music is like my #1 inspiration for everything, so I will definitely be posting some songs that I feel really strongly represent Truth or Death from my ELEVEN PLAYLISTS. eleven.
https://open.spotify.com/playlist/2D4FHkiPVuIIVYP09iSOW6?si=1c82926be7fb45ab
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Jonathan Harker knocked me flat with this one. his speculation that vampirism spreads because people willingly follow their loved ones into damnation is so affecting. and it's an insight that's so uniquely him. the gothic heroine in him can see Dracula's world in a way the others seemingly can't. he can look at the situation without any concerns of rationalism, honour, god, or any other facet of Victorian society, and reach this truth: we will walk into any horror for love
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Thinking about “he just happened upon the ship that I was bleeding out on”, and… Stede still doesn’t know the lengths Ed went to in order to meet him, does he?
“The chances of us meeting each other in the first place [were slim].” No they were not. Babygirl your man tracked the Revenge to two different locations, sent his first mate to personally find you and invite you aboard, and obliterated a Spanish naval vessel, all just so he could have one conversion with you.
Ed was down catastrophically from day one, but Stede still thinks that Ed saving his life was a happy accident.
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the Real mystery of death note is that Light somehow convinced the fandom that he is the socially competent one and L is the recluse with no social skills. Light thought it was realistic to respond to the emo freak at his college who said he was a world famous detective after hunching over like a gremlin taking his shoes off in public and sitting like a frog was "if you're telling the truth i respect you greatly." L frequently performs social tests on people close to him to see what they'll say with the goal of studying their responses and picked up a call from his friend in a potentially volatile situation by flawlessly imitating a douchebag friend who parties too much while likely never having been to a bar in his life. they are not the same.
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That is certainly - a statement.
What about Jim, who both metaphorically and literally discovers a path for themself beyond what they were raised to be? What about Pete, who learns to overcome his toxic masculinity, his posturing and self-importance? What about Ed, whose entire story is about deconstructing the performance that is expected of him?
What about, oh, idk, our main fucking character Stede Bonnet, whose arc starts with him literally breaking out from the hetero marriage he was forced into despite never fitting in? Who tries (and initially fails) to build a community where he can be himself? Whose entire story is about discovering his own queerness! He starts out not even able to put a finger on WHY his marriage made him feel so suffocated, and then journeys through s1 until he reaches the emotional climax - "His name is Ed"!
Contrast that with Izzy, who has to be dragged into a supportive community kicking and screaming. Who rejects care and compassion, even at his worst, who has to be forced to accept help. He receives the leg and calls the crew a homophobic slur for it, ffs. Only after that, only when people refuse to let him push them away, is he able to poke his nose into something approaching positive human connections. And that's a powerful narrative, sure, in it's own way; but it's hardly the Ultimate Queer Experience, and it's definitely not the "only queer arc".
And Izzy never lets go of the old ways. He never abandons the Blackbeard-era pirate lifestyle for something more positive, not fully. And that's okay, because ultimately, his arc isn't even about himself.
It's about Ed.
Ed keeps repeating toxic relationship patterns, and Izzy is a part of that. He's linked (on purpose, and I wish it had been done more explicitly) to Ed's father; because Izzy represents the poison that was instilled in Ed from a young age, and that has become so entrenched in his system that he can't imagine a life without it. He keeps Izzy around despite being hurt by him because Izzy is predictable, and in that, is safe, even though he hurts Ed; at least it's a hurt Ed is familiar with and can rely on.
When Izzy slowly changes it's to show that Ed is growing beyond the little voice in his head telling him to reject softness, that he can never be loved, that We're just not these kinds of people. If Izzy can evolve from someone spitting boyfriend at Ed like it's a slur to someone congratulating him on getting laid by that same person, Ed can overcome his inner demons telling him the same thing.
That's the point of Izzy's arc. And this is why he has to die, because Ed can never be truly free as long as Izzy is around. So Izzy goes, quietly, peacefully, and releases Ed of the poison; apologizes to him, tells him I was so wrong, and I am so sorry, because that's what Ed needs to hear to move forward.
And that's such a kind, positive way to end the story of Izzy Hands.
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Truth or Death, the intro
I’m back, bitches. Once a tumblr girlie always a tumblr girlie!!
I’ve never written a book before, or had a particularly strong desire to, until I came up with the plot for Truth or Death. And for the past eight months, I’ve been working on it almost obsessively. Although there’s no end in sight I’m having a GREAT time. After all, I’ll only get to write this once! I’m starting this tumblr to track my progress as I work through the manuscript.
With a massive shelf of textbooks, a frog named Mort, and an unfinished medical degree, Andie Bianchi has been obsessed with death since she was a wee, freaky, young child. No one is surprised she’s found herself working at Forrest’s Funeral Home, Chicago’s most coveted funeral parlor, as Mortician’s Assistant. Although she’s an expert at the ambiguous, her coworker, Felix Byrne is an enigma to her. They don’t particularly like each other, and they definitely don’t understand each other. But when Felix’s estranged father dies under questionable circumstances, Andie may be his only hope in finding out the truth of Edward Byrne’s life and death.
This enemies-to-lovers rom-com balances knowledge, truth, and control with mystery, fate, and secrecy; love and hate; humor and melancholy.
I started writing with the most basic plot idea so it’s been a discovery as I move forward. I’m about 43,000 words in, but this number goes up and down as I flesh things out, go back and edit, and keep going.
I hope one day that this book gets published, and that people who enjoy the book can see its journey. Or, it can just be for me, so I can look back proudly at work I’m extremely proud of. Either way, enjoy!
Grace
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