#Trying to write the arcs I want to exist for Alina genya and zoya is so much harder with canon for them just. So deeply unsatisfying

[rotzaprachim]

Running into walls in that. Comedy verse the crows characters are the ones I can just kind of picture and transpose into all kinds of wacky scenarios like their story is patently tragic and not funny the levity really is purely from deep level situational character comedy because of how well fleshed out everyone is- (which the show just hasn’t yet really gotten to the level of, although season 1 Ted lasso did). But im in some ways far less interested in telling their arcs because they are mostly so satisfyingly done to begin with. The main frame little palace characters are the ones who have the new stories I want to tell through the lens of Ted lasso verse, but even having read them I just. Feel like I know them so much less to begin with

#Just writing out jespers love island audition tapes and Matthias getting lost inside Ann summers #This is the horrible modern weaponising the inherent comedy of hell country au ive always needed to write #Trying to write the arcs I want to exist for Alina genya and zoya is so much harder with canon for them just. So deeply unsatisfying #When I try to attack writing Nadia and genya and tamar and even ALINA there’s this constant vibe of #Is this an oc? Is this an oc? Is this an oc? #Also v v worried about d@rklins stans on this one. Like if you can recognise he’s the villain #Please let there be a story about the survivors of his. Villainy #*villainry