#Track By Track

[braverytattoos]

Faith in the Future - Track by Track Part 1

#EXPRESSIONS #ahh #louis tomlinson #louis #lt #lt promo #fitf #track by track #hlcreators #hledits #louis gifs #louis edits #his eyelashes #omg

[mileskanex]

MILES KANE X NIHAL ARTHANAYAKE - ONE MAN BAND, TRACK BY TRACK - OUT NOW!!!

#miles kane #mk5 #one man band #track by track #Youtube

[queenofinys]

OUT OF THE BLUE — BRYNN CARTELLI released march 1, 2024

#brynn cartelli #brynncartelliedit #musicedit #dailymusicians #blogmusicdaily #musicsourcedaily #out of the blue #usermusic #maya edits #track by track

[xyelissax]

#blind channel #exit emotions #track by track #Youtube

[hldailyupdate]

“I wanted to do a real kind of honest love song about mates, and mates talking to another mate about, you know, saying, ‘Maybe you haven’t seen that guy in the last three months’ and you eventually say, ‘We’re gonna drag you out, and by the end of it maybe you’ll get over this.’ Maybe it feels a little bit harsh, a little bit blunt at times but that is often the way that we deal with things. I went into the studio that day, and it’s a song that I’ve always been a massive fan of conceptually Dry Your Eyes, The Streets, I went into the room that day and said, ‘et’s do something conceptually that feels like that, feels like a mate talking to a mate about a lost love or whatever it might be.’ There isn’t a song like that which I do find interesting.”

“I also thought it was an interesting way to end the album because, again, if I go and put my unsophisticated head on, I want to end with a wall of sound that leaves you wanting more, but there’s something kind of confident, I think, about finishing on a down moment like that. I’m really confident in the song, I think it’s a really beautiful song, and we did about 4 or 5 different versions of this album where the track list, it slightly differs, but on every album that we’ve released to Faith In The Future, that’s the closer ‘cos it just feels perfect for that reason. I think we did a good song of representing something that’s pretty honest.”

-Louis on That’s The Way Love Goes. (20 December 2022)

via Track By Track

#louis tomlinson #louis update #faith in the future #that's the way love goes #track by track #quote #december 2022

[medicinelarrie]

Love Louis talking so passionately about making music. He's so knowledgeable and articulate about the whole process. It's no wonder he can write, sing and help produce such a banging record.

#Louis #track by track #FITF

[these-high-walls-came-up-short]

#louis tomlinson #faith in the future #fitf #track by track #my edits #gifs

[waterparksdrama]

since it's airplane convo's birthday today, would you be willing to do a track by track review??

very late but yes :) but i will be very biased

silver - it's a classic. honestly it's not much but considering this was a local band that used to rap about rainbow cholos this is a considerable standout as an early single. it's sweet and awsten sounds so young and earnest singing lyrics about wanting to protect someone. maybe the gage screams were kind of rough to put in but also they were a local poppier band in mostly hardcore scene = it makes sense - 7/10

bones of 92 - not my favorite off airplane conversations tbh maybe it's the rhythm between the lyrics and some of the guitar in the chorus specifically that messes me up i'm not too sure and then the random gage yells again. i think the part that does save the song is the outro. this entire album in general is so hopeful in a way i don't think awsten can be anymore, but the way the guitars and synths swell and he pleads to not be forgotten really gets to me, especially with how the instrumental fades to just him singing - 5/10

i was hiding under your porch because i love you - it's a classic to me and that's all that matters. the lyrical content is a little more vague and not as strong here in favor of the song's catchiness. idk it's just cute and gage is here again because he always is except for the song awsten still likes - 6/10

they all float - i'll admit it. this is one of my favorites off this album. i feel like all the problems i had with the other songs where they focused too much on one element to focus on the other is solved with this one. there's a catchy lead riff and relatable and hopeful lyrics with some unique metaphors. also this is the last song where gage is yelling lol - 8/10

