Yingxing Appreciation 🎉🎉
hi, hello, it's Yingxing appreciation time and I'm dragging you into it bc he is my baby and I need more ppl to talk about him
Y'know I see a lot of people like in awe and hyping up DF and just giving him tons of appreciation while analyzing him specifically as an individual which is all so so valid, DF is amazing and very intriguing as a character and I love him sm, but I sadly don't see the same for Yingxing despite him I think also being so interesting. I also see him more so dismissed in the "literally God and some guy" kind of fashion sometimes
So I'm here to rant just a little bit about Yingxing, why I love him, why he's epic and why he ruins my day every single time I think about him! This is for any of my fellow Yingxing lovers who are also starved of any content of him
Firstly, this man is a genuine genius, like lest we forget this is from Baiheng's travelogue in which she met a young Yingxing who was still a child by this point.
He was a young boy but had already become a craftsman, a sign of his ability to learn exceedingly quick under Huaiyans tutelage. And his ability to work and progress incredible fast continues into his time as a young man on the Luofu.
We know he arrived probably somewhere around 18-21 (in my personal estimate) and by the time he saw Jingliu again (which itself was likely early into his stay on the Luofu given HCQ ages and timing), he had already impressed the Master Craftsmen of the Luofu's Artisanship Commission and earned himself a title.
There are also multiple things in game that emphasize his achievements and creations he crafted, some offhandedly mentioned in a readable or item while others are emphasized with importance.
Casually mentioned in the Discarded Ingenium Parts is his feat in the Great Trial of the Furnace (perhaps that trial is for gaining the furnace master title? Once again signifying an earlier achievement in his legacy) where it took him only a day and night to create a whole mechanical lion that moved and looked just like a real live lion from a bunch of defective parts and waste.
More recently in 1.5, they released a readable, the Ten-Lords Criminal Directory, which mentions an imprisonment method designed by Yingxing that keeps “Mirage” in a perpetual state trapped within a hallucination of their own making. Utilizing it’s own powers in order to keep it imprisoned. Something that with proper maintenance seems to have lasted for around 700 years so far.
And of course, how can we forget his most famous creations
The beautifully crafted weapons of the High Cloud Quintet, from Jingliu’s incredibly heavy sword remarked as being as heavy as three thousand catties, to Dan Feng’s Cloud Piercer with the ability to even cut through dragon scales, and the Devastator Glaive as well as Baiheng’s recurve bow. Each impressive in their own ways and seemingly crafted pretty early as well into his time on the Luofu with the HCQ given the distinction of Jing Yuan who (even if he likely was more a teen than a boy) still wasn’t an exact adult yet. So once again, let me emphasize this man’s skill here. With how many things he managed to do so so early into his time on the Luofu. A genius craftsman who deserved all of the praise he had garnered with his works.
Additionally, I know they keep harping about “ugh arrogant craftsman, ugh he’s so full of himself” but every single time we’ve seen his personality, he just seems like a genuine joy to be around. Bright, charismatic, sure he’s cocky but he also gives the impression of being incredibly fun and a bit silly if you ask me.
His behavior as mirrored by the mirage echo in Scalegorge Waterscape is distinctly playful even in what might be a more tense situation, lightly bantering with Dan Feng and even chuckling in certain languages.
In Jingliu’s character stories, it even furthers this bright, playful attitude he gives off with his distinct cheekiness shining through especially with that “toothy grin” of his. And if you listen to Jingliu’s (at least her English) voice lines during Clouds Leave No Trace when she speaks about Yingxing before getting into his transformation, there is a distinct fondness or amusement in her voice as she speaks of him especially that cocky nature of his despite her distaste for it at first.
While Baiheng is hailed as this kind figure in the High Cloud Quintet, perhaps their sun even casting light upon them, it doesn’t seem too far off to say Yingxing was a shining star among them in his own right. His easy going nature with them bringing about a bubbly playfulness similar to Baiheng given their closeness from when he was young. I could go into way more especially in regards to the casualness at which Yingxing seems to speak and treat others allowing for a more equal formation of relationships especially with Dan Feng but I’m saving that for another rant.
And all of this about him especially how expressive he seems at certain points he’s been mentioned, really just makes me so incredibly sad when thinking about Blade now. How severely separated he is from this identity. A division that exists from not only his death but from the way his mental state has been severely warped from his time with Jingliu and being affected afterwards by the mara.
The sheer dehumanization and lack of a personal identity in place of seeing himself as a solely a weapon when put next to Yingxing, with such a clear bold individual identity, really makes the transformation of one into the other all the more jarring and tragic. Especially with the emphasis on how Yingxing hated the abominations of Abundance only to become one himself, something that is still implied to have not been by his own hand. Blade is an immensely tragic character, but that tragedy only holds weight because of the life and identity Yingxing had. It is only with Yingxing’s light which shined despite the circumstances of his life that his descent into darkness hits harder, and it makes me so sad that I haven’t found many others talking or expanding upon this despite my searches because he really is such a well written character with so many details in his story that are both interesting and utterly heartbreaking.
And additionally, I want to say that I think there is a lost potential in examining the Xianzhou through Yingxing. Specifically in the way he is treated as a short life species. We know how the relationship between the Vidyadhara and the Natives, especially as it’s changed after Dan Feng, but there is a very interesting relationship to be explored between the Xianzhou and the Short Life Species the end up there, especially through Yingxing’s relationship to the different Artisans guilds whether on the Luofu or the Zhuming.
In the end, it becomes another sad element to Yingxing’s story. Yingxing managed to change his attitude regarding how the Zhuming masters treated him and even grew more of a confidence, but even in the Luofu's Artisanship Commission, he can never truly get as far as he deserves. Just as Jingliu says
Even with his work impressing the master craftsmen of the Luofu, even after more than showing his skill and earning the title of Furnace Master for that skill, he still would be denied higher positions and could only prove his true worth by the High Cloud Quintet.
