I have not played Schubert for more than a month. My violin misses him more than I do. I tune it, and we enter my soundproof cell. No light, no sound comes in from the world. Electrons along copper, horsehair across acrylic create my impressions of sense.
I will play nothing of what we have played in our quartet, nothing that reminds me of my recent music-making with any human being. I will play his songs.
The Tononi seems to purr at the suggestion. Something happy, something happy, surely:
In a clear brook
With joyful haste
The whimsical trout
Shot past me like an arrow.
I play the line of the song, I play the leaps and plunges of the right hand of the piano, I am the trout, the angler, the brook, the observer. I sing the words, bobbing my constricted chin. The Tononi does not object; it resounds. I play it in B, in A, in E flat. Schubert does not object. I am not transposing his string quartets.
Where a piano note is too low for the violin, it leaps into a higher octave. As it is, it is playing the songline an octave above its script. Now, if it were a viola . . . but it has been years since I played the viola.
An Equal Music by Vikram Seth
this book, dedicated to Seth's then-partner violinist Philippe Honoré, might be beautiful, but for the life of me i don't know if i'll get the chance to figure out if it's good or not because the only digital copy i could find occasionally does this:
1 note
·
View note
24th March
The Frog and the Nightingale by Vikram Seth
In this long poem, parts of which follow below, Seth tells a story of cynical manipulation and exploitation, disguised as a nature fable.
Source: studybcse.com
The Frog and the Nightingale
Once upon a time a frog
Croaked away in Bingle Bog.
Every night from dusk to dawn
He croaked awn and awn and awn.
Other creatures loathed his voice,
But, alas, they had no choice,
And the crass cacophony
Blared out from the sumac tree
At whose foot the frog each night
Minstrelled on till morning light.
Neither stones nor prayers nor sticks,
Insults or complaints or bricks
Stilled the frog’s determination
To display his heart’s elation.
But one night a nightingale
In the moonlight cold and pale
Perched up on the sumac tree
Casting forth her melody.
Dumbstruck sat the gaping frog
And the whole admiring bog
Stared towards the sumac, rapt,
And, when she had ended, clapped.
…
‘Bravo!’ ‘Too divine!’ ‘Encore!’
So the nightingale once more,
Quite unused to such applause,
Sang till dawn without a pause.
Next night when the nightingale
Shook her head and twitched her tail,
Closed an eye and fluffed a wing,
And had cleared her throat to sing
She was startled by a croak.
…
‘You see,
I’m the frog who owns this tree.
In this bog I’ve long been known
For my splendid baritone
…
‘Did you … did you like my song?’
‘Not too bad - but far too long.
The technique was fine of course,
But it lacked a certain force.’
‘Oh!’ the nightingale confessed,
Greatly flattered and impressed
That a critic of such note
Had discussed her art and throat:
…
‘That’s not much to boast about,’
Said the heartless frog, ‘Without
Proper training such as I
- And few others can supply -
You’ll remain a mere beginner.
But with me you’ll be a winner.’
…
Now the nightingale, inspired,
Flushed with confidence, and fired
With both art and adoration,
Sang - and was a huge sensation.
Animals for miles around
Flocked towards the magic sound,
And the frog with great precision
Counted heads and charged admission.
…
And the sumac tree was bowed
With a breathless titled crowd…
And the frog observed them glitter
With a joy both sweet and bitter.
Every day the frog who’d sold her
Songs for silver tried to scold her:
‘You must practice even longer
Till your voice, like mine, grows stronger.
…
You must make your public happier:
Give them something sharper, snappier.’
…
Day by day the nightingale
Grew more sorrowful and pale.
Night on night her tired song
Zipped and trilled and bounced along,
Till the birds and beasts grew tired
At a voice so uninspired
And the ticket office gross
Crashed and she grew more morose -
For her ears were now addicted
To applause quite unrestricted,
And to sing into the night
All alone gave no delight.
Now the frog puffed up with rage.
‘Brainless bird - you’re on the stage -
Use your wits and follow fashion.
Puff your lungs out with your passion.’
Trembling, terrified to fail,
Blind with tears, the nightingale
Heard him out in silence tried,
Puffed up, burst a vein, and died.
Said the frog: ‘I tried to teach her,
But she was a stupid creature -
Far too nervous, far too tense,
Far too prone to influence.
Well, poor bird - she should have known
That your song must be your own…
And the foghorn of the frog
Blared unrivalled through the bog.
The moral of this sad story is “be yourself” and mistrust the motives of those who try to change you.
0 notes