fantastic - FUCKKKKKKK. fuck. i didn't really "get" airplane conversations when i started listening to parx and then i was close to turning 18 and this song came on and i was like. fuck. fuck. that's exactly what i feel like. and i still do. there's something so nostalgic and melancholic to start the song with those minor key guitars and sleigh bells, much like the way awsten displays his insecurities and fears at full force throughout the song. it's clearly a song written in a doubtful wintery depression and yet it's still so hopeful for the future. and you can't help but feel a little strange with how well things would work out for him and how he probably doesn't talk to most of his friends rambunctiously yelling at the end underneath the swells of a midi strings and frantic guitars and piano. it makes you wonder even now how much awsten has to sacrifice in his personal life to fulfill his dreams in music and never being forgotten for it. fuck. - 9/10

-iz

#track by track

[louisupdates]

BIGGER THAN ME

Faith in the Future: Track by Track (3/16)

#louis tomlinson #our gifs #faith in the future: track by track #bigger than me: track by track #track by track

[theageoftheunderstatement]

Arctic Monkeys - The Car track by track | X-Posure | Radio X

#video #interview #arctic monkeys #alex turner #matt helders #the car era #radio x 2022 #track by track #god there are so many new interviews to catch up with today

[unholykazoo]

MELIORA - Track by Track

"The idea for this album was since it began, to write, to make an album that sounded "futuristic / pre-apocalyptic".

Spirit - It is the first song that was written for the album, and pretends to be an introduction with a melody of terror in tech-esque Ed Wood sci-fi. Lyrically, it pretends to be a hallucinogenic trip to the spheres of demons and devils, guided by the green muse. Situate in 1929, just before the crash: The New York sky illuminated at night. An office inside the Empire State Building. A big fish tasting absinthe before jumping from a cornice. His first look at the wells of hell.

From the Pinnacle to the Pit - We've always craved a truly thunderous song based on riffs, Led Zeppelin style. Something that sounds great to hear coming out of the stereo of a car in the parking lot of an American high school. Lyrically, it is about the classic tale of Icarus and Lucifer to illustrate how ultimately souls are ambitious, according to the myth, when facing the fall

Cirice - Initially this song was thought of as a complete dome theme, with an even longer intro (see Devil Church). As we already had other songs that had these great refrains we thought about the song that we could leave the long choruses out ... But in a coffee shop, the chorus appeared out of nowhere and we put aside our dome theme without chorus and ended with a ballad of heavy power. Lyrically, it is a simulation of the relationship between religious authority (church or sect) against the small person who can not differentiate empathy from pure manipulation. Everything disguised as a love song.

Spöksonat - At the beginning of the preproduction we had clear the need to introduce an interlude between a couple of very intense songs, so we took a fragment of a song that is not in this album (which we, as we often do, leave for later) . The first half of the song is a small piece like a climbing spider that comes from a song called RATS, that you will know in a couple of years.

He Is - This is the oldest song on the album, written 8 years ago (in 2007) and originally was not intended for Ghost. We have always felt proud of ourselves for being blind and for trying to think with originality when we try to see how our songs are supposed to sound, but it seemed a little distant and not something that would fit. However, in 2010, after a dazzling afternoon accompanied by friends (other musicians, the Swedish band In Solitude and the Dutch The Devil's Blood), where we played several songs for others and we could hear the demo of this song, Originally titled "Lei è (she is). Selim from The Devil's Blood insisted that this song had to be registered as a Ghost song so we had to change our mind. And in the end we did it, with the help of our friends. We tried to make a demo for Infestissumam but we never felt comfortable with this version and decided to leave it aside to use it better in the future. Unfortunately our friend Selim committed suicide a few years later and inspired us even more to make the song for this album. Lyrically, it is a love song inspired by Romeo and Juliet in which one of the lovers guides them towards the belief that there will be some beautiful place in some place where their love can prosper without contact with the outside world. It is a song about faith and devotion. [Selim Lemouchi (1980-2014).]

Mummy Dust - The idea for this song was already in the mix when we recorded the Opus Eponymous but it did not convince us and we left it for a better day. When the theme for this new album came a couple of years ago, adding also elements of "urban night sky", everything took on a perfect sense to give another opportunity in this album. Lyrically, it talks about the only god in which modern people believe (and venerate); Mammon.