And just let me say it again, him being a short life species allows for such an interesting examination of the world and people around him based upon that. While we don't know exactly how they met, we do know that Yingxing was Huaiyan's personal disciple and the only one he mentions of the celestial masters to treat him with respect and believe in his capabilities despite knowing he's a short life species. Through his treatment of Yingxing, we learn quite a bit about him. Through Baiheng's treatment of him as well, we learn a lot about her, more than anywhere else.
He's just UGH I need more exploration from Yingxing's perspective, the lack of it feels as if I'm being starved. He's so interesting, he's so fun, he's incredibly tragic, and he makes me cry every single time he crosses my mind. Please do yourselves a favor and think more about his character so you'll end up as sad about him as me. Or don't maybe. I dunno. All I know for sure is that you absolutely need to read Views of the Universe From a Starskiff: The Zhuming if you haven't. Anyways bye, thanks for listening to this rant, I gotta go cry over him.
Peep the tags also for a rant about my own characterization of YX if you wish to witness my insanity
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one of the biggest reasons why alfred is so smiley, goofy, happy-go-lucky, devil-may-care during the 19th through 21st centuries, (besides deciding since before 1776 that he was going to be completely contrarian to arthur in his outlooks) is that he’s been through the wringer for the past hundred years already. give the guy a break!
spending your formative years (or the country equivalent of a ‘childhood’, anyway) educating yourself deeply on politics, fighting for independence, then fighting again to keep your nation together, and then trying to expand throughout the rest of the continent, while dealing with crazy winters and starvation and swathes of diseases… well.
alfred grew up with the expectation of perfection under england, and even after becoming free he still had to raise himself by the bootstraps. help create a government with his people, for his people, and hope and pray to whatever deity was out there that america could survive. and those first 100 years certainly were not sunshine and rainbows — pictures of alfred’s youth show everything except smiles. he wears melancholy expressions that don’t suit his face.
battling for your place on the world stage is hard enough, but to become a self-made, global superpower on top of it? alfred grows in spades, and by the time the industrial revolution comes around, and his house is the most bustling on the entire planet, and the gold rush comes and goes— that constant work and isolationism has paid off. he loosens up a little. he can smile now. relax a little! eat in excess knowing there will always be food on the table.
that’s when he finally gets to live out the years of childlike ease he never truly got to indulge in: to laugh and be merry without a care in the world. momentary ill spell during the great depression aside, the great wars later only solidify america’s place as the strongest in the world. the other countries wouldn’t dare admit it, but alfred’s self-proclaimed epithet of ‘hero’ is not without cause and reason, and not without hard proof. (and besides, he deserves a little gloating after all this time, doesn’t he?)
ivan had threatened his status in the hierarchy for a while there, and 45 years of foolhardy, workaholic america stepped out of the shadows again. but again, alfred surpasses the literal and proverbial soviet wall. and this time it isn’t just the world he has in his palms, but outer space, too — he has the moon and the stars and a damn space station.
finally, on top— finally, he doesn’t have to battle tooth and nail just to survive. instead, maybe he’ll set a whoopie cushion on françois’ chair at the next meeting, or order everything off the mcdonald’s menu tonight just ‘cause he can, or maybe even get matt to film him doing some outrageously ridiculous parkour—
that’s the beauty of it: it’s enjoyable to let go, act as immature and carefree as you want, knowing you’re at the top of the food chain. the others have gotten used to boy scout america, to the silly superhero alfred — they’ve definitely forgotten how scary and smart and cutthroat and frankly bloodthirsty he is when he gets serious. the america that lies asleep beneath the surface, the sleeping dog that you’d better hope you don’t wake up.
and, hell— his people chose him. his people left the other nations for him. left their homelands to stay at his house. that’s a testament to the unshakeable empire he’s built up, right? the others should be following his lead.
so he’ll act as he pleases, screw all the manners and customs and old-world european way of doing things — the freedom-loving rebel bastard that he still is, deep down.
al’s earned it, after all!
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Playing a play-through of Baldur's Gate 3 with the no party limit mod just so I can have the whole gang along to see all the chatter between them and varied responses.
But seeing such a large group with me, often reminds me of how absurdly large Gacha game casts often get.
And how like, its so hard to take a situation seriously when there's so many people waiting behind you jump this one dude who wants to throw hands.
Like the true soul dying on the road outside of the grove, that fight where there's just three goons and I got two PCs, Wyll, Laz, Shadow, Asterion, Karlach, and Gale just dog-piling them.
Now imagine that when like several dozens or hundreds of incredible powerful operators nearby if you were the Doctor. Like big bad wants to throw hands and my personal army is vibing out.
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Q: Doctor Zhivago seems to have been as epic a shoot as the story itself. Do you have any anecdotes or memories?
A: My great scene was on the back of the train. People say: “Oh, that’s iconic, that!” It took two days to film because David Lean couldn’t decide what I’d wear. I could have told him he hadn’t shot it close enough. David never made choices; he just edited as he went along. For the audience to realise that the student was now the leader of the revolution, they needed to clearly see his scar in closeup. But I wasn’t going to say to David Lean – “Uh, David, shouldn’t it be closer?” – because what did I know? When we went through the whole rigmarole again, with David having decided what I should wear, he shot it close. So that’s my main Zhivago anecdote.
Tom Courtenay being absolutely adorable in this marvellous Q&A in The Guardian. [Including the best advice ever - “when you’re filming, never stand when you can sit, and never sit when you can lie down. Especially when you’re in your 80s.“]
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