosuccess · 1 year
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There is, apparently now, a "Searching" universe, a world in which beloved family members suddenly disappear, leaving worried relatives to pore over their internet footprint, sleuthing through all their digital touchstones until they can be recovered.
I speak, of course, about "Searching," Aneesh Chaganty's surprisingly engaging 2018 film, which followed the anguished trials of a widowed dad (John Cho), after his teenage daughter suddenly disappears, using all the tricks of the internet age -- Google, chatrooms, IG images, emails, texts, maps, et al. -- to track her down in time for a rescue.
Nicholas D. Johnson and Will Merrick's film "Missing" actually opens with re-created shots of the last film's conclusion, taken from an episode of a fictional TV show called "Unfiction," a true-crime reality show, watched by June (Storm Reid), a teen whose own father, James (Tim Griffin), passed away when she was little, leaving her with a single-parent mother, Grace (Nia Long), with whom she is often in contretemps.
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jmunneytumbler · 1 year
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'Missing' Delivers Yet Another Screenlife Winner
'Missing' Delivers Yet Another Screenlife Winner
Not Pictured: The People Who Are Missing (CREDIT: Screen Gems) Starring: Storm Reid, Nia Long, Ken Leung, Joaquim de Almeida, Amy Landecker, Daniel Henney, Tim Griffin, Megan Suri Directors: Nick Johnson and Will Merrick Running Time: 111 Minutes Rating: PG-13 for Over-the-Top Ragers and Implied Disturbing Violence Release Date: January 20, 2022 (Theaters) What’s It About?: 18-year-old June Allen…
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rookie-critic · 1 year
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Missing (2023, dir. Nicholas D. Johnson & Will Merrick) - review by Rookie-Critic
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Found footage horror is a genre of film that, though the market got a little over-saturated with it in the 2010s, has managed to turn out some of the most classic movies that modern horror has to offer. Movies like The Blair Witch Project, Paranormal Activity, and Cloverfield are all mainstays nowadays, not just among horror fans, but in the world of film, in general. It even started to eke outside of the horror world with films like 2012's Chronicle, which acts as more of a sci-fi, subversive superhero film than a horror one. Then, moving past just the idea of "person free-handing a physical camera in story that acts as the footage that makes up the film," 2014's Unfriended sought to slightly evolve the genre, taking the footage from the camera lens to the computer screen by choosing to tell its story through a screen recording. That format, too, would break out of the horror genre in 2018 with the John Cho-led film Searching, which presents as more of a crime-thriller. I mention all of this to bring context to the subject of today's review, Missing.
Acting as more of a spiritual successor than a sequel to Searching, Missing is another story told from the point-of-view of device screens: mainly the screen of a Macbook used by the film's main character. I walked into the theater thinking I was about to be underwhelmed by this movie. I never watched Searching, even though I love John Cho, because it seemed gimmicky to me (I never watched Unfriended, either). I wasn't sold that a story told in that format could convey itself as well as actually being able to get up and follow the characters' motions through the world they are inhabiting. So, when the trailer for Missing dropped, I had two thoughts: 1) I can't believe they made another one of these, and 2) it looks like they gave the whole film away in the trailer anyway. Imagine my surprise to then walk out of the theater two hours later, very impressed by the story they were able to weave. I was enthralled. The story, they mystery, the influence that the constraint of this storytelling format has on your imagination and your patience. It's as close as a movie can come to telling the story from a first person perspective, as you are just as in the dark as the main character is. There is only one time in the entire film where you are given information that the protagonist doesn't have, and even that is done in a way that doesn't break the flow of the format. The writing is so tightly wound and Storm Reid, who plays the film's protagonist, is so captivating that together they draw you in. You buy into the story (or at least I did) to the point where you're barely even noticing the "gimmick" of the film telling its story through device screens unless the filmmakers want you to notice. Directors Nicholas D. Johnson & Will Merrick have cracked that crucial ingredient to making a successful "found footage" film: you write a story that is benefited by using this format. You can't just slap a found footage style on a movie that could have been filmed in a more traditional style, you make it to where the found footage method is the only style that film can work in. I truly believe that Missing benefited greatly from this fairly new evolution on found footage, and would not have been even half as interesting had it been presented in any other format than this.
All my raving and rambling aside, it's still not a perfect film. There are almost too many plot twists or revelatory moments, so many that I came very close to getting plot twist fatigue, and that would be a major detriment to the film if its big "oh shit" plot twist wasn't so wild. It really wipes a lot of those other moments away and brings you back down, allowing you to buy back into the drama of it. The other big problem with the film is that a good chunk of the dialogue is pretty corny. There is an element of humor in the film, a lot of which is visual-based, and a lot of which I did quite enjoy, but the corny dialogue did come off as more of a distraction than an endearment, and it is pretty persistent throughout the entire movie. It won't be topping any "best of" lists or winning any awards, but Missing was deceptively very good, despite a couple of tiring elements, and it just proves that as long as the writing is solid and the story is strong, gimmicks don't have to be or feel gimmicky. Any format works as long as the effort and care are put in.
Score: 8/10
Currently only in theaters.
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moviesandmania · 6 months
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ARCTIC VOID (2022) Reviews, trailer and now free to watch online
‘You are the experiment’ Arctic Void is a 2022 American sci-fi survival thriller in which most of the passengers and crew on a tourist ship inexplicably vanish. The three remaining men are forced ashore, alone in the elements… Directed by Darren Mann (documentaries: This Cold Life; State of Control; Holiday in Rwanda) from a screenplay written by Michael Weaver (Ouija: Origin of Evil). Produced…
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Missing (2023)
"I know you're in summer vacay mode, but do you have a sec?"
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poorly-drawn-mdzs · 2 months
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Horse Meshi. Delicious, in Horse.
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ramascreen · 2 years
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New Official Trailer For NEXT EXIT
New Official Trailer For NEXT EXIT
Check out this official new trailer for NEXT EXIT movie. Magnet Releasing will release NEXT EXIT in theaters and on demand November 4, 2022 Written and Directed by Mali Elfman Starring Katie Parker, Rahul Kohli, Rose McIver, Tongayi Chirisa, Tim Griffin, Diva Zappa, Nico Evers-Swindell, Karen Gillan When a research scientist (Karen Gillan) makes national news proving she can track people into the…
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son-flower · 3 months
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hes my favorite character. stewchuck
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reppyy · 7 months
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simonbakeralbum · 8 months
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The Mentalist 07-01
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marahutecorner · 2 years
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