Majesty - It is not very different from the pinnacle to pit, it was a song based on a riff, but currently it is supported by riffs around a vocal base on which the song is supported (it is the way of composing of Ghost). Lyrically speaking, it is to our understanding, on the one hand, a song (or hymn) about the dark lord of the underworld. On the other hand, it shapes a matrix of people, in a completely destroyed or disastrous world, idolizing an authority or dictator who is clearly above them. It's like loving something that hates you.

Devil Church - This little instrumental piece was originally written as the beginning or first part of Cirice, but when the song grew and became longer and longer (and better) we decided to separate it into two tracks, it could not be a single song since Devils Church stands alone as an autonomous piece of music.

Absolution - Another song based on a bass line. Like the third song of the disc has a chorus with five measures, unlike the typical four.

An easily understandable vocal line is added, and we complicate things below the musical base, as we like to do so much. Lyrically speaking it is a lament of the modern woman or man, who spend their lives thinking that their possessions have that something else that allows them to be above any responsibility.

Deus in Absentia - First, the structure of this song was written in a piano backstage at the Grand Sierra Resort Hotel, in Reno, Nevada, during our tour along with Mastodon and Opeth. The simple guitar riffs probably come from the fact that they were composed in "claviature", which usually means, from a guitarist's point of view, that you penetrate the song from a different angle to be able to compose it that way. Lyrically speaking, this song speaks about a modern and ambitious person, just at the time of his death, or, possibly, at one of those crossroads of life in which you feel or think you are seeing or reaching the end, like Satan speaking with Jesus in the Garden of Gethsemane, where they are talking very close."

(x)

#the band ghost #ghost band #meliora #track by track #behind the song #devil rock #my posts #this has been in my drafts forever #I can't remember if I transcribed it or cleaned up a google translate or what because the link doesn't work anymore lmao #anyway the same info is on genius too

[braverytattoos]

Louis - Faith in the Future Track by Track Part 1

#louis tomlinson #louis #lt #lt promo #fitf #track by track #louis gifs #louis edits #hlcreators #hledits #HANDS IN POCKETS #ADJUSTING HIS PHONE OR WHATEVER IN PANTS #ugh #so cute

[mileskanex]

Miles Kane on X-Posure with John Kennedy on RadioX - 04.08.2023

#miles kane #mk5 #one man band #track by track #radio x

[chelseawolfeonly]

#chelsea wolfe #interview #Track by track #she reaches out to she reaches out to she #2024 #Press

[snydergurl]

#owl city #adam young #fireflies #track by track #Youtube

[hldailyupdate]

“I'd say what I'd say, honestly what plays a massive role. I mean look, for a start, I've got a great family, I've got great friends, I've got great people around me. That goes without saying I'm lucky to have those things. Growing up in a place like Doncaster, it makes you feel a certain way and I feel good kind of being like, that if I started walking around like too fucking big for me boots, it doesn't matter how old I was, you know, like people have caught you out on that shit and eventually you realize, ‘Oh, maybe it's not too good to be such a cocky fucker all the time’ or whatever it might be.”

“So, you have these things from a young age and I suppose I still carry that forward now, you know. I know no one's gonna like call me in the street like maybe they used to when I was like 14. Like you know, whatever but it's one of those things like I just think there's something, really I hate this word it's so over used but, there's something really ‘wholesome’ about a place like Doncaster. It's something that will always play a massive, massive part in who I am and who I am as a songwriter. Wat my morals are, you know all of those things.”

“Home is a massive part of who we were but also who we are. I like all the little details in Common People as well I think it's a really clever song in that way, it’s coming from a slightly more imaginative place you're talking about showing you know, a girl at the time you're kind of introducing her, maybe she's not from a place like Doncaster and you're introducing her to you know this side of life but that was definitely something that because it was just straight from the heart so yeah relatively easy to write.”

-Louis on Common People. (20 December 2022)

Via Track By Track

#louis tomlinson #louis update #faith in the future #common people #track by track #quote #december 